A Visual Guide to All 37 Villains in the Batman TV Series

Warner Home Video
Warner Home Video

Here they all are with a little extra Bam! Pow! Zap! for good measure. 

1. THE RIDDLER (FRANK GORSHIN)

SEASON 1 (EPISODES 1, 2, 11, 12, 23, 24, 31, 32), SEASON 3 (EPISODE 2) 

The quintessential (and first) Batman villain to star in the 1966 series, Frank Gorshin would end up playing The Riddler in all of the character’s appearances in the series except for a two-episode span during season two when John Astin stepped into the green tights.

2. THE RIDDLER (JOHN ASTIN)


SEASON 2 (EPISODES 45, 46)

Perhaps best known for playing Gomez Addams in The Addams Family, John Astin donned The Riddler’s costume for a short two-episode arc during Batman’s second season.

3. THE PENGUIN (BURGESS MEREDITH)


SEASON 1 (EPISODES 3, 4, 21, 22, 33, 34), SEASON 2 (EPISODES 17, 18, 27, 28, 37, 38, 39, 42, 43, 44), SEASON 3 (EPISODES 1, 4, 5, 20)

Burgess Meredith’s portrayal of The Penguin may be the most iconic of the entire series (at least in appearance). With his purple top hat, monocle, and long cigarette, Meredith’s Penguin appeared in more Batman episodes (20) than any other villain. 

4. THE JOKER (CESAR ROMERO)


SEASON 1 (EPISODES 5, 6, 15, 16, 25, 26), SEASON 2 (EPISODES 21, 22, 37, 38, 39, 47, 48, 57, 58), SEASON 3 (EPISODES 10, 16, 17, 24)

Second only to Burgess Meredith as The Penguin, Cesar Romero appeared in Batman as The Joker in 19 episodes in total. Known for his bright green hair, stark white makeup, and wide smile, Romero’s Joker would become one of the show’s most memorable villains. The actor famously refused to shave his signature mustache and you can see it under the white face paint particularly well on the high-definition transfers included on this Blu-ray box set. 

5. MR. FREEZE (GEORGE SANDERS)


SEASON 1 (EPISODES 7, 8) 

Appearing as Mr. Freeze for only two episodes during the show’s first season, George Sanders's Mr. Freeze was quite low-tech compared to the getups that Otto Preminger and Eli Wallach would wear during season two. When he did eventually don his signature suit, Sanders looked more like an astronaut than a villain with super freezy powers. 

6. MR. FREEZE (OTTO PREMINGER)


SEASON 2 (EPISODES 19, 20)

Legendary, groundbreaking director Otto Preminger (Laura) took over the role of Mr. Freeze for two episodes during Batman’s second season and gave perhaps the most bizarre (and cool) performance of the three actors that would play the character.

7. MR. FREEZE (ELI WALLACH)


SEASON 2 (EPISODES 59, 60)

Eli Wallach played the frigid villain for the final two episodes of season two. His Mr. Freeze, who discovered an instant ice formula, is easily the most mustache-twirlingly and villainous of the three versions. For many fans, his version is also the most memorable.

8. ZELDA THE GREAT (ANNE BAXTER)


SEASON 1 (EPISODES 9, 10)

The great Anne Baxter (All About Eve, The Ten Commandments) played Zelda the Great in a two-episode arc that includes the kidnapping of poor Aunt Harriet. This isn’t, however, the last time fans would see Baxter on the series ... 

9. MAD HATTER (DAVID WAYNE)


SEASON 1 (EPISODES 13, 14), SEASON 2 (EPISODES 35, 36)

Screen and stage veteran David Wayne played The Mad Hatter in four episodes spread over two seasons of Batman. The villain, who is obsessed with getting his hands on Batman’s cowl, concealed a Super Instant Mesmerizer in one of his many hats in an attempt to get the job done. The Dynamic Duo, of course, had other plans. 

10. FALSE FACE (MALACHI THRONE)


SEASON 1 (EPISODES 17, 18)

Malachi Throne was a staple of geek TV throughout his career: He made appearances in Star Trek: The Original Series, Star Trek: The Next Generation, Lost in Space, The Six Million Dollar Man, Babylon 5, and many more nerd-centric shows. We don’t even really get to see his recognizable face in Batman, however, as he played a villain named False Face, who looked different nearly every time we saw him.

11. CATWOMAN (JULIE NEWMAR)


SEASON 1 (EPISODES 19, 20), SEASON 2 (EPISODES 3, 4, 10, 29, 30, 33, 34, 40, 41, 49, 50)

Appearing in 13 Batman episodes over the show’s first two seasons, Julie Newmar’s Catwoman tussled with The Dynamic Duo more than any other female villain in the series. Not only did her appearance on the show make her the object of many a young man's affections, but it also helped establish the general look of the character on-screen for years to come.

12. CATWOMAN (EARTHA KITT)


SEASON 3 (EPISODES 14, 16, 17)

Julie Newmar left some mighty big paws to fill when she didn’t return to the role of Catwoman for Batman’s third season. But, if you’re going to try to fill them, you might as well do it with a legend like Eartha Kitt. The singer, actress, and all-around dynamo donned the catsuit and purred her way into the hearts of Batman fans everywhere.

Lee Meriwether played Catwoman in the 1966 movie.

13. KING TUT (VICTOR BUONO)


SEASON 1 (EPISODES 27, 28), SEASON 2 (7, 8, 53, 54), SEASON 3 (6, 23)

Ever the performer, Victor Buono’s over-the-top performance as Batman original villain King Tut earned him appearances in eight separate episodes over the show’s three seasons. The actor reportedly loved playing the character because it allowed him the opportunity to overact, one of the aspects of the character that makes King Tut so beloved (and if there’s ever a place to overact, the Batman series was a great place to do it). 

14. BOOKWORM (RODDY MCDOWALL)


SEASON 1 (EPISODES 29, 30)

Between film, TV, and theater, Planet of the Apes star Roddy McDowall’s resume is a mile long—so it should come as no surprise that he was able to sneak in two episodes as an original villain named Bookworm on Batman. Committing crimes inspired by literary works, Bookworm was created for the show, but would later come to figure in the Batman comic books as well. 

15. THE ARCHER (ART CARNEY)


SEASON 2 (EPISODES 1, 2)

Once you realize that The Honeymooners veteran Art Carney is playing Batman villain The Archer in the first two episodes of the show’s second season, you should immediately know that the character is mostly going to be played for laughs. Based on the classic Robin Hood character, The Archer did his own brand of robbing the rich to feed the poor along with two henchmen (and one henchwoman) cleverly named Maid Marilyn, Big John, and Crier Tuck. 

16. MINSTREL (VAN JOHNSON)


SEASON 2 (EPISODES 5,6)

Minstrel only appeared in two season-two Batman episodes, but he’s a tough one to forget because Van Johnson’s performance is so mesmerizing. The villain was about as milquetoast as one gets—he abhorred violence and sang songs about the crimes he had committed (or was about to commit)—but it’s still hard to get Minstrel out of your head.

17. MA PARKER (SHELLEY WINTERS)


SEASON 2 (EPISODES 9, 10)

Season two villain Ma Parker was all about Shelley Winters's hilariously evil performance. Full of bravado and a pun a minute, the character was a simple country mother who has an affinity for powerful guns. Along with her three sons Pretty Boy Parker, Machine Gun Parker, and Mad Dog Parker, and one daughter named Legs Parker (that Ma really couldn't stand), they gave The Dynamic Duo a run for their money.

18. CLOCK KING (WALTER SLEZAK)


SEASON 2 (EPISODES 11, 12)

Tony Award-winning actor Walter Slezak suited up as Clock King for two season-two episodes of Batman using an antique clock to loot a jewelry store before Batman and Robin are on his tail. Though Clock King actually had pretty deep roots in the DC Comics universe, this version was a wonder all its own with Slezak’s trademark expressions and villainy leading the way. Oh, and one really big hourglass.

19. EGGHEAD (VINCENT PRICE)


SEASON 2 (EPISODES 13, 14), SEASON 3 (EPISODES 8, 9, 15)

It’s hard not to love Vincent Price’s hilariously campy portrayal of Egghead during five episodes in Batman’s run. With his signature white and yellow suit and enormous bald head, Price overacted to perfection as the extremely intelligent, eggcentric (get it?) villain. The character had a lair decked out with bacon and egg drawings on the wall and tossed laughing and tear gas eggs at his foes. Egghead is, quite possibly, the most lovable of all Batman villains.

20. CHANDELL (LIBERACE)


SEASON 2 (EPISODES 15, 16)

For two episodes, the piano virtuoso played both Chandell (the piano player) and his twin brother Harry (who, it turns out, is the real villain here), and the results were a lot of fun. If only we could have seen Liberace play more villains throughout his career, TV would have been a far more interesting place. 

21. MARSHA, QUEEN OF DIAMONDS (CAROLYN JONES)


SEASON 2 (EPISODES 23, 24, 42, 43, 44)

Here’s a bit of cool trivia for you: Carolyn Jones, who played the diamond-loving villainess Marsha, Queen of Diamonds in five season-two Batman episodes, also played Morticia Addams in ABC’s The Addams Family. We already told you about John Astin’s connection to that series, but there’s also a brief appearance by Ted Cassidy (who played Lurch in that show) during one of Batman’s iconic Batclimbs. How’s that for synergy!

22. SHAME (CLIFF ROBERTSON)


SEASON 2 (EPISODES 25, 26), SEASON 3 (EPISODES 21, 22)

Clearly a spoof of the classic 1953 Western movie character Shane (from the movie of the same name), Cliff Robertson’s villain Shame appeared in four Batman episodes with two different posses. In the first, he was joined by Okie Annie (Joan Staley)—an obvious riff on Annie Oakley—and, in the second, he had Calamity Jan (Dina Merrill) by his side.

23. PUZZLER (MAURICE EVANS)


SEASON 2 (EPISODES 31, 32)

Not to be confused with The Riddler, Maurice Evans as Puzzler also liked to keep Batman and Robin confused with clever puzzles, word games, and tricks. He was often seen reciting Shakespeare and had a thing for aviation. According to Wikia, Puzzler’s appearance only came about because Frank Gorshin no longer wanted to play The Riddler during season two, so the show slotted Puzzler into these two episodes instead. Of course, John Astin would play The Riddler later in season two and Gorshin would return to the green tights in season three.

24. SANDMAN (MICHAEL RENNIE)


SEASON 2 (EPISODES 33, 34)

Portrayed by veteran actor Michael Rennie, Sandman’s two-episode appearance during Batman’s second season was often overshadowed by the fact that he was working alongside the beautiful Julie Newmar as Catwoman. But fans should give the shifty Dr. Somnambular his due—the guy did have sleep powers after all!

25. COLONEL GUMM (ROGER C. CARMEL)


SEASON 2 (EPISODES 51, 52)

Roger C. Carmel’s performance as Colonel Gumm is mostly remembered for the villain’s penchant for wearing pink, being surround by pink, and being obsessed with stamps. The real memorable thing about Colonel Gumm’s two-episode arc, however, is the fact that the episodes featured crossover appearances by Green Hornet (Van Williams) and Kato (Bruce Lee).

26. BLACK WIDOW (TALLULAH BANKHEAD)


SEASON 2 (EPISODES 55, 56)

The most tragic thing about the great Tallulah Bankhead’s fantastic performance as season two villainess Black Widow in Batman is the fact that it would be her final on-screen role. Decked out in her signature black and red outfits, the character was unforgettable—whether she was stealing from a bank or hanging out in her stunning spider-themed lair. 

27. SIREN (JOAN COLLINS)


SEASON 3 (EPISODES 2, 3)

Siren, played by Joan Collins, began her entrance into the world of Batman as a bit of a sidekick in The Riddler’s devious plan to take over Gotham City’s boxing game. By her second episode, however, the singing Siren made a plan to uncover Batman’s true identity all by herself. Memorable for her beauty, luxurious outfits, and her ability to mesmerize men with her high-octave tunes, Siren made an indelible mark on the series in the span of only two episodes. 

28. LOLA LASAGNE (ETHEL MERMAN)


SEASON 3 (EPISODES 4, 5)

Despite the charming and talented Ethel Merman’s performance, Lola Lasagne was one of Batman’s least interesting and memorable villains. For one, her weapon of choice was the parasol. Secondly, she mostly played in the shadows of one of the show’s most memorable villains, The Penguin. If it weren’t for Ethel Merman, we might not remember Lola at all.

29. LOUIE THE LILAC (MILTON BERLE)


SEASON 3 (EPISODES 7, 18)

Louie the Lilac, on the other hand, made a huge mark on Batman by being such a bright, colorful character (with such a recognizable face behind it) that two episodes are more than enough to make fans remember him. There’s a whole lot of Milton Berle himself in Louie’s demeanor, even down to the actor’s signature cigar, which is part of what makes the character (created specifically for the show) work. Louie the Lilac also went on to appear in five episodes of the animated series Batman: The Brave and the Bold

30. OLGA, QUEEN OF THE COSSACKS (ANNE BAXTER)


SEASON 3 (EPISODES 8, 15)

Remember how we told you that Zelda the Great would not be the last you’d see of Anne Baxter in Batman? That’s because she’s the show’s only guest villain to ever return to play a different villain on the show later. This time around, she portrayed Egghead’s main squeeze, Olga, Queen of the Cossacks. The showy villainess mostly sat back while Egghead and his henchmen took care of business, but she’s a memorable character nonetheless. 

31. LORD MARMADUKE FFOGG (RUDY VALLEE)


SEASON 3 (EPISODES 11, 12, 13)

The coolest thing about Lord Marmaduke Ffogg (who appeared in three episodes as the co-villain alongside his sister Lady Penelope Peasoup) was easily his Pipe of Fog. All the venerable lord had to do is light that thing up and the room would start to fill with a white, puffy smoke—perfect to conceal his getaway. Played by Rudy Vallee, the villain also wore a special cast on his foot to make people think he had the gout and was, therefore, incapable of pulling off his crimes. Clever man.

32. LADY PENELOPE PEASOUP (GLYNIS JOHNS)


SEASON 3 (EPISODES 11, 12, 13)

Though Lord Marmaduke Ffogg appeared to be the main villain in this three-episode arc, his sister Lady Penelope Peasoup actually came across as more interesting and charismatic. Despite being relegated to mostly taking charge of the female criminals in their charge, Lady Penelope (played by Glynis Johns) makes her mark on the series.

33. NORA CLAVICLE (BARBARA RUSH)


SEASON 3 (EPISODE 19)

It’s almost a shame that someone as talented as Barbara Rush (It Came from Outer Space) was saddled with another of Batman’s least memorable villains. In her one appearance on the show, Nora Clavicle used her wits and charm to convince Mayor Linseed to give her the Commissioner job, which is all part of a devious plan to destroy Gotham City and collect on an insurance claim. How did she plan to do it, though? With mechanical mice. Since she replaced the police force with housewives, they’re all afraid of mice. Pretty sexist, right? Ahh, those crazy 1960s. 

34. CALAMITY JAN (DINA MERRILL)


SEASON 3 (EPISODES 21, 22)

It’s a shame that Batman didn't really let Dina Merrill’s Calamity Jan be much more than arm candy for their western spoof villain Shame, but at least the actress does the best she can with the material she’s got. Calamity Jan came across as adorable and silly, but just smart enough to probably be able to ditch Shame and bring Batman and Robin to their knees. Sadly, we’ll never know if that’s true since she’s mostly playing second fiddle to Cliff Roberston’s Shame. 

35. DR. CASSANDRA SPELLCRAFT (IDA LUPINO)


SEASON 3 (EPISODE 25)

Ida Lupino helped pave the way for female directors of our time, so it should come as no surprise that she was very much the leading power in the villainous duo that headlines Batman’s penultimate episode. Dr. Cassandra Spellcraft comes from a long line of female alchemists, but she’s determined to be the only successful one. So she uses her power to bring down the Bat. Or tries, at least. She’s a bright, colorful character in many ways, but the way she puts her silly husband Cabala in his place is the very best thing about her.

36. CABALA (HOWARD DUFF)


SEASON 3 (EPISODE 25)

After a few episodes that featured female villains mostly relegated to storylines dominated by male power (Nora Clavicle and Calamity Jan), it was great to see one where the man completely and utterly does anything he can to make his wife happy. Played by Howard Duff, Cabala is less a villain and more a sidekick to Dr. Cassandra Spellcraft. He’ll do anything to please her, calls her “Doccy Baby,” and can often be caught checking himself out in the mirror rather than plotting villainous schemes.

37. MINERVA (ZSA ZSA GABOR)


SEASON 3 (EPISODE 26)

Batman’s final villain is also one of its most glamorous. Played by Zsa Zsa Gabor, Minerva opened a health spa in Gotham City and used her Deepest Secret Extractor to run amok. She’s pulling off robberies left and right, and even Alfred gets involved going undercover to help The Dynamic Duo. What makes Minerva so memorable, however, is the star power of Gabor. Sure, she’s mostly just said “Darlings…” a lot, but her appearance as the platinum-dressed villainess will likely never be forgotten. 

All images courtesy of Warner Home Video unless otherwise noted.

13 Delicious Facts About Hannibal

Brooke Palmer, NBCUniversal Media
Brooke Palmer, NBCUniversal Media

In 2013, producer Martha De Laurentiis, writer Bryan Fuller, and a talented cast and crew set about crafting a new version of the Hannibal Lecter story. It was a daring proposition after the character and his world had been so clearly defined by Sir Anthony Hopkins’s portrayal of the character and Hannibal’s presence in four novels and five feature films, but Fuller had an idea no one else had approached yet. He wanted to tell the story of the cannibal psychiatrist and the empathetic profiler who ultimately caught him as the story of two lives linked by mutual insanity. Audiences could not have seen it coming, but what they got was one of the most stylish, visually arresting, and psychologically complex horror shows to ever hit television.

Hannibal only lasted three seasons, but in its short time on the air it amassed loads of critical acclaim and a ravenous fan base known as “Fannibals,” many of whom are still holding out hope for the show’s return. With the show’s influence and impact still fresh in our imaginations more than five years after it made its debut, here are 13 facts about the making of Hannibal.

1. BRYAN FULLER GOT THE JOB BECAUSE OF A FATEFUL PLANE RIDE.

Bryan Fuller is a lifelong fan of horror, and a longtime fan of Thomas Harris’s Hannibal Lecter novels, but he did not set out to snag the Hannibal job. In fact, he wasn’t even necessarily aware of the job until it found him, on a flight to New York City where he happened to be seated near an old friend: Katie O’Connell, who was the then-new CEO of the Gaumont Film Company’s U.S. television division. O’Connell told Fuller she was developing a Hannibal series, and asked him if he thought there was a show there—not to offer him the job, but just to get his feedback. In response, Fuller asked if Gaumont had the rights to Will Graham, the protagonist of Harris’s novel Red Dragon, because he was fascinated by one line in that novel that signified a much deeper relationship between Graham and Lecter that audiences and readers had never quite seen.

“Because I had read the books, I knew how much more psychologically complex Will Graham is in the literature than he is in the film. I thought, Wow, there’s a great opportunity to deliver on that line from Red Dragon that Hannibal Lecter says, which is, ‘You caught me because you’re as insane as I am.’ There’s a whole world in that explores their friendship,” Fuller said. “If we are dealing with the Hannibal Lecter who’s a practicing psychiatrist and a practicing cannibal, then he’s out in the open amongst us, a wolf in psychiatrist’s clothing, and wouldn’t that be such a terrifying thing for someone like Will Graham, who is uniquely vulnerable to his own psychology, to have somebody there with access to the buttons of his mind.”

Fuller’s thoughts on Hannibal and Will Graham set in motion an idea for a kind of Red Dragon prequel that would also serve as a mash-up of all of Harris’s writings on the character. That in turn led to a meeting with Martha De Laurentiis of the Dino De Laurentiis Company, which in turn led to a meeting at NBC which got the show greenlit.

2. THE SERIES BEGAN LIFE AS A CLARICE STARLING STORY WITH MGM.

Hugh Dancy and Julian Richings in 'Hannibal'
Brooke Palme, NBCUniversal Media

Before Bryan Fuller entered the picture, and even before Gaumont Television began working on developing the series, Martha De Laurentiis was considering some kind of new Hannibal Lecter project, but wasn’t interested in making yet another film based on the works of Thomas Harris. While Fuller’s concept ultimately latched onto the dynamic between Lecter and Graham, De Laurentiis said that before that happened there was the idea of revisiting The Silence of the Lambs pairing of Lecter and FBI agent Clarice Starling.

“We actually were toying with the idea—with MGM, who has the Clarice character, from the library of Orion Pictures that did Silence of the Lambs—and we were talking about doing something Clarice and Hannibal in the time period after Silence of the Lambs, but we really didn’t take it very far,” De Laurentiis said. “In fact, I felt that perhaps Hannibal would be a very, very minor character and then perhaps just disappear, and I didn’t feel that was right for the character of Hannibal Lecter.”

So, through working with Katie O’Connell at Gaumont, De Laurentiis was connected with Fuller, and the collaboration that would bring us Hannibal began.

3. FULLER ORIGINALLY DEVELOPED A SEVEN-SEASON PLAN.

Though Red Dragon was a major inspiration on the direction of the show because of its depiction of the Lecter/Graham dynamic, Fuller and company set Hannibal in the years leading up to that story in order to show audiences what Lecter was like as “a practicing psychiatrist and a practicing cannibal,” as Fuller put it. That meant reading between the lines of Harris’s novel to develop the relationship that would ultimately lead the two characters down the path of Red Dragon, and lead Hannibal as a character into his life as documented by Harris, when he was a captured serial killer and then an escaped fugitive. In the end, the mash-up quality of the series allowed Fuller to play with many of those elements of Lecter’s life outside of Harris’s chronology, but as the series was first taking shape, Fuller imagined a seven-season plan that would ultimately adapted Harris’s first three Lecter novels and then go beyond them.

“Well, when you get into season four, you get into the literature. And so season four would be Red Dragon, season five would be The Silence of the Lambs era, season six would be the Hannibal era, and then season seven would be a resolve to the ending of that book," Fuller said. "Hannibal ends on a cliffhanger. Hannibal Lecter has bonded with Clarice Starling and brainwashed her and they are now quasi-lovers and off as fugitives, and so that’s a cliffhanger. It might be interesting to resolve that in some way and to bring Will Graham back into the picture. So once we get two more seasons, say, of the television show, those are the aren’t-novelized stories, and then we would get into expansions of the novels after that and kind of using the novels as a backbone for season arcs that would then be kind of enhanced.”

Of course, plans change, and the adaptation of Red Dragon ultimately came in the second half of the show’s third season, but it’s clear Fuller had big ambitions to chart the full course of Hannibal’s criminal career.

4. A REAL CHEF DESIGNED ALL THOSE CANNIBAL RECIPES.

Mads Mikkelsen in 'Hannibal'
NBCUniversal Media

Hannibal Lecter isn’t just a cannibal—he is a cannibal gourmand and gourmet, a lover of the finer things who doesn’t just want to eat human flesh, but prepare it in exquisite and refined ways. Fuller knew this, and he also immediately knew he needed someone with tremendous food expertise to help him make the series. So he turned to a chef of whom he was already a fan: José Andrés, owner of the restaurant The Bazaar in Beverly Hills.

"I have a limited knowledge of the culinary. And Hannibal Lecter has to be smarter than I am in the kitchen," Fuller said. "José gives insight into his expertise; he's omnipresent in every food scene."

When work on the series began, Fuller and Andrés began a series of conversations in which the chef explained that every part of the human body is in some way edible, right down to the bones, which can be ground up and used as thickener. With this in mind, Fuller sought to not just write scenes in which Hannibal is cooking human body parts, but to craft elaborate metaphors in each dinner scene (for example, the scene in which he serves “lamb tongue” to Dr. Frederick Chilton), on which he heavily consulted Andrés during the writing process. Andrés would develop a recipe, which food stylist Janice Poon would then prepare and arrange on set, complete with the elaborate tablescapes which came to dominate so much of the look of the show. The “food porn” Fuller insisted on became so popular with fans that Poon started a blog about the process, and even eventually produced a cookbook.

5. SEVERAL ROLES WERE RACE- AND GENDER-SWAPPED.

In writing Hannibal, Fuller considered Harris’s writing—particularly Red Dragon—to be a kind of guiding Bible, but that doesn’t mean he didn’t take liberties. He aged up the title character, which among other things removes Lecter’s traumatic childhood experiences during World War II from consideration, but perhaps the most notable changes came in casting. Several key roles in the series were ultimately given to actors of different races and even genders than they were previously depicted, in an effort to increase the diversity of the cast. So, Hannibal gave us black actors in the roles of previously white characters Jack Crawford (Laurence Fishburne) and Reba McClane (Rutina Wesley), and the previously male characters Alan Bloom and Freddy Lounds became Alana Bloom (Caroline Dhavernas) and Freddie Lounds (Lara Jean Chorostecki).

“Because it’s a more accurate representation of the world, and if we just did Red Dragon again, it’d be a sausage party with a bunch of white guys,” Fuller told Bloody Disgusting. “I mean, when I first started writing, my protagonists were always young women, and there’s something about that point of view ... you can do some things with a female character that you can’t do with a male character. Like, I always think that, to make a character female gives you so many more opportunities of expression.”

6. DAVID TENNANT ALMOST PLAYED HANNIBAL.

David Tennant in 'Jessica Jones'
Myles Aronowitz, Netflix

Hugh Dancy was the first star cast in the series, joining Hannibal as Will Graham in the spring of 2012, but casting the title role took a little bit longer. After all, how do you recast a part that Anthony Hopkins basically owned thanks to three films and one Oscar? Ultimately, Danish actor Mads Mikkelsen won the role, but he wasn’t the only star considered. At one point, Fuller was meeting with Doctor Who and Jessica Jones star David Tennant about the role.

“I met [Hannibal executive producer] Bryan Fuller a couple of times, and we talked about it,” Tennant told Entertainment Weekly. “But I think they quite wisely chose Mads Mikkelsen, I think he was a perfect choice for it, and I think he did things with that character that I wouldn’t have managed, so I think the right man got the job.”

7. CENSORS WERE ACTIVELY INVOLVED IN THE CREATIVE PROCESS.

For a show like Hannibal, elaborate crime scenes full of mutilated bodies were always going to be part of the process, which adds even more credence to the idea that such a series might be better suited to cable than a broadcast network. At NBC, though, Fuller took a very hands-on approach to crafting the various gruesome murders with the help of the network's standards and practices department. Rather than script or shoot something and then get into a fight with network censors about what he couldn’t show, Fuller would reach out directly with his ideas first, and then work with them to depict the best possible NBC-friendly version of the scene. As a result, he learned a few tricks to get around broadcast TV’s violence limitations.

“The redder the blood and the brighter the blood the less you can show,” he said. “So if you darken the blood and throw it into shadow, then you can be much more graphic than your normally would be able to.”

As it happens, dark shadowy blood matches Hannibal’s overall aesthetic perfectly, so that particular note worked out for everyone.

8. ONE EPISODE NEVER AIRED ON NBC.

It was never any secret that Hannibal would be the kind of show that dealt with graphic and heinous crimes. Its two main characters are a serial killer and a man who hunts serial killers, after all. Still, even Fuller has his limits, and after a particularly violent few months in America in late 2012 and early 2013, he asked NBC to pull the fourth episode of the show’s first season. “Oeuf,” the episode in question, involved a woman (Molly Shannon) brainwashing children into killing their own families. Fuller felt that “given the cultural climate right now in the U.S., I think we shouldn’t air the episode in its entirety,” and cited in particular the Sandy Hook school shooting and the Boston Marathon bombing as examples. “Oeuf” was still teased via a series of clips released to NBC’s website, and the episode is now available on Blu-ray and through streaming services.

9. THERE WAS ONE ELABORATE MURDER THE SHOW WASN’T ALLOWED TO FILM.

Despite working closely with the network’s standards and practices to show as much as possible within the limits of broadcast TV, Hannibal was still a series airing on one of the big four broadcast networks, and not cable. That meant limitations were always inevitable, and at one point Fuller and the writers’ imaginations reached further than NBC was willing to allow.

So, what’s the one big murder scene NBC said no to? According to Fuller, it would have come in the Season 1 episode “Roti,” in which Graham is pursuing escaped killer Dr. Abel Gideon (guest star Eddie Izzard). The scene would have involved Lounds being lured into a room where one of Gideon’s victims was waiting, still alive, with a slit in his stomach. Lounds would have then flipped a switch that triggered a ceiling fan, and it would have been revealed that the fan was actually attached to the man’s intestines through the cut in his stomach. As the fan began to spin, it would disembowel him.

“That was the only one where NBC was like, ‘I just don’t know how you’re going to do it,'” Fuller said. “We would have pushed back if we also hadn’t been told that financially we didn’t know how we could afford to produce such a gag, because you have intestines swinging around a ceiling fan,” he adds.

10. THE SHOW’S BIGGEST CRIME SCENE USED REAL (LIVING) HUMAN BODIES.

Hugh Dancy in 'Hannibal'
NBCUniversal Media

The first case of Hannibal’s second season involved “The Muralist,” a serial killer who abducted and killed various people of different ethnic backgrounds, preserved their bodies with silicone and resin, and then sewed them together in a massive and intricate pattern in the bottom of a silo to form the shape of a human eye (victims with paler skin made up the white, while victims with darker skin were the pupil). It’s an intense and captivating visual even by Hannibal’s standards, and while the production used a computer program called Form Z to design the layout of the bodies beforehand, when it came time to actually film the scene there was no substitute for the real thing. Several dozen background artists were employed and asked to lie in an elaborate pattern on the floor of the set for two days of shooting, usually nearly nude.

“Forty-plus human bodies. They warmed the bottom of the floor for the backgrounds artists so they wouldn’t succumb to the cold,” Fishburne recalled. “And you walk into that room and you’re hit immediately with all the scent of human flesh and the pheromones that are coming off everybody and all you want to do is lay down and go to sleep with them.”

11. IT INCLUDES A WONDERFALLS CROSSOVER.

It’s a bit of a tradition among Bryan Fuller TV series that some connective tissue is established between whatever the current series is and the shows that came before it, establishing what fans call the “Fullerverse.” This carried over into Hannibal, which shares a very brief connection with Fuller’s single season Fox series Wonderfalls. In Hannibal’s second episode, “Amuse-Bouche,” a woman named Gretchen Speck (Chelan Simmons) goes to the pharmacy to pick up her insulin, at which time it’s revealed that she was previously Gretchen Speck-Horowitz, but she has since divorced. Speck is one of the potential victims of that episode’s serial killer, a pharmacist who gives diabetic patients the wrong medication to place them into a coma, then half-buries them and uses their bodies as mushroom farms in the forest. Speck was meant to be his next victim, but she’s saved before he can carry out his plan. Gretchen Speck-Horowitz was one of Wonderfalls’s recurring characters, and because she managed to escape death in Hannibal, she’s still around for another Bryan Fuller series.

12. DAVID BOWIE WAS ALMOST A GUEST STAR.

In addition to a stellar main cast, Hannibal was also always packed with interesting guest stars, from Eddie Izzard to Gillian Anderson to Lance Henriksen. One particular guest star, though, was always just out of reach for the series. For the second season, Fuller offered the role of Hannibal’s uncle Robert Lecter to legendary musician and actor David Bowie, but Bowie was unavailable and the role was left uncast—though not without the hope that Bowie could eventually make time for the series.

“We were told by his people, when we got the pick-up for the third season, to make sure to ask again about his availability,” Fuller said. “So, once we have our dates, we are going to ask again.  I think the man walks on water, so I would love to be in his orbit, in some way.”

Bowie, of course, never made it to Hannibal, and we now know he spent the final 18 months of his life battling liver cancer and working on his final musical projects before he passed away on January 10, 2016.

13. A REVIVAL FOCUSING ON THE SILENCE OF THE LAMBS IS STILL POSSIBLE.

Hannibal was canceled in June of 2015, just weeks into third season, after three years of critical acclaim but consistently low ratings. “Fannibals” immediately began requesting that the series continue elsewhere, and Fuller teased discussions with various streaming services to do just that. At one point, it seemed a deal to bring the series to Amazon for a fourth season was close, but the timeline ended up not working out due in part to Fuller’s commitment to the Starz series American Gods. Three years later, we still haven’t seen any more Hannibal.

That doesn’t mean it’ll never happen, though. Fuller has consistently broached the possibility of a fourth season or a even a miniseries to reunite the show’s cast, and both Mikkelsen and Dancy have expressed interest in returning. If the show did come back, Fuller would aim to focus on some form of the Silence of the Lambs storyline, having adapted Red Dragon in season three, while also resolving the very literal cliffhanger at the end of the series’s NBC run.

So, when could it happen? Last year, Fuller said that the rights have finally reverted back to De Laurentiis, who has begun “conversations” about the future of the franchise. We still have no idea what that future holds, but even three years later, Fannibals aren’t letting their favorite cannibal go.

Additional Sources:
“Hannibal Reborn” featurette, 2013
“A Taste for Killing” featurette, 2013
The Art and Making of Hannibal the Television Series by Jesse McLean, 2015

15 Fascinating Facts About Julia Child

TIM SLOAN/AFP/Getty Images
TIM SLOAN/AFP/Getty Images

Julia Child was much more than just a bestselling cookbook author and chef. Over the course of her life, she was also a breast cancer survivor, a TV trailblazer, and a government spy. It's the famed chef's spy game that will be the focus of Julia, a new series being developed by ABC Signature and created by Benjamin Brand.

The project will draw its inspiration from Child's PBS program Cooking for the C.I.A. “I was disappointed when I learned that in this case, the C.I.A. stood for the Culinary Institute of America,” Brand told Deadline. “Cooking Secrets of the Central Intelligence Agency always seemed like a more interesting show to me. Many years later, when I read a biography of Julia Child and learned about her experiences during World War II, working for the Office of Strategic Services—the precursor to the C.I.A.—the story of Julia quickly fell into place.”

Though Julia (which has yet to confirm a premiere date) will be a work of fiction, here are 15 facts about the beloved cook, who was born on this day in 1912.

1. SHE MET THE INVENTOR OF THE CAESAR SALAD WHEN SHE WAS A KID.

As a preteen, Julia Child traveled to Tijuana on a family vacation. Her parents took her to dine at Caesar Cardini’s restaurant, so that they could all try his trendy “Caesar salad.” Child recalled the formative culinary experience to The New York Times: “My parents were so excited, eating this famous salad that was suddenly very chic. Caesar himself was a great big old fellow who stood right in front of us to make it. I remember the turning of the salad in the bowl was very dramatic. And egg in a salad was unheard of at that point.” Years later, when she was a famous chef in her own right, Child convinced Cardini’s daughter, Rosa, to share the authentic recipe with her.

2. THE WAVES AND WACS REJECTED HER BECAUSE SHE WAS TOO TALL.

Like so many others of her generation, Child felt the call to serve when America entered World War II. There was just one problem: her height. At a towering 6'2", Child was deemed “too tall” for both the Women Accepted for Volunteer Emergency Service (WAVES) and Women’s Army Corps (WAC). But she was accepted by the forerunner to the CIA, which brings us to our next point.

3. SHE WAS A SPY DURING WORLD WAR II.

Child took a position at the Office of Strategic Services (OSS), which was basically the CIA 1.0. She began as a research assistant in the Secret Intelligence division, where she worked directly for the head of the OSS, General William J. Donovan. But she moved over to the OSS Emergency Sea Rescue Equipment Section, and then took an overseas post for the final two years of the war. First in Ceylon (present-day Sri Lanka) and later in Kunming, China, Child served as the chief of the OSS Registry. This meant she had top-level security clearance. It also meant she was working with Paul Child, the OSS officer she would eventually marry.

4. SHE HELPED DEVELOP A SHARK REPELLENT FOR THE NAVY.


Hulton Archive/Getty Images

While Child was in the Emergency Sea Rescue Equipment Section, she helped the team in its search for a suitable shark repellent. Several U.S. naval officers had been attacked by the ocean predators since the war broke out, so the OSS brought in a scientist specializing in zoology and an anthropologist to come up with a fix. Child assisted in this mission, and recalled her experience in the book Sisterhood of Spies: “I must say we had lots of fun. We designed rescue kits and other agent paraphernalia. I understand the shark repellent we developed is being used today for downed space equipment—strapped around it so the sharks won’t attack when it lands in the ocean.”

5. SHE GOT MARRIED IN BANDAGES.

Once the war ended, Julia and Paul Child decided to take a “few months to get to know each other in civilian clothes.” They met with family members and traveled cross-country before they decided to tie the knot. The wedding took place on September 1, 1946. Julia remembered being “extremely happy, but a bit banged up from a car accident the day before.” She wasn’t kidding; she actually had to wear a bandage on the side of her face for her wedding photos. The New York Review of Books has one of those pictures.

6. SHE WAS A TERRIBLE COOK WELL INTO HER 30S.

Child did not have a natural talent for cooking. In fact, she was a self-admitted disaster in the kitchen until she began taking classes at Le Cordon Bleu in Paris, where she and Paul lived for several years. Prior to her marriage, Child simply fed herself frozen dinners. It was probably the safest choice; one of her earliest attempts at cooking resulted in an exploded duck and an oven fire.

7. A LUNCH IN ROUEN CHANGED HER LIFE.

Child repeatedly credited one meal with spurring her interest in fine foods: a lunch in the French city of Rouen that she and Paul enjoyed en route to their new home in Paris. The meal consisted of oysters portugaises on the half-shell, sole meunière browned in Normandy butter, a salad with baguettes, and cheese and coffee for dessert. They also “happily downed a whole bottle of Pouilly-Fumé” over the courses.

8. IT TOOK HER NINE YEARS TO WRITE AND PUBLISH HER FIRST COOKBOOK.

Mastering the Art of French Cooking revolutionized home cooking when it was published in 1961—but the revolution didn't happen overnight. Child first began work on her famous tome in 1952, when she met Simone Beck and Louisette Bertholle. The French women were writing a cookbook aimed at teaching Americans how to make French cuisine, and brought Child on board as a third author. Nine years of research, rewrites, and rejections ensued before the book landed a publisher at Alfred A. Knopf.

9. SHE GOT FAMOUS BY BEATING EGGS ON BOSTON PUBLIC TELEVISION.

Child’s big TV break came from an unlikely source: Boston’s local WGBH station. While promoting Mastering the Art of French Cooking, Child appeared as a guest on the book review program I’ve Been Reading. But rather than sit down and discuss recipe semantics, Child started cracking eggs into a hot plate she brought with her. She made an omelette on air as she answered questions, and viewers loved it. The station received dozens of letters begging for more demonstrations, which led WGBH producer Russell Morash to offer Child a deal. She filmed three pilot episodes, which turned into her star-making show The French Chef.

10. ALL HER ESSENTIAL UTENSILS WERE KEPT IN A “SACRED BAG.”

According to a 1974 New Yorker profile, Child carried a large black canvas satchel known as the “sacred bag.” Rather than holy artifacts, it contained the cooking utensils she couldn’t live without. That included her pastry-cutting wheel, her favorite flour scoop, and her knives, among other things. She started using it when The French Chef premiered, and only entrusted certain people with its care.

11. SHE SURVIVED BREAST CANCER.

Child’s doctors ordered a mastectomy in the late 1960s after a routine biopsy came back with cancerous results. She was in a depressed mood following her 10-day hospital stay, and Paul was a wreck. But she later became vocal about her operation in hopes that it would remove the stigma for other women. She told TIME, “I would certainly not pussyfoot around having a radical [mastectomy] because it’s not worth it.”

12. HER MARRIAGE WAS WELL AHEAD OF ITS TIME.

As their meet-cute in the OSS offices would suggest, Paul and Julia Child had far from a conventional marriage (at least by 1950s standards). Once Julia’s career took off, Paul happily assisted in whatever way he could—as a taste tester, dishwasher, agent, or manager. He had retired from the Foreign Service in 1960, and immediately thrust himself into an active role in Julia’s business. The New Yorker took note of Paul’s progressive attitudes in its 1974 profile of Julia, noting that he suffered “from no apparent insecurities of male ego.” He continued to serve as Julia’s partner in every sense of the word until his death in 1994.

13. SHE WAS THE FIRST WOMAN INDUCTED INTO THE CULINARY INSTITUTE OF AMERICA'S HALL OF FAME.

Child spent her early years working for what would become the Central Intelligence Agency. In 1993, she joined another CIA: the Culinary Institute of America. The group inducted Child into its Hall of Fame that year, making her the first woman to ever receive the honor.

14. SHE EARNED THE HIGHEST CIVILIAN HONORS FROM THE U.S. AND FRANCE.

Along with that CIA distinction, Child received top civilian awards from both her home country and the country she considered her second home. In 2000, she accepted the Legion D’Honneur from Jacques Pépin at Boston’s Le Méridien hotel. Just three years later, George W. Bush gave her the Presidential Medal of Freedom.

15. HER KITCHEN IS IN THE SMITHSONIAN.

In 2001, Julia donated the kitchen that Paul designed in their Cambridge, Massachusetts home to the Smithsonian’s National Museum of American History. Although it’s not possible to walk directly through it, there are three viewports from which visitors can see the high counters, wall of copper pots, and gleaming stove. Framed recipes, articles, and other mementos from her career adorn the surrounding walls—and, of course, there’s a television which plays her cooking shows on loop.

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