Kerbyh529's channel, Youtube
Kerbyh529's channel, Youtube

21 Things You Might Not Have Known About The Office

Kerbyh529's channel, Youtube
Kerbyh529's channel, Youtube

In 2005, a group of Americans were tasked with adapting beloved British series The Office. They rose to the high expectations and managed to create a successful comedy that ran for nine seasons. Here are 21 things you might not have known about the show.

1. B.J. Novak was the first person cast. The show’s producer, Greg Daniels, was inspired by his time on Saturday Night Live and wanted to hire a writer-performer. Other writer-performers who were later added include Mindy Kaling (Kelly) and Paul Lieberstein (Toby). Michael Schur, who wrote and produced the show, played Dwight’s cousin, Mose.

2. The cast could have been a lot different. For instance, Adam Scott auditioned for the part of Jim Halpert. Seth Rogen was in the running to play Dwight Schrute. Eric Stonestreet, who is now on Modern Family, auditioned for Kevin. Before getting cast as Angela, Angela Kinsey auditioned for Pam. Bob Odenkirk was originally cast as Michael Scott but was replaced by Steve Carell when the show he’d been working on, Come to Papa, was cancelled.

See Also: 12 Outrageous Fan Theories About The Office

3. One reason Adam Scott could have easily played Jim: John Krasinski’s Office audition didn’t go too well. First of all, he was supposed to audition for Dwight, but he convinced the casting directors to let him read for the part of Jim. Secondly, he got into some trouble in the waiting room. A man eating salad in the room asked him if he was nervous. Krasinski answered, “You know, not really. You either get these things or you don't. But what I'm really nervous about is this show. It's just I love the British show so much and Americans have a tendency to just really screw these opportunities up. I just don't know how I'll live with myself if they screw this show up and ruin it for me.” The man responded, “My name's Greg Daniels, I'm the Executive Producer.” Still, Krasinski managed to get the part.

4. Phyllis Smith was a casting agent for the show before she got the part of Phyllis. She was reading the script with some auditioning actors when director Ken Kwapis decided that she was the one who should be cast.

5. Even if they weren’t writers, Daniels wanted to make sure his actors had a background in improvisation. He has said, “Improv is a good tool to make it seem more natural."

6. The pilot was shot with essentially the same script as the pilot from the British show. Many viewers questioned this decision, but it had to be done considering NBC bought an adaptation. Daniels believes that the show really branched out into its own entity in the second season.

7. It was hard for the cast and crew to have faith early on. During the first season, NBC executives would show up on set, bringing a lot of pessimism. According to John Krasinski, they would say things like, “This episode is so good—unfortunately, it’s the last one we’re going to do.”

8. One thing that helped save the show was iTunes. Around the second season, when NBC made the show available on the platform, it took up four of the top five slots for downloaded television shows. That’s when the people behind the show learned that their audience skewed young, rather than the white-collar workers they thought would be watching.

9. The Scranton branch of Dunder Mifflin is located at 1725 Slough Avenue. That’s not a real street in the actual Scranton, Pennsylvania, though—it’s a reference to the original version of the show, which takes place in Slough, England.

10. The computers on set really worked. They even had Internet, which helped the cast feel like they were in a real-life office.

11. In the season two episode “Performance Review,” Michael reads papers from his suggestion box, including one from “Tom,” who wrote, “We need better outreach for employees fighting depression.” Then, he’s reminded that Tom killed himself. During a 2007 Office Convention, a group of writers proposed that this suicide was why the documentary crew showed up in Scranton. They wanted to document how the office was dealing with the suicide before turning to simpler storylines.

12. Steve Carell improvised his kiss with Oscar Nunez in the season three episode, “Gay Witch Hunt.” The script only called for a hug. Nunez recalled, “We were just supposed to hug, and he kept hugging me. And that particular take he came in really close, and I'm like, ‘Where is he going with this?’ Oh, dear, yes here we go.”

13. The actors weren’t the only ones who could improvise at any moment. In season five, Pam closes her dorm door on a camera person, who lets out an audible sigh. That was an impromptu moment from the director of photography, Randall Einhorn.

14. The writers had a clear vision for how Jim’s proposal to Pam would look. They wanted to shoot it at an actual rest stop on the Merritt Parkway, but it would have cost $100,000. Plus, they wouldn’t be allowed to use fake rain, which was important to the scene. So, the crew built a replica of the Parkway and a rest stop. The shot ended up costing $250,000. Daniels described the scene as “the most expensive and elaborate shot we've ever done, but it's also sort of the highlight of five years of storytelling.”

15. In 2011, the company Quill.com, owned by Staples, announced that they would start selling Dunder Mifflin paper. At the time, their director of innovation explained, “Paper…is a race to the bottom as paper usage is going down. We’re looking for different pop culture phenomena and external brands that we can tie to these mundane product categories to differentiate. That’s really how initially pairing copy paper and Dunder Mifflin came about.”

16. When Steve Carell left the show after seven seasons, he was still adored by the cast and crew. Up until that point, he had always been number one on the call sheet. So, when he left, they “retired” the number one, and it didn’t appear on the call sheet again.

17. Andy became manager in the final two seasons because he was a people person. Lieberstein, who was showrunner at the time, said, “The Andy character is very different from Michael, but one of the things they have in common is that they both put people first and relationships first.” The writers also considered promoting Darryl, but decided that he was “too rational and smart to be the manager,” so he couldn’t cause as many disasters.

18. James Spader was originally only supposed do a cameo in the seventh season finale, but the writers liked him so much that they asked him to expand the role.

19. The showrunners didn't tell network executives that Steve Carrell was going to appear in the finale. According to Daniels, “We shot the Steve stuff and we kept it out of the dailies and didn’t tell them about it. At the table reading, we gave the Steve Carell lines to Creed.”

20. After the show ended, Dwight was supposed to get a spinoff called The Farm on NBC, but the network passed on the show in 2012. According to Rainn Wilson, “The timing was wrong.”

21. Although The Farm never happened, and neither did a proposed Andy Bernard show based on An American Family, you can view Parks and Recreation as a kind of spinoff. It was developed by the same producers and was originally going to be a spinoff before Rashida Jones got cast after playing a separate character on The Office.

tv
nextArticle.image_alt|e
Marvel Entertainment
10 Facts About Robert E. Howard’s Conan the Barbarian
Marvel Entertainment
Marvel Entertainment

Nearly every sword-wielding fantasy hero from the 20th century owes a tip of their horned helmet to Robert E. Howard’s Conan the Barbarian. Set in the fictional Hyborian Age, after the destruction of Atlantis but before our general recorded history, Conan's stories have depicted him as everything from a cunning thief to a noble king and all types of scoundrel in between. But beneath that blood-soaked sword and shield is a character that struck a nerve with generations of fantasy fans, spawning adaptations in comics, video games, movies, TV shows, and cartoons in the eight decades since he first appeared in the December 1932 issue of Weird Tales. So thank Crom, because here are 10 facts about Conan the Barbarian.

1. THE FIRST OFFICIAL CONAN STORY WAS A KULL REWRITE.

Conan wasn’t the only barbarian on Robert E. Howard’s resume. In 1929, the writer created Kull the Conqueror, a more “introspective” brand of savage that gained enough interest to eventually find his way onto the big screen in 1997. The two characters share more than just a common creator and a general disdain for shirts, though: the first Conan story to get published, “The Phoenix on the Sword,” was actually a rewrite of an earlier rejected Kull tale titled “By This Axe I Rule!” For this new take on the plot, Howard introduced supernatural elements and more action. The end result was more suited to what Weird Tales wanted, and it became the foundation for future Conan tales.

2. BUT A “PROTO-CONAN” STORY PRECEDED IT.

A few months before Conan made his debut in Weird Tales, Howard wrote a story called "People of the Dark" for Strange Tales of Mystery and Terror about a man named John O’Brien who seemed to relive his past life as a brutish, black-haired warrior named … Conan of the reavers. Reave is a word from Old English meaning to raid or plunder, which is obviously in the same ballpark as barbarian. And in the story, there is also a reference to Crom, the fictional god of the Hyborian age that later became a staple of the Conan mythology. This isn't the barbarian as we know him, and it's certainly not an official Conan tale, but the early ideas were there.

3. ROBERT E. HOWARD NEVER INTENDED TO WRITE THESE STORIES IN ORDER.

Howard was meticulous in his world-building for Conan, which was highlighted by his 8600-word history on the Hyborian Age the character lived in. But the one area the creator had no interest in was linearity. Conan’s first story depicted him already as a king; subsequent stories, though, would shift back and forth, chronicling his early days as both a thief and a youthful adventurer.

There’s good reason for that, as Howard himself once explained: “In writing these yarns I've always felt less as creating them than as if I were simply chronicling his adventures as he told them to me. That's why they skip about so much, without following a regular order. The average adventurer, telling tales of a wild life at random, seldom follows any ordered plan, but narrates episodes widely separated by space and years, as they occur to him.”

4. THERE ARE NUMEROUS CONNECTIONS TO THE H.P. LOVECRAFT MYTHOS.

For fans of the pulp magazines of the early 20th century, one of the only names bigger than Robert E. Howard was H.P. Lovecraft. The two weren’t competitors, though—rather, they were close friends and correspondents. They’d often mail each other drafts of their stories, discuss the themes of their work, and generally talk shop. And as Lovecraft’s own mythology was growing, it seems like their work began to bleed together.

In “The Phoenix on the Sword,” Howard made reference to “vast shadowy outlines of the Nameless Old Ones,” which could be seen as a reference to the ancient, godlike “Old Ones” from the Lovecraft mythos. In the book The Coming of Conan the Cimmerian, editor Patrice Louinet even wrote that Howard’s earlier draft for the story name-dropped Lovecraft’s actual Old Ones, most notably Cthulhu.

In Lovecraft’s “The Shadow of Time,” he describes a character named Crom-Ya as a “Cimmerian chieftain,” which is a reference to Conan's homeland and god. These examples just scratch the surface of names, places, and concepts that the duo’s work share. Whether you want to read it all as a fun homage or an early attempt at a shared universe is up to you.

5. SEVERAL OF HOWARD’S STORIES WERE REWRITTEN AS CONAN STORIES POSTHUMOUSLY.

Howard was only 30 when he died, so there aren’t as many completed Conan stories out in the world as you’d imagine—and there are even less that were finished and officially printed. Despite that, the character’s popularity has only grown since the 1930s, and publishers looked for a way to print more of Howard’s Conan decades after his death. Over the years, writers and editors have gone back into Howard’s manuscripts for unfinished tales to doctor up and rewrite for publication, like "The Snout in the Dark," which was a fragment that was reworked by writers Lin Carter and L. Sprague de Camp. There were also times when Howard’s non-Conan drafts were repurposed as Conan stories by publishers, including all of the stories in 1955's Tales of Conan collection from Gnome Press.

6. FRANK FRAZETTA’S CONAN PAINTINGS REGULARLY SELL FOR SEVEN FIGURES.

Chances are, the image of Conan you have in your head right now owes a lot to artist Frank Frazetta: His version of the famous barbarian—complete with rippling muscles, pulsating veins, and copious amounts of sword swinging—would come to define the character for generations. But the look that people most associate with Conan didn’t come about until the character’s stories were reprinted decades after Robert E. Howard’s death.

“In 1966, Lancer Books published new paperbacks of Robert E. Howard's Conan series and hired my grandfather to do the cover art,” Sara Frazetta, Frazetta's granddaughter owner and operator of Frazetta Girls, tells Mental Floss. You could argue that Frazetta’s powerful covers were what drew most people to Conan during the '60s and '70s, and in recent years the collector’s market seems to validate that opinion. In 2012, the original painting for his Lancer version of Conan the Conqueror sold at auction for $1,000,000. Later, his Conan the Destroyer went for $1.5 million.

Still, despite all of Frazetta’s accomplishments, his granddaughter said there was one thing he always wanted: “His only regret was that he wished Robert E. Howard was alive so he could have seen what he did with his character.”

7. CONAN’S FIRST MARVEL COMIC WAS ALMOST CANCELED AFTER SEVEN ISSUES.

The cover to Marvel's Conan the Barbarian #21
Marvel Entertainment

Conan’s origins as a pulp magazine hero made him a natural fit for the medium’s logical evolution: the comic book. And in 1970, the character got his first high-profile comic launch when Marvel’s Conan The Barbarian hit shelves, courtesy of writer Roy Thomas and artist Barry Windsor-Smith.

Though now it’s hailed as one of the company’s highlights from the ‘70s, the book was nearly canceled after a mere seven issues. The problem is that while the debut issue sold well, each of the next six dropped in sales, leading Marvel’s then editor-in-chief, Stan Lee, to pull the book from production after the seventh issue hit stands.

Thomas pled his case, and Lee agreed to give Conan one last shot. But this time instead of the book coming out every month, it would be every two months. The plan worked, and soon sales were again on the rise and the book would stay in publication until 1993, again as a monthly. This success gave way to the Savage Sword of Conan, an oversized black-and-white spinoff magazine from Marvel that was aimed at adult audiences. It, too, was met with immense success, lasting from 1974 to 1995.

8. OLIVER STONE WROTE A FOUR-HOUR, POST-APOCALYPTIC CONAN MOVIE.

John Milius’s 1982 Conan movie is a classic of the sword and sorcery genre, but its original script from Oliver Stone didn’t resemble the final product at all. In fact, it barely resembled anything related to Conan. Stone’s Conan would have been set on a post-apocalyptic Earth, where the barbarian would do battle against a host of mutant pigs, insects, and hyenas. Not only that, but it would have also been just one part of a 12-film saga that would be modeled on the release schedule of the James Bond series.

The original producers were set to move ahead with Stone’s script with Stone co-directing alongside an up-and-coming special effects expert named Ridley Scott, but they were turned down by all of their prospects. With no co-director and a movie that would likely be too ambitious to ever actually get finished, they sold the rights to producer Dino De Laurentiis, who helped bring in Milius.

9. BARACK OBAMA IS A FAN (AND WAS TURNED INTO A BARBARIAN HIMSELF).

When President Barack Obama sent out a mass email in 2015 to the members of Organizing for Action, he was looking to get people to offer up stories about how they got involved within their community—their origin stories, if you will. In this mass email, the former Commander-in-Chief detailed his own origin, with a shout out to a certain barbarian:

“I grew up loving comic books. Back in the day, I was pretty into Conan the Barbarian and Spiderman.

Anyone who reads comics can tell you, every main character has an origin story—the fateful and usually unexpected sequence of events that made them who they are.”

This bit of trivia was first made public in 2008 in a Daily Telegraph article on 50 facts about the president. That led to Devil’s Due Publishing immortalizing the POTUS in the 2009 comic series Barack the Barbarian, which had him decked out in his signature loincloth doing battle against everyone from Sarah Palin to Dick Cheney.

10. J.R.R. TOLKIEN WAS ALSO A CONAN DEVOTEE.

The father of 20th century fantasy may always be J.R.R. Tolkien, but Howard is a close second in many fans' eyes. Though Tolkien’s work has found its way into more scholarly literary circles, Howard’s can sometimes get categorized as low-brow. Quality recognizes quality, however, and during a conversation with Tolkien, writer L. Sprague de Camp—who himself edited and touched-up numerous Conan stories—said The Lord of the Rings author admitted that he “rather liked” Howard’s Conan stories during a conversation with him. He didn’t expand upon it, nor was de Camp sure which Conan tale he actually read (though it was likely “Shadows in the Moonlight”), but the seal of approval from Tolkien himself goes a long way toward validation.

nextArticle.image_alt|e
iStock
The Annual Festivals That Draw the Most People in Every State
iStock
iStock

Every state has that one big event each year that draws residents from across the region or even across the nation. Louisiana has Mardi Gras. Kentucky has the Kentucky Derby. South Dakota has Sturgis. Genfare, a company that provides fare collection technology for transit companies, recently tracked down the biggest event in each state, creating a rundown of the can't-miss events across the country.

As the graphic below explores, some states' biggest public events are national music and entertainment festivals, like Bonnaroo in Tennessee, SXSW in Texas, and Summerfest in Wisconsin—which holds the world record for largest music festival.

Others are standard public festival fare. Minnesota hosts 2 million people a year at the Minnesota State Fair (pictured above), the largest of its kind in the U.S. by attendance. Mardi Gras celebrations dominate the events calendar in Missouri, Alabama, and, of course, Louisiana. Oktoberfest and other beer festivals serve as the biggest gatherings in Ohio (home to the nation's largest Oktoberfest event), Oregon, Colorado, and Utah.

In some states, though, the largest annual gatherings are a bit more unique. Some 50,000 people each year head to Brattleboro, Vermont for the Strolling of the Heifers, a more docile spin on the Spanish Running of the Bulls. Montana's biggest event is Evel Knievel Days, an extreme sports festival in honor of the famous daredevil. And Washington's biggest event is Hoopfest, Spokane's annual three-on-three basketball tournament.

Mark your calendar. Next year could be the year you attend them all.

A graphic list with the 50 states pictured next to information about their biggest events
Genfare

SECTIONS

arrow
LIVE SMARTER