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The Gallipoli Plan

The First World War was an unprecedented catastrophe that shaped our modern world. Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 155th installment in the series. NEW: Would you like to be notified via email when each installment of this series is posted? Just email RSVP@mentalfloss.com.

November 25, 1914: The Gallipoli Plan

The tragic Gallipoli campaign, which lasted eight months from April 1915 to January 1916 and saw around half a million casualties from combat and illness on both sides, had its origins in First Lord of the Admiralty Winston Churchill’s ambition to exploit British sea power with an attack on the flanks of the Central Powers spearheaded by the Royal Navy. Churchill and First Sea Lord Admiral Jackie Fisher believed, rather optimistically, that they could sidestep the stalemate on the Western Front and deliver a decisive blow to end the war by playing to Britain’s traditional area of strength; not coincidentally, it would also burnish the reputation of the “senior service,” which had stumbled badly in the opening months of the war with multiple defeats due to bad luck and sheer incompetence.

The Ottoman Empire’s declaration of war on the side of the Central Powers in early November 1914 vastly expanded the scope of the conflict and confronted the Allies with an array of new threats, the most immediate of which was a Turkish attack on British-occupied Egypt. Indeed, as soon as they entered the war the Young Turk triumvirate of Enver Pasha, Djemal Pasha and Talaat Pasha began planning an offensive to seize the strategic Suez Canal, connecting Britain to India and Australia, with help from a German officer, the memorably named Kress von Kressenstein. 

While they hurried troops from India, Australia, and New Zealand to Egypt to defend the canal, the British cabinet also considered ways to carry the fight to the Turks using Britain’s available resources. One obvious possibility was a campaign to wrest control of the Turkish straits and Constantinople, thus decapitating the Ottoman Empire and reopening the maritime supply route to Russia through the Black Sea.

Churchill first presented his proposal to attack the Turkish straits to the British government’s War Council on November 25, 1914, arguing that an offensive would force the Germans to send reinforcements to the Turks, drawing troops away from the Western Front. In its original form the plan was mostly a naval operation, sending a fleet of obsolete battleships and smaller ships to “force” the straits by clearing mine fields overpowering the Turkish fortresses on shore; only later would it snowball into a full-scale amphibious debacle (illustrating the phenomenon now known as “mission creep”).

Of course even in its original limited form the plan carried considerable risks, as the War Council minutes noted: “Mr Churchill suggested that the ideal method of defending Egypt was by an attack on the Gallipoli Peninsula. This, if successful, would give us control of the Dardanelles and we could dictate terms at Constantinople. This, however, was a very difficult operation requiring a large force.” The other members of the War Council were skeptical at first, but Churchill’s persistence and enthusiasm eventually won them over, and planning began for one of the bloodiest battles of the war. 

Kitchener’s Army

The First World War was unprecedented in its scale and violence, which produced huge numbers of casualties and forced both sides to begin drawing on their reserves of manpower much sooner than anyone expected. Although British newspapers were generally circumspect about the losses suffered by the British Expeditionary Force (due to strict limits on coverage and careful filtering of information by the government) by late November the bloodshed at Mons, the Marne, the Aisne, and Ypres had all but wiped out the original all-volunteer army; according to an official tally, by December 1914, out of 140,000 men the BEF had suffered 95,654 casualties, including 16,374 dead, forcing British generals to hurry troops from overseas to fill in the gaps. 

With France outnumbered on the Western Front and Russia struggling on the Eastern Front, Britain not only needed to make good these losses but quickly field a much larger army in order to even have a chance of winning the war. After shocking the public with his prediction that the war would last three years, in early August 1914 Secretary of State for War Lord Horatio Herbert Kitchener called for the creation of a vast new army numbering at least a million men. Days later Parliament quickly approved plans to recruit half a million men, with another 300,000 added by the end of September.

As events at Ypres soon showed, even this was insufficient. On November 1 Kitchener promised French chief of the general staff Joseph Joffre that Britain would have a million men in the field within eighteen months, and on November 20 Parliament voted to add another million men to the recruiting goals. Now-iconic recruiting advertisements showed Lord Kitchener pointing at the passerby imploring him to “Join Your Country’s Army!”

The first few months saw hundreds of thousands of young (and many not-so-young) British men heeded the call, with groups of friends flooding recruiting centers to join up together in “pals” regiments. As in so many other war-related areas, the huge response seemed to catch British authorities completely unprepared, as reflected in the rudimentary or simply non-existent food, lodgings, uniforms, and equipment that welcomed new recruits. One 21-year-old British recruit, Robert Cude, noted in his diary: 

… no steps were taken to receive us, and so no food awaited us, and no sleeping accommodations… Very little breakfast awaited us. Was one of the unlucky ones myself. Could not stomach the fight for a bit of greasy bacon. Still, to add insult to injury, am told to wash up the plates of those who had been fortunate… We are to help form another new division, remainder go to Dover… No food, manage to sleep a little with someone sleeping on top of me. Breakfast arrived at last, one sausage per man, no bread, then beginning to resent treatment… camp in uproar, armed pickets on gates, only infuriated men more. Boys demand food, failing this, leave to go home and get some. 

In the same vein James Hall, an American who volunteered to serve in the new British army, recalled:

Although we were recruited immediately after the outbreak of war, less than half of our number had been provided with uniforms. Many still wore their old civilian clothing… We did not need the repeated assurances of cabinet ministers that England was not prepared for war. We were in a position to know that she was not… Our deficiencies in clothing and equipment were met by the Government with what seemed to us amazing slowness.

In any event the response was hardly one of uniform, unalloyed patriotism. Unsurprisingly Britain’s ever-present class tensions manifested here as well, as some working class men believed they detected a certain hypocrisy among their social betters when it came to joining up. In a scene which could be right out of “Downton Abbey,” in one rural village Reverend Andrew Clark noted at the beginning of September: “Village lads are not very pleased at pressure put by the Squire to compel his two footmen to enlist. To use the phrase of one of the lads, the ‘idle sons’ of the house ought to have set the example of going, though married, with children and something over the age.”

Meanwhile the overseas troops, mostly Canadians, Australians, and New Zealanders, were training in Salisbury Plain in southwest England, which – aside from the chance to see Stonehenge – they generally viewed as a dismal bog, especially when rain turned it into a vast expanse of mud (which was excellent preparation for Flanders). One Canadian recruit, J.A. Currie, summarized the training regimen in Salisbury Plain: “The battalion soon settled down to a hard syllabus of training and instruction, beginning with squad drill. It was drill, drill, drill, all day long, rain or shine, and it was almost always rain.” And an anonymous Australian recruit noted wryly: “Barring the heavy frosts, the rain, and foot-deep mud, things weren’t so bad in camp.” Marches were another favorite pastime, according to the same Australian: “After lunch we usually went for a route march… On most days we did about ten miles, but twice a week or so we put in a fifteen to twenty mile stunt…”

Although the overseas troops were all volunteers apparently eager to serve “King and Country,” and many even identified themselves as “British,” national identities had already begun forming within the Empire and these, along with inevitable class tensions and rigid army discipline, inevitably gave rise to personal conflicts.

J.A. Currie recalled the case of one Canadian recruit who was found drinking whiskey outside the camp by military police, who testified: “When we told him that it was our duty to take him into custody, he became very abusive, calling us ‘Thick-headed John Bulls,’ ‘Fat-headed Englishmen,’ ‘Mutton heads,’ ‘Blasted Britishers,’ etc. He had also abused the English people in very violent terms.” 

According to another Canadian recruit, Harold Peat, British authorities were confused by the Canadians’ relatively egalitarian social relations: “The military authorities could not understand how it was that a major or a captain and a private could go on leave together, eat together, and in general chum around together.” Of course at the same time the overseas troops had their own views on social graces, and often professed to be shocked by the behavior of the British lower classes. Ever opinionated, the anonymous Australian had mixed views on British Tommys: “Tommy Atkins can fight… but compared with the Australasian bushman… he is in many respects an uncivilised animal.” 

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10 Fun Facts About Spice World
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Hulton Archive, Getty Images

In 1996, the Spice Girls took the world by storm when they released the song “Wannabe” from their debut album, Spice. Their mantra of “Girl Power” inspired a generation of young women to “Spice Up Your Life.” After Spice sold 31 million copies worldwide, the inevitable next step was the Girls starring on the big screen. So 20 years ago, on January 23, 1998, Columbia Pictures unleashed Spice World on American moviegoers.

In their film debut, the Girls—Melanie Brown (Scary Spice), Melanie Chisholm (Sporty Spice), Emma Bunton (Baby Spice), Geri Halliwell (Ginger Spice), and Victoria Beckham (Posh Spice)—played comical versions of themselves. The plot revolved around them trying to perform their biggest show yet, at London's Royal Albert Hall, while a tabloid newspaper reporter spied on them. And their best friend went into labor. And Ginger Spice kissed an alien.

Director Bob Spiers recruited several British luminaries to cameo, with Roger Moore, Bob Hoskins, Elvis Costello, Jennifer Saunders, and Elton John among those who appeared in the film. The Spice Girls were so popular that Prince Charles and his sons, Princes William and Harry, attended the Spice World premiere.

The movie, budgeted at $25 million, grossed a robust $100 million worldwide, despite Roger Ebert giving it a half-star rating and writing that the Girls were “so detached they can’t even successfully lip-synch their own songs.”

Spice World was nominated for seven Razzies, and won one: Worst Actress, an honor shared by all five Girls. In a 2007 UK poll, it was voted the worst film ever made. But over the years the film has endured. Esquire suggested it was better than The Beatles’s A Hard’s Day Night, and the podcast How Did This Get Made? spent more than an hour debating the film’s ridiculous plot.

Though the best-selling girl group of all time disbanded in 2000, Spice World remains a relic of Spice Mania. On its 20th anniversary, here are 10 fun facts about the film.

1. IT TOOK ONLY A YEAR FROM THE IDEA TO THE FINISHED FILM.

Prince Charles and Prince Harry pose with Spice Girls Victoria Beckham Mel C
WALTER DHLADHLA, AFP, Getty Images

Barnaby Thompson, one of the film’s producers, started a production company with Annie Lennox’s husband at the time, Uri Fruchtmann. Lennox and the Girls shared the same manager, Simon Fuller. Over lunch, Fuller, Fruchtmann, Thompson, and Fuller’s brother Kim decided they’d make the movie. "We finished it within a year of that lunch," Thompson told The Telegraph. "That lunch was on November 1, 1996 and we delivered the film exactly a year later, November 1, 1997."

2. THE GIRLS STOPPED TRAFFIC IN FRANCE.

By May 1997, the Girls had four number-one singles in the UK, and were one of the most popular music groups in the world. To create anticipation for Spice World, the producers took the women to the Cannes Film Festival, even though the film hadn’t been shot yet. "We put out a photo call notice," publicist Dennis Davidson said. "The traffic on the Croisette came to a standstill, there was a screaming crowd, people hanging out of the windows, it was totally insane." An estimated 5000 to 10,000 people showed up to see the pop stars. The film shot around London between June and August of 1997.

3. RICHARD E. GRANT’S DAUGHTER FORCED HIM TO DO THE MOVIE.

Richard E. Grant attends 'Their Finest' after party during the 60th BFI London Film Festival at on October 13, 2016.
John Phillips, Getty Images for BFI

Richard E. Grant’s 9-year-old daughter was a fan of the Spice Girls and when he was offered the part of the Girls’ manager, Clifford, she told him he had to do it, despite his concerns about “my acting credibility.” “And she’d say, ‘No, no, you have to. You have to because I want to meet them,’” Grant told Vulture in 2014. “So I did, and she was so thrilled. I had school playground credibility for about two semesters and then of course you dip into the other side when they go, ‘No, I was never a Spice Girls fan!’ Now that generation has all come back around again going, ‘Yeah, we love the Spice Girls!’”

4. SHAKESPEARE HELPED CAST ALAN CUMMING.

Alan Cumming played a less-than-Shakespearean role in the movie as a paparazzo-like guy named Piers Cuthbertson-Smyth. Ginger Spice was the one who suggested him to the casting department. “I remember seeing Alan Cumming performing as Hamlet [at the Donmar Warehouse],” she told The Telegraph. “When it came to Spice World, however many years later, it came to casting and we were going through pictures and I was like, ‘Let’s pick him, I saw him in Hamlet.’ It was brilliant to have that caliber of actors to be in our funny movie.”

5. YOU CAN VISIT THE SPICE BUS.

The Spice Girls arrive atop a double decker bus for a screening of their new movie 'Spice World' in New York.
HENNY RAY ABRAMS, AFP, Getty Images

The 1978 British Leyland Bristol VRTSL3 double decker bus, covered with the Union Jack on the outside and a swing on the inside, made its debut in the movie. Though a bomb destroyed it at the end of the movie, in real life it was saved. However, after filming ended the bus fell into disrepair, until the Island Harbour Marina, located on the Isle of Wight, purchased the beauty and restored it to its original state. They put it on permanent display in July 2014. The only thing the bus is missing is Meat Loaf driving it.

6. WITHNAIL AND I CONVINCED ELVIS COSTELLO TO MAKE A CAMEO.

In an interview with The A.V. Club, Elvis Costello said he loved Richard E. Grant’s film Withnail and I. “You know, I thought, ‘If I go to IMDb, I’m only a couple of clicks away from Withnail!,’” he said. Costello, who plays a barman in the movie, said he found his role to be “ironic.” “I’d only quit drinking a couple of years before, so I think the idea of being a barman was sort of ironic in my mind.”

7. THE PRODUCTION MADE SURE THE GIRLS DIDN’T READ THE SCRIPT.

Kim Fuller wrote the script (with additional writing from Jamie Curtis), which was originally titled Five. He knew the Girls might not like the script, or even read it. He gathered the ladies in a hotel in London. “I went in and said, ‘Look, turn your phones off, this is serious. I’m going to read you the story,’” he said.

They liked the story, and Ginger Spice contributed script ideas, even when she was in Bali. “I was spending hours on the phone trying to get it all sorted out and make sure that it was right,” she said. “By the time that we started, it was almost perfect.”

8. BUT THEY DIDN’T STICK TO THE SCRIPT.

Fuller said he gave them daily script pages and then they rehearsed it. “You needed to catch them at the right moment, when the energy is there,” Fuller said. “They’re not going to do 20 takes of one line, you know, so you had to think quickly on your feet.” In the Spice World documentary, Mel B confessed that she and the Girls interpreted the script. “We contributed our own little sparkle on top of it,” she said. “There were some times when we’d say the lines wrong just to make us laugh,” Baby Spice added. But those improvisations caused the script supervisor to almost quit.

"The script lady went beserk and nearly resigned because we kept changing everything," Fuller told The Telegraph. "There were a lot of flowers and we consoled her for a while and everything was fine after that."

9. THE GIRLS RECORDED AN ALBUM WHILE FILMING.

Their first album was such a massive hit that they needed to record their sophomore album to keep up the momentum. In order to fit in filming the movie and recording Spiceworld (one word), they had a mobile studio on set. They ended up writing some of the album’s—and movie’s—songs during production.

“It was quite good doing the album at the same time as the film because we were always hyperactive after a day on set and that meant we could go in the mobile studio and vibe off each other,” Posh told The Telegraph. They managed to film during the day and record at night. Virgin Records released the album on November 3, 1997, and most of Spiceworld’s songs made it into the movie, which meant there was an unofficial soundtrack.

10. MEL C LOVES THE MOVIE.

Melanie Chisholm (Sporty Spice) at the premiere of 'Spice World'
Brenda Chase, Getty Images

Mel C told The Telegraph that the film was difficult for her to watch, but when her daughter and friends wanted to watch it at a birthday party, Mel changed her mind. “I sat down with them and I actually really enjoyed it,” she said. “I laughed out loud. It brought back so many memories, and I think enough time has passed for me to be able to watch myself. You know in a way, it is brilliant. It’s very tongue-in-cheek, very silly. And the thing that I really realized was there was so much of us in it. It was very, very real.”

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Here's The Full List of 2018 Oscar Nominations
Universal Pictures
Universal Pictures

There are only two things that can get Hollywood’s biggest stars out of bed at 5 a.m.: an early call time or Academy Award nominations. The nominees for the 90th annual Oscars were announced on Tuesday morning, and represented a great year in movies.

Guillermo del Toro’s merman-meets-woman love story The Shape of Water leads this year’s nominees with a total of 13 nominations, followed by Martin McDonagh’s divisive Three Billboards Outside Ebbing, Missouri, which received nine nominations.

Jordan Peele and Greta Gerwig both made some Oscar history with their nominations for Best Director: Peele is the fifth black director to compete for the statuette (joining John Singleton, Lee Daniels, Steve McQueen, and Barry Jenkins—none of whom have won the award) while Gerwig is the fifth woman to be nominated for the prize (in 2010, Kathryn Bigelow became the first female Best Director winner with The Hurt Locker).

The Academy Awards will be hosted by Jimmy Kimmel for a second time, and will air on March 4, 2018. Which movies will you be rooting for on Oscar night?

BEST PICTURE

Call Me by Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

LEAD ACTOR

Timothée Chalamet, Call Me by Your Name
Daniel Day-Lewis, Phantom Thread
Daniel Kaluuya, Get Out
Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.

LEAD ACTRESS

Sally Hawkins, The Shape of Water
Frances McDormand, Three Billboards Outside Ebbing, Missouri
Margot Robbie, I, Tonya
Saoirse Ronan, Lady Bird
Meryl Streep, The Post

SUPPORTING ACTOR

Willem Dafoe, The Florida Project
Woody Harrelson, Three Billboards Outside Ebbing, Missouri
Richard Jenkins, The Shape of Water
Christopher Plummer, All the Money in the World
Sam Rockwell, Three Billboards Outside Ebbing, Missouri

SUPPORTING ACTRESS

Mary J. Blige, Mudbound
Allison Janney, I, Tonya
Lesley Manville, Phantom Thread
Laurie Metcalf, Lady Bird
Octavia Spencer, The Shape of Water

DIRECTOR

Christopher Nolan, Dunkirk
Jordan Peele, Get Out
Greta Gerwig, Lady Bird
Paul Thomas Anderson, Phantom Thread
Guillermo del Toro, The Shape of Water

ANIMATED FEATURE

The Boss Baby, Tom McGrath, Ramsey Ann Naito
The Breadwinner, Nora Twomey, Anthony Leo
Coco, Lee Unkrich, Darla K. Anderson
Ferdinand, Carlos Saldanha
Loving Vincent, Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

ANIMATED SHORT

Dear Basketball, Glen Keane, Kobe Bryant
Garden Party, Victor Caire, Gabriel Grapperon
Lou, Dave Mullins, Dana Murray
Negative Space, Max Porter, Ru Kuwahata
Revolting Rhymes, Jakob Schuh, Jan Lachauer

ADAPTED SCREENPLAY

Call Me by Your Name, James Ivory
The Disaster Artist, Scott Neustadter & Michael H. Weber
Logan, Scott Frank & James Mangold and Michael Green
Molly’s Game, Aaron Sorkin
Mudbound, Virgil Williams and Dee Rees

ORIGINAL SCREENPLAY

The Big Sick, Emily V. Gordon & Kumail Nanjiani
Get Out, Jordan Peele
Lady Bird, Greta Gerwig
The Shape of Water, Guillermo del Toro, Vanessa Taylor
Three Billboards Outside Ebbing, Missouri, Martin McDonagh

CINEMATOGRAPHY

Blade Runner 2049, Roger Deakins
Darkest Hour, Bruno Delbonnel
Dunkirk, Hoyte van Hoytema
Mudbound, Rachel Morrison
The Shape of Water, Dan Laustsen

BEST DOCUMENTARY FEATURE

Abacus: Small Enough to Jail, Steve James, Mark Mitten, Julie Goldman
Faces Places, JR, Agnès Varda, Rosalie Varda
Icarus, Bryan Fogel, Dan Cogan
Last Men in Aleppo, Feras Fayyad, Kareem Abeed, Soren Steen Jepersen
Strong Island, Yance Ford, Joslyn Barnes

BEST DOCUMENTARY SHORT SUBJECT

Edith+Eddie, Laura Checkoway, Thomas Lee Wright
Heaven is a Traffic Jam on the 405, Frank Stiefel
Heroin(e), Elaine McMillion Sheldon, Kerrin Sheldon
Knife Skills, Thomas Lennon
Traffic Stop, Kate Davis, David Heilbroner

BEST LIVE ACTION SHORT FILM

DeKalb Elementary, Reed Van Dyk
The Eleven O’Clock, Derin Seale, Josh Lawson
My Nephew Emmett, Kevin Wilson, Jr.
The Silent Child, Chris Overton, Rachel Shenton
Watu Wote/All of Us, Katja Benrath, Tobias Rosen

BEST FOREIGN LANGUAGE FILM

A Fantastic Woman (Chile)
The Insult (Lebanon)
Loveless (Russia)
On Body and Soul (Hungary)
The Square (Sweden)

FILM EDITING

Baby Driver, Jonathan Amos, Paul Machliss
Dunkirk, Lee Smith
I, Tonya, Tatiana S. Riegel
The Shape of Water, Sidney Wolinsky
Three Billboards Outside Ebbing, Missouri, Jon Gregory

SOUND EDITING

Baby Driver, Julian Slater
Blade Runner 2049, Mark Mangini, Theo Green
Dunkirk, Alex Gibson, Richard King
The Shape of Water, Nathan Robitaille, Nelson Ferreira
Star Wars: The Last Jedi, Ren Klyce, Matthew Wood

SOUND MIXING

Baby Driver, Mary H. Ellis, Julian Slater, Tim Cavagin
Blade Runner 2049, Mac Ruth, Ron Bartlett, Doug Hephill
Dunkirk, Mark Weingarten, Gregg Landaker, Gary A. Rizzo
The Shape of Water, Glen Gauthier, Christian Cooke, Brad Zoern
Star Wars: The Last Jedi, Stuart Wilson, Ren Klyce, David Parker, Michael Semanick

PRODUCTION DESIGN

Beauty and the Beast, Sarah Greenwood; Katie Spencer
Blade Runner 2049, Dennis Gassner, Alessandra Querzola
Darkest Hour, Sarah Greenwood, Katie Spencer
Dunkirk, Nathan Crowley, Gary Fettis
The Shape of Water, Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

ORIGINAL SCORE

Dunkirk, Hans Zimmer
Phantom Thread, Jonny Greenwood
The Shape of Water, Alexandre Desplat
Star Wars: The Last Jedi, John Williams
Three Billboards Outside Ebbing, Missouri, Carter Burwell

ORIGINAL SONG

"Mighty River" from Mudbound, Mary J. Blige
"Mystery of Love" from Call Me by Your Name, Sufjan Stevens
"Remember Me" from Coco, Kristen Anderson-Lopez, Robert Lopez
"Stand Up for Something" from Marshall, Diane Warren, Common
"This Is Me" from The Greatest Showman, Benj Pasek, Justin Paul

MAKEUP AND HAIR

Darkest Hour, Kazuhiro Tsuji, David Malinowski, Lucy Sibbick
Victoria and Abdul, Daniel Phillips and Lou Sheppard
Wonder, Arjen Tuiten

COSTUME DESIGN

Beauty and the Beast, Jacqueline Durran
Darkest Hour, Jacqueline Durran
Phantom Thread, Mark Bridges
The Shape of Water, Luis Sequeira
Victoria and Abdul, Consolata Boyle

VISUAL EFFECTS

Blade Runner 2049, John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer
Guardians of the Galaxy Vol. 2, Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick
Kong: Skull Island, Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus
Star Wars: The Last Jedi,  Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlon
War for the Planet of the Apes, Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

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