15 Fun Facts About Aladdin

Robin Williams, Linda Larkin, Scott Weinger, and Frank Welker in Aladdin (1992)
Robin Williams, Linda Larkin, Scott Weinger, and Frank Welker in Aladdin (1992)
Walt Disney Productions

Nearly 30 years after its original release, Aladdin—Disney's Oscar-winning animated film from 1992—is getting a 21st-century upgrade with Guy Ritchie's much anticipated live-action edition. Read on to discover a whole new world of dazzling things you might not have known about Disney's original animated classic.

1. To land Robin Williams, the animators created test sequences of the Genie performing the comedian's stand-up routines.

Eric Goldberg led the team of animators who were in charge of creating Genie. When he was first handed the script by co-directors Ron Clements and John Musker, Goldberg was also told to dig up some old Robin Williams comedy albums. “John and Ron said, 'Pick a couple of sections from his comedy albums and animate a genie to them,'" Goldberg told Entertainment Weekly. "That’s essentially what I did."

Williams came in to see the test, and, Goldberg says, "I think what probably sold him was the one where he says, 'Tonight, let’s talk about the serious subject of schizophrenia—No, it doesn’t!—Shut up, let him talk!' What I did is animate the Genie growing another head to argue with himself, and Robin just laughed. He could see the potential of what the character could be. I’m sure it wasn’t the only factor, but then he signed the dotted line."

2. The movie’s producers had back-up choices if Robin Williams declined the role.

Though the role of Genie was written specifically for Williams, then-studio chief Jeffrey Katzenberg had many reasons to doubt that they’d be able to sign him: Money, timing, contracts, and, of course, landing an A-lister for a voiceover role. He insisted the team come up with alternative choices. Had Williams declined, Genie could have been voiced by John Candy, Steve Martin, Eddie Murphy, Martin Short, John Goodman, or Albert Brooks.

3. Aladdin marked the end of voice actors in Disney musicals needing to be magnificent singers.

Linda Larkin was the voice of Princess Jasmine. However, she never sang a single note attributed to the princess; that was done by singer Lea Salonga. Aladdin marked one of the first times a voice actor in a Disney musical didn’t also have to be a magnificent singer. Larkin says that this was the result of the film being built around Robin Williams, who was such a powerful force that Disney's priority was finding strong actors who could keep pace with him.

"They came to me and asked, 'Do you sing?'" Larkin recalled. "And I said, 'I do … but not like a princess!' And they said, 'No problem, we’ll find a singer to match your voice.' And they did. And to me it’s such an amazing match to my voice that it’s almost seamless when they go from dialogue to the song and back to dialogue. And you see what happened … from that point forward that opened up the world of Disney animation to everybody. They no longer needed actors who sang.”

4. The character of Aladdin was meant to do for Disney Princes what Ariel and Belle had done for Disney Princesses.

Disney in the '90s knew that their traditional princes, though charming, were much too bland for modern audiences. According to Glen Keane, lead animator for the character of Aladdin, ''I could never understand why Snow White and Sleeping Beauty fell for those princes. Those guys were cardboard symbols, and the love relationship was assumed. We wanted there to be a how to the princess falling in love.'' So they set about doing something Disney hadn’t really done before: Making a prince who was cunning, bold, funny and lovable, not just handsome.

5. Aladdin had to be really handsome. (Enter Tom Cruise.)

At first, animators sort of modeled Aladdin after Michael J. Fox, but found the end result too cutesy. So they upped his age to late teens, took off his shirt, and watched Tom Cruise movies. ''There's a confidence with all of his attitudes and his poses,” Keane said of Tom Cruise. Once Aladdin could reflect that sort of sexy cockiness, it was more believable that he’d be the sort of boy Jasmine might risk everything for.

6. Gilbert Gottfried wasn’t the first choice for Iago.

The role of the sarcastic evil parrot was first offered to Danny DeVito and Joe Pesci, but they both declined.

7. The boy who voiced Aladdin was the boyfriend of D.J. on Full House.

Teen actor Scott Weinger, who was 17 years old at the time, was sure he’d blown the voiceover audition when his voice cracked on the first song. Luckily, he had no idea he was auditioning for Disney’s next powerhouse feature, or he would have been much more worried. In the end, it didn’t matter. Disney thought his voice personified the cocky street urchin perfectly (Aladdin's singing voice, however, would be performed by Brad Kane). At the same time he was voicing Aladdin he was also playing Steve Hale, D.J.’s boyfriend, on Full House. The series made a bizarre nod to Weinger’s dual roles when the Full House girls visit Disneyland.

8. The Genie’s lines were recorded up to 20 different ways.

Williams was only available for a handful of recording sessions, so he'd give a rapid-fire delivery of each line as written—in as many different styles as he could create. “Robin had so much freedom, and [ad-libbing] was always encouraged," Goldberg told Entertainment Weekly. "He always gave us such a huge amount to choose from. He would do a line as written, but he would do it as 20 different characters, and John and Ron and I would take those tracks back to the studio and really put the ones in that made us laugh the most and were the ones that we thought were best suited to the lines. So even though he gave us a W.C. Fields, Groucho Marx, and a Peter Lorre on 'No substitutions, exchanges, and refunds,' we said, 'OK, the Groucho one goes here.'”

9. Jeffrey Katzenberg used a secret box to inspire Williams's portrayal of the peddler.

At the beginning of the film, the Peddler—also voiced by Williams—tries to interest the audience in his wares. The products weren’t in the script; they were in a box. Says Goldberg, “One of Jeffrey Katzenberg’s great ideas was to fill a box with stuff, put a cloth over it, and then when Robin’s in front of the mic, pull the cloth off and he riffs with whatever he picks up out of the box. And that’s exactly how we did that character.”

10. The illustrators tried make the characters look unrealistic on purpose.

In Aladdin’s predecessor, Beauty and the Beast, immense effort was devoted to making the characters' faces, bodies, and movements as realistic as possible. Supervising animator Andreas Deja, who drew Gaston in Beauty and Jafar in Aladdin, told the Los Angeles Times that "We now refer to some of our earlier efforts as 'chiseled realism': On Gaston's face, we established a lot of planes on his cheekbones and chin to achieve that realism.” They did away with that approach for the magical world of Aladdin and used simple two dimensional shapes as references for all the characters. "Aladdin is composed of two interlocking triangles formed by his chest and his pants; Jasmine is sort of pear-shaped, Jafar is basically a T—a very skinny body with these broad shoulders," Deja said. "I kept that T shape in mind while I was animating: making sure it came through kept me from cluttering up the drawings."

11. That unrealistic fashion was inspired by great artist and caricaturist Al Hirschfeld.

You know Al Hirschfeld’s work, even if you don’t think you do; he famously created exaggerated line drawings of everyone from Charlie Chaplin to the The Rolling Stones. Aladdin supervising animator Eric Goldberg wanted to recreate Hirschfeld’s use of clean flow lines. "I look on Hirschfeld's work as a pinnacle of boiling a subject down to its essence, so that you get a clear, defined statement of a personality,” he said.

Hirschfeld was alive to see the honor bestowed, but he took no credit. "I'm very flattered that the animators say they were influenced by my use of line," he said. "But art isn't a 50-yard dash—it's more like a relay: You keep handing it on to somebody else, and there's no beginning or end to it. I didn't invent the line: That simplification that communicates to a viewer goes back to the cave drawings at Altamira." See Hirschfeld’s take on Goldberg’s take on Hirschfeld here.

12. Not all of the song lyrics on the video release were the same as in the theatrical release.

The first song of the film, “Arabian Nights” has the Peddler describing Arabia. The original lyrics were, “Oh, I come from a land/From a faraway place/Where the caravan camels roam/Where they cut off your ear/If they don't like your face/It's barbaric, but hey, it's home.”

The American-Arab Anti-Discrimination Committee took offense to the brutality implied in the song, as well as many other aspects of the movie. Disney conceded to change only the song lyrics, with the permission of the original writers. The verse became: “Oh, I come from a land/From a faraway place/Where the caravan camels roam/Where it's flat and immense/And the heat is intense/It's barbaric, but hey, it's home.” Disney also noted that the barbarism mentioned was alluding to the climate, not the people of Arabia. The AAADC wasn’t impressed.

Don Bustany, who was president of the Los Angeles chapter of AAADC in 1993, said the song change was "nowhere near adequate, considering the racism depicted in Aladdin. There still remains the very sleazy, burlesque character in the prologue and the scene where a merchant is going to cut off the hand of Princess Jasmine because she took an apple from his stand to give to a hungry child.” Albert Mokhiber, president of the Washington-based American-Arab Anti-Discrimination Committee, expressed disappointment that Disney officials refused to meet with the committee. “Certainly I think it would be different if the situation involved African-Americans or Jewish-Americans," he said.

13. The Return of Jafar was Disney’s first ever attempt at marketing a straight-to-video sequel.

Disney used the success of Aladdin to see if consumers would buy a sequel that was never intended to play in theaters. In 1994 they released The Return of Jafar, and by 1996 it had sold 10 million units, putting it in the top 20 video releases of all time. Williams didn’t do the voice for Genie, and for the most part critics thought it was terrible (it holds a 33 percent rating on Rotten Tomatoes). But its financial success paved the way for direct-to-video sequels for almost every popular Disney feature ever made.

14. Williams’s famous feud with Disney had nothing to do with money.

When Williams refused to do the voice of Genie for the first sequel (replaced by Dan “Homer Simpson” Castellaneta), rumors flew as to his motivations. Disney “insiders” suggested he was insulted to have been paid “scale” ($75,000 for a project that grossed $650 million within four years). But Williams didn’t care about the money. He stated that he’d done the movie for the pride of being part of the history of animation, and for his own small children. The problem was breach of contract, at least according to Williams: Williams didn’t want his voice used for anything but the movie.

"[A]ll of a sudden, they release an advertisement—one part was the movie, the second part was where they used the movie to sell stuff," Williams said. "Not only did they use my voice, they took a character I did and overdubbed it to sell stuff. That was the one thing I said: 'I don't do that.' That was the one thing where they crossed the line."

Disney made no official statements until the studio president Jeffrey Katzenberg was replaced by Joe Roth. Then an official apology was issued. “Robin complained that we took advantage of his performance as the Genie in the film, exploiting him to promote some other businesses inside the company," Roth told the Los Angeles Times. "We had a specific understanding with Robin that we wouldn't do that. [Nevertheless] we did that. We apologize for it."

15. Robin Williams agreeing to portray Genie changed the entire genre of voice acting.

Will Ferrell, Brad Pitt, Steve Carell, Tina Fey, Billy Crystal, Tom Hanks ... the A-listers who have voiced characters in animated films reads like the seating chart at the Oscars. And it’s all because of the Genie.

Prior to Aladdin, “real” actors seldom stooped so low to do voice work unless they were on the desperate end of their careers. Even Bea Arthur reportedly refused the role of Ursula in The Little Mermaid. The work was left to professional voice actors. Disney even kept a stable of regulars throughout the decades. (Think of Winnie the Pooh’s voice. And the Cheshire Cat, the snake from The Jungle Book, the Stork in Dumbo ... These are just some of the characters voiced by the sweet quavery voice of Sterling Holloway.)

But then came Genie, who was written exclusively with Robin Williams in mind. His work on Aladdin, combined with the rising quality of Disney films, gave a new respectability to voiceover work. Soon, celebrities were happy to lend their voices to talking toys and singing monkeys. But where did this leave professional voice actors, who spent years perfecting their relationship with a microphone? Are celebrities stealing work and exposure they don’t even need, or does their involvement help the profession?

According to Voices.com, the trade site for voiceover artists, a voiceover workshop posed that question to its participants and “The consensus was that 'No—celebrities actually raise the profession to a new level, making VO a more recognized career choice and perhaps even elevating the pay scale long term.'"

Updated for 2019.

Reviews.org Wants to Pay You $1000 to Watch 30 Disney Movies

Razvan/iStock via Getty Images
Razvan/iStock via Getty Images

Fairy tales do come true. CBR reports that Reviews.org is currently hiring five people to watch 30 Disney movies (or 30 TV show episodes) for 30 days on the new Disney+ platform. In addition to $1000 apiece, each of the chosen Disney fanatics will receive a free year-long subscription to Disney+ and some Disney-themed movie-watching swag that includes a blanket, cups, and a popcorn popper.

The films include oldies but goodies, like Fantasia, Bambi, and A Goofy Movie, as well as Star Wars Episodes 1-7 and even the highly-anticipated series The Mandalorian. Needless to say, there are plenty of options for 30 days of feel-good entertainment.

In terms of qualifications: applicants must be over the age of 18, a U.S. resident, have the ability to make a video reviewing the films, as well as a semi-strong social media presence. On the more fantastical side, they are looking for applicants who “really, really lov[e] Disney” and joke that the perfect candidate, “Must be as swift as a coursing river, with all the force of a great typhoon.” You can check out the details in the video below.

Want to put yourself in the running? Be sure to submit your application by Thursday, November 7 at 11:59 p.m. at the link here. And keep an eye out for Disney+, which will be available November 12.

16 Biting Facts About Fright Night

William Ragsdale stars in Fright Night (1985).
William Ragsdale stars in Fright Night (1985).
Columbia Pictures

Charley Brewster is your typical teen: he’s got a doting mom, a girlfriend whom he loves, a wacky best friend … and an enigmatic vampire living next door.

For more than 30 years, Tom Holland’s critically acclaimed directorial debut has been a staple of Halloween movie marathons everywhere. To celebrate the season, we dug through the coffins of the horror classic in order to discover some things you might not have known about Fright Night.

1. Fright Night was based on "The Boy Who Cried Wolf."

Or, in this case, "The Boy Who Cried Vampire." “I started to kick around the idea about how hilarious it would be if a horror movie fan thought that a vampire was living next door to him,” Holland told TVStoreOnline of the film’s genesis. “I thought that would be an interesting take on the whole Boy Who Cried Wolf thing. It really tickled my funny bone. I thought it was a charming idea, but I really didn't have a story for it.”

2. Peter Vincent made Fright Night click.

It wasn’t until Holland conceived of the character of Peter Vincent, the late-night horror movie host played by Roddy McDowall, that he really found the story. While discussing the idea with a department head at Columbia Pictures, Holland realized what The Boy Who Cried Vampire would do: “Of course, he's gonna go to Vincent Price!” Which is when the screenplay clicked. “The minute I had Peter Vincent, I had the story,” Holland told Dread Central. “Charley Brewster was the engine, but Peter Vincent was the heart.”

3. Peter Vincent is named after two horror icons.

Peter Cushing and Vincent Price.

4. The Peter Vincent role was intended for Vincent Price.

Roddy McDowall in Fright Night (1985)
Roddy McDowall as Peter Vincent in Fright Night (1985).
Columbia Pictures

“Now the truth is that when I first went out with it, I was thinking of Vincent Price, but Vincent Price was not physically well at the time,” Holland said.

5. Roddy McDowall did not want to play the part like Vincent Price.

Once he was cast, Roddy McDowall made the decision that Peter Vincent was nothing like Vincent Price—specifically: he was a terrible actor. “My part is that of an old ham actor,” McDowall told Monster Land magazine in 1985. “I mean a dreadful actor. He had a moderate success in an isolated film here and there, but all very bad product. Basically, he played one character for eight or 10 films, for which he probably got paid next to nothing. Unlike stars of horror films who are very good actors and played lots of different roles, such as Peter Lorre and Vincent Price or Boris Karloff, this poor sonofabitch just played the same character all the time, which was awful.”

6. It took Holland just three weeks to write the Fright Night script.

And he had a helluva good time doing it, too. “I couldn’t stop writing,” Holland said in 2008, during a Fright Night reunion at Fright Fest. “I wrote it in about three weeks. And I was laughing the entire time, literally on the floor, kicking my feet in the air in hysterics. Because there’s something so intrinsically humorous in the basic concept. So it was always, along with the thrills and chills, something there that tickled your funny bone. It wasn’t broad comedy, but it’s a grin all the way through.”

7. Tom Holland directed Fright Night out of "self-defense."

By the time Fright Night came around, Holland was already a Hollywood veteran—just not as a director. He had spent the past two decades as an actor and writer and he told the crowd at Fright Fest that “this was the first film where I had sufficient credibility in Hollywood to be able to direct ... I had a film after Psycho 2 and before Fright Night called Scream For Help, which … I thought was so badly directed that [directing Fright Night] was self-defense. In self-defense, I wanted to protect the material, and that’s why I started directing with Fright Night."

8. Chris Sarandon had a number of reasons for not wanting to make Fright Night.

Chris Sarandon stars in 'Fright Night' (1985)
Chris Sarandon stars in Fright Night (1985).
Columbia Pictures

At the Fright Night reunion, Chris Sarandon recalled his initial reaction to being approached about playing vampire Jerry Dandrige. "I was living in New York and I got the script,” he explained. “My agent said that someone was interested in the possibility of my doing the movie, and I said to myself, ‘There’s no way I can do a horror movie. I can’t do a vampire movie. I can’t do a movie with a first-time director.’ Not a first-time screenwriter, but first-time director. And I sat down and read the script, and I remember very vividly sitting at my desk, looked over at my then wife and said, ‘This is amazing. I don’t know. I have to meet this guy.’ And so, I came out to L.A. And I met with Tom [Holland] and our producer. And we just hit it off, and that was it.”

9. Jerry Dandridge is part fruit bat.

After doing some research into the history of vampires and the legends surrounding them, Sarandon decided that Jerry had some fruit bat in him, which is why he’s often seen snacking on fruit in the film. When asked about the 2011 remake with Colin Farrell, Sarandon commented on how much he appreciated that that specific tradition continued. “In this one, it's an apple, but in the original, Jerry ate all kinds of fruit because it was just sort of something I discovered by searching it—that most bats are not blood-sucking, but they're fruit bats,” Sarandon told io9. “And I thought well maybe somewhere in Jerry's genealogy, there's fruit bat in him, so that's why I did it.”

10. William Ragsdale learned he had booked the part of Charley Brewster on Halloween.

William Ragsdale had only ever appeared in one film before Fright Night (in a bit part). He had recently been considered for the role of Rocky Dennis in Mask, which “didn’t work out,” Ragsdale recalled. “But a few months later, [casting director] Jackie Burch tells me, ‘There’s this movie I’m casting. You might be really right for it.’ So, I had this 1976 Toyota Celica and I drove that through the San Joaquin valley desert for four or five trips down for auditioning. And in the last one, Stephen [Geoffreys] was there, Amanda [Bearse] was there and that’s when it happened. I had read the script and at the time I had been doing Shakespeare and Greek drama, so I read this thing and thought, ‘Well, God, this looks like a lot of fun. There’s no … iambic pentameter, there’s no rhymes. You know? Where’s the catharsis? Where’s the tragedy?’ … I ended up getting a call on Halloween that they had decided to use me, and I was delighted.”

11. Not being Anthony Michael Hall worked in Stephen Geoffreys's favor.

In a weird way, it was by not being Anthony Michael Hall that Stephen Geoffreys was cast as Evil Ed. “I actually met Jackie Burch, the casting director, by mistake in New York months before this movie was cast and she remembered me,” Geoffreys shared at Fright Fest. “My agent sent me for an audition for Weird Science. And Anthony Michael Hall was with the same agent that I was with, and she sent me by mistake. And Jackie looked at me when I walked into the office and said, ‘You’re not Anthony Michael Hall!’ and I’m like ‘No!’ But anyway, I sat down and I talked to Jackie for a half hour and she remembered me from that interview and called my agent, and my agent sent me the script while I was with Amanda [Bearse] in Palm Springs doing Fraternity Vacation, and I read it. It was awesome. The writing was incredible.”

12. Evil Ed wanted to be Charley Brewster.

Stephen Geoffreys stars in 'Fright Night' (1985).
Stephen Geoffreys stars in Fright Night (1985).
Columbia Pictures

Geoffreys loved the script for Fright Night. “I just got this really awesome feeling about it,” he said. “I read it and thought I’ve got to do this. I called my agent and said ‘I would love to audition for the part of Charley Brewster!’ [And he said] ‘No, Steve, you’re wanted for the part of Evil Ed.’ And I went, ‘Are you kidding me? Why? I couldn’t… What do they see in me that they think I should be this?' Well anyway, it worked out. It was awesome and I had a great time.”

13. Fright Night's original ending was much different.

The film’s original ending saw Peter Vincent transform into a vampire—while hosting “Fright Night” in front of a live television audience.

14. A ghost from Ghostbusters made a cameo in Fright Night.

Visual effects producer Richard Edlund had recently finished up work on Ghostbusters when he and his team began work on Fright Night. And the movie gave them a great reason to recycle one of the library ghosts they had created for Ghostbusters—which was deemed too scary for Ivan Reitman's PG-rated classic—and use it as a vampire bat for Fright Night.

15. Fright Night's cast and crew took it upon themselves to record some DVD commentaries.

Because the earliest DVD versions of Fright Night contained no commentary tracks, in 2008 the cast and crew partnered with Icons of Fright to record a handful of downloadable “pirate” commentary tracks about the making of the film. The tracks ended up on a limited-edition 30th anniversary Blu-ray of the film, which sold out in hours.

16. Vincent Price loved Fright Night.


Columbia Pictures

Holland had the chance to meet Vincent Price one night at a dinner party at McDowall’s. And the actor was well aware that McDowall’s character was based on him. “I was a little bit embarrassed by it,” Holland admitted. “He said it was wonderful and he thought Roddy did a wonderful job. Thank God he didn’t ask why he wasn’t cast in it.”

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