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20th century fox

15 Things You Might Not Know About Young Frankenstein

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20th century fox

1. Studio Executives tried Tricking Director Mel Brooks into Shooting the Film in Color

By the mid-‘70s, black and white cinema was an endangered species. Nevertheless, Brooks felt strongly about replicating the feel of Universal’s classic Frankenstein films by going colorless. However, not everybody shared his vision. Columbia Studios’ brass thought the style was unmarketable and, as Brooks explains in this delightful interview (skip to 47:40), used some slippery tactics in an attempt to get their way:

“They said ‘Okay, we’ll make it in black and white, but on color stock so that we can show it in Peru, which just got color. And I said ‘No. No because you’ll screw me. You will say this and then, in order to save the company, you will risk a lawsuit and you will print everything in color. It’s gotta be on… black & white thick film.”

Thankfully, Brooks prevailed, though 20th Century Fox wound up taking charge of the project.

2. Star and Co-Writer Gene Wilder Convinced Brooks to Forgo his Usual Cameo Appearance

Like Alfred Hitchcock, Brooks usually gave himself a part in his own films, from Blazing Saddles’ loopy governor to the wine-selling Rabbi of Robin Hood: Men in Tights. These characters regularly broke the fourth wall and “winked” at the audience, something Wilder felt would clash with Young Frankenstein’s tone. So, as a condition of his taking on the lead role, Wilder made Brooks agree to remain off-camera.

However, the director did provide some howling:

As Frederick Frankenstein (Wilder) takes his first ride to the family castle, the distant wolf cry which startles him is a sound Brooks actually vocalized himself.

3. Early On, We Hear the Exact Same Conversation Repeated in Both English and German

En route to Romania, our protagonist catches a train to New York, whereupon he hears an American couple bickering. In the very next scene, Frederick (now on a Transylvania-bound locomotive) witnesses a European pair having an identical, word-for-word exchange in German

4. One of Igor’s Best Moments Inspired a Hit Aerosmith Song

“Walk this way!” Marty Feldman’s Igor instructs his master, who proceeds to copy the hunchback’s shuffling gait. Aerosmith frontman Steven Tyler found this line hilarious and repurposed it as the title of a track about high school lovers.

5. Hans Delbrück Was a Real Person

As Frederick readies his monster, he sends Igor to fetch a very special brain which rests in a jar labeled “Hans Delbruck: Scientist and Saint”. The actual Hans Delbrück (1848-1929) was an accomplished military historian whose son, Max, won a Nobel Prize for his work with viruses.

6. Several Props Had Previously Appeared in the Masterful 1931 Frankenstein Film

Taking his feature-length tribute to the next level, Brooks included much of the faux lab equipment used in that earlier picture.

7. Teri Garr Based Her Character’s Voice on Cher’s Hairdresser

Garr made several appearances on The Sonny and Cher Comedy Hour and used Cher's German wig-stylist as a model for ditzy lab assistant Inga’s heavy accent.

8. Brooks Hired Kenneth Mars After the Actor Signed Off on an Odd Costuming Choice

The two had already collaborated in 1968’s The Producers, and while casting Young Frankenstein, Brooks offered Mars the role of grumpy Inspector Kemp, but not before pitching an eccentric wardrobe gimmick that ultimately wound up on-screen.

“He [said],” Mars later reminisced, “‘Let me ask you this… if you’re wearing an eye patch and you’ve got a monocle on top of the eye patch, is that too much?’ I said ‘Of course not.’ He said ‘Good, you’re hired!’”

9. Gene Hackman Specifically Asked Wilder for a Part in Young Frankenstein Because he “Wanted to Try Comedy”

According to the movie’s Blu-Ray commentary, Hackman—who’d been thrice nominated for an Academy Award (and won one in 1971)—learned about Young Frankenstein through his frequent tennis partner Wilder and requested a role. Ultimately, ‘Harold’—the lonely blind character he briefly portrayed—sparked one of the most memorable sequences in comedic history.

10. Peter Boyle Had to Wear a Special Pad Over His Crotch to Avoid Getting Scalded During the Famous Blind Man Scene

During their hysterical encounter, sightless Harold winds up accidentally dumping a bowlful of hot soup onto the poor creature’s lap. Fortunately, Boyle’s protective gear kept him from having to method act his way through the ordeal.

11. A Huge Percentage of the Movie Had to Be Deleted

“For every joke that worked, there were three that fell flat,” says Brooks, who whittled Young Frankenstein down to its current runtime after observing several mixed reactions from test audiences. This cut material included a clip in which Frederick’s relatives listen to a recorded will left by his great grandfather Beauvort von Frankenstein whose message starts skipping and nonchalantly repeats the phrase “Up Yours!”

In addition, the “Puttin’ on the Ritz” number was nearly axed as well. Brooks reportedly felt that having Dr. Frankenstein and his monster tap dance to an old Irving Berlin song seemed “too crazy.” Hearing this, Wilder—who though it brilliant—snapped and came “close to rage and tears” before Brooks unexpectedly changed his tune. “I wanted to see how hard you'd fight for it,” said the director, “And I knew if you fought hard enough, it was right...You did, so it's in.”

12. Wilder was Constantly Cracking Up During Takes

According to Cloris Leachman, “He killed every take [with his laughter] and nothing was done about it!” Shots would frequently have to be repeated as many as fifteen times before Wilder could finally summon a straight face.

But, to be fair, he certainly wasn’t the only one who couldn't always keep it together.

Young Frankenstein sees Marty Feldman’s comic genius on full display, which was often more than his castmates could handle. For example, the scene where Frederick’s fiancée Elizabeth (Madeline Kahn) greets him at the castle generated a lengthy gag reel because Feldman—whose character starts ravenously gnawing on her mink scarf—kept everyone in stitches with his manic over-acting.

13. Brooks’ Blazing Saddles and Young Frankenstein were the 1st and 3rd highest-grossing films of 1974, respectively

“It’s good to be the king!” Before this pivotal year, the funnyman’s earlier efforts—The Producers and The Twelve Chairs (1970)—netted mixed reviews and had lackluster box office performances. But after turning out these back-to-back hits at breakneck speed, Brooks’ reputation as one of Hollywood’s greatest comedic directors was secured.

14. Leachman Was Asked to Reprise Her Role for the 'Young Frankenstein' Musical

After getting eliminated from ABC’s Dancing with the Stars, Brooks offered the 82-year-old actress a chance to take a second stab at playing Frau Blücher for his on-stage Young Frankenstein musical, but the show’s run ended before her schedule freed up.

15. Throughout the Shoot, Brooks Offered Wilder Directing Advice

Knowing his star dreamed of one day sitting in the director’s chair, Brooks made a point to give him as many pointers as possible before shooting concluded. Wilder reminisced, “Mel would say, ‘Do you know the trouble I’m in because I didn’t shoot that close-up? Don’t do that.’ I would say, ‘To whom are you talking?’ ‘You, when you’re directing.’”

Though both headed various productions after Young Frankenstein, they’d never collaborate on another flick. Nevertheless, the pair’s shared legacy is unimpeachable. All three of Brooks’ movies in which Wilder appeared—The Producers, Blazing Saddles, and Young Frankenstein—have been selected for preservation by the National Film Registry and included on the American Film Institute’s “100 Funniest Movies of All Time” list.

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6 Times There Were Ties at the Oscars
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Only six ties have ever occurred during the Academy Awards' near-90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. BEST ACTOR // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde (female writer Frances Marion won Best Screenplay for the film), and Beery won for The Champ, which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. BEST DOCUMENTARY SHORT SUBJECT // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. BEST ACTRESS // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. BEST DOCUMENTARY FEATURE // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. BEST SHORT FILM (LIVE ACTION) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars Richard E. Grant (Girls, Withnail & I) as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. BEST SOUND EDITING // 2013

The latest Oscar tie happened only three years ago, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg said to the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

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10 People Who Have Misplaced Their Oscars
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Winning an Oscar is, for most, a once-in-a-lifetime achievement. Unless you’re Walt Disney, who won 22. Nevertheless, owning a little gold guy is such a rarity that you’d think their owners would be a little more careful with them. Now, not all of these losses are the winners' fault—but some of them certainly are, Colin Firth.

1. ANGELINA JOLIE

After Angelina Jolie planted a kiss on her brother and made the world wrinkle their noses, she went onstage and collected a Best Supporting Actress Oscar for her role as Lisa in Girl, Interrupted. She later presented the trophy to her mother, Marcheline Bertrand. The statuette may have been boxed up and put into storage with the rest of Marcheline’s belongings when she died in 2007, but it hasn’t yet surfaced. “I didn’t actually lose it,” Jolie said, “but nobody knows where it is at the moment.”

2. WHOOPI GOLDBERG

In 2002, Whoopi Goldberg sent her Ghost Best Supporting Actress Oscar back to the Academy to have it cleaned and detailed, because apparently you can do that. The Academy then sent the Oscar on to R.S. Owens Co. of Chicago, the company that manufactures the trophies. When it arrived in the Windy City, however, the package was empty. It appeared that someone had opened the UPS package, removed the Oscar, then neatly sealed it all back up and sent it on its way. It was later found in a trash can at an airport in Ontario, California. The Oscar was returned to the Academy, who returned it to Whoopi without cleaning it. “Oscar will never leave my house again,” Goldberg said.

3. OLYMPIA DUKAKIS

When Olympia Dukakis’s Moonstruck Oscar was stolen from her home in 1989, she called the Academy to see if it could be replaced. “For $78,” they said, and she agreed that it seemed like a fair price. It was the only thing taken from the house.

4. MARLON BRANDO

“I don’t know what happened to the Oscar they gave me for On the Waterfront,” Marlon Brando wrote in his autobiography. “Somewhere in the passage of time it disappeared.” He also didn't know what happened to the Oscar that he had Sacheen Littlefeather accept for him in 1973. “The Motion Picture Academy may have sent it to me, but if it did, I don’t know where it is now.”

5. JEFF BRIDGES

Jeff Bridges had just won his Oscar in 2010 for his portrayal of alcoholic country singer Bad Blake in Crazy Heart, but it was already missing by the next year’s ceremony, where he was up for another one. He lost to Colin Firth for The King’s Speech. “It’s been in a few places since last year but I haven’t seen it for a while now,” the actor admitted. “I’m hoping it will turn up, especially now that I haven’t won a spare! But Colin deserves it. I just hope he looks after it better.” Which brings us to ...

6. COLIN FIRTH

Perhaps Jeff Bridges secretly cursed the British actor as he said those words, because Firth nearly left his new trophy on a toilet tank the very night he received it. After a night of cocktails at the Oscar after-parties in 2011, Firth allegedly had to be chased down by a bathroom attendant, who had found the eight-pound statuette in the bathroom stall. Notice we said allegedly: Shortly after those reports surfaced, Firth's rep issued a statement saying the "story is completely untrue. Though it did give us a good laugh."

7. MATT DAMON

When newbie writers Matt Damon and Ben Affleck took home Oscars for writing Good Will Hunting in 1998, it was one of those amazing Academy Award moments. Now, though, Damon isn’t sure where his award went. “I know it ended up at my apartment in New York, but unfortunately, we had a flood when one of the sprinklers went off when my wife and I were out of town and that was the last I saw of it,” Damon said in 2007.

8. MARGARET O'BRIEN

In 1945, seven-year-old Margaret O’Brien was presented with a Juvenile Academy Award for being the outstanding child actress of the year. About 10 years later, the O’Briens’ maid took the award home to polish, as she had done before, but never came back to work. The missing Oscar was forgotten about when O’Brien’s mother died shortly thereafter, and when Margaret finally remembered to call the maid, the number had been disconnected. She ended up receiving a replacement from the Academy.

There’s a happy ending to this story, though. In 1995, a couple of guys were picking their way through a flea market when they happened upon the Oscar. They put it up for auction, which is when word got back to the Academy that the missing trophy had resurfaced. The guys who found the Oscar pulled it from auction and presented it, in person, to Margaret O’Brien. “I’ll never give it to anyone to polish again,” she said.

9. BING CROSBY

For years, Bing Crosby's Oscar for 1944’s Going My Way had been on display at his alma mater, Gonzaga University. In 1972, students walked into the school’s library to find that the 13-inch statuette had been replaced with a three-inch Mickey Mouse figurine instead. A week later, the award was found, unharmed, in the university chapel. “I wanted to make people laugh,” the anonymous thief later told the school newspaper.

10. HATTIE MCDANIEL

Hattie McDaniel, famous for her Supporting Actress win as Mammy in Gone with the Wind, donated her Best Actress Oscar to Howard University. It was displayed in the fine arts complex for a time, but went missing sometime in the 1960s. No one seems to know exactly when or how, but there are rumors that the Oscar was unceremoniously dumped into the Potomac by students angered by racial stereotypes such as the one she portrayed in the film.

An earlier version of this post ran in 2013.

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