Where Did the Wilhelm Scream Come From and Why Do So Many Filmmakers Use It?
What do Star Wars, The Lord of the Rings, Pirates of the Caribbean, Harold and Kumar Go to White Castle, Toy Story, Reservoir Dogs, Titanic, Anchorman, 22 Jump Street, and more than 200 other films and TV shows have in common? Not much besides the one and only Wilhelm Scream.
The so-called Wilhelm Scream is the holy grail of movie geek sound effects, a throwaway sound bite that had inauspicious beginnings and was revived in the 1970s and made into the best movie in-joke ever.
Just what is it? Chances are you’ve heard it before but never really noticed it. The Wilhelm Scream is a stock sound effect that has been used in the biggest multi-million dollar blockbusters and the lowest of the low budget movies and television shows for over 60 years, usually to go along with when someone onscreen is shot or falls from a great height. First used in a 1951 Gary Cooper western titled Distant Drums, the distinctive yelp began in a scene in which a group of soldiers wade through a swamp, and one of them lets out a piercing scream as an alligator drags him underwater.
As usual with many movie sound effects, the scream was recorded later in a sound booth with the simple direction to make it sound like “a man getting bit by an alligator, and he screams.” Six screams were performed in one take, and the fifth scream on the recording became the iconic Wilhelm; the others were used for additional screams in other parts of the movie.
Following its debut in 1951, the effect became a regular part of the Warner Brothers sound library and was continually used by the studio’s filmmakers in their movies. Eventually, in the early '70s, a group of budding sound designers at USC’s film school—including future Academy Award-winning sound designer Ben Burtt—recognized that the unique scream kept popping up in numerous films they were watching. They nicknamed it the “Wilhelm Scream” after a character in the first movie they all recognized it from, a 1963 western called The Charge at Feather River in which a character named Private Wilhelm lets out the pained scream after being shot in the leg by an arrow.
They would each slip the effect into student films they worked on as a joke. After he graduated, Burtt was tapped by fellow USC alum George Lucas to do the sound design on a little film he was making called Star Wars. As a nod to his friends, Burtt put the original sound effect from the Warner Brothers library into the movie, most noticeably when a stormtrooper is shot by Luke Skywalker and falls into a chasm on the Death Star. Burtt would go on to use the Wilhelm Scream in various scenes in every Star Wars and Indiana Jones movie, causing fans and filmmakers to take notice.
Directors like Peter Jackson and Quentin Tarantino, as well as countless other sound designers, sought out the sound and put it in their movies as a humorous nod to Burtt. They wanted to be in on the joke too, and the Wilhelm Scream began showing up everywhere, making it an unofficial badge of honor. It's become bigger than just a sound effect, and the name “Wilhelm Scream” has been used for everything from a band name, to a beer, to a song title, and more.
But whose voice is the scream itself? Burtt himself did copious amounts of research, as the identity of the screamer was unknown for decades. He eventually found a Warner Brothers call sheet from Distant Drums that listed actors who were scheduled to record additional dialogue after the film was completed. One of the names, and the most likely candidate as the Wilhelm screamer, was an actor and musician named Sheb Wooley, who appeared in classics like High Noon, Giant, and the TV show Rawhide. You may also know him as the musician who sang the popular 1958 novelty song “Purple People Eater.”