Serbian Victory at Kolubara

The First World War was an unprecedented catastrophe that shaped our modern world. Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 156th installment in the series. NEW: Would you like to be notified via email when each installment of this series is posted? Just email RSVP@mentalfloss.com.

December 2, 1914: Serbian Victory at Kolubara 

As Austria-Hungary’s determination to crush Serbia was the immediate cause of the Great War, most observers expected the Dual Monarchy to annihilate the small Slavic kingdom, still exhausted from the Balkan Wars, within a few weeks of the outbreak of hostilities. Instead the scrappy Serbs amazed the world by scoring a string of defensive victories, humiliating the Hapsburg armies and tying down hundreds of thousands of troops sorely needed on the Russian front. 

After the first Austro-Hungarian invasion was decisively defeated during the Battle of Cer Mountain from August 15-24, 1914, the Austrian commander, Oskar Potiorek, regrouped in preparation for another offensive while the Serbs conducted harassing attacks across the frontier along the Sava and Drina Rivers, including incursions into Austrian Bosnia, with scant success in the Battle of the Drina from September 6-October 4.

By mid-October Potiorek’s troops had secured bridgeheads across the Drina River, while chief of the general staff Conrad von Hötzendorf scraped together reinforcements wherever he could find them, laying the groundwork for a renewed Hapsburg offensive in the autumn. In early November the Austro-Hungarian Fifth and Sixth Armies, together numbering around 450,000 troops, launched a pincer movement against northwestern Serbia, defended by around 400,000 Serbian soldiers in three main armies and two smaller army detachments.

Rather than simply wait for the blow to fall, however, Serbian chief of the general staff Radomir Putnik staged a fighting retreat, drawing the enemy deeper into central Serbia, where autumn rain turned primitive roads into mud, disrupting the Hapsburg supply lines and forcing the armies to widen the arms of the planned pincer. According to Josef Šrámek, a Czech soldier in the Hapsburg army, food was already scarce and disease rampant as early as October, exacerbated by corruption and indiscipline: 

Hunger every day, too little bread available. Dysentery is spreading among us. I am expecting packages from home – in vain – feldwebels [sergeants] stole them. The same happens to rum and wine! Officers are drunk. They push us around and beat us with sticks… Being in the army is getting tougher day by day… We even lack water.

Nonetheless, encouraged by the apparent crumbling of Serbian resistance, Potiorek pressed forward, capturing the strategic town of Valjevo on November 15 and forcing the Serbs to abandon their capital, Belgrade, and relocate to the central Serbian town of Niš on November 29. Šrámek noted that this gave a much-needed boost to morale: “With great enthusiasm we think we have now won the war; there are even some prophets saying we will be home by Christmas.” 

As jubilant crowds in Vienna celebrated each new Hapsburg advance, the situation looked increasingly hopeless for the Serbs – but now Putnik, running out of options, decided to make a last stand along the Kolubara River, where mountainous terrain would afford his troops would a defensive advantage, and the enemy forces would have to approach over relatively open ground from the north. At the same time the lines of supply and communication between the diverging Austro-Hungarian armies were stretching to the breaking point. Šrámek recounted: “We slept in the fields – hungry, freezing exhausted… No bread – there is one portion for ten men. We stay without meals for three days…”

After reaching the Kolubara on November 16, the Austro-Hungarians battered Serbian defenses in miserable conditions dominated by freezing rain and snow, finally managing to push the Serbian First Army out of its defensive positions on the southern flank on November 19. Potiorek followed up these gains with another push by Sixth Army against the Serbian First Army on November 21, resulting in heavy casualties on both sides. Now, as the Serbian First Army retreated east, he once again glimpsed the tantalizing prospect of a pincer movement leading to encirclement and total destruction of the Serbian armies.

However Putnik’s skillful management of the Serbian retreat prevented Potiorek from coming to grips with the First Army, aided by the latter’s decision to allow his own troops to rest. Meanwhile crucial supplies of artillery shells from the Allies began arriving from the south, where they were disembarked in the Greek port of Salonika and hurried north to the Serbs by rail. With his ammunition replenished, Putnik decided to stake everything on a surprise counterattack (top, Serbian artillery at Kolubara).

The sudden Serbian assault on December 2, 1914 took the enemy completely by surprise; running low on ammunition and supplies themselves, the over-confident Hapsburg forces were overstretched and had also failed to establish strong defensive positions. The first day’s attack succeeded in pushing the Austro-Hungarian troops back a few miles, and more importantly restored the Serbs’ flagging morale.

On December 3 they resumed the offensive, before the enemy had a chance to reconstitute their defensive line – and now, just as suddenly as they had advanced, the Hapsburg forces simply collapsed. By December 6 they were in headlong retreat, abandoning Valjevo on December 8 and Belgrade on December 14, while the Serbs captured tens of thousands of prisoners. Šrámek wrote in his diary: 

It is all in vain! We’ve been firing for the 4th day now. The Serbs are all around. For 4 days now, we’ve had no food, no officers, and we’ve kept the last hill. Today I was in a real rain of bullets 3 times. The unit is destroyed; each of us has run in a different direction. Grenades crackle in the snow around me. I am dead tired… Suddenly the Serbs were here. “Bacaj puski!” [“Drop your guns!”] 

Any hopes Šrámek and his fellow Slavic soldiers they may have held of gentle treatment from their ethnic cousins, the Serbs, were quickly shattered: 

The Serbs robbed us immediately. I didn’t want to give them my bag. A Serb hit me with the butt end of his gun, and I fell down… The first thing our brother Serbs did was take off our coats and put them on themselves. The same with our shoes. All that had any value – underwear, blankets, watches, money – everything comes in handy for them. All we ate in 3 days were 3 halves of a bread loaf. We slept on the snow and saw the first swamps the first two nights.

In strategic terms the defeat at Kolubara was yet another disaster for the hapless Hapsburgs, coming on top of their earlier humiliation in Serbia in September and their repeated defeats in Galicia, and further confirming the opinion of the German general Erich Ludendorff, fairly dripping with disdain: “Ally? Ha! We are shackled to a corpse!” As 1914 drew to a close it had become clear that Austria-Hungary was entirely dependent on Germany for its continued existence – and the Germans weren’t shy about taking control of the situation, stirring Austrian resentment against the high-handed behavior of the “arrogant Prussians.”

Boer Rebellion Collapses

After the outbreak of hostilities in August 1914, the Germans hoped to distract the British by stirring up colonial rebellions in Africa and Asia, but for the most part these schemes quickly collapsed in the face of the British Empire’s superior resources. The short-lived uprising by several Boer groups in the Union of South Africa was one of the first to be crushed.

Taking advantage of the South African government’s general lack of preparation, compounded by the difficulty of marshaling troops over the vast spaces of the interior, the Boer rebels managed to score a few minor victories at first. On October 24 rebel forces under Christiaan de Wet captured the town of Heilbron in the Orange Free State, and on November 8 they defeated government troops in a skirmish at Doornberg, though De Wet’s son Danie was killed. 

But the net was already closing around them. On October 22 loyalist forces defeated Boer rebels under Manie Maritz at Ratedrai, near Upington, then pursued them until they fled over the border to German Southwest Africa (today Namibia). Meanwhile South African Prime Minister Louis Botha (a Boer who remained loyal to Britain, and was familiar with rebel tactics from his own experience in the Boer War) personally took the field in late October, forcing rebels under Christian Frederick Beyers to flee Rustenburg, Transvaal. 

The climactic battle occurred at Mushroom Valley in the Winburg region of the Orange Free State on November 16, following an all-night march by government forces under Botha. Eric Moore Ritchie, a British observer with Botha’s forces, described the exhausting journey through a strange landscape:

It was bitterly cold – cold as the Free State night on the veld knows how to be. And we could not smoke, could not talk above a faint murmur, and nodded in our saddles. The clear stars danced fantastically in the sky ahead of us, and the ground seemed to be falling away from us into vast hollows, then rising to our horses' noses ready to smash into us…

As dawn broke Botha’s armored cars and machine guns took Wet’s irregulars by surprise in open fields, decimating the rebel force. De Wet himself managed to escape, fleeing to nearby Bechuanaland, and on December 1, 1914 the rest of his troops surrendered. A week later Botha’s troops destroyed another rebel force under Beyers, who attempted to flee by jumping into the Vaal River, but drowned in the swift current. 

Although isolated clashes occurred into 1915, the Boer Rebellion was effectively over. Now the South African Government could return to the main task – the conquest of German Southwest Africa.

Allies Advance in Cameroon 

German Southwest Africa was the scene of just one of several African colonial campaigns during the First World War. While a scrappy colonial force under the brilliant commander Paul Emil von Lettow-Vorbeck defied the British in German East Africa (today Tanzania), on the other side of the continent the Allies were slowly making headway against German forces in Kamerun (today Cameroon – map shows borders before the Treaty of Berlin). 

The commanders of the German schutztruppe in Cameroon, numbering less than 2,000 men in 1914, faced a daunting prospect of war on all fronts, as the colony was surrounded by British Nigeria, and French North Africa, Equatorial Africa, and Congo; the Allies could also call on Belgian troops from the nearby Belgian Congo. However the Germans also enjoyed a considerable defensive advantage thanks to Cameroon’s huge size (comparable to California), sparse population, and extremely rugged terrain, including a mountainous interior blanketed with tropical forests. They also benefited from rivalry between the British and French, who both wanted Cameroon for themselves after the war (the French got it in the end). 

Despite their differences, in 1914 the Allies were able to pick off most of the low-hanging fruit (literally) as they navigated rivers to capture unprotected towns in the low-lying coastal region. The British campaign got off to a bad start with a defeat at Nsanakong on September 6, but they on September 27 they occupied the main commercial city, Duala, and a small British force headed up the Mungo River to capture Yabassi on October 4. Another British force moved up the Nyong River and captured Dehane on October 22, then headed north to capture Edea on October 26. 

On November 15 British colonial troops under Colonel E.H. Gorges captured the German colonial capital, Buea (above, Nigerian troops at Muyuka, near Buea). The French took the coastal town of Kribi on December 2, and on December 10-11 Gorges took Nkongsamba, giving the British control of the German Cameroon Northern Railway, followed by the town of Bare, where in a stroke of luck they captured several German warplanes, still in crates. 

The Allies also made some progress in the interior, as French and Belgian troops occupied Batouri on December 9, Molundu on December 19, and Bertoua on December 29. To the north French troops had occupied all of northern Cameroon by December 12, with the exception of the fortified town of Mora, where British and French troops from Nigeria were repulsed despite their superiority in artillery on October 29-31. The German defenders settled in for a long siege, which continued into early 1915.

However the vast, rugged highlands of central Cameroon remained unconquered, and the Germans were able to recruit more colonial troops in 1915, effectively tripling their small force. Ultimately they would manage to hold out until March 1916. 

NEW: Would you like to be notified via email when each installment of this series is posted? Just email RSVP@mentalfloss.com.

See the previous installment or all entries.

20 Things to Look for While Watching John Carpenter’s Halloween

Compass International Pictures
Compass International Pictures

Horror movies don’t come simpler or more effective than Halloween, director John Carpenter’s 1978 classic that helped revitalize the slasher genre and, of course, created one of the most popular costumes of all time. Halloween sends chills down your spine with nothing more than a few piano notes and long shots of the masked Michael Myers looming in the background, stalking his victims. (Today’s masters of horror could learn a thing or two from its less-is-more potency). To paraphrase Donald Pleasence’s Dr. Sam Loomis talking about Myers, this is a story about a man made up of pure evil.

After countless sequels and franchise reboots, including David Gordon Green's new Halloween sequel starring Jamie Lee Curtis (which, strangely enough, was co-written by comedian Danny McBride), it can sometimes feel like there’s no fresh ground in Myers. But it’s worth revisiting the movie that started it all to see how many deeper nuances were hiding just below the surface of Carpenter’s sublime terror. We rounded up the strange facts, goofs, and hints to catch next time Halloween inevitably pops up on a TV screen near you.

1. THE HALLOWEEN THEME SONG IS ITS OWN CHARACTER.


The opening credits set the mood with an image of a jack-o’-lantern and the movie’s theme song, which instantly communicate that Michael Myers is on his way and you should not underestimate him. The thing about that theme song: John Carpenter, who scored the movie himself as he did with many of his movies, clearly understood its power. It plays six different times throughout the film, along with variations on it (enough to make its own drinking game).

2. HALLOWEEN HAPPENED THANKS TO ONE RICH MAN IN THE CREDITS.


After seeing Carpenter’s Assault on Precinct 13, Syrian American financier Moustapha Al Akkad put up the $300,000 budget for the director to make a movie about a psychopath who stalks babysitters. Today, the Akkad family is still involved with production of movies in the franchise.

3. JAMIE LEE CURTIS WAS A NOBODY WHEN HALLOWEEN CAME OUT.


It seems hard to fathom now, but Halloween was Jamie Lee Curtis’s feature film debut. Curtis, of course, is the daughter of Janet Leigh, who had one of the most memorable roles in a scary movie ever with Alfred Hitchcock’s Psycho. If you look closely, Myers’s knife of choice even resembles the one from Psycho.

4. THE TOWNS IN HALLOWEEN DON’T EXIST, THOUGH THEY’RE (SORT OF) BASED ON REAL PLACES.


Halloween is mostly set in Haddonfield, Illinois, the sleepy Midwestern town where young Michael Myers begins his murderous mayhem. He later escapes from a hospital in Smith’s Grove, Illinois. Both places are fictional, but Smiths Grove, Kentucky, is close to where John Carpenter grew up in Bowling Green, Kentucky. Haddonfield is a reference to co-writer and producer Debra Hill’s hometown of Haddonfield, New Jersey. And the shooting location for the haunted Myers home was actually Pasadena, California.

5. MICHAEL MYERS HAD AN EARLY OBSESSION WITH MASKS.


We watch a six-year-old Myers put on a clown mask that’s been discarded on the floor in the earliest Halloween scene, before he tragically kills his own sister Judith. The masks help make Myers seem human-like, yet somehow beyond human thought and reason. “The idea was to make him almost humorless, faceless,” Hill said.

6. MYERS CLEARLY HAS A TORTURED RELATIONSHIP WITH SEX.


All of the murders we see happen in the original Halloween are tied to sexual activity: Myers stabs his sister to death after she’s been fooling around with a boy. Later Annie, Lynda, and Bob all suffer similar fates after they’ve disrobed or slept together.

7. LAURIE, HOWEVER, SEEMS DOWNRIGHT CONSERVATIVE FOR 1978.


According to common horror movie logic (which Halloween helped usher in), the more of a prude you are, the more likely you are to make it through the night. So it is here: Curtis’s Laurie, especially for her age in the late 1970s, stays covered up and doesn’t kiss a single person. She also expresses embarrassment when confronted about her feelings for a classmate.

8. DR. LOOMIS ISN’T VERY GOOD AT PARKING.


Loomis pursues Myers after the killer has escaped a hospital, using his deep knowledge of the patient to track him down. But Loomis does something un-doctorly in the process: He parks in a handicapped spot, despite not having any noticeable handicap.

9. LAURIE GETS A SCHOOLING IN FATE THAT’S AN IMPORTANT CLUE.


While she’s in a high school class and Myers is lurking outside, Laurie answers a teacher’s question about destiny. It might seem like filler dialogue, but it speaks to how Myers is constantly driven back—including in later movies—into the lives of the people in Haddonfield. She says, “Costaine wrote that fate was somehow related only to religion, where Samuels felt that fate was like a natural element, like earth, air, fire, and water."

10. A MATCHBOOK HOLDS CLUES TO MYERS’S PAST (AND FUTURE).


You can see Loomis looking at a matchbook in a car with his colleague Marion Chambers early in the movie. It says: The Rabbit in Red Lounge. Loomis later finds the same matchbook after Myers steals the car, which helps lead him to the killer. The Rabbit in Red Lounge nightclub makes an appearance in Rob Zombie’s 2007 reboot of Halloween, as the place where Myers’s mother works as a dancer.

11. THERE ARE TWO BRIEF GLIMPSES OF MYERS UNDERNEATH THE MASK IN HALLOWEEN.


We barely see Myers in profile as he jumps on top of a car outside the hospital where he’s being held early in the movie, but you get a much better look at his face when Laurie pulls off his mask near the end. That is the face of actor Tony Moran, who didn’t go on to do any of the sequels, though he still became a cult icon. The masked Myers is played by Nick Castle, who’s credited simply as “The Shape."

12. LAURIE SINGS A REALLY CREEPY SONG THAT MIGHT BE ABOUT HER AND MYERS.


While Laurie walks around town and Myers pursues her, she sings a couple lyrics that sound sweet but are haunting in context: “Wish I had you all alone / Just the two of us.” Internet digging reveals that it’s not a pop song, but rather it could be a reference to her repressed romantic feelings, or a nod to what will become her ongoing connection to Myers.

13. THE KID LAURIE BABYSITS LOOKS WEIRDLY LIKE YOUNG MYERS.


Myers as a six-year-old is played by Will Sandin, with blond longer hair. The actor playing Tommy, the boy Laurie is babysitting, bears a striking resemblance to Sandin.


It could be a coincidence, but somehow we think not.

14. MYERS’S GHOULISH MASK IS ACTUALLY JUST WILLIAM SHATNER.


As Halloween didn’t have a lot of money to go around, its art director Tommy Lee Wallace bought a cheap mask at a costume store, which happened to be of William Shatner’s Captain Kirk from Star Trek. Apparently the mask didn’t look much like Shatner, anyway, which worked for the best: The filmmakers painted it and adjusted the eyeholes to provide the unsettling visage for their maniac.

15. THE MYERS HOME MAGICALLY TRANSFORMS OVER TIME.


In the opening sequence of Halloween, we see Myers walk through his family’s home on his way to killing his sister, and there’s floral wallpaper.


In a later shot, we see Loomis and Sheriff Brackett walk through the very same area of the house, and it has a different floral wallpaper. But Brackett says no one has lived in the house since the incident in 1963. So did Myers redecorate on his trip back into town?

16. JOHN CARPENTER PREVIEWED ONE OF HIS NEXT MOVIES IN HALLOWEEN.


Halloween has two movie-within-a-movie moments: The teens and the kids they’re babysitting are seen watching The Thing from Another World (1951) and Forbidden Planet (1956), both of which undoubtedly influenced Carpenter. In fact, Carpenter went on to make The Thing (1982), an adaptation of Who Goes There, the same novella on which The Thing from Another World is based.

17. A NEIGHBOR DOESN’T HELP LAURIE WHEN SHE’S IN TROUBLE.


One of the more unnerving moments in Halloween is so brief that you could easily miss it: As Laurie is being chased by Myers later in the movie, she runs to a neighboring house and screams for help. You can see an outside light turn on and an arm of someone inside looking through a window. But the person quickly walks away, leaving Laurie in harm’s way.

18. MYERS IS HARD TO KILL—EVEN BY HORROR MOVIE STANDARDS.


It became a running joke in the Halloween franchise that Myers is impossible to kill. In fact, he seems to resurrect himself on the spot, a trope that was reused in many later slasher films. In the first movie, we watch Laurie stab him once, then again in a closet with his own knife. Then Loomis shoots him multiple times, leading him to fall off the second floor of a house. But when Loomis goes to check on the body, Myers is already gone. As little Tommy puts it best, “You can’t kill the bogeyman."

19. MYERS’S AGE DOESN’T QUITE ADD UP.


Myers is supposed to be age six when Halloween begins in 1963. In 1978, then, he should about 21 years old. Yet in the end credits, the older Myers is said to be 23, which is impossible. Except, of course, in a movie.

20. CARPENTER GAVE HIMSELF A CODE NAME.


In the end credits, the music is listed as being performed by The Bowling Green Philharmonic Orchestra. Well, there is no such orchestra. Carpenter is from Bowling Green, Kentucky, and decided to gussy up his music credit. (To be fair, he did get help on the songs from a few friends.)

All screenshots via Anchor Bay Entertainment.

12 Surprising Facts About Bela Lugosi

Mabel Livingstone/Hulton Archive/Getty Images
Mabel Livingstone/Hulton Archive/Getty Images

On October 20, 1882—136 years ago today—one of the world's most gifted performers was born. In his heyday, Bela Lugosi was hailed as the undisputed king of horror. Eighty-five years after he first donned a vampire’s cape, Lugosi's take on Count Dracula is still widely hailed as the definitive portrayal of the legendary fiend. But who was the man behind the monster?

1. HE WORKED WITH THE NATIONAL THEATER OF HUNGARY.

To the chagrin of his biographers, the details concerning Bela Lugosi’s youth have been clouded in mystery. (In a 1929 interview, he straight-up admitted “for purposes of simplification, I have always thought it better to tell [lies] about the early years of my life.”) That said, we do know that he was born as Béla Ferenc Dezső Blaskó on October 20, 1882 in Lugoj, Hungary (now part of Romania). We also know that his professional stage debut came at some point in either 1901 or 1902. By 1903, Lugosi had begun to find steady work with traveling theater companies, through which he took part in operas, operettas, and stage plays. In 1913, Lugosi caught a major break when the most prestigious performing arts venue in his native country—the Budapest-based National Theater of Hungary—cast him in no less than 34 shows. Most of the characters that he played there were small Shakespearean roles such as Rosencrantz in Hamlet and Sir Walter Herbert in Richard III.

2. HE FOUGHT IN WORLD WAR I.

The so-called war to end all wars put Lugosi’s dramatic aspirations on hold. Although being a member of the National Theater exempted him from military service, he voluntarily enlisted in the Austro-Hungarian Army in 1914. Over the next year and a half, he fought against Russian forces as a lieutenant with the 43rd Royal Hungarian Infantry. While serving in the Carpathian mountains, Lugosi was wounded on three separate occasions. Upon healing from his injuries, he left the armed forces in 1916 and gratefully resumed his work with the National Theater.

3. WHEN HE MADE HIS BROADWAY DEBUT, LUGOSI BARELY KNEW ANY ENGLISH.

In December 1920, Lugosi boarded a cargo boat and emigrated to the United States. Two years later, audiences on the Great White Way got their first look at this charismatic stage veteran. Lugosi was cast as Fernando—a suave, Latin lover—in the 1922 Broadway stage play The Red Poppy. At the time, his grasp of the English language was practically nonexistent. Undaunted, Lugosi went over all of his lines with a tutor. Although he couldn’t comprehend their meaning, the actor managed to memorize and phonetically reproduce every single syllable that he was supposed to deliver on stage.

4. UNIVERSAL DIDN’T WANT TO CAST HIM AS COUNT DRACULA.

The year 1927 saw Bela Lugosi sink his teeth into the role of a lifetime. A play based on the novel Dracula by Bram Stoker had opened in London in 1924. Sensing its potential, Horace Liveright, an American producer, decided to create an U.S. version of the show. Over the summer of 1927, Lugosi was cast as the blood-sucking Count Dracula. For him, the part represented a real challenge. In Lugosi’s own words, “It was a complete change from the usual romantic characters I was playing, but it was a success.” It certainly was. Enhanced by his presence, the American Dracula remained on Broadway for a full year, then spent two years touring the country.

Impressed by its box office prowess, Universal decided to adapt the show into a major motion picture in 1930. Horror fans might be surprised to learn that when the studio began the process of casting this movie’s vampiric villain, Lugosi was not their first choice. At the time, Lugosi was still a relative unknown, which made director Tod Browning more than a little hesitant to offer him the job. A number of established actors were all considered before the man who’d played Dracula on Broadway was tapped to immortalize his biting performance on film.

5. MOST OF HIS DRACULA-RELATED FAN MAIL CAME FROM WOMEN.

The recent Twilight phenomenon is not without historical precedent. Lugosi estimated that, while he was playing the Count on Broadway, more than 97 percent of the fan letters he received were penned by female admirers. A 1932 Universal press book quotes him as saying, “When I was on the stage in Dracula, my audiences were composed mostly of women.” Moreover, Lugosi contended that most of the men who’d attended his show had merely been dragged there by female companions.   

6. HE TURNED DOWN THE ROLE OF FRANKENSTEIN’S MONSTER.

Released in 1931, Dracula quickly became one of the year's biggest hits for Universal (some film historians even argue that the movie single-handedly rescued the ailing studio from bankruptcy). Furthermore, its astronomical success transformed Lugosi into a household name for the first time in his career. Regrettably for him, though, he’d soon miss the chance to star in another smash. Pleased by Dracula’s box office showing, Universal green-lit a new cinematic adaptation of Mary Shelley’s Frankenstein. Lugosi seemed like the natural choice to play the monster, but because the poor brute had few lines and would be caked in layers of thick makeup, the actor rejected the job offer. As far as Lugosi was concerned, the character was better suited for some “half-wit extra” than a serious actor. Once the superstar tossed Frankenstein aside, the part was given to a little-known actor named Boris Karloff.

Moviegoers eventually did get to see Lugosi play the bolt-necked corpse in the 1943 cult classic Frankenstein Meets the Wolf Man. According to some sources, he strongly detested the guttural scream that the script forced him to emit at regular intervals. “That yell is the worst thing about the part. You feel like a big jerk every time you do it!” Lugosi allegedly complained.

7. LUGOSI’S RELATIONSHIP WITH BORIS KARLOFF WAS MORE CORDIAL THAN IT’S USUALLY MADE OUT TO BE.

It’s often reported that the two horror icons were embittered rivals. In reality, however, Karloff and Lugosi seemed to have harbored some mutual respect—and perhaps even affection for one another. The dynamic duo co-starred in five films together, the first of which was 1934’s The Black Cat; Karloff claimed that, on set, Lugosi was “Suspicious of tricks, fearful of what he regarded as scene stealing. Later on, when he realized I didn’t go in for such nonsense, we became friends.” During one of their later collaborations, Lugosi told the press “we laughed over my sad mistake and his good fortune as Frankenstein is concerned.”

That being said, Lugosi probably didn’t appreciate the fact that in every single film which featured both actors, Karloff got top billing. Also, he once privately remarked, “If it hadn’t been for Boris Karloff, I could have had a corner on the horror market.”

8. HE LOVED SOCCER.

In 1935, Lugosi was named Honorary President of the Los Angeles Soccer League. An avid fan, he was regularly seen at Loyola Stadium, where he’d occasionally kick off the first ball during games held there. Also, on top of donating funds to certain Hungarian teams, Lugosi helped finance the Los Angeles Magyar soccer club. When the team won a state championship in 1935, one newspaper wrote that the players were “headed back to Dracula’s castle with the state cup.” [PDF]

9. HE WAS A HARDCORE STAMP COLLECTOR.

Lugosi's fourth wife, Lillian Arch, claimed that Lugosi maintained a collection of more than 150,000 stamps. Once, on a 1944 trip to Boston, he told the press that he intended to visit all 18 of the city's resident philately dealers. “Stamp collecting,” Lugosi declared, “is a hobby which may cost you as much as 10 percent of your investment. You can always sell your stamps with not more than a 10 percent loss. Sometimes, you can even make money.” Fittingly enough, the image of Lugosi’s iconic Dracula appeared on a commemorative stamp issued by the post office in 1997.

10. LUGOSI ALMOST DIDN’T APPEAR IN ABBOTT AND COSTELLO MEET FRANKENSTEIN—BECAUSE THE STUDIO THOUGHT HE WAS DEAD.

The role of Count Dracula in this 1948 blockbuster was nearly given to Ian Keith—who was considered for the same role in the 1931 Dracula movie. Being a good sport, Lugosi helped promote the horror-comedy by making a special guest appearance on The Abbott and Costello Show. While playing himself in one memorable sketch, the famed actor claimed to eat rattlesnake burgers for dinner and “shrouded wheat” for breakfast.

11. A CHIROPRACTOR FILLED IN FOR HIM IN PLAN 9 FROM OUTER SPACE.

Toward the end of his life, Lugosi worked on three ultra-low-budget science fiction pictures with Ed Wood, a man who’s been posthumously embraced as the worst director of all time. In the 1953 transvestite picture Glen or Glenda?, Lugosi plays a cryptic narrator who offers such random and unsolicited bits of advice as “Beware of the big, green dragon who sits on your doorstep.” Then came 1955’s Bride of the Monster, in which Lugosi played a mad scientist who ends up doing battle with a (suspiciously limp) giant octopus.

Before long, Wood had cooked up around half a dozen concepts for new films, all starring Lugosi. At some point in the spring of 1956, the director shot some quick footage of the actor wandering around a suburban neighborhood, clad in a baggy cloak. This proved to be the last time that the star would ever appear on film. Lugosi died of a heart attack on August 16, 1956;  he was 73 years old.

Three years after Lugosi's passing, this footage was spliced into a cult classic that Wood came to regard as his “pride and joy.” Plan 9 From Outer Space tells the twisted tale of extraterrestrial environmentalists who turn newly-deceased human beings into murderous zombies. Since Lugosi could obviously no longer play his character, Wood hired a stand-in for some additional scenes. Unfortunately, the man who was given this job—California chiropractor Tom Mason—was several inches taller than Lugosi. In an attempt to hide the height difference, Wood instructed Mason to constantly hunch over. Also, Mason always kept his face hidden behind a cloak.

12. HE WAS BURIED IN HIS DRACULA CAPE.

Although Lugosi resented the years of typecasting that followed his breakout performance in Dracula, he asked to be laid to rest wearing the Count’s signature garment. Lugosi was buried under a simple tombstone at California's Holy Cross Cemetery.

SECTIONS

arrow
LIVE SMARTER