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15 Things You May Not Have Known About Beverly Hills Cop

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Beverly Hills Cop confirmed Eddie Murphy's status as a superstar. The action/comedy was, financially speaking, the number one movie of 1984, and its screenplay was nominated for an Oscar. What ended up becoming one of AFI's Top 100 comedies of all time was very close to becoming a completely different movie featuring Sylvester Stallone, more gunplay, and far less humor. Thirty years after its premiere is as good a time as any to read about the crazy behind-the-scenes journey that got Axel Foley from Detroit to Beverly Hills.

1. THE ORIGINAL IDEA FOR THE MOVIE CAME FROM A SPEEDING TICKET

In 1975, long before he would become the CEO of Disney, Michael Eisner was driving a beat-up station wagon around Hollywood, despite his impressive title of president at Paramount Studios. After he got a speeding ticket from a cop with "an air of superiority and quiet condescension," he bought himself a Mercedes and came up with the germ of an idea to make a movie about a Hollywood police officer. For what it's worth, Paramount executive Don Simpson allegedly claims Eisner was wrong, and that he came up with the idea himself.

2. IT TOOK OVER FIVE YEARS FOR SOMEONE TO GET THE SCRIPT RIGHT

Danillo Bach was hired to write the script, and in 1981 he submitted a draft titled Beverly Drive. In Beverly Drive, a Pittsburgh cop named Elly Axel shows up in Beverly Hills to investigate his friend's death. That loose plot remained throughout the remainder of the creative process. Michael Eisner felt that the draft, and all the others before it from different screenwriters, didn't capture the fish-out-of-water aspect enough.

Daniel Petrie Jr.'s script was the one Eisner, Don Simpson, and his fellow Paramount producer Jerry Bruckheimer liked. Petrie injected comedy into his version after talking to cops and noticing that they told "tremendously funny stories, punctuated by the most gruesome violence." He also nailed the outsider aspect Eisner desired, drawing from his experience as a poor writer walking to his expensive-looking Beverly Hills office past stores full of high-priced clothes and art that he could never afford.

3. MICKEY ROURKE WAS INITIALLY PAID TO PLAY AXEL FOLEY

With the project fast-tracked in 1983, Mickey Rourke was a hot commodity, fresh off his Diner performance as Boogie. Rourke made $400,000 by signing a holding contract, going back and forth with the studio and the writers on ideas for the script, and then walking away when his contract expired to look for work elsewhere.

4. SYLVESTER STALLONE SIGNED ON TO PLAY AXEL AND REWROTE THE MOVIE AS A SYLVESTER STALLONE MOVIE

Stallone reflected that when he first received the action/comedy script in the mail, he thought it was sent to the wrong house. The actor, who by 1983 had already written the first three Rocky movies and First Blood, re-wrote Beverly Hills Cop to better suit his strengths, making it into a pure action flick as it had been before Petrie Jr. took over script duties. In Stallone's ending, Axel drives a stolen Lamborghini towards a freight train being driven by the Big Bad.

5. STALLONE LEFT WEEKS BEFORE SHOOTING BECAUSE OF ORANGE JUICE. MAYBE.

The Hollywood legend is that Sylvester Stallone abandoned the project thanks to failed negotiations over what type of orange juice was to be kept in his trailer. The official explanation was that Stallone's script made the budget skyrocket, and Paramount did not want to spend all the extra money. A majority of Stallone's script went into his 1986 movie Cobra, and as a nod to Stallone's involvement, Judge Reinhold's character Billy Rosewood has posters of both Cobra and Rambo in his room in Beverly Hills Cop II.

6. EDDIE MURPHY IMPROVISED A LOT OF THE MOVIE

Murphy, coming off roles in 48 Hours and Trading Places, was brought in to save the day. Petrie Jr. came back and finished a final version of his script, but both he and director Martin Brest weren't completely satisfied. Brest encouraged Murphy to make up funny stuff on the spot, and Murphy came through on multiple occasions. The former SNL cast member rarely drank caffeine, but after drinking a cup of coffee, he ad-libbed his spirited "supercops" monologue.

7. AN ACTOR HELD THE MOVIE'S SCRIPT IN HIS HANDS WHILE SHOOTING, AND IT WAS KEPT IN THE FILM

With the screenplay reworked constantly, sometimes actors were given their lines right before they were supposed to say them. This was an issue for actor Stephen Elliott, who was caught with his rolled-up script in his hand as he was playing police chief Hubbard. Fortunately for him, his director thought it made him more look the part, and in the film, Elliott is holding those script pages.

8. MARTIN SCORCESE WAS THE FIRST CHOICE TO DIRECT

When Stallone was still signed up to play the lead, Scorcese was offered the director's chair. Scorcese was "bewildered," and dismissed the concept as too similar to the movie Coogan's Bluff. In that film, Clint Eastwood was a deputy sheriff from Arizona who travels to New York City to hand over a fugitive.

9. MARTIN BREST REPEATEDLY REFUSED TO DIRECT THE MOVIE

Martin Brest was fired from his second directing job, WarGames, and the industry thought he was damaged goods. Don Simpson and Jerry Bruckheimer disagreed, and the two Paramount executives continually called Brest and asked him to direct Beverly Hills Cop. He kept declining, before eventually taking his phone off the hook. Simpson took the hint, but Bruckheimer kept trying, and to end the harassment, Brest decided to flip a coin to make his decision. The coin told him to take the job.

10. BRONSON PINCHOT ALMOST DIDN'T DO THE MOVIE BECAUSE HE WANTED TO GO TO ITALY

Pinchot's performance as Serge the gallerist, which led Brest to call Pinchot the "American Peter Sellers," helped him obtain his iconic role of Mypos native Balki Bartokomous on Perfect Strangers for seven seasons. But because of the movie's repeated production delays and his scheduled trip to Florence, Italy, Pinchot grew restless and said that if they didn't start production, he would have to drop out. Pinchot made this ultimatum despite being a virtual unknown.

11. THE REAL DETROIT POLICE WOULDN'T GO PLACES THE DIRECTOR WOULD

Most of the scenes set in Detroit were actually shot there. An off-duty police officer accompanied Martin Brest and his crew during filming, but he refused to go with them when they entered a housing project. Detroit PD was more helpful when producers were researching police procedures, though, when a detective took them to a murder site. Since the incident occurred across the street from Mumford High School, Eddie Murphy wears a Mumford shirt throughout the movie.

12. THREE SYNTHESIZERS WERE NEEDED TO RECORD 'AXEL F'

The classic instrumental theme written and performed by Harold Faltermeyer was made using a Roland Jupiter 8, a Roland JX-3P, and a Yamaha DX-7. The song reached #3 on the Billboard U.S. charts. Faltermeyer also co-wrote the Glenn Frey song "The Heat is On" for the film's soundtrack.

13. THE BEVERLY HILLS POLICE DEPARTMENT SET WAS BASED ON 'WARGAMES'

The Beverly Hills PD did not provide access to their headquarters, so Martin Brest and staff simply built a set that would look like the exact opposite of the Detroit police department, "like private security for all rich people." The set was influenced by Brest's original conceptual designs for the NORAD scenes in WarGames. Like Stallone would do with Cobra, Brest recycled his unused work because he felt that he spent too much time on it to never use it.

14. THE BANANA IN THE TAIL PIPE WAS A LAST SECOND FOOD CHOICE

In the script, Axel stuffs potatoes he stole from the hotel kitchen into the tail pipe of Rosewood and Taggart's car. Due to time constraints, no scene from the kitchen could be shot. Because the hotel lobby was already a location for a few scenes, the script was re-written so Axel takes bananas, with Damon Wayans' approval, from a buffet in the lobby.

15. 'BEVERLY HILLS COP 4' IS SLATED TO PREMIERE IN 2016

Beverly Hills Cop II was released in 1987 to mixed reviews but still made over $135 million, and the third movie only made $42 million in the United States. An updated TV series was pitched to CBS in 2013, but despite Eddie Murphy's participation, the network passed after seeing the pilot. All is not lost, because a primarily Detroit-based Beverly Hills Cop IV is due to arrive in March 2016, with Murphy reprising his role as Axel.

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10 Unforgettable Facts About The Notebook
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New Line Cinema

In 1996, Nicholas Sparks published his first book, The Notebook. He would go on to write several more romance novels, many of which would be adapted into films. But 2004’s film adaption of The Notebook remains the highest-grossing Sparks adaptation, making $115 million worldwide against a $25 million budget. It was Rachel McAdams' breakout lead role (it was released just a few months after Mean Girls); it solidified Ryan Gosling as a “hey girl” heartthrob; and it swept all eight categories it was nominated for at the 2005 Teen Choice Awards, winning in categories like Choice Movie Love Scene and Choice Movie Liplock.

The book and movie follow a young couple named Noah (Gosling) and Allie (Adams) in 1940s North Carolina (the movie was filmed in South Carolina). Despite some obstacles, the couple fall in love, marry, and spend the next 60 years together. In present day, it’s revealed that Allie, now an old woman (played by Gena Rowlands), has Alzheimer’s, and her doting husband (James Garner, as an elderly Noah) helps her remember their storied past. In 2003, Sparks published a loose sequel called The Wedding, featuring the characters Allie and Noah. Here are 10 facts about the beloved romance.

1. IT WAS BASED ON A TRUE STORY.

Nicholas Sparks’s book was based on his then-wife Cathy's grandparents, who spent more than 60 years together. Cathy was close to her grandparents, and visited them frequently. The grandparents were too ill to attend their wedding, in 1989, so the newly-married couple brought the wedding to them. They dressed up in their wedding clothes and surprised them at their house. Cathy's grandparents told the Sparks how they met and fell in love, decades ago.

“But though their story was wonderful, what I most remember from that day is the way they were treating each other,” Sparks wrote on his website. “The way his eyes shined when he looked at her, the way he held her hand, the way he got her tea and took care of her. I remember watching them together and thinking to myself that after 60 years of marriage, these two people were treating each other exactly the same as my wife and I were treating each other after 12 hours. What a wonderful gift they’d given us, I thought, to show us on our first day of marriage that true love can last forever.”

Unfortunately for Nicholas and Cathy, their love didn’t last forever—they divorced in 2015

2. NICHOLAS SPARKS THINKS THE BOOK WAS SUCCESSFUL BECAUSE IT WAS RELATABLE.

Photo by Jason Merritt/Getty Images

“It seems that nearly everyone I spoke with about the novel knew a ‘Noah and Allie’ in their own life,” Sparks wrote on his website. He also said the book was short enough (224 pages) for people to read it quickly. “I think that readers also appreciate that the novel didn’t include foul language and its love scene was tasteful and mild compared to what’s found in many other novels,” he said. “These factors made people feel comfortable about recommending it to others.”

3. THE SCREENWRITER HAD TO WORK HARD TO MAKE THE CHARACTERS SEEM REAL.

The Notebook screenwriter Jeremy Leven had the daunting task of adapting Sparks's book into a script. “The problem with the book is that it’s melodramatic and sweet, and you have to find a way to appeal to an audience that is apprehensive about yet another sweet movie,” Leven told The Harvard Crimson. “So you have to give it an edge, make it real, and make the choices the characters face real.” That “edge” probably includes the love scene in the rain.

4. RACHEL MCADAMS AND RYAN GOSLING DIDN’T GET ALONG—AT FIRST.

Melissa Moseley/New Line Cinema

Even though they played lovers in the movie and then began dating in real life, the couple clashed during production. Director Nick Cassavetes told MTV a story about an incident when Gosling and McAdams weren’t getting along on the set one day: “Ryan came to me, and there’s 150 people standing in this big scene, and he says, ‘Nick come here,’” Cassavetes shared. “And he’s doing a scene with Rachel and he says, ‘Would you take her out of here and bring in another actress to read off camera with me?’ I said, ‘What?’ We went into a room with a producer; they started screaming and yelling at each other ... The rest of the film wasn’t smooth sailing, but it was smoother sailing.”

5. MCADAMS AND GOSLING’S ON-SCREEN CHEMISTRY PROBABLY WASN’T REAL.

“[Our later relationship] certainly wasn’t something that either of us had expected would come out of that filmmaking experience,” McAdams said, “which goes to show you that you can engineer chemistry on-screen just by telling the audience that these two people love each other.” She said it was attributed to the acting. “As an actor you don’t have to feel it. You don’t have to feel anything. Just imagine it.”

6. JESSICA BIEL WAS BUMMED SHE DIDN’T GET TO PLAY ALLIE.

Photo by Theo Wargo/Getty Images for NBC

Unlike Gosling, McAdams had to audition for the role of Allie, and so did Jessica Biel. “I was in the middle of shooting Texas Chainsaw Massacre, and I auditioned with Ryan Gosling in my trailer—covered in blood,” Biel told Elle. “That’s one that I wanted so badly. But there’s a million that get away. We’re gluttons for punishment. It’s just rejection.”

7. MCADAMS FELT A LOT OF PRESSURE TO DELIVER A GOOD PERFORMANCE.

The actress told Film Monthly she knew she had to be good in the movie, because she had to carry it. “At first I put way too much pressure on myself and realized that it wasn’t getting me anywhere,” she said. “I was just a ball of stress, and eventually the character kicked in where she’s sort of free-spirited, doesn’t care what people think, and chases down those things she wants.” She eventually found the right balance.

8. JAMES MARSDEN THOUGHT THE MOVIE WAS GOING TO BE “SCHMALTZY.”

Melissa Moseley/New Line Cinema

James Marsden played Allie’s fiancé—and Noah’s rival—Lon Hammond Jr. The actor told Out Magazine how he tries not to make a bad movie, but they sometimes turn out that way. “Then there are some movies that I’ve been in that I was sure people would laugh at, that have become huge,” he said. “I thought The Notebook was going to be a schmaltzy Movie of the Week–type thing, and here we are!”

9. NICK CASSAVETES WAS THE FOURTH CHOICE TO DIRECT THE MOVIE.

New Line Cinema acquired the rights to Sparks's novel in 1995, before the book was even published. In 1998, Variety reported that Steven Spielberg wanted to direct the film. Jim Sheridan was also interested, but he decided to direct In America instead. In 2001, The Mask of Zorro and GoldenEye director Martin Campbell almost signed on, but in 2002 New Line brought Cassavetes aboard.

10. JAMES GARNER RUINED HIS FIRST TAKE SHOOTING WITH GENA ROWLANDS.

Melissa Moseley/New Line Cinema

Nick Cassavetes—son of legendary director John Cassavetes—cast his mother, the great Gena Rowlands, as the elderly Allie. Garner recalled the first day he and Gena filmed together. “She's going to come out and I’m sitting on the porch in a chair or something. And I hear Nick say, ‘Okay, mom. Action.’ Well, I ruined that take because I just broke up. That was so funny. That tickled me to death. But he showed his mother great respect. He was gentle with her and worked with her. What I loved about it is that she listened to him. Here’s a professional actress who’s one of the best ever, and she’s listening to her son tell her about things. I really admired that in both of them.”

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13 Spooky Facts About The Monster Squad
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Lionsgate Home Entertainment

One part The Goonies, one part Ghostbusters, and one part Abbott and Costello Meet Frankenstein, after being overlooked in its initial release, The Monster Squad has been reanimated as a cult classic. On the 30th anniversary of its release, let's take a look back at some of its behind-the-scenes trivia.

1. DIRECTOR FRED DEKKER WAS REJECTED BY TWO FILM SCHOOLS.

As a teenager, Fred Dekker applied to become a film student at both USC and UCLA. However, those universities both had other ideas. “Both film schools rejected me,” said Dekker on The Monster Squad’s 20th anniversary DVD, “but both accepted me in their curriculum, so I just couldn’t necessarily be in the film department.” The aspiring director enrolled at USC, where he reluctantly pursued a bachelor’s degree in English. “The fact that I was an English major was just kind of a nuisance. What I really wanted to do was just hang with my friends and make movies.”

2. THE FLICK GOT A BRIEF SHOUT-OUT IN NIGHT OF THE CREEPS.

When he received the greenlight for The Monster Squad (which he’d co-written with Shane Black), Dekker was busy shooting 1986’s Night of the Creeps. The cult classic involves alien parasites that enter their victims’ mouths and turn them into walking, braindead corpses. Pause the above trailer at the 29-second mark and, in a shameless plug, you’ll notice the words “Go Monster Squad!” conspicuously graffitied onto the bathroom wall.

3. THE CREATURE DESIGNERS WORKED HARD TO AVOID LEGAL PROBLEMS WITH UNIVERSAL.

First and foremost, The Monster Squad is an affectionate tribute to Universal’s iconic horror movies of the 1930s, ‘40s, and ‘50s. Nevertheless, the studio passed on producing the film, which was ultimately picked up by TriStar. This forced The Monster Squad’s visual effects team to get creative.

“Although we were doing a movie that was a takeoff on the Universal classics,” said legendary monster creator Stan Winston, “… none of our designs infringed on the original designs of the Universal characters. There were subtle changes; we had to be sure that nothing about them could be considered a copyright infringement of a design.” Which is why Dracula has no Lugosi-esque widow’s peak, Frankenstein monster’s neck bolts have migrated to his temples, and Wolfman has pointy ears and a face that Dekker describes as “more lupine” than what Universal had come up with.

4. CASTING THE MUMMY INVOLVED A BIZARRE WANT AD.

Mummies aren’t usually noted for their girth. “I’ve always been super skinny,” says actor Michael Reid MacKay. One fateful day, a friend pointed out an unusual casting advertisement in Variety. “It said, ‘Looking for an extremely thin actor on the verge of anorexia,” MacKay recalled. He headed straight for the studio and, after showing off some creepy gestures, won the part of the Mummy.

5. ASHLEY BANK TURNED DOWN A ROLE IN FATAL ATTRACTION TO PLAY FIVE-YEAR-OLD PHOEBE.

Lionsgate Home Entertainment

“Monster made me an offer first,” remembers Ashley Bank. “Had Fatal Attraction been shot in Los Angeles, I probably would have done both, but it was in New York, so I had to do The Monster Squad. My parents wanted me to have more fun. It was a bigger part, and it would be a kids’ movie that I could actually see … I never regretted it at all.”

6. AN EARLY DRAFT OF THE SCRIPT INVOLVED VAN HELSING FIGHTING DRACULA WITH MACHINE GUNS.

The Monster Squad co-writer Shane Black initially wanted a far more overblown—and expensive—opening scene. In the 2007 DVD documentary Monster Squad Forever, Dekker recalled that Black envisioned Van Helsing laying siege to Dracula’s castle “on a zeppelin with machine guns.” Racing out to meet him would be “40 vampire brides riding horses.” Dekker quickly burst Black’s bubble. “‘I said, ‘We can’t make this. This is the first five minutes of the movie and [we’d have] already spent … $100 million!’”

7. THE MONSTER SQUAD’S TREEHOUSE IS LITTERED WITH HORROR EASTER EGGS.

You’ve got to hand it to these kids: they know how to decorate. Wallpapering their arboreal hangout spot are posters and stills from movies that span the history of horror, including fan favorites like This Island Earth (1955), Vampire Circus (1972), and The Being (1983).

8. DUNCAN REGEHR BEAT OUT LIAM NEESON FOR THE ROLE OF DRACULA.

In 1986, Liam Neeson was still a relative unknown and, like many struggling actors, decided to try out for a horror movie. Apparently, he nailed his audition with a superb take on the Count. “We thought for sure we [were] going to hire this guy,” producer Jonathan Zimbert revealed in Monster Squad Forever. “Then Duncan came in and was not only as brilliant, but he was terrifying also.” Twenty years later, Wizard magazine named Regehr the “greatest Dracula of all time” for his chilling performance in The Monster Squad.

9. GILLMAN KO’D A STUNT MAN DURING THE FILM'S CLIMAX.

Creature builder Tom Woodruff, Jr. had always wanted to climb into a monster suit and wreak havoc in a major motion picture. With The Monster Squad, he smelled a golden opportunity. Late in the pre-production phase, nobody had yet been cast as Gillman (a.k.a. the Creature from the Black Lagoon). So Woodruff, who was working on Wolfman’s animatronics, asked to be considered for the job.

His wish was granted, but the gig wasn’t all fun and games. The Monster Squad’s final battle sees a few sherriff’s deputies clubbing the fishy humanoid. Though these prop weapons were soft on the outside, they had hard interiors. As sculptor Matt Rose notes 25 minutes into the clip below, Woodruff winced with every strike.

“They were wailing on him,” Rose recalled. “They’d stop and Tom would just say through the Gill mask ‘Hey guys, do you mind just taking it easy a little bit?” Alas, these pleas fell on deaf ears. After a few tiring takes, Rose remembers that, “One of the bigger guys was in the wrong place at the wrong time.” Since Woodruff’s vision was limited by the suit, he didn’t see the stunt man and accidentally slugged him right in the face.

“[He] fell like a sack of potatoes, straight on his a**,” said Rose. For a few unsettling moments, the stunt man just laid there with a glazed look in his eyes. Evidently, there was a pair of badly-placed rivets on the inside of his helmet. The blow drove these into his forehead and, once the hat was removed, two streams of blood spurted forth. Thankfully, he wasn’t seriously hurt.

10. DRACULA AND FRANKENSTEIN’S MONSTER NEVER BROKE CHARACTER IN FRONT OF THE KIDS.

Tom Noonan (Frankenstein’s Monster) made it a point to never greet the young stars with anything more than a grunt, and he never let them see him without his monstrous makeup. “The first time that I met Tom, I was 25,” Ashley Bank quipped. “I never met Tom [on the set]. I only met Frankenstein.”

Regehr, too, always stayed in costume around the children. Yet, he did make one minor adjustment whenever Bank walked by: Near the end of the picture, the script calls for Dracula to lift up Phoebe by the chin; as he clutches her, his teeth sharpen, his eyes redden, and he lets loose a mighty hiss. To really get a good scare out of her, Regehr made sure that Bank never saw him wearing his fangs or crimson contact lenses. When the time came to shoot the moment in question, he put them on when she wasn’t looking.

Dekker—who knew all about Regher’s plan—told Bank “You’re gonna have to scream in this scene.” “When?” she asked. “Oh, you’ll know,” he replied. And sure enough, she did. Bank’s terrified cry was, in her own words, “100 percent real.”

11. WHILE DELIVERING THE FINAL LINE, ANDRE GOWER WAS TOLD TO IMITATE CLINT EASTWOOD.

Moments before the credits roll, a victorious Sean (Andre Gower) looks squarely at the camera lens and says “We’re The Monster Squad.” Wanting the line to sound cool without getting campy, Dekker instructed Gower to “do it like Clint.”

12. THE MOVIE SPENT JUST TWO WEEKS IN THEATERS.

Released on August 14, 1987, The Monster Squad was both a commercial and critical flop. Vincent Camby of The New York Times called it “a silly attempt to cross breed an Our Gang comedy with a classic horror film, which usually means that both genres have reached the end of the line.” After a two-week theatrical run, the movie was pulled. However, it slowly built a following via video rentals and cable broadcasts.

Today, The Monster Squad commands a dedicated fan base. When the cast and crew reunited for a special two-night showing at Austin’s Alamo Drafthouse Cinema in 2006, both screenings sold out. As Dekker once put it, “It took 20 years for the movie to find its audience.”

13. TRAGICALLY, BRENT CHALEM (“HORACE”) DIED OF PNEUMONIA AT AGE 22.

He’ll always be remembered for his talent, his warmth, and the immortal line “Wolfman’s got nards!”

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