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21 Things You Might Not Know About Elf

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Everyone knows the best way to spread Christmas cheer is singing loud for all to hear! But the second best way is to enjoy Elf. Revel in the giddy glow of this modern holiday classic with a slew of secrets from behind the scenes.

1. JIM CARREY WAS INITIALLY EYED FOR BUDDY THE ELF.

When David Berenbaum's spec script first emerged in 1993, Carrey was pre-Ace Ventura: Pet Detective and attached to front the Christmas film. However, it took another 10 years to get the project in motion, at which time Saturday Night Live star Will Ferrell was signed to star. Carrey would go on to headline his own Christmas offerings—the live-action How The Grinch Stole Christmas and the CGI animated A Christmas Carol.

2. WILL FERRELL WAS ONCE A MALL SANTA.

And his A Night at the Roxbury co-star Chris Kattan was his elf. This was back when the pair were pre-Saturday Night Live, and part of the comedy troupe The Groundlings. Ferrell recollected to Spliced Wire, "I have some experience playing Santa Claus … Chris Kattan was my elf at this outdoor mall in Pasadena for five weeks, passing out candy canes. It was hilarious because little kids could care less about the elf. They just come right to Santa Claus. So by the second weekend, Kattan had dropped the whole affectation he was doing and was like (Ferrell makes a face of bitter boredom), 'Santa's over there, kid.'"

3. DIRECTOR JON FAVREAU FAVORED PRACTICAL EFFECTS.

Inspired by the Christmas specials he grew up with, Favreau explained in the film's commentary track that he employed “old techniques” instead of CGI whenever possible. This included stop-motion animation, and using forced perspective to make Buddy look like a giant among his elf peers. For North Pole scenes, two sets were built—one larger scale for the actors playing elves, the other smaller to make Buddy and Santa look big. These elements where then carefully overlaid in camera, using lighting to blend the seams.

4. SNOW WAS OFTEN COMPUTER GENERATED.

Some effects just couldn't be practical. These included the snowflakes that drift over the opening credits, and many of the snowballs in Buddy's pivotal fight scene. It's probably not much of a shocker that much of these were added in post, considering Buddy's perfect aim. But to further underscore the drama that is a snowball fight in frosty New York, Favreau asked composer John Debney to give this section a Western vibe that would recall The Magnificent Seven.

5. ELF'S PRODUCTION DESIGN WAS HEAVILY INFLUENCED BY RUDOLPH THE RED-NOSED REINDEER.

The classic stop-motion Christmas special from 1964 gave a memorable presentation of Santa's winter wonderland to which Favreau wanted to pay tribute. The elves' costumes in Elf were inspired by those worn by Hermey and his peers in the animated film. And Elf's workshops were modeled after the Rankin/Bass designs, as were the stop-motion animals of the area. The production did secure permission for these allusions, and was even granted the privilege of using the company's signature snowman. 

6. THERE'S A CHRISTMAS STORY CAMEO.

Peter Billingsley, who memorably played the Red Ryder-wanting Ralphie in the 1983 holiday classic, popped in to play Ming the elf. It's an uncredited role, but between the glasses and those bright baby blue eyes, Billingsley stands out as an A Christmas Story Easter egg. This marks just one of many Billingsley and Favreau's collaborations. Billingsley has been a producer on Favreau's films Made, Zathura, and Iron Man, as well as his talk show Dinner for Five.

7. FAVREAU PLAYED MULTIPLE PARTS IN ELF.

As a writer/director/actor, Favreau has often appeared in his own films. He fronted Made with friend Vince Vaughn, and later found a sweet supporting role for himself in Iron Man. You may have picked him out as the doctor in Elf, but on the DVD commentary, Favreau reveals he also tapped in to his inner narwhal and provided the voices for some of the stop-animation critters who see Buddy off from the North Pole. He also voiced the rabid raccoon Buddy encounters.

8. BABY BUDDY WAS FIRED.

To play the bubbly baby version of the titular elf, Favreau had initially cast twin boys whose blonde curly hair made them great little doubles for the mop-topped Ferrell. However, the production ran into a problem when the boys couldn't perform. Instead of smiling and crawling as needed, they cried relentlessly. To replace them, brunette triplet girls were brought in, who were far perkier and more playful, and thereby ready for their close-ups.

9. BUDDY WAS BULLIED IN AN EARLY VERSION.

In first drafts of Berenbaum's Elf script, Buddy's decision to seek out his dad was in part because he was being hassled by the actual elves for being different. Favreau pushed to take out this element. He preferred to keep the North Pole characters warm, even when Buddy bugs them. In the DVD commentary, Favreau offers, “It explained why Buddy was doing all these good things in New York if he grew up in a world where everybody was so sweet even when he’s obviously screwing everything up and doesn’t fit in at all.”

10. ELF HOCKEY HIT THE CUTTING ROOM FLOOR.

Poor Buddy accidentally wreaks all kinds of havoc on his elf community because of his ungainly size. One such scene of his well-meaning mayhem featured Buddy playing hockey on a frozen pond. The friendly game becomes unintentionally violent when the too-big Buddy takes to the ice. Though it was shot, it ended up being chopped from the finished film.

11. ELF WAS SHOT ON LOCATION IN NEW YORK WHEN IT COUNTED.

Like many productions, this one took advantage of the financial benefits of filming in Canada, and much of Elf was shot in sound stages in Vancouver. However, when Buddy comes to New York, it was important to Favreau to shoot on location whenever possible. This includes all the Manhattan exteriors, as well as scenes shot at Rockefeller Center, Central Park, and Central Park West, where Buddy's dad lives. 

12. SOME OF THE SETS WERE BUILT IN A HORROR FACTORY.

Okay, technically it was an abandoned mental hospital, where the production team constructed the interior sets for Walter's Central Park West apartment, Gimbels's lavish toy department, and that grim prison cell. The facility is called Riverview Hospital, and it has played host to a long list of film and television productions, including The X-Files, Final Destination 2, Jennifer's Body, and See No Evil 2.

13. MACY'S STOOD IN FOR GIMBELS.

The sprawling department store that takes up a whole block in Manhattan was digitally altered to transform into Elf's Gimbels. A bit awkward: Gimbels was once a real department store, and a noted rival of Macy's. Though immortalized here and in the 1947 classic Miracle on 34th Street, the department store closed its doors in 1987, its 100th year of operation. 

14. WILL FERRELL BROKE JAMES CAAN.

The Academy Award-nominated Godfather star was hired to play Walter in part because Favreau wanted a stern persona to play against Ferrell's giddy Buddy, and Caan took the comedy of Elf seriously. He knew it was crucial for Walter to be annoyed—never amused—by his supposed son's antics. But when it came to the blood test scene where Buddy bellows when pricked by a needle, Caan cracked. Watch closely and you'll see he turns away from the camera so as not to ruin the take.

15. THE STUDIO DIDN'T GET A JOKE FROM THE MAILROOM SEQUENCE.

This was the last set piece shot for Elf, and one that filmmakers were wavering on from its conception late in production. Grizzled Mark Acheson's casting as Buddy's drinking buddy concerned execs because of the line, "I'm 26 years old." The studio noted the actor does not look 26, to which Favreau—who had previously cast Acheson in a small role that had been cut before production—responded that this disconnect was part of the joke. 

16. FERRELL WENT METHOD WITH THOSE JACK-IN-THE-BOXES.

In the scene where Buddy suffers as a toy tester, he's subjected to popping open an endless stream of menacing jack-in-the-boxes. The anxiety etched on Ferrell's face in these scenes is real. Rather than standard jack-in-the-boxes that would pop at the song's end, these were remote controlled by Favreau, who purposely manipulated their timing to toy with his star and get authentic reactions. 

17. FERRELL FROLICKED ALL OVER NEW YORK CITY IN CHARACTER.

The final day of Elf's New York shooting was pared down from a massive crew to just three people: its star, its director, and one cameraman. Together, this trio traveled around the city, looking for mischief for Buddy to get into with random passersby turned background extras. This included him leapfrogging across a pedestrian walk, happily accepting flyers, and getting his shoes shined, all of which made it into the movie's cheerful montage.

18. THAT EPIC BURP WAS REAL, BUT OVERDUBBED.

Though uncredited, that lengthy belch came not from Ferrell, but from noted voice actor Maurice LaMarche, who might be best known for Brain of Pinky and the Brain. LaMarche shared his secret to such an impressive burp with The AV Club, saying, "I’ve always been able to do this weird effect, where I turn my tongue, not inside out, but almost. I create a huge echo chamber with my tongue and my cheeks, and by doing a deep, almost Tuvan rasp in my throat, and bouncing it around off this echo chamber, I create something that sounds very much like a sustained deep burp."

19. ELF MADE ITS STAR STICK.

In the movie, Buddy is happy to gobble down an endless supply of sweets, including maple syrup-coated spaghetti and cotton balls made of cotton candy. But this sugary diet played havoc on Ferrell, who told About Entertainment, "That was tough. I ingested a lot of sugar in this movie and I didn't get a lot of sleep. I constantly stayed up. But anything for the movie, I'm there. If it takes eating a lot of maple syrup, then I will—if that's what the job calls for."

20. FERRELL REFUSES TO MAKE ELF 2.

Though the comedian reprised the role of Ron Burgundy for Anchorman 2: The Legend Continues and returned as Mugatu in Zoolander 2, he flat out rejected the possibility of bringing back Buddy, even after being offered a reported $29 million. In December of 2013, he told USA TODAY, "I just think it would look slightly pathetic if I tried to squeeze back in the elf tights: Buddy the middle-aged elf." 

21. ELF BECAME A HIT BROADWAY MUSICAL.

From November 2010 to January 2011, Elf the musical ran on Broadway, boasting songs like "World's Greatest Dad," "Nobody Cares About Santa," and "The Story of Buddy The Elf." This run was a huge success, taking in more than $1.4 million in one week, a record for the Al Hirschfield Theater where it debuted. Plus, The New York Times called it, "A splashy, peppy, sugar-sprinkled holiday entertainment." A revival hit in time for Christmas 2012, and national tours have been recurring.

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25 Things to Look for While Watching the 24-Hour A Christmas Story Marathon
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You’ve probably seen A Christmas Story enough times that you never really need to watch it again. But watch it you will. And enjoy it, too. Even though you know every twist and turn it will take for our young hero Ralphie to finally get his hands on his much-desired Red Ryder Carbine-Action 200-Shot Range Model Air Rifle. (An item he repeats 28 times throughout the film’s 94-minute running time; you could make an eggnog drinking game out of that.) 

This Christmas, when you inevitably tune into catch at least one airing of Bob Clark’s holiday classic during TBS’ 24-hour marathon, we’ve got a way for you to watch A Christmas Story in a whole new light: by keeping your eyes—and ears—peeled for these 25 blink-and-you’ll-miss-‘em gaffes, anachronisms, and other fun facts that make watching the classic film an entirely new experience. 

1. RALPHIE DOESN’T KNOW HOW TO SPELL “CHRISTMAS.”

At least it doesn’t appear that way when he gets his Christmas theme—or shall we call it a Chistmas theme—back from Mrs. Shields, who also didn’t notice that the “R” is missing from the word.

2. JEAN SHEPHERD MAKES AN ON-SCREEN APPEARANCE.

If the voice of the man who brusquely informs Ralphie and Randy that the line to sit on Santa’s lap begins about two miles further back than they had anticipated sounds familiar, that’s because it’s the voice of the narrator, a.k.a. Adult Ralphie, who also happens to be Jean Shepherd, the man upon whose short stories the film itself is based. The woman behind Shepherd is his wife, Leigh Brown.

3. BOB CLARK JOINS IN THE CAMEO FUN.

Not to be outdone, director Bob Clark pops up in front of the camera, too, as Ralphie’s neighbor, Swede. He’s the guy who seems awfully curious about how Ralphie’s dad managed to snag himself a leg lamp. When The Old Man Parker informs him that it’s a Major Award, Swede responds: “Shucks, I wouldn’t know that. It looks like a lamp."

4. RALPHIE’S DAD IS NEVER GIVEN A NAME.

Over the years, a gaggle of sharp-eared A Christmas Story fans have pointed out that in Bob Clark’s scene, Ralphie’s dad is given a name: Hal. This is because they believed that in the brief exchange between the two neighbors, Swede asks of the leg lamp, “Damn Hal, you say you won it?” But a quick confer with the film’s original screenplay confirms that Swede’s actual query is, “Damn, hell, you say you won it?”

5. SPEAKING OF THE LEG LAMP…

The continuity folks must have been taking a coffee break during the unveiling of the leg lamp. Watch closely as the amount of packing debris covering The Old Man’s back and head changes from shot to shot. In one shot, his back is covered in the stuff; cut back and there’s nothing there.

6. IS THE LEG LAMP REALLY A LAMP?

In addition to being stumped by the word “fragile,” The Old Man—and the rest of the family—is initially confused as to what the leg’s purpose is. Is it a statue? (“Yeah, statue!”) One can’t blame them, as there’s no electrical cord to be seen. It’s just a leg. Yet, once the lampshade is discovered, the Parker clan is magically able to plug that titillating little fixture right in. 

7. ONE FINAL THING ABOUT THE LEG LAMP…

After witnessing the moment that Ralphie explains would become “a family controversy for years”—the breaking of the leg lamp—Mrs. Parker balks at her husband’s accusation that she would be jealous of a plastic lamp. But just moments before the “accident” in question, we hear the sound of breaking glass. And lots of it. Plastic doesn’t sound (or break) like that.

8. IS IT TORONTO OR IS IT INDIANA?

Though the film is set in Hohman, Indiana—a fictionalized town based on Shepherd’s hometown of Hammond, Indiana—parts of the film were shot in Toronto. This becomes apparent in some of the outdoor scenes, such as when the family is shopping for a Christmas tree, as one of the Toronto Transit Commission’s signature red trolley cars zooms by.

9. BOLTS VERSUS NUTS.

We all remember Ralphie’s reaction when his attempt to help his father fix a flat tire goes terribly awry. But here’s a fun fact that only true motorheads would pick up on: In the scene, Ralphie’s dad implores him to hold the hubcap horizontally so that he can put the “nuts” in it. But the 1938 Oldsmobile that he’s driving actually uses removable bolts. A fact that Shepherd confirms in his narration of the scene when he recalls that, “For one brief moment I saw all the bolts silhouetted against the lights of the traffic—and then they were gone.” Oh, fudge!

10. SCOTT SCHWARTZ IS NOT SCHWARTZ. BUT HE IS.

Ralphie’s two best friends are Schwartz, played by R.D. Robb, and Flick, played by Scott Schwartz. As if this tale of two Schwartzes weren’t confusing enough, when Ralphie tells his mom that it’s Schwartz who taught him how to drop the F-bomb, Mrs. Parker immediately calls the boy’s mother. But the voice we hear of fictional Schwartz taking a whooping is actually the voice of Scott Schwartz. Got it?

11. SCHWARTZ’S WHEREABOUTS.

Immediately following his unceremonious (and totally false) ratting out of his buddy, Ralphie remembers how “three blocks away, Schwartz was getting his.” In the original story, that may have very well been the case. But the film’s production called for Schwartz’s home to be just a few doors down from Ralphie’s, as we see as the kids walk to school together. Not three blocks away.

12. RALPHIE’S NOT A VERY GOOD LISTENER.

Ralphie felt understandably ripped off when, after weeks of waiting for his Little Orphan Annie decoder ring, the first message he decoded was simply an advertisement for Ovaltine. But he’s lucky he could decipher the message at all, because a few of the numbers that he wrote down don’t match the numbers that announcer Pierre Andre broadcast, most notably the last one; Pierre said 25, Ralphie wrote 11.

13. UPPERCASE OR LOWERCASE?

Perhaps it’s that very error above that made it necessary for Ralphie to decode Annie’s message on at least two pieces of paper. How do we know that? Check out the difference in the “E” in the word “Be.” In the earlier shot, it’s an uppercase E; in the final message, the letter is lowercase. We’re on to you, Ralphie. 

14. FOR A SPORTS FAN, OLD MAN PARKER DOESN’T KNOW SPORTS.

Though the exact year of A Christmas Story’s setting is never stated, many of its context clues—including the makes and models of the cars we see and the popularity of The Wizard of Oz and Little Orphan Annie—put its year around 1939 or 1940. Yet in the beginning of the film, Mr. Parker becomes irate after reading in the paper that the White Sox “traded Bullfrog.” But the White Sox never traded Bill “Bullfrog” Dietrich, though they did release him on September 18, 1946, which would make this comment six years premature. He also refers to the Chicago Bears as the “Terror of the Midway,” when in fact their nickname is “Monsters of the Midway.”

15. THE CASE OF THE MYSTERIOUS LEVERS.

Old Man Parker seems to have a lot of non-human enemies—his car, the Bumpus hounds, and a seemingly possessed furnace among them. In one scene, The Old Man yells upstairs for someone to open the damper, which Mom does rather reluctantly. But watch closely when the camera cuts back to the levers, which are in the opposite position as Mom set them just seconds earlier.

16. DIVERSITY AS AN ANACHRONISM.

By the time A Christmas Story was released in 1983, racial segregation in Indiana public schools was a thing 34 years in the past. But if Ralphie’s story takes place any time before 1949, he would not have had any African American classmates, as he does in the film.

17. THE ROTATING BANANA.

Hoping to score some extra points with his teacher, Ralphie presents Mrs. Shields with the world’s largest fruit basket. It’s so large, in fact, that its individual pieces of fruit seem to have a mind of their own. Watch the way the banana shifts position each time the camera cuts back to Ralphie.

18. A DRAWER FULL OF UNIMAGINABLE MISCHIEF.

Ralphie and his classmates are a troublemaking lot. And when they decide to launch a classroom-wide prank in which they’re all wearing a set of false teeth, Mrs. Shields is well-prepared. She’s got a drawer full of pranks past, including a pair of chattering teeth … a gag gift that wasn’t actually invented until 1949.

19. SPEAKING OF TOOTHY ANACHRONISMS…

In his attempts to make Ralphie’s life a living hell, we get an up-close view of the braces worn by Scut the bully. They’re the kind that are directly bonded to the front of his teeth, a process that wasn’t invented until the 1970s. Until then, metal braces were wrapped around the teeth.

20. THREE-BARREL HINGED GLASSES WEREN’T A THING EITHER.

After nearly shooting his eye out on Christmas morning, Ralphie steps on his own glasses, revealing them to use a three-barrel hinge connector, which would not have been possible until the 1980s.

21. RALPHIE SHOOTS THREE TIMES, HITS FOUR.

When Ralphie is forced to defend his family against the rascally Black Bart (in his own imagination), he shoots three bad guys before his nemesis Bart escapes. But when the pile of bad guys is shown with their eyes X’ed out, there are four of them.

22. A VERY BING CHRISTMAS.

On Christmas morning, the Parkers kick back with that most classic of Christmas albums—Bing Crosby’s Merry Christmas—in the background. As cherished a tradition as that may be, the album wasn’t released until 1945.

23. A BOWLING BALL FOR CHRISTMAS.

Old Man Parker is thrilled when his wife gifts him with a shiny new blue bowling ball for Christmas. There’s just one problem: colored bowling balls weren’t introduced until the 1960s. 

24. MELINDA DILLION GETS TOP BILLING.

Getting top billing must have been quite a thrill for actress Melinda Dillon… until the actual credits rolled and her name was spelled incorrectly!

25. FLASH GORDON GETS CREDIT, TOO.

Keep watching the end credits roll and you’ll see Flash Gordon and Ming the Merciless among the names that scroll by. Though it never made the final cut, the credits for an additional fantasy sequence in which Ralphie and his trusty firearm help Flash Gordon face off against Ming remain.

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7 Christmas Foods of Yesteryear 
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Over the centuries, yuletide revelers have enjoyed far different culinary fare than we do today. Here are seven Christmas dishes of yesteryear that are sure to confuse—or tantalize—your taste buds.

1. PEACOCK

 
During the Medieval ages, some wealthy Europeans dined on peacock at Christmas dinner. The colorful, plumed bird was often baked into a pie, or roasted with its head and tail still intact. Adding to the flamboyant display, the peacock’s feathers were reattached (or the skinned bird was placed back inside its intact skin), and its tail feathers were fully fanned out.

Peacocks likely looked impressive on a banquet table, but the meat reportedly tasted terrible. “It was tough and coarse, and was criticized by physicians for being difficult to digest and for generating bad humors,” author Melitta Weiss Adamson writes in her book Food in Medieval Times. “To make the meat more easily digestible, it was recommended to hang the slaughtered bird overnight by its neck and weigh down the legs with stones.”

In addition to peacock, swans and geese were also on the Christmas menu. But by the 1520s, another roast delicacy—turkey—had been introduced to Great Britain. Explorer William Strickland is credited with bringing the turkey from the New World to England, and King Henry VIII was reportedly one of the first people to enjoy the new bird for Christmas dinner. Edward VII is said to have made the meal trendy.

2. BOAR'S HEAD

An illustration by St. J. Gilbert of a man holding a boar's head on a platter that was published in a Christmas supplement to the Illustrated London News in 1855. Image Credit: Wikimedia Commons // Public Domain

 
In Medieval and Tudor England, wealthy parties celebrated Christmas by feasting on boar's head. The boar's head "formed the centrepiece of the Christmas Day meal," writes Alison Sim, author of Food and Feast in Tudor England (as quoted by the Food Timeline). "It was garnished with rosemary and bay and evidently was presented to the diners with some style, as told by the many boar's head carols which still exist."

One English Christmas carol, dating back to the 15th century, is actually called the "Boar's Head Carol." Its lyrics include lines like "The boar's head, as I understand/Is the rarest dish in all this land/Which thus bedecked with a gay garland/Let us servire cantico (serve with a song)." You can listen to a version here.

3. OYSTER STEW

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Today, oysters are a delicacy, but for early Americans who settled along the East Coast, they were a plentiful and nutritious food source. People enjoyed them in stuffing, roasts, and chowder—and 19th-century Irish-American immigrants used them to make a traditional Christmas Eve stew.

Most of these Irish transplants were Catholic, and their religious traditions required them to skip the meat on Christmas Eve. Instead, they enjoyed a soup made from dried ling cod—a common fish back in the Old Country—milk, butter, and pepper. But since Irish Americans couldn’t find dried ling cod in America, they substituted it with fresh, canned, pickled, or dried oysters.

4. MINCEMEAT PIES

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Historians trace mincemeat pie (also called mince pie) back to the 11th century, when Crusaders returned from faraway lands with spices. These spices worked as a preservative, so they were baked into pies containing finely chopped meat, dried fruits, and other ingredients.

Mincemeat pies eventually became associated with Christmas. Bakers added three spices to their pies—cinnamon, cloves, and nutmeg—to represent the three gifts the Magi gave the baby Jesus. The pies were also baked into the shape of Jesus’s manger, and a model of the Christ Child was placed on top. People believed that eating a mincemeat pie on each of the 12 Days of Christmas (December 25 to January 6) would bring them good luck.

Over the centuries, the pies grew smaller and rounder, and their filling became less meat heavy, containing ingredients including suet, spices, and dried and brandied fruit. Today, some people still eat mincemeat pie in England—and on December 15 some British scientists fired a meat pie into space—but it’s not commonly seen on Christmas dinner tables in the U.S.

5. SUGARPLUMS

Wikimedia Commons // Public Domain

 
As a child, you might have been inspired by one of ballet's most famous movements—The Nutcracker's “Dance Of The Sugarplum Fairy"—to wonder what a "sugarplum" actually is. The answer? A hard candy.

Between the 17th and 19th centuries, the term sugarplum was interchangeable with the words dragee or comfit. All referred to a hard, sugary layered candy. Often, the candy contained caraway, cardamom, fennel, ginger, cinnamon, walnut, aniseed, and almond cores. It took time, skill, and special equipment to make these sweets, so they were originally quite expensive and eaten only by wealthy people. Later, innovations in manufacturing made both sugarplums and other candies cheaper, and available for consumption by the masses.

In addition to getting a shout-out in The Nutcracker, sugarplums are also famously mentioned in Clement Clark Moore's anonymously published 1823 poem "A Visit from St. Nicholas," better known as "Twas the Night Before Christmas" after its first line. But today, you're far less likely to see the candies mentioned in a ballet or poem; according to the Oxford English Dictionary, sugarplum is now obsolete.

6. POSSET

Long ago, the English enjoyed a predecessor to eggnog called posset, a kind of "wine custard" made from hot milk curdled with hot ale, wine, or sherry, and mixed with sugar and spices. The drink remained common from the Middle Ages until the early 19th century; over time, it disappeared from the culinary landscape.

Throughout the centuries, winter revelers enjoyed variations on the recipe, and eggs were eventually added to the mix. But since milk, eggs, and liquors like sherry and Madeira wine were either expensive or hard to come by, the drink’s popularity dwindled among the masses. Meanwhile, in America, early settlers created their own version of posset, which we today know as eggnog.

In the video above, you can watch Jonathan Townsend, host of YouTube living history channel Jas. Townsend and Son, cook his own version of posset, as adapted from an 18th-century cookbook. His posset has breadcrumbs.

7. ANIMAL CRACKERS

Ever wondered why boxes of Barnum's Animal Crackers have a string attached to them? In 1902, the National Biscuit Company (today known as Nabisco) introduced the circus-themed boxes filled with animal-shaped cookies as a seasonal promotion. Since people often adorned their Christmas trees with candy and/or treats, Barnum’s festive containers were hung on branches as decorations.

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