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10 Ignominious Facts About The Scarlet Letter

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These days, we tend to think about The Scarlet Letter in relation to high school students struggling with their English papers, but we didn’t always see the book that way. When Nathaniel Hawthorne published the novel in 1850, it was a juicy bestseller about an adulterous woman forced to wear a scarlet ‘A’ on her chest by a community steeped in religious hypocrisy

1. Hawthorne Was So Ashamed Of His Puritan Ancestors, He Changed His Name.

Hawthorne, who was born in Salem, Massachusetts, was aware of his messy Puritan heritage. His great-great-grandfather William Hathorne came to Salem in 1636. As the Massachusetts Bay delegate, he tried to rid the town of Quakers by having them whipped and dragged through the street half naked. His son, John Hathorne, was even worse. As a magistrate during the Salem witch trials of 1692, he examined more than one hundred accused witches, and found them all guilty. Hawthorne detested this legacy and distanced himself from his ancestors by adding the “W” to the spelling of his name.

2. He Started The Scarlet Letter After He Was Fired From His Job.

Unable to support his family by publishing short stories, Hawthorne took a politically appointed post at the Salem Custom House in 1846. Three years later, he was fired because of a political shakeup. The loss of his job, as well as the death of his mother, depressed Hawthorne, but he was also furious at Salem. "I detest this town so much that I hate to go out into the streets, or to have people see me,” he said.

It was in this mood that he started The Scarlet Letter.

3. Hester and Dimmesdale’s Affair May Be Modeled After A Public Scandal.

In 1846, Hawthorne's sister-in-law Elizabeth Peabody published the work of Hungarian linguist Charles Kraitsir. Two years later, it was discovered that Kraitsir’s wife had seduced several of his students at the University of Virginia. He left his wife and daughter in Philadelphia and fled to Peabody for help. Peabody responded by going to Philadelphia in an attempt to gain guardianship of the daughter. This didn’t go over so well with the wife. She followed Peabody back to Boston and confronted her husband. In response, Peabody and Kraitsir tried to get her committed to a lunatic asylum. The press got wind of the story and Kraitsir was skewered for looking weak and hiding behind Peabody’s skirts. Hawthorne watched as the scandal surrounding a woman’s affairs played out on the public stage, right as he was starting The Scarlet Letter.

4. The Puritans Really Did Make People Wear Letters For Adultery.

Hawthorne must have known there was historical precedence for The Scarlet Letter. According to a 1658 law in Plymouth, people caught in adultery were whipped and forced “to weare two Capitall letters namely A D cut out in cloth and sowed on theire vpermost Garments on theire arme or backe.” If they ever took the letters off, they would be publicly whipped again. A similar law was enacted in Salem.

In the town of York (now in Maine) in 1651, near where Hawthorne’s family owned property, a woman named Mary Batchellor was whipped 40 lashes for adultery and forced to wear an ‘A’ on her clothes. She was married to Stephen Batchellor, a minister over 80 years old. Sound familiar?

5. Hawthorne’s Editor Took Credit For Talking Him Into Writing The Novel.

In an 1871 issue of The Atlantic Monthly, editor James T. Fields wrote about being Hawthorne’s champion. Not only did he try to get Hawthorne reinstated in his Custom House post, Fields said he convinced Hawthorne to write The Scarlet Letter as a novel. One day, while trying to encourage the despondent writer ("'Who would risk publishing a book for me, the most unpopular writer in America?' 'I would,' said I"), Fields noticed Hawthorne’s bureau. He said he bet Hawthorne had already written something new and that it was in one of the drawers. Hawthorne, flabbergasted, pulled out a manuscript. “How in Heaven's name did you know this thing was there?” he said. He gave Fields the “germ” of The Scarlet Letter. Fields then persuaded Hawthorne to alter “the plan of that story” and write a full-sized book. The rest is history.

Or is it? Hawthorne’s wife Sophia said of Fields’s claims: “He has made the absurd boast that he was the sole cause of the Scarlet Letter being published!" She added that Edwin Percy Whipple was the one who encouraged Hawthorne.

6. The Novel Is One Of The First To Feature A Strong Female Character.

Hester Prynne is a tall, dignified character who endures her outcast status with grace and strength. Although she has fallen to a low place as an adulteress with an illegitimate child, she becomes a successful seamstress and raises her daughter even though the authorities want to take the child away. As such, she’s a complex character who embodies what happens when a woman breaks societal rules. Hawthorne not only knew accomplished women such as Peabody and Margaret Fuller, he was writing The Scarlet Letter directly after the first women's rights convention in New York in 1848. He was one of the first American writers to depict “women’s rights, women’s work, women in relation to men, and social change,” according to biographer Brenda Wineapple.

7. The Scarlet Letter Is Full Of Symbols

As you probably know, Hawthorne hits you in the head with symbolism throughout The Scarlet Letter, starting with the characters’ names—Pearl for an unwanted child, Roger Chillingworth for a twisted, cold man, Arthur Dimmesdale for a man whose education cannot lead him to truth. From the wild woods to the rosebush by the jail to the embroidered ‘A’ itself, it’s easy to see why The Scarlet Letter is the book that launched a thousand literary essays.

8. Hawthorne Loved The Word Ignominy.

In the 87,000-plus words that make up The Scarlet Letter, Hawthorne used “ignominy” 16 times, “ignominious” seven times, and “ignominiously” once. He apparently had affection for the word, which means dishonor, infamy, disgrace, or shame. Either that, or he needed a thesaurus.

9. People Thought The Novel Was Scandalous.

While the reviews were generally positive, others condemned The Scarlet Letter as smut. For example, this 1851 review by Reverend Arthur Cleveland Coxe: “Why has our author selected such a theme? … Is it, in short, because a running underside of filth has become as requisite to a romance, as death in the fifth act to a tragedy? Is the French era actually begun in our literature? … we honestly believe that "the Scarlet Letter" has already done not a little to degrade our literature, and to encourage social licentiousness.” This kind of rhetoric didn’t hurt sales. In fact, The Scarlet Letter’s initial print run of 2500 books sold out in 10 days.

10. Hawthorne Didn’t Make Much Money From The Novel.

The Scarlet Letter made Hawthorne a well-known writer, allowed him to purchase a home in Concord, and insured an audience for books like The House of Seven Gables. However, The Scarlet Letter didn’t make Hawthorne rich. Despite its success in the U.S. and abroad, royalties weren’t that great—overseas editions paid less than a penny per copy. Hawthorne only made $1500 from the book over the remaining 14 years of his life. He was never able to escape the money troubles that plagued him.

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11 Haunting Facts About Beloved

Toni Morrison—who was born on February 18, 1931—made a name for herself with The Bluest Eye, Sula and Song of Solomon, but it wasn’t until 1987’s Beloved, about a runaway slave haunted by the death of her infant daughter, that her legacy was secured. The book won the Pulitzer Prize and was a key factor in the decision to award Morrison the Nobel Prize in 1993. All the awards aside, Beloved is a testament to the horrors of slavery, with its narrative of suffering and repressed memory and its dedication to the more than 60 million who died in bondage. Here are some notable facts about Morrison’s process and the novel’s legacy.

1. IT’S BASED ON A TRUE STORY.

While compiling research for 1974's The Black Book, Morrison came across the story of Margaret Garner, a runaway slave from Kentucky who escaped with her husband and four children to Ohio in 1856. A posse caught up with Garner, who killed her youngest daughter and attempted to do the same to her other children rather than let them return to bondage. Once apprehended, her trial transfixed the nation. "She was very calm; she said, 'I’d do it again,'" Morrison told The Paris Review. "That was more than enough to fire my imagination."

2. MORRISON CAME UP WITH THE CHARACTER BELOVED AFTER SHE STARTED WRITING.

The book was originally going to be about the haunting of Sethe by her infant daughter, who she killed (just as Garner did) rather than allow her to return to slavery. A third of the way through writing, though, Morrison realized she needed a flesh-and-blood character who could judge Sethe’s decision. She needed the daughter to come back to life in another form (some interpret it as a grief-driven case of mistaken identity). As she told the National Endowment for the Arts’ NEA Magazine: "I thought the only person who was legitimate, who could decide whether [the killing] was a good thing or not, was the dead girl."

3. SHE WROTE THE ENDING EARLY IN THE WRITING PROCESS.

Morrison has said she likes to know the ending of her books early on, and to write them down once she does. With Beloved, she wrote the ending about a quarter of the way in. "You are forced into having a certain kind of language that will keep the reader asking questions," she told author Carolyn Denard in Toni Morrison: Conversations.

4. MORRISON BECAME FASCINATED WITH SMALL HISTORICAL DETAILS.

To help readers understand the particulars of slavery, Morrison carefully researched historical documents and artifacts. One particular item she became fascinated with: the "bit" that masters would put in slaves' mouths as punishment. She couldn’t find much in the way of pictures or descriptions, but she found enough to imagine the shame slaves would feel. In Beloved, Paul D. tells Sethe that a rooster smiled at him while he wore the bit, indicating that he felt lower than a barnyard animal.

5. SHE ONLY RECENTLY READ THE BOOK HERSELF.

In an appearance on The Colbert Report last year, Morrison said she finally got around to reading Beloved after almost 30 years. Her verdict: "It’s really good!"

6. THE BOOK INSPIRED READERS TO BUILD BENCHES.

When accepting an award from the Unitarian Universalist Association in 1988, Morrison observed that there is no suitable memorial to slavery, "no small bench by the road." Inspired by this line, the Toni Morrison Society started the Bench by the Road Project to remedy the issue. Since 2006, the project has placed 15 benches in locations significant to the history of slavery and the Civil Rights movement, including Sullivan’s Island, South Carolina, which served as the point of entry for 40% of slaves brought to America.

7. WHEN BELOVED DIDN’T WIN THE NATIONAL BOOK AWARD IN 1987, FELLOW WRITERS PROTESTED.

After the snub, 48 African-American writers, including Maya Angelou, John Edgar Wideman and Henry Louis Gates, Jr., signed a letter that appeared in the New York Times Book Review. "For all of America, for all of American letters," the letter addressing Morrison read, "you have advanced the moral and artistic standards by which we must measure the daring and the love of our national imagination and our collective intelligence as a people."

8. IT’S ONE OF THE MOST FREQUENTLY CHALLENGED BOOKS.

Between 2000 and 2009, Beloved ranked 26th on the American Library Association’s list of most banned/challenged books. A recent challenge in Fairfax County, Virginia, cited the novel as too intense for teenage readers, while another challenge in Michigan said the book was, incredibly, overly simplistic and pornographic. Thankfully, both challenges were denied.

9. MORRISON ALSO WROTE AN OPERA BASED ON GARNER’S LIFE.

Ten years ago, Morrison collaborated with Grammy-winning composer Richard Danielpour on Margaret Garner, an opera about the real-life inspiration behind Beloved. It opened in Detroit in 2005, and played in Charlotte, Chicago, Philadelphia and New York before closing in 2008.

10. MORRISON DID NOT WANT IT MADE INTO A MOVIE.

Although she publicly claims otherwise, according to a New York magazine story, Morrison told friends she didn’t want Beloved made into a movie. And she didn’t want Oprah Winfrey (who bought the film rights in 1988) to be in it. Nevertheless, the film came out in 1998 and was a total flop.

11. THERE'S AN ILLUSTRATED VERSION.

The Folio Society, a London-based company that creates fancy special editions of classic books, released the first-ever illustrated Beloved in 2015. Artist Joe Morse had to be personally approved by Morrison for the project. Check out a few of his hauntingly beautiful illustrations here.

This article originally appeared in 2015.

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10 Facts About The Adventures of Huckleberry Finn
Public Domain, Wikimedia Commons
Public Domain, Wikimedia Commons

On its surface, Mark Twain's The Adventures of Huckleberry Finn is a straightforward story about a boy and a runaway slave floating down the Mississippi River. But underneath, the book—which was published in the U.S. on February 18, 1885—is a subversive confrontation of slavery and racism. It remains one of the most loved, and most banned, books in American history. 

1. HUCKLEBERRY FINN FIRST APPEARS IN TOM SAWYER.

The Adventures of Huckleberry Finn is a sequel to Tom Sawyer, Twain’s novel about his childhood in Hannibal, Missouri. Huck is the “juvenile pariah of the village” and “son of the town drunkard,” Pap Finn. He wears cast-off adult clothes and sleeps in doorways and empty barrels. Despite this, the other children “wished they dared to be like him.” Huck also appears in Tom Sawyer, Detective, and Tom Sawyer Abroad, as well as the unfinished Huck Finn and Tom Sawyer Among the Indians.  

2. HUCKLEBERRY FINN MAY BE BASED ON MARK TWAIN'S CHILDHOOD FRIEND.

Twain said Huck is based on Tom Blankenship, a childhood playmate whose father, Woodson Blankenship, was a poor drunkard and the likely model for Pap Finn. “In Huckleberry Finn I have drawn Tom Blankenship exactly as he was,” he wrote in Autobiography. “He was ignorant, unwashed, insufficiently fed; but he had as good a heart as ever any boy had." 

However, Twain may be exaggerating here. In 1885, when the Minneapolis Tribune asked who Huck was based on, Twain admitted it was no single person: “I could not point you out the youngster all in a lump; but still his story is what I call a true story.”

3. IT TOOK TWAIN SEVEN YEARS TO WRITE THE NOVEL.


University of Virginia

Huckleberry Finn was written in two short bursts. The first was in 1876, when Twain wrote 400 pages that he told his friend he liked “only tolerably well, as far as I have got, and may possibly pigeonhole or burn” the manuscript. He stopped working on it for several years to write The Prince and the Pauper and Life on the Mississippi.

In 1882, Twain took a steamboat ride on the Mississippi from New Orleans to Minnesota, with a stop in Hannibal. It must have inspired him, because he dove into finishing Huckleberry Finn. In August 1883, he wrote: “I have written eight or nine hundred manuscript pages in such a brief space of time that I mustn’t name the number of days; I shouldn’t believe it myself, and of course couldn’t expect you to.” The book was published in 1884. 

4. LIKE HUCK, TWAIN CHANGED HIS VIEW OF SLAVERY.

Huck, who grows up in South before the Civil War, not only accepts slavery, but believes that helping Jim run away is a sin. The moral climax of the novel is when Huck debates whether to send Jim’s owner a letter detailing Jim’s whereabouts. Finally, Huck says, "All right, then, I'll go to hell,” and tears the letter up. 

As a child, Twain didn’t question the institution of slavery. Not only was Missouri a slave state, his uncle owned 20 slaves. In Autobiography, Twain wrote, “I vividly remember seeing a dozen black men and women chained to one another, once, and lying in a group on the pavement, awaiting shipment to the Southern slave market. Those were the saddest faces I have ever seen.”

At some point, Twain’s attitudes changed and he married into an abolitionist family. His father-in-law, Jervis Langdon, was a “conductor” on the Underground Railroad and housed Frederick Douglass.

5. EMMELINE GRANGERFORD IS A PARODY OF A VICTORIAN POETASTER.

Huckleberry Finn parodies adventure novels, politics, religion, the Hatfields and the McCoys, and even Hamlet’s soliloquy. But most memorable may be Emmeline Grangerford, the 15-year-old poet. Emmeline is a parody of Julia A. Moore, the “Sweet Singer of Michigan,” who wrote bad poetry about death. So does Emmeline, according to Huck: “Every time a man died, or a woman died, or a child died, she would be on hand with her "tribute" before he was cold. She called them tributes.” Along with bad poetry, Emmeline paints “crayons” of dramatic subjects, such as a girl “crying into a handkerchief” over a dead bird with the caption, "I Shall Never Hear Thy Sweet Chirrup More Alas."

6. A PENIS DRAWING ALMOST RUINED THE BOOK.


University of Virginia

Twain, who ran his own printing press, hired 23-year-old E. W. Kemble to illustrate the first edition of Huckleberry Finn. Right as the book went to press, someone—it was never discovered who—added a penis to the illustration of Uncle Silas. The engraving shows Uncle Silas talking to Huck and Aunt Sally while a crude penis bulges from his pants. 

According to Twain’s business manager Charles Webster, 250 books were sent out before the mistake was caught. They were recalled and publication was postponed for a reprint. If the full run had been sent out, Webster said, Twain’s “credit for decency and morality would have been destroyed.” You can view Kemble’s original illustrations here.

7. MANY CONSIDER HUCKLEBERRY FINN THE FIRST AMERICAN NOVEL.

“All modern American literature comes from one book by Mark Twain called Huckleberry Finn,” Ernest Hemingway wrote in Green Hills Of Africa. “There was nothing before. There has been nothing as good since." 

While this statement ignores great works like Moby-Dick and The Scarlet Letter, Huckleberry Finn was notable because it was the first novel to be written in the American vernacular. Huck speaks in dialect, using phrases like “it ain’t no matter” or "it warn’t no time to be sentimentering.” Since most writers of the time were still imitating European literature, writing the way Americans actually talked seemed revolutionary. It was language that was clear, crisp, and vivid, and it changed how Americans wrote. 

8. THE END OF THE BOOK IS OFTEN CONSIDERED A COP-OUT.


University of Virginia

A major criticism of Huckleberry Finn is that the book begins to fail when Tom Sawyer enters the novel. Up until that point, Huck and Jim have developed a friendship bound by their mutual plight as runaways. We believe Huck cares about Jim and has learned to see his humanity. But when Tom Sawyer comes into the novel, Huck changes. He becomes passive and doesn’t even seem to care when Jim is captured.

To make matters worse, it turns out that Jim’s owner has already set him free, and that Huck’s abusive dad is dead. Essentially, Huck and Jim have been running away from nothing. Many, including American novelist Jane Smiley, believe that by slapping on a happy ending, Twain was ignoring the complex questions his book raises.

9. THE BOOK IS FREQUENTLY BANNED.


University of Virginia

Huckleberry Finn was first banned in Concord, Massachussets in 1885 (“trash and suitable only for the slums”) and continues to be one of the most-challenged books.

The objections are usually over n-word, which occurs over 200 times in the book. Others say that the portrayal of African Americans is stereotypical, racially insensitive, or racist.

In 2011, Stephen Railton, a professor at University of Virginia, published a version of the book that replaced that offensive word with “slave.” Soon after appeared The Hipster Huckleberry Finn, where the word was replaced with “hipster.” The book's description says, “the adventures of Huckleberry Finn are now neither offensive nor uncool.”

10. TWAIN HAD SOME THOUGHTS ABOUT THE BOOK'S CENSORSHIP.

In 1905, the Brooklyn Public Library removed Huckleberry Finn and Tom Sawyer from the shelves because, as librarian wrote Twain, Huck is “a deceitful boy who said 'sweat' when he should have said 'perspiration.'" Here’s Twain’s reply: 

DEAR SIR:

I am greatly troubled by what you say. I wrote Tom Sawyer and Huck Finn for adults exclusively, and it always distresses me when I find that boys and girls have been allowed access to them. The mind that becomes soiled in youth can never again be washed clean; I know this by my own experience, and to this day I cherish an unappeasable bitterness against the unfaithful guardians of my young life, who not only permitted but compelled me to read an unexpurgated Bible through before I was 15 years old. None can do that and ever draw a clean sweet breath again this side of the grave. Ask that young lady—she will tell you so.

Most honestly do I wish I could say a softening word or two in defence of Huck's character, since you wish it, but really in my opinion it is no better than those of Solomon, David, Satan, and the rest of the sacred brotherhood. 

If there is an unexpurgated Bible in the Children's Department, won't you please help that young woman remove Huck and Tom from that questionable companionship?

Sincerely yours,

S. L. Clemens

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