CLOSE
Original image
Lily Landes

17 Spooky Photos of Philadelphia's Eastern State Penitentiary

Original image
Lily Landes

Philadelphia’s Eastern State Penitentiary is super spooky, even before it transforms itself from a crumbling historical landmark to a downright creepy haunted house. We took a tour earlier this fall; here are a few photos we snapped of the prison, and some things we learned.

1. IT WAS SUPPORTED BY SOME OF PHILADELPHIA’S MOST FAMOUS CITIZENS.

Cellblock one. Photo by Lily Landes.

In the 18th century, Philadelphia's prisons were an overcrowded mess: Adults and children, men and women, were kept in what amounted to large holding pens and left to their own devices. Abuse by both fellow inmates and guards was rampant. So, in 1787, members of The Philadelphia Society for Alleviating the Miseries of Public Prisons met at Benjamin Franklin’s house to discuss an alternative. In his remarks that night, Benjamin Rush, a prominent doctor in the city, called for “a house of repentance,” which would eventually become Eastern State:

Let a large house be erected in a convenient part of the state. Let it be divided into a number of apartments, reserving one large room for public worship. Let cells be provided for the solitary confinement of such persons as are of a refractory temper. Let the house be supplied with the materials, and instruments for carrying on such manufactures as can be conducted with the least instruction, or previous knowledge. Let a garden adjoin this house, in which the culprits may occasionally work, and walk. This spot will have a beneficial effect not only upon health, but morals, for it will lead them to a familiarity with those pure and natural objects which are calculated to renew the connection of fallen man with his creator.

2. THERE’S A REASON IT’S CALLED A PENITENTIARY AND NOT A PRISON.

What an early prisoner's cell would have looked like. Photo by Lily Landes.

Rush was adamant about this. “Let the name of this house convey an idea of its benevolent and salutary design, but let it by no means be called a prison, or by any other name that is associated with what is infamous in the opinion of mankind,” he said in 1787. Instead, this new facility would be called a penitentiary, because it was designed to create penitence in the criminals imprisoned within its walls. Built around solitary confinement that would allow a criminal to meditate on his crimes—no corporeal punishment here—it was later dubbed the Pennsylvania System.

3. IT TOOK A LONG TIME TO CONVINCE THE COMMONWEALTH OF PENNSYLVANIA TO BUILD EASTERN STATE.

Since it was closed in the 1970s, the historical landmark has become a crumbling ruin. Photo by Lily Landes.

First, reforms were made to the Walnut Street Jail, and a small “Penitentiary House” with 16 solitary cells was built there. Those changes were soon rendered inadequate thanks to Philadelphia’s rapidly growing population. Thirty years after the meeting in which Rush proposed it, ground was broken for Eastern State Penitentiary in a cherry orchard outside the city. Philadelphia would eventually grow around Eastern State.

4. IT WAS DESIGNED BY JOHN HAVILAND...

The building's battlements and exterior windows look imposing, but they're fake. Photo by Lily Landes.

The British architect's design was chosen from among four potential plans; he received $100. Haviland’s design called for seven single-level cell blocks that radiated out from the central surveillance rotunda—one guard could see down all of the cellblocks just by turning. The facility would have a capacity of 250 prisoners. The building’s imposing facade was meant to intimidate—though its battlements were fake, as were the facade's windows, which don't penetrate the interior—while its interiors took cues from churches.

5. ...AND HAD MORE AMENITIES THAN THE WHITE HOUSE.

In Eastern State's early years, the cells' cast iron toilets were flushed with water once a day. Photo by Lily Landes.

Each cell had central heating, a flush toilet, running water, a skylight, and a private exercise yard; President Andrew Jackson had to make do with heat from coal-burning stoves. In a given day, a prisoner would have the light of God to do his work (like shoemaking or weaving), a Bible, and a lot of time to think about what he had done, which Eastern State’s creators hoped would lead to penitence and reformation.

6. IT WASN’T FINISHED WHEN IT OPENED.

Cell block Seven. Photo by Lily Landes.

Eastern State welcomed its first prisoner in 1829, seven years before the prison was finished. Charles Williams, prisoner number one, was imprisoned for burglary. He was described as having “light black skin, five feet seven inches tall. Foot: Eleven inches. Scar on nose. Scar on thigh. Broad mouth. Black eyes.” Williams, a farmer, could read; according to his intake documents, “Theft included one twenty-dollar watch, one three-dollar gold seal, one, a gold key. Sentenced to two years confinement with labor.”

7. THEY WERE SERIOUS ABOUT THE SOLITARY THING.

A tiny diorama depicts a guard escorting an early prisoner into his cell. Photo by Lily Landes.

The reformers believed that no good could come from inmates mingling in the prison, or continuing those friendships in the real world, so legislation was passed decreeing that “the principle of solitary confinement of the prisoners [must] be preserved and maintained.” To keep the inmates from communicating during trips outside their cells, they were forced to wear masks (which ensured that inmates could never see any of the prison except for their own cells, so they wouldn’t be able to escape.) The private exercise yards attached to each cell ensured the inmates wouldn’t be able to interact with each other in their one hour of outdoor time a day, and also minimized interactions with the guards.

8. IT WAS PRICEY...

It cost $780,000—a whopping $16,295,771.89 in 2013 dollars. It's believed that it was second only to the U.S. Capitol in expense.

9. ... AND NOT BIG ENOUGH.

By 1831—five years before the original building, as designed, was even finished—it became clear that Eastern State would have to hold more criminals. Starting with Cell Block 4, all of the new buildings had two floors. Cell blocks were added between the original buildings in 1870 and 1890; mirrors were strategically placed so that guards could see down the new cell blocks from the rotunda. There were no individual exercise yards; inmates exercised together, wearing masks with eyeholes, in silence. By the 1920s, two or three men were living in each cell, and prison was a much more social affair. The original design called for 256 cells; by the time the final cell block was built, there were 980 cells. 

10. AT FIRST, THE SENTENCES WERE SHORT.

The electric door opening buttons in Cell Block 15. Photo by Lily Landes.

In Eastern State's early years, a typical sentence was two years; sentences rarely exceeded eight years. No one served life there, and prisoners sentenced to die were imprisoned elsewhere. But by the 20th century, the idea of solitary confinement creating penitence had long been abandoned, and the most violent prisoners, as well as those sentenced to be executed, were housed in Cellblock 15, which opened in 1959. It was the last cellblock to be built—and the only one with electric doors. No executions ever took place at Eastern State.

11. SOME LAUDED IT…


The door to the medical wing. Photo by Lily Landes.

In 1831, French aristocrat and historian Alexis de Tocqueville and prison reformer Gustave de Beaumont visited the prison, writing back to the French government that "Thrown into solitude... [the prisoner] reflects. Placed alone, in view of his crime, he learns to hate it; and if his soul be not yet surfeited with crime, and thus have lost all taste for any thing better, it is in solitude, where remorse will come to assail him.... Can there be a combination more powerful for reformation than that of a prison which hands over the prisoner to all the trials of solitude, leads him through reflection to remorse, through religion to hope; makes him industrious by the burden of idleness.." Eastern State's design would inspire some 320 other prisons around the world, some of which were in use until after the Second World War.

12. ... BUT NOT EVERYONE WAS A FAN.


Cell Block Seven. Photo by Lily Landes.

In 1842, Charles Dickens visited Eastern State—and did not like what he saw. "In its intention I am well convinced that it is kind, humane, and meant for reformation; but I am persuaded that those who designed this system of Prison Discipline, and those benevolent gentleman who carry it into execution, do not know what it is that they are doing," he wrote in his journal. "I hold this slow and daily tampering with the mysteries of the brain to be immeasurably worse than any torture of the body; and because its ghastly signs and tokens are not so palpable to the eye,... and it extorts few cries that human ears can hear; therefore I the more denounce it, as a secret punishment in which slumbering humanity is not roused up to stay." He called the system "rigid, strict and hopeless solitary confinement, and I believe it, in its effects, to be cruel and wrong..."

The Pennsylvania System of around-the-clock solitary confinement was eventually abandoned in 1913, but a far less pleasant solitary confinement—not intended for penitence, but for punishment—would be incorporated again as the prison grew in the form of windowless subterranean cells called "Klondike."

13. AL CAPONE SERVED TIME THERE ... AND SO DID A DOG.

Capone's cell. Photo by Lily Landes.

Believe it or not, Al Capone had never been to prison before he landed in Eastern State in 1929. He was arrested when he stopped in Philadelphia while traveling from Atlantic City back to Chicago for carrying a concealed, unlicensed gun. He was sentenced to a year in prison, and served 8 months of that sentence in Eastern State, where he lived in (relative) luxury—no other inmates got radios and beautiful furniture—on Cell Block 8. Capone had his tonsils out in the penitentiary's medical wing in 1929.

Another notable inmate was Pep the Cat-Murdering Dog. According to folklore, Pennsylvania governor Gifford Pinchot used his executive powers to sentence the black lab to life without parole to be served at Eastern State in 1924. The reason? Pep had killed Pinchot’s wife’s cat. Pinchot, however, said that the dog was sent there to be the prisoners’ mascot. Whatever the reason, Pep was treated as an official prisoner—Inmate C-2559 even has a mugshot.

14. SOME PRISONERS ESCAPED A LA THE SHAWSHANK REDEMPTION.

The entrance to the escape tunnel. Photo by Lily Landes.

Inmate Clarence Klinedinst—a plaster worker at the prison, serving time for burglary, larceny, and forgery, as well as a parole violation—spent a year designing and digging a tunnel out of Cell Number 68 with the help of his cellmate, William Russell. They dug 15 feet down, 97 feet under the courtyard, and 15 feet up to Fairmount Avenue and 22nd Street—and freedom—supporting the tunnel with wood bracing and equipping it with electric lights. The tunnel was complete by April 1945, and, before breakfast on the morning of April 3, Klinedinst, Russell, and 10 other men escaped through the tunnel. All of the escaped men were eventually captured; Klinedinst, who had just two years left to serve, was captured just three hours after the escape, and six years were added to his sentence.

15. IT HOUSED A LOT OF PRISONERS.

Photo by Lily Landes.

Between when it opened in the 1800s and when it closed in 1971, roughly 75,000 men and women served time at Eastern State. 

16. IT ALMOST GOT KNOCKED DOWN.

Photo by Lily Landes.

Eastern State was named a national historic landmark in 1965, but in 1980, the City of Philadelphia purchased the property from the Commonwealth of Pennsylvania for $400,000 with the intention of developing it, possibly as a criminal justice center. But in 1988, a task force successfully petitioned the city to stop pursuing development, and in 1994, the Pennsylvania Prison Society opened the prison for tours. Now, more than 200,000 people visit Eastern State every year.

17. IT’S FAMOUS.

Photo by Lily Landes.

Tina Turner filmed her music video “One of the Living” at Eastern State. Portions of Terry Gilliam’s 12 Monkeys and Michael Bay’s Transformers: Revenge of the Fallen were also shot there.

Additional Sources: General Overview; Timeline; By the Numbers.

Original image
Gramercy Pictures
arrow
entertainment
20 Facts About Your Favorite Coen Brothers’ Movies
Original image
Gramercy Pictures

Ethan Coen turns 60 years old today, if you can believe it. Since bursting onto the scene in 1984 with the cult classic Blood Simple, the younger half of (arguably) the most dynamic moviemaking sibling duo in Hollywood has helped create some of the most memorable and quirky films in cinematic history, from Raising Arizona to Fargo and The Big Lebowski to No Country For Old Men. To celebrate the monumental birthday of one of the great writer-directors of our time (though he’s mostly uncredited as a director), here are some facts about your favorite Coen brothers’s movies.

1. THE COENS THINK BLOOD SIMPLE IS “PRETTY DAMN BAD.”

Fifteen years after Blood Simple’s release, the Coens reflected upon their first feature in the 2000 book My First Movie. “It’s crude, there’s no getting around it,” Ethan said. “On the other hand, it’s all confused with the actual process of making the movie and finishing the movie which, by and large, was a positive experience,” Joel said. “You never get entirely divorced from it that way. So, I don’t know. It’s a movie that I have a certain affection for. But I think it’s pretty damn bad!”

2. KEVIN COSTNER AND RICHARD JENKINS AUDITIONED FOR RAISING ARIZONA.

Kevin Costner auditioned three times to play H.I., only to see Nicolas Cage snag the role. Richard Jenkins had his first of many auditions for the Coens for Raising Arizona. He also (unsuccessfully) auditioned for Miller's Crossing (1990) and Fargo (1996) before calling it quits with the Coens. In 2001, Joel and Ethan cast Jenkins in The Man Who Wasn't There, even though he had never auditioned for it.

3. THE BROTHERS TURNED DOWN BATMAN TO MAKE MILLER’S CROSSING.

After Raising Arizona’s success established them as more than one-hit indie film wonders, the Coens had some options with regard to what project they could tackle next. Reportedly, their success meant that they were among the filmmakers being considered to make Batman for Warner Bros. Of course, the Coens ultimately decided to go the less commercial route, and Tim Burton ended up telling the story of The Dark Knight on the big screen.

4. BARTON FINK AND W.P. MAYHEW WERE LOOSELY BASED ON CLIFFORD ODETS AND WILLIAM FAULKNER.

The Coens acknowledge that Fink and Odets had similar backgrounds, but they had different personalities: Odets was extroverted, for one thing. Turturro, not his directors, read Odets’ 1940 journal. The Coens acknowledged that John Mahoney (Mayhew) looks a lot like the The Sound and the Fury author.

5. THE COENS'S WEB OF DECEPTION IN FARGO GOES EVEN FURTHER THAN THE OPENING CREDITS. 

While the tag on the beginning of the movie reads “This is a true story. The events depicted in this film took place in Minnesota in 1987,” Fargo is, by no stretch of the imagination, a true story. During the film's press tour, the Coens admitted that while not pinpoint accurate, the story was indeed inspired by a similar crime that occurred in Minnesota, with Joel stating “In its general structure, the film is based on a real event, but the details of the story and the characters are fictional.”

However, any and all efforts to uncover anything resembling such a crime ever occurring in Minnesota come up empty, and in an introduction to the published script, Ethan pretty much admitted as much, writing that Fargo “aims to be both homey and exotic, and pretends to be true." 

6. THEY WANTED MARLON BRANDO TO PLAY JEFFREY LEBOWSKI.

According to Alex Belth, who wrote the e-book The Dudes Abide on his time spent working as an assistant to the Coens, casting the role of Jeffrey Lebowski was one of the last decisions made before filming. Names tossed around for the role included Robert Duvall (who passed because he wasn’t fond of the script), Anthony Hopkins (who passed since he had no interest in playing an American), and Gene Hackman (who was taking a break at the time). A second “wish list” included an oddball “who’s who," including Norman Mailer, George C. Scott, Jerry Falwell, Gore Vidal, Andy Griffith, William F. Buckley, and Ernest Borgnine.

The Coens’ ultimate Big Lebowski, however, was the enigmatic Marlon Brando, who by that time was reaching the end of his career (and life). Apparently, the Coens amused themselves by quoting some of their favorite Jeffrey Lebowski lines (“Strong men also cry”) in a Brando accent. The role would eventually go to the not-particularly-famous—albeit pitch-perfect—veteran character actor David Huddleston. In true Dude fashion, it all worked out in the end.

7. JOEL COEN WOOED FRANCES MCDORMAND ON THE SET OF BLOOD SIMPLE.

Coen and McDormand fell in love while making Blood Simple and got married a couple of years later, after production wrapped. McDormand told The Daily Beast about the moment when she roped him in. “I’d only brought one book to read to Austin, Texas, where we were filming, and I asked him if there was anything he’d recommend,” she said. “He brought me a box of James M. Cain and Raymond Chandler paperbacks, and I said, ‘Which one should I start with?’ And he said, ‘The Postman Always Rings Twice.’ I read it, and it was one of the sexiest f*ckin’ books I’ve ever read. A couple of nights later, I said, ‘Would you like to come over and discuss the book?’ That did it. He seduced me with literature. And then we discussed books and drank hot chocolate for several evenings. It was f*ckin’ hot. Keep it across the room for as long as you can—that’s a very important element.”

8. O BROTHER, WHERE ART THOU? WAS ORIGINALLY INSPIRED BY THE WIZARD OF OZ.

Joel Coen revealed as much at the 15th anniversary reunion. “It started as a 'three saps on the run' kind of movie, and then at a certain point we looked at each other and said, 'You know, they're trying to get home—let's just say this is The Odyssey. We were thinking of it more as The Wizard of Oz. We wanted the tag on the movie to be: 'There's No Place Like Home.’”

9. THE ACTORS IN FARGO WENT THROUGH EXTENSIVE TRAINING TO GET THEIR ACCENTS RIGHT.

Having grown up in Minnesota, the Coens were more than familiar with the idiosyncrasies of the “Minnesota nice” accent, but much of the cast—including Frances McDormand and William H. Macy—needed coaching to get the intricacies right. Actors were even given copies of the scripts with extensive pronunciation notes. According to dialect coach Larissa Kokernot, who also appeared as one of the prostitutes Gaear and Carl rendezvous with in Brainerd, the “musicality” of the Minnesota nice accent comes from a place of “wanting people to agree with each other and get along.” This homey sensibility, contrasted with the ugly crimes committed throughout the movie, is, of course, one of the major reasons why the dark comedy is such an enduring classic.

10. NICOLAS CAGE'S HAIR REACTED TO H.I.'S STRESS LEVEL IN RAISING ARIZONA.

Ethan claimed that Cage was "crazy about his Woody Woodpecker haircut. The more difficulties his character got in, the bigger the wave in his hair got. There was a strange connection between the character and his hair."

11. A PROP FROM THE HUDSUCKER PROXY INSPIRED THE MAN WHO WASN’T THERE.

A bit of set dressing from 1994’s The Hudsucker Proxy eventually led to 2001’s The Man Who Wasn’t There. In a barbershop scene, there’s a poster hanging in the background that featured a range of men’s hairstyles from the 1940s. The brothers liked the prop and kept it, and it’s what eventually served as the inspiration for The Man Who Wasn’t There.

12. GEORGE CLOONEY SIGNED ON TO O BROTHER, WHERE ART THOU? BEFORE EVEN READING THE SCRIPT.

The brothers visited George Clooney in Phoenix while he was making Three Kings (1999), wanting to work with him after seeing his performance in Out of Sight (1998). Moments after they put their script on Clooney’s hotel room table, the actor said “Great, I’m in.”

13. A SNAG IN THE MILLER’S CROSSING SCRIPT ULTIMATELY LED TO BARTON FINK.

Miller’s Crossing is a complicated beast, full of characters double-crossing each other and scheming for mob supremacy. In fact, it’s so complicated that at one point during the writing process the Coens had to take a break. It turned out to be a productive one: While Miller’s Crossing was on pause, the brothers wrote the screenplay for Barton Fink, the story of a writer who can’t finish a script.

14. INTOLERABLE CRUELTY IS THE FIRST COEN MOVIE THAT WASN’T THE BROTHERS’ ORIGINAL IDEA.

In 1995, the Coens rewrote a script originally penned by other screenwriters, Robert Ramsey, Matthew Stone, and John Romano. They didn’t decide to direct the movie, which became Intolerable Cruelty, until 2003.

15. THE LADYKILLERS WAS WRITTEN FOR BARRY SONNENFELD TO DIRECT.

The Coens effortlessly jump from crime thriller to comedy without missing a beat. So when they were commissioned to write a remake of the British black comedy The Ladykillers for director Barry Sonnenfeld, it seemed to fall in line with their cinematic sensibilities. When Sonnenfeld dropped out of the project, the Coens were hired to direct the film.

16. BURN AFTER READING MARKED THE FIRST TIME SINCE MILLER’S CROSSING THAT THE COENS DIDN’T WORK WITH THEIR USUAL CINEMATOGRAPHER, ROGER DEAKINS.

Instead, eventual Academy Award-winner Emmanuel Lubezki acted as the director of photography. The Coens would work with Deakins again on every one of their films until 2013’s Inside Llewyn Davis.

17. IT TOOK SOME CONVINCING TO GET JAVIER BARDEM TO SAY “YES” TO NO COUNTRY FOR OLD MEN

Though it’s hard to imagine No Country for Old Men without Javier Bardem’s menacing—and Oscar-winning—performance as antagonist Anton Chigurh, he almost passed on the role. “It’s not something I especially like, killing people—even in movies,” Bardem said of his disdain for violence. “When the Coens called, I said, ‘Listen, I’m the wrong actor. I don’t drive, I speak bad English, and I hate violence.’ They laughed and said, ‘Maybe that’s why we called you.”’

18. PATTON OSWALT AUDITIONED FOR A SERIOUS MAN.

Patton Oswalt auditioned for the role of the obnoxious Arthur Gopnik in A Serious Man, a part that ultimately went to Richard Kind. Oswalt talked about his audition while appearing on Marc Maron’s WTF podcast, in which it was also revealed that Maron was being considered for the lead role of Larry Gopnik (the role that earned Michael Stuhlbarg his first, and so far only, Golden Globe nomination). 

19. THE CAT IN INSIDE LLEWYN DAVIS WAS “A NIGHTMARE.”

Ulysses, the orange cat who practically stole Inside Llewyn Davis away from Oscar Isaac, was reportedly a bit of a diva. "The cat was a nightmare,” Ethan Coen said on the DVD commentary. “The trainer warned us and she was right. She said, uh, "Dogs like to please you. The cat only likes to please itself.’ A cat basically is impossible to train. We have a lot of footage of cats doing things we don't want them to do, if anyone's interested; I don't know if there's a market for that."

20. THE COEN BROTHERS PROBABLY DON’T LOVE THE BIG LEBOWSKI AS MUCH AS YOU DO. 

We’re assuming the Coen Brothers are plenty fond of The Dude: after all, he doesn’t end up facing imminent death or tragedy, which is more than most of their protagonists have going for them. But in a rare Coen Brothers interview in 2009, Joel Coen flatly stated, “That movie has more of an enduring fascination for other people than it does for us.”

Original image
Scott Eisen/Getty Images for Warner Bros.
arrow
literature
10 Terrific Facts About Stephen King
Original image
Scott Eisen/Getty Images for Warner Bros.

As if being one of the world's most successful and prolific writers wasn't already reason enough to celebrate, Stephen King is ringing in his birthday as the toast of Hollywood. As It continues to break box office records, we're digging into the horror master's past. Here are 10 things you might not have known about Stephen King, who turns 70 years old today.

1. STEPHEN KING AND HIS WIFE, TABITHA, OWN A RADIO STATION.

Stephen and Tabitha King own Zone Radio, a company that serves to head their three radio stations in Maine. One of them, WKIT, is a classic rock station that goes by the tagline "Stephen King's Rock Station."

2. HE'S A HARDCORE RED SOX FAN.

Jim McIsaac/Getty Images

Not only did he write a story about the Boston Red Sox—The Girl Who Loved Tom Gordon (who was a former Red Sox pitcher)—he also had a cameo in the Jimmy Fallon/Drew Barrymore movie Fever Pitch, which is about a crazed Sox fan. He plays himself and throws out the first pitch at a game.

In 2004, King and Stewart O'Nan, another novelist, chronicled their reactions to the season that finally brought the World Series title back to Beantown. It's appropriately titled Faithful: Two Diehard Boston Red Sox Fans Chronicle the Historic 2004 Season.

3. HE WAS HIT BY A CAR, THEN BOUGHT THE CAR THAT HIT HIM.

You probably remember that King was hit by a van not far from his summer home in Maine in 1999. The incident left King with a collapsed lung, multiple fractures to his hip and leg, and a gash to the head. Afterward, King and his lawyer bought the van for $1500 with King announcing that, "Yes, we've got the van, and I'm going to take a sledgehammer and beat it!"

4. AS A KID, HIS FRIEND WAS STRUCK AND KILLED BY A TRAIN.

King's brain seems to be able to create chilling stories at such an amazing clip, yet he's seen his fair share of horror in real life. In addition to the aforementioned car accident, when King was just a kid his friend was struck and killed by a train (a plot line that made it into his story "The Body," which was adapted into Stand By Me). While it would be easy to assume that this incident informed much of King's writing, the author claims to have no memory of the event:

"According to Mom, I had gone off to play at a neighbor’s house—a house that was near a railroad line. About an hour after I left I came back (she said), as white as a ghost. I would not speak for the rest of the day; I would not tell her why I’d not waited to be picked up or phoned that I wanted to come home; I would not tell her why my chum’s mom hadn’t walked me back but had allowed me to come alone.

"It turned out that the kid I had been playing with had been run over by a freight train while playing on or crossing the tracks (years later, my mother told me they had picked up the pieces in a wicker basket). My mom never knew if I had been near him when it happened, if it had occurred before I even arrived, or if I had wandered away after it happened. Perhaps she had her own ideas on the subject. But as I’ve said, I have no memory of the incident at all; only of having been told about it some years after the fact."

5. HE WROTE A MUSICAL WITH JOHN MELLENCAMP.

Theo Wargo/Getty Images

King, John Mellencamp, and T Bone Burnett collaborated on a musical, Ghost Brothers of Darkland County, which made its debut in 2012. The story is based on a house that Mellencamp bought in Indiana that came complete with a ghost story. Legend has it that three siblings were messing around in the woods and one of the brothers accidentally got shot. The surviving brother and sister jumped in the car to go get help, and in their panic, swerved off the road right into a tree and were killed instantly. Of course, the three now haunt the woods by Mellencamp's house.

6. HE PLAYED IN A BAND WITH OTHER SUCCESSFUL AUTHORS.

King played rhythm guitar for a band made up of successful writers called The Rock Bottom Remainders. From 1992 to 2012, the band "toured" about once a year. In addition to King, Amy Tan, Dave Barry, Mitch Albom, Barbara Kingsolver, Matt Groening and Ridley Pearson were just some of its other members.

7. HE'S A NATIVE MAINER.

A photo of Stephen King's home in Bangor, Maine.
By Julia Ess - Own work, CC BY-SA 3.0, Wikimedia Commons

King writes about Maine a lot because he knows and loves The Pine Tree State: he was born there, grew up there, and still lives there (in Bangor). Castle Rock, Derry, and Jerusalem's Lot—the fictional towns he has written about in his books—are just products of King's imagination, but he can tell you exactly where in the state they would be if they were real.

8. HE HAS BATTLED DRUG AND ALCOHOL PROBLEMS.

Throughout much of the 1980s, King struggled with drug and alcohol abuse. In discussing this time, he admitted that, "There's one novel, Cujo, that I barely remember writing at all. I don't say that with pride or shame, only with a vague sense of sorrow and loss. I like that book. I wish I could remember enjoying the good parts as I put them down on the page."

It came to a head when his family members staged an intervention and confronted him with drug paraphernalia they had collected from his trash can. It was the eye-opener King needed; he got help and has been sober ever since.

9. THERE WAS A RUMOR THAT HE WROTE A LOST TIE-IN NOVEL.

King was an avid Lost fan and sometimes wrote about the show in his Entertainment Weekly column, "The Pop of King." The admiration was mutual. Lost's writers mentioned that King was a major influence in their work. There was a lot of speculation that he was the man behind Bad Twin, a Lost tie-in mystery, but he debunked that rumor.

10. HE IS SURROUNDED BY WRITERS.

A photo of Stephen King's son, author Joe Hill
Joe Hill
Alberto E. Rodriguez/Getty Images

Stephen isn't the only writer in the King family: His wife, Tabitha King, has published several novels. Joe, their oldest son, followed in his dad's footsteps and is a bestselling horror writer (he writes under the pen name Joe Hill). Youngest child Owen has written a collection of short stories and one novella and he and his dad co-wrote Sleeping Beauties, which will be released later this month (Owen also married a writer). Naomi, the only King daughter, is a minister and gay activist.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios