21 Things You Might Not Have Known About The Office

Kerbyh529's channel, Youtube
Kerbyh529's channel, Youtube

In 2005, a group of Americans were tasked with adapting beloved British series The Office. They rose to the high expectations and managed to create a successful comedy that ran for nine seasons. Here are 21 things you might not have known about the show.

1. B.J. Novak was the first person cast. The show’s producer, Greg Daniels, was inspired by his time on Saturday Night Live and wanted to hire a writer-performer. Other writer-performers who were later added include Mindy Kaling (Kelly) and Paul Lieberstein (Toby). Michael Schur, who wrote and produced the show, played Dwight’s cousin, Mose.

2. The cast could have been a lot different. For instance, Adam Scott auditioned for the part of Jim Halpert. Seth Rogen was in the running to play Dwight Schrute. Eric Stonestreet, who is now on Modern Family, auditioned for Kevin. Before getting cast as Angela, Angela Kinsey auditioned for Pam. Bob Odenkirk was originally cast as Michael Scott but was replaced by Steve Carell when the show he’d been working on, Come to Papa, was cancelled.

See Also: 12 Outrageous Fan Theories About The Office

3. One reason Adam Scott could have easily played Jim: John Krasinski’s Office audition didn’t go too well. First of all, he was supposed to audition for Dwight, but he convinced the casting directors to let him read for the part of Jim. Secondly, he got into some trouble in the waiting room. A man eating salad in the room asked him if he was nervous. Krasinski answered, “You know, not really. You either get these things or you don't. But what I'm really nervous about is this show. It's just I love the British show so much and Americans have a tendency to just really screw these opportunities up. I just don't know how I'll live with myself if they screw this show up and ruin it for me.” The man responded, “My name's Greg Daniels, I'm the Executive Producer.” Still, Krasinski managed to get the part.

4. Phyllis Smith was a casting agent for the show before she got the part of Phyllis. She was reading the script with some auditioning actors when director Ken Kwapis decided that she was the one who should be cast.

5. Even if they weren’t writers, Daniels wanted to make sure his actors had a background in improvisation. He has said, “Improv is a good tool to make it seem more natural."

6. The pilot was shot with essentially the same script as the pilot from the British show. Many viewers questioned this decision, but it had to be done considering NBC bought an adaptation. Daniels believes that the show really branched out into its own entity in the second season.

7. It was hard for the cast and crew to have faith early on. During the first season, NBC executives would show up on set, bringing a lot of pessimism. According to John Krasinski, they would say things like, “This episode is so good—unfortunately, it’s the last one we’re going to do.”

8. One thing that helped save the show was iTunes. Around the second season, when NBC made the show available on the platform, it took up four of the top five slots for downloaded television shows. That’s when the people behind the show learned that their audience skewed young, rather than the white-collar workers they thought would be watching.

9. The Scranton branch of Dunder Mifflin is located at 1725 Slough Avenue. That’s not a real street in the actual Scranton, Pennsylvania, though—it’s a reference to the original version of the show, which takes place in Slough, England.

10. The computers on set really worked. They even had Internet, which helped the cast feel like they were in a real-life office.

11. In the season two episode “Performance Review,” Michael reads papers from his suggestion box, including one from “Tom,” who wrote, “We need better outreach for employees fighting depression.” Then, he’s reminded that Tom killed himself. During a 2007 Office Convention, a group of writers proposed that this suicide was why the documentary crew showed up in Scranton. They wanted to document how the office was dealing with the suicide before turning to simpler storylines.

12. Steve Carell improvised his kiss with Oscar Nunez in the season three episode, “Gay Witch Hunt.” The script only called for a hug. Nunez recalled, “We were just supposed to hug, and he kept hugging me. And that particular take he came in really close, and I'm like, ‘Where is he going with this?’ Oh, dear, yes here we go.”

13. The actors weren’t the only ones who could improvise at any moment. In season five, Pam closes her dorm door on a camera person, who lets out an audible sigh. That was an impromptu moment from the director of photography, Randall Einhorn.

14. The writers had a clear vision for how Jim’s proposal to Pam would look. They wanted to shoot it at an actual rest stop on the Merritt Parkway, but it would have cost $100,000. Plus, they wouldn’t be allowed to use fake rain, which was important to the scene. So, the crew built a replica of the Parkway and a rest stop. The shot ended up costing $250,000. Daniels described the scene as “the most expensive and elaborate shot we've ever done, but it's also sort of the highlight of five years of storytelling.”

15. In 2011, the company Quill.com, owned by Staples, announced that they would start selling Dunder Mifflin paper. At the time, their director of innovation explained, “Paper…is a race to the bottom as paper usage is going down. We’re looking for different pop culture phenomena and external brands that we can tie to these mundane product categories to differentiate. That’s really how initially pairing copy paper and Dunder Mifflin came about.”

16. When Steve Carell left the show after seven seasons, he was still adored by the cast and crew. Up until that point, he had always been number one on the call sheet. So, when he left, they “retired” the number one, and it didn’t appear on the call sheet again.

17. Andy became manager in the final two seasons because he was a people person. Lieberstein, who was showrunner at the time, said, “The Andy character is very different from Michael, but one of the things they have in common is that they both put people first and relationships first.” The writers also considered promoting Darryl, but decided that he was “too rational and smart to be the manager,” so he couldn’t cause as many disasters.

18. James Spader was originally only supposed do a cameo in the seventh season finale, but the writers liked him so much that they asked him to expand the role.

19. The showrunners didn't tell network executives that Steve Carrell was going to appear in the finale. According to Daniels, “We shot the Steve stuff and we kept it out of the dailies and didn’t tell them about it. At the table reading, we gave the Steve Carell lines to Creed.”

20. After the show ended, Dwight was supposed to get a spinoff called The Farm on NBC, but the network passed on the show in 2012. According to Rainn Wilson, “The timing was wrong.”

21. Although The Farm never happened, and neither did a proposed Andy Bernard show based on An American Family, you can view Parks and Recreation as a kind of spinoff. It was developed by the same producers and was originally going to be a spinoff before Rashida Jones got cast after playing a separate character on The Office.

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10 Facts About DodgeBall: A True Underdog Story For Its 15th Anniversary

Vince Vaughn stars in Dodgeball: A True Underdog Story (2004).
Vince Vaughn stars in Dodgeball: A True Underdog Story (2004).
Twentieth Century Fox

June 18, 2004 saw the release of two wildly different films in American cinemas: Steven Spielberg’s The Terminal and a goofy, cameo-filled, wrench-chucking sports comedy called DodgeBall: A True Underdog Story. Guess which one came out on top at the box office? The sleeper hit both saluted and skewered the sports movie genre. It also gave Chuck Norris the chance to enjoy a free helicopter ride.

1. Dodgeball's creator was inspired by the book Fast Food Nation.

DodgeBall writer/director Rawson Marshall Thurber considered DodgeBall an homage to some of his favorite flicks, including Revenge of the Nerds (1984), Rocky (1976), and Bull Durham (1988). Another source of inspiration was Eric Schlosser’s Fast Food Nation, the nonfiction bestseller about the modern obsession with greasy, ready-made cuisine. Published in 2001, Fast Food Nation sold more than 1.4 million copies within five years. It also left plenty of fingerprints on Thurber’s script.

"I really took a cue from that—there's an absolute love/fear relationship thing in our culture," Thurber told Film Freak Central in 2014. "We're so weight conscious, so image conscious, so youth-oriented—and wrapped up with all that psychosis are these ad images of it being so cool and all-American and sexy to eat McDonald's and drink pop and all that. It pulls people in all sorts of different directions, so I wanted [Ben Stiller’s character] White Goodman to be sitting there with a doughnut and the car battery attached to his nipples … That situation with food, with sports, with so much of our culture. [It’s] already almost too surreal to satirize."

2. The movie's actors went through some rigorous training.

To ready themselves for the movie, Ben Stiller, Vince Vaughn, and the rest of the actors ran indoor dodgeball drills at what many of them have since described as a “boot camp.” According to Stiller, this basically consisted of “us at a gym a few times a week playing dodgeball.” While that may not sound too intense, the physicality of these sessions took its toll on the performers. “It’s a game for the young,” Stiller said. “It’s one thing when you’re eight, but when you’re 38, it gets really exhausting. After three or four minutes, you’re fried.” Practicing at his side was Stiller’s wife, Christine Taylor, who plays Kate Veatch of the Average Joe’s squad in DodgeBall.

3. Ben Stiller took Christine Taylor down with a dodgeball ... twice.

As a general rule, it’s never a good idea to hit one’s spouse in the face with a rubber ball while playing any sport, but that’s exactly what Stiller did to Christine Taylor—twice. Blow number one came during the boot camp; the second strike occurred while filming the epic Globo Gym/Average Joe’s showdown. The latter ball was intended to strike Vaughn, who reflexively flinched to get out of the way. In any event, Stiller admits that those two incidents put a temporary damper on the couple’s marital harmony “for like a week, because there’s no way to not get upset with somebody after you’ve done that. It just sent us both back to eighth grade." (Though the couple announced that they were divorcing in 2017, the split has never been made official, and the couple is still regularly seen together—sparking rumors of a reconciliation.)

4. Stiller borrowed much of his character's personality from 1995's Heavyweights.

The fact that Stiller borrowed some of White Goodman’s traits from Tony Perkis, the fanatical fat camp owner he played in 1995’s Heavyweights, won’t surprise anyone who has seen both films. DodgeBall’s White Goodman (as played by Stiller) is a bombastic, egomaniacal fitness guru with some inherited wealth and major insecurities. The same description also applies to Perkis. A lighthearted family comedy, Heavyweights didn’t fare well at the box office, grossing a meager $17.6 million. As such, when Stiller copied a few of Perkis’s mannerisms in DodgeBall, he figured that no one would notice.

"I always thought, ‘Well, nobody ever saw Heavyweights, so I can do this,” Stiller recalled. “But a lot of people saw Heavyweights … Apparently, it shows on the Disney Channel a lot or something.” Regarding the two characters, Stiller has said that Perkis is “definitely a first or second cousin” to Goodman.

5. Justin Long suffered a minor concussion on the set.

Justin Long, who plays Justin in the film, took some hard knocks while making this movie. For starters, a prop wrench made with hard rubber left a nasty cut on his eyebrow when Rip Torn, as Patches O’Houlihan, threw it at his face in one scene. Then, while filming another section of DodgeBall’s training montage, the actor was pelted with enough high-speed balls to render him "slightly concussed."

"They didn’t want me to drive home at the end of the day because I was a little off," Long told Today in 2017. “So next time you’re watching that and laughing, know that you’re laughing at my pain.” Still, the experience wasn’t all bad. According to New York Magazine, Long can often be seen riding a scooter adorned with the words “Average Joe’s,” a gift from Stiller.

6. Hank Azaria and Rip Torn didn't even try to synchronize their Patches O'Houlihan voices.

Early in the film, we get to watch an instructional video about dodgeball (and social Darwinism) hosted by a young Patches O’Houlihan, who is played by Hank Azaria. For the remainder of the film, however, it’s Rip Torn who portrays the seven-time ADAA all-star. You may have noticed that the two actors use very different accents in their respective scenes: Azaria, who joined the cast at Stiller’s invitation, called his performance “essentially a bad Clark Gable impression.” At the time, Torn’s sequences hadn’t been shot yet, leading someone in the crew to pipe up and say “You know, it’d be funny if Rip tries to emulate that voice!” “I was like, ‘Yeah, good luck walking up to Rip Torn and suggesting that he change his vocal quality in any way. Let me know how that goes for you,’” Azaria replied.

7. The Average Joe's team colors are an homage to Hoosiers.

Thurber, a fan of David Anspaugh’s Oscar-nominated Hoosiers (1986), tipped his hat to the Hickory Huskers’ red and yellow uniforms by giving the Average Joe’s squad—led by Vince Vaughn’s Pete LaFleur—an almost identical color scheme. 

8. Chuck Norris was reluctant to make a cameo.

The action star’s only scene was shot in Long Beach, California. Geographically speaking, this was problematic for Norris. “I was in L.A. when they asked me to do the cameo,” Norris told Empire Magazine. “I said no at first because it was a three-hour drive to Long Beach.” Hearing this, Stiller called Norris and begged him to reconsider. “He goes, ‘Chuck, please, you’ve got to do this for me!’” Norris recalled, “My wife said he should send a helicopter for me and that's what happened. I didn't read the screenplay, just did my bit where I stick my thumb up.”

After post-production on DodgeBall wrapped and Norris got around to seeing the finished product, he found himself enjoying most of it. However, there was one little moment in the final credits that really caught him off-guard. “In the end, when Ben’s a big fatty and watching TV, the last line of the whole movie is, 'F***ing Chuck Norris!' My mouth fell open ... I said, 'Holy mackerel!' That was a shock, Ben didn't tell me about that!"

9. One villain was originally supposed to be a robot.

By far the most mysterious player in the Purple Cobras lineup is Fran Stalinovskovichdavidovitchsky, an Eastern European all-star whom Goodman calls “The deadliest woman on earth with a dodgeball.” What’s the secret to her success? Well, in an early version of the screenplay, it’s revealed that Fran is actually a robot in disguise. Thurber ended up dropping the gag, which he considered too ridiculous—even by DodgeBall’s standards. However, when Missi Pyle was cast as Fran, the big twist hadn’t yet been cut.

“Initially, in the first script I read, she was a robot, like a sexy-bodied robot” Pyle explained. The original plan was to slowly pan the camera up over a partly-exposed Robo-Fran—with her metallic face and fake breasts on full display—at some point in the climax.

10. Alan Tudyk weighed in on a fan theory about Steve the Pirate.

In 2012, Redditor Maized made the case Steve the Pirate, Alan Tudyk’s swashbuckling oddball, is actually an “ex-Navy sailor who suffers from PTSD.” As evidence, Maized cited Steve’s tattoos, which bear a striking resemblance to those frequently worn by U.S. Naval recruits. In theory, the Average Joe’s patron uses his pirate persona to cope with his condition.

During a 2016 interview with Screen Crush, Tudyk was asked to offer his thoughts on the theory. With a chuckle, Tudyk replied that it “doesn’t seem like it’s impossible.” Emphasizing that he didn’t wish to “insult Navy sailors who have PTSD,” the actor said he’d consider taking the Redditor’s idea into account if a DodgeBall sequel is ever made.

Game of Thrones Director Said He Wanted to 'Kill Everyone' During the Battle of Winterfell

Iain Glen and Emilia Clarke in Game of Thrones.
Iain Glen and Emilia Clarke in Game of Thrones.
Helen Sloan, HBO

Now that Game of Thrones is over, it’s time to talk about the nitty-gritty of the episodes, particularly “The Long Night.” While the Battle of Winterfell may have been nerve-wracking to watch, there ended up being surprisingly fewer deaths than fans expected, considering the living were fighting the entire army of the dead.

Miguel Sapochnik, who directed the episode, was no beginner with battle scenes before taking on “The Long Night,” as he was also responsible season 6's iconic “The Battle of the Bastards” as well as the memorable season 5 episode “Hardhome.” While his list of Game of Thrones accomplishments is long, it turns out that Sapochnik's choices haven't always been in line with what showrunners David Benioff and D.B. Weiss want.

According to IndieWire, Sapochnik’s aesthetic choices, such as the decision to shoot shoot Cersei and Tommen shadowed by prison-like bars to represent Tommen’s imprisonment in season 5, were not favored by the showrunners. “[Benioff and Weiss] said [it was] ‘so self-conscious and we hate it basically,'” Sapochnik revealed at the time. Because of disagreements like this, the pair “visually policed” the director.

There was a difference of opinion between the director and the creators again for “The Long Night,” Sapochnik revealed on IndieWire's Filmmaker's Toolkit podcast. “I wanted to kill everyone,” the director said, as reported by Esquire. “I wanted to kill Jorah in the horse charge at the beginning. I wanted it to be ruthless, so in the first 10 minutes you could say all bets are off, anyone could die. But David and Dan didn’t want to. There was a lot of back-and-forth on that."

Ultimately, Sapochnik gave in to Benioff and Weiss’s plan for the episode, and the Battle of Winterfell had far fewer casualties than most of the series's other battle scenes.

[h/t Esquire]

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