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Apocalypse at Ypres

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October 20, 1914: Apocalypse at Ypres

One of the greatest battles in history, the desperate struggle at Ypres in October-November 1914 was the climactic fight of the “Race to the Sea” – an all-out German push to break through the Allied line and capture Calais and the other French ports on the English Channel, thus dividing the Allies, threatening to outflank the French forces from the north, and maybe even setting the stage for an invasion of Britain.

Reflecting these huge stakes, the First Battle of Ypres (so-called to distinguish it from at least two subsequent battles) was conducted on an epic scale, bringing together more men and more firepower than some whole wars did in the previous century. Including the armed clashes to the north on the River Yser and south to Armentières, it involved about a million men on both sides, including around 600,000 German soldiers, 250,000 French, 100,000 British, and 65,000 Belgians.

The losses were staggering. From October 12 to November 12, 1914 the British sustained 56,000 casualties, including 8,000 killed, 30,000 wounded, and 18,000 missing (of whom perhaps a third or more were also killed). While it’s harder to find precise numbers for the other combatants, the Germans suffered around 135,000 casualties across all categories, the French 85,000, and the Belgians 22,000. Assuming that one fourth of the casualties were fatal, as in the case of the British, it seems safe to assume that around 75,000 soldiers lost their lives at the First Battle of Ypres.

The First Phase: Langemarck 

After the prelude at La Bassée, Armentières, Messines, and the Yser, the main battle of Ypres commenced on October 20 and lasted about three weeks. In this time the nondescript, low-lying countryside of Flanders, its farms and grazing land separated by neat hedges and crisscrossed by drainage canals under a gray sky, was converted into hell on earth by three huge but ultimately unsuccessful German assaults – one at Langemarck beginning October 20, the second at Gheluvelt beginning October 29, and the finale at Nonneboschen (the Nuns’ Woods) on November 11 (above, a German nighttime barrage).

The first German push at Langemarck began just as the British Expeditionary Force was arriving at Ypres, while to the north the Belgians fought desperately to hold off German forces along the Yser, with the help of French reinforcements organized as the new Détachement d'Armée de Belgique under General Victor Louis Lucien d'Urbal, composed of the II Cavalry Corps under de Mitry, a brigade of French marines, and the 87th and 89th Territorial Divisions (still en route). 

As fighting raged across the entire Flanders front, British Expeditionary Force commander Sir John French, still unaware of the huge forces arrayed against the Allies, ordered the British I Corps (including the 1st and 2nd Divisions) to attack east of Ypres with the intention of liberating the Belgian city of Bruges. The move was to be coordinated with a French advance to the south. However this goal proved to be unrealistic to say the least; Henry Wilson, the British liaison to the French Army, sardonically observed, “Bruges for all practical purposes is as far as Berlin.” 

The plan failed to survive contact with the enemy, as the British divisions, including the 7th Division holding the southern flank, slammed into five German divisions from the new Fourth Army advancing in the opposite direction. The British dug in but the Germans, determined to break through, sent wave after wave of infantry against the shallow, unfortified British trenches, advancing in close formation against machine guns and massed rifle fire. The result was an appalling massacre, with both sides sustaining very heavy casualties, but the Germans suffering most of all, as some regiments lost over 70% of their strength.

The Germans eventually succeeded in forcing the British back, capturing Langemarck on October 22, but the cost was out of all proportion to the gains. William Robinson, a volunteer dispatch driver with the British Army, recalled shocking scenes: “The enemy seemed to rise out of the ground and sweep towards us like a great tidal wave, but our machine guns poured steel into them at the rate of six hundred shots per minute, and they’d go down like grass before the scythe… The Germans were climbing over heaps of their own dead, only to meet the same fate themselves.” 

In the same vein Alexander Johnston, a mid-ranking officer, wrote in his diary: “Two of the crack shots in the Regiment were able to methodically pick off Germans one by one, who were lost in the fog and did not know where they were, as they loomed out of the mist at about 50 yards range, and in this way alone disposed of over 100 of them!” And an anonymous British nurse recorded several officers’ account in her diary: “They said there were 11,000 Germans dead, and they were using the dead piled up instead of trenches.” 

According to the “myth of Langemarck” which took hold in German memory, the Reserve divisions were composed of inexperienced, untrained college students who went to their deaths singing patriotic songs, and the battle was remembered as the “Kindermord bei Ypern,” or “The Massacre of the Innocents at Ypres.” Recently historians have cast doubt on the truth of this story (it seems most of the Reservists were older working-class men) but the “Kindermord” became a vital part of Nazi propaganda, dwelling on the tragic bravery of idealistic German youth, who died happily defending the Fatherland.

Reality wasn’t always so heroic. A German soldier from Alsace, Dominik Richert, was unapologetic about ducking out of battle with a friend when he could: 

Then we hid in the cellar of a house which had been stocked with food by its inhabitants.  In one corner sat a woman and a girl of about twenty. They were very afraid of us. By using gestures we were able to explain that they did not need to be afraid of us. We spent three pleasant days together… On the evening of the third day we heard footsteps crashing down the stairs. It was a lieutenant… “You damned cowards get a move on out of here!” he yelled at us.

Even when they weren’t fighting, soldiers on both sides endured rain, cold, hunger, lice, and rudimentary living arrangements, causing morale to plummet. In a letter to his wife another German soldier, Paul Hub, described their billets near the front line: “If there isn’t any straw then you just fall asleep on the bare floor. We never take our clothes off. Lots of houses are being shot to pieces, set alight and burning. It was a terrible sight when night came… Maria, this sort of war is so unspeakably miserable.”

Attack on Dixmude 

While the main thrust of the first German offensive attack around northeast of Ypres, the Germans were also advancing against the Belgians and French positions behind the River Yser. On the far northern end of the front, the defenders were assisted by shallow-draft monitors from the Royal Navy which bombarded the advancing German Ersatz 4th Division, directed by artillery spotters in a balloon tethered further west on the Belgian coast. 

The Germans tried to soften up the defenses with an unrelenting artillery bombardment along the entire Yser front. As village after village went up in flames, Philip Gibbs, a British war correspondent, described seeing:

an astounding and terrible panorama, traced in its outline by the black fumes of shell-fire above the stabbing flashes of the batteries. Over Nieuport there was a canopy of smoke, intensely black, but broken every moment by blue glares of light as a shell burst and rent the blackness. Villages were burning on many points of the crescent, some of them smouldering drowsily, others blazing fiercely like beacon fires… 

To the south the Germans captured a bridge across the Yser at Tervaete on October 21, but the Belgians prevented them from crossing in force. Meanwhile French marines were fighting tenaciously to hold Dixmude against two German divisions, outnumbering the French by around six to one. From October 23-24 the Germans mounted fourteen separate assaults on Dixmude, but failed to capture the city, again encountering incredibly fierce resistance and sustaining heavy casualties. One German soldier, Kurt Peterson, described the fighting at Dixmude in a letter to his parents: “We all lay like logs on the ground and all about us death hissed and howled. Such a night is enough to make an old man of one… We have had enough of war. One is not necessarily a coward because one’s whole nature revolts against this barbarity, this gruesome slaughter.”

As German guns pounded the Belgians and French positions along the Yser, on October 24 the Germans succeeded in driving the Allies back north of Dixmude, and it became increasingly obvious that there was a real chance of a German breakthrough. Now at the suggestion of the French General Ferdinand Foch, Belgium’s King Albert decided to use his last, most drastic defense: they would open the dikes and flood the plains along the Yser.  

See the previous installment or all entries.

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15 Fun Facts About Yo Gabba Gabba!
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Since its debut on August 20, 2007 on Nick Jr., Yo Gabba Gabba!—a kids’ show featuring a red cyclops, a magic robot, a pink flower girl, a green-striped guy, a blue cat-dragon, and a host wearing orange spandex and a fluffy hat—became one of the biggest draws for the preschool crowd. But thanks to the show's hipster-friendly musical performances and celebrity guest stars, Yo Gabba Gabba! managed to transcend its kiddie roots to become a hit with fans of all ages. On the 10th anniversary of its debut, let's go behind the scenes of the beloved series.

1. THE CREATOR OF NAPOLEON DYNAMITE HAD A HAND IN GETTING YO GABBA GABBA! ON THE AIR.

Longtime friends Christian Jacobs and Scott Schultz got the idea for Yo Gabba Gabba! when, as two dads in their mid-30s, they were less-than-enthusiastic about the television shows their kids were watching. It wasn't that the other shows were bad; they were just boring and sanitized.

With their experience as musicians and videographers, Jacobs and Schultz thought they could do something different. So they scraped together about $150,000 and began writing, animating, and shooting demo episodes of Yo Gabba Gabba! in their garage. They posted these videos online and Jared Hess, director of Napoleon Dynamite, happened to see them. Impressed, Hess passed the link onto Brown Johnson, an executive at Nickelodeon, who said, “Lordy. Nothing else looks like this on television.” She quickly contacted the duo and, in a risky move that obviously paid off, gave them complete creative control of their own show on Nick Jr.

2. THE TITLE IS MEANT TO BE MIMIC BABY TALK.

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According to Jacobs, the name of the show is a nonsense phrase meant to be reminiscent of the first words spoken by a baby. However, that doesn't mean Jacobs and Schultz aren't happy the name also pays homage to The Ramones, who used the phrase “Gabba Gabba Hey!” in their song “Pinhead.” But that actually makes it an homage of an homage, as The Ramones were paying tribute to the original source of the phrase, the 1932 cult classic film Freaks. In the film, “Gabba Gabba Hey!” is part of a chant uttered by a group of circus freaks as they welcome a new member into the fold.

3. ITS THEME SONG IS REMINISCENT OF PEE-WEE'S PLAYHOUSE.

The show's intro music seems suspiciously like the intro music from another kinetic kids' show, Pee-wee's Playhouse. Pay close attention to when the trees part on Pee-wee's intro and you'll hear a lot of similarities between the two.

4. THE SHOW BECAME A WORLDWIDE PHENOMENON.

Yo Gabba Gabba! became a worldwide phenomenon, and was broadcast all over the world, including in Italy, France, the UK, the Netherlands, Australia, and Canada.

5. DJ LANCE ROCK REALLY IS A DJ.

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DJ Lance Rock is actually Lance Robertson—and he really is a DJ. Robertson grew up in St. Louis, where he started spinning records in the early '90s before moving to Los Angeles at the age of 29. While in L.A., he played with a band, The Ray Makers, who played a few gigs with a group called Majestic, which counted future Yo Gabba Gabba! co-creator Scott Schultz as a member. When the Yo Gabba Gabba! guys were looking for a host, Schultz thought of Robertson. After Robertson signed on, one of the first things he did was suggest they change DJ Lance's look to the now-iconic orange jumpsuit and fuzzy hat. The original costume included a waistcoat similar to the one worn by Gene Wilder as Willy Wonka.

6. MUNO AND BROBEE EXISTED BEFORE YO GABBA GABBA!.

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While the other characters were created exclusively for Yo Gabba Gabba!, Muno and Brobee were already around as part of the live show for Christian Jacobs's kid-friendly ska/punk band, The Aquabats. Since shortly after their founding in 1994, The Aquabats have dressed in matching superhero costumes, fighting evil under aliases like The MC Bat Commander (Jacobs), Crash McLarson, Jimmy the Robot, Ricky Fitness, and Eagle “Bones” Falconhawk. The lineup has changed frequently over the years (Travis Barker of Blink-182 was briefly their drummer under the name “The Baron von Tito”), but the band still performs live and releases the occasional studio album. Naturally, they made a handful of appearances on Yo Gabba Gabba!, as well.

7. THE SHOW HAS A CONNECTION TO DEVO.

While most kids only know him as the kookie art teacher on the show, Mark Mothersbaugh was one of the founding members and lead singer of the New Wave band Devo. Even when he’s not wearing a red terraced “Energy Dome” hat, Mothersbaugh’s career has been prolific as a composer for dozens of TV shows, films, video games, and commercials, including Apple’s famous “I’m a Mac” ads starring Justin Long and John Hodgman.

8. BIZ MARKIE WAS ORIGINALLY SUPPOSED TO DANCE ON THE SHOW.

Yo Gabba Gabba! fans learned how to beatbox thanks to rapper Biz Markie (born Marcel Theo Hall) and his “Beat of the Day” segment. Biz was initially asked to do a Dancey Dance routine for the show, but he has a bad back, so he offered to teach the kids how to do a beat instead. The producers loved it and it became a staple on the show. Parents knew Biz best from his 1989 hit “Just a Friend,” which featured his unique brand of rapping and “singing.” 

9. SUPER MARTIAN ROBOT GIRL IS THE PRODUCT OF TWO GROUNDBREAKING COMIC BOOK ARTISTS.

The comic book the Gabba gang often reads, Super Martian Robot Girl, is the creation of married underground comic book celebrities Sarah Dyer and Evan Dorkin. Dorkin is the genius behind the small press comic Milk and Cheese about “dairy products gone bad”—a milk carton and a wedge of cheese who love to drink gin and beat people up. Dyer was an influential creator in the '90s zine scene, where she was one of the few people giving female zinesters a voice with her Action Girl Newsletter, which later paved the way for the similarly-themed Action Girl Comics.

10. IT WAS NOMINATED FOR SEVEN EMMYS, BUT NEVER WON.

Yo Gabba Gabba!  received numerous Daytime Emmy nominations for Outstanding Achievement in Art Direction and Costume Design, as well as for Outstanding Pre-School Children's Series, but a win eluded the show. In addition, the series was nominated for Outstanding Achievement in Children’s Programming by the Television Critics Association Awards five times (and won twice). Internationally, the show was awarded a BAFTA in 2008. And DJ Lance received two NAACP Image Award nominations.      

11. THE SHOW GOT ITS OWN LINE OF SNEAKERS.

Ever wanted to see Foofa pop a wheelie? How about Toodee ride a surfboard? In 2011, the Gabba gang shot a series of videos to promote their line of Vans shoe, a brand popular among the extreme sports crowd. The characters shared the screen with some of the biggest names in the X Games, including surfers Alex Knost and Jared Mell, skateboarders Bucky Lasek and Christian Hosoi, BMXers Alistair Whitton and Coco Zurita, and motocross stars Dean Wilson and Ryan Villopoto. You can check out the videos at Yo Gabba Gabba's official YouTube channel.

12. THEY PLAYED COACHELLA.

The gang invaded the Coachella Music Festival in 2010, where they performed, hung out with celebrity fans backstage, and even showed up to dance with the audience at other musical performances.

13. THE SHOW HAD A LOT OF CELEBRITY FANS.

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For Halloween 2009, Brad Pitt donned DJ Lance's orange jumpsuit and fuzzy hat when he took his kids trick-or-treating. Lance was later quoted as saying that Pitt looked “Awesome.”

14. IT FEATURED A LOT OF GUEST STARS.

While most celebrities only come on the show to do a Dancey Dance or Cool Tricks segment, there have been a handful of guests that played a bigger role in an episode. The first was Jack Black, who had an entire episode dedicated to his adventures in Gabbaland after his flying motorbike ran out of gas. He got the gig after his wife emailed the show and practically begged them to let Jack come on because he was such a big fan. Other celebrities who popped in: Angela Kinsey from The Office played a teacher, the Tooth Fairy was played by Amy Sedaris, Mos Def saved the day as Super Mr. Superhero, Anthony Bourdain cameoed as a doctor, Jason Bateman played an evil spy, Lost’s Josh Holloway played a helpful farmer, and Weird Al Yankovic guested as a circus ringmaster.

15. A YO GABBA GABBA! DOLL WILL COST YOU A PRETTY PENNY.

The Gabba action figures that DJ Lance brought to life at the beginning of each episode were produced by Kidrobot, one of the leading names in the vinyl toy movement. The figures are no longer produced, so when one pops up on eBay, it often commands a high price. But if you’re not willing to spend that kind of money on an action figure, there are plenty of other Gabba-themed toys, books, DVDs, comics, smartphone apps, and clothes to keep your kids happy.

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10 Witty Facts About The Marx Brothers
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Talented as individuals and magnificent as a team, the Marx Brothers conquered every medium from the vaudeville stage to the silver screen. Today, we’re tipping our hats (and tooting our horns) to Groucho, Harpo, Chico, Zeppo, and Gummo—on the 50th anniversary of Groucho's passing.

1. A RUNAWAY MULE INSPIRED THEM TO TAKE A STAB AT COMEDY.

Julius, Milton, and Arthur Marx originally aspired to be professional singers. In 1907, the boys joined a group called “The Three Nightingales.” Managed by their mother, Minnie, the ensemble performed covers of popular songs in theaters all over the country. As Nightingales, the brothers enjoyed some moderate success, but they might never have found their true calling if it weren’t for an unruly equid. During a 1907 gig at the Nacogdoches Opera House in East Texas, someone interrupted the performance by barging in and shouting “Mule’s loose!” Immediately, the crowd raced out to watch the newly-liberated animal. Back inside, Julius seethed. Furious at having lost the spotlight, he skewered his audience upon their return. “The jackass is the finest flower of Tex-ass!” he shouted, among many other ad-libbed jabs. Rather than boo, the patrons roared with laughter. Word of his wit soon spread and demand for these Marx brothers grew.

2. THEY RECEIVED THEIR STAGE NAMES DURING A POKER GAME.

In May of 1914, the five Marxes were playing cards with standup comedian Art Fisher. Inspired by a popular comic strip character known as “Sherlocko the Monk,” he decided that the boys could use some new nicknames. Leonard’s was a no-brainer. Given his girl-crazy, “chick-chasing” lifestyle, Fisher dubbed him “Chicko” (later, this was shortened to “Chico”). Arthur loved playing the harp and thus became “Harpo.” An affinity for soft gumshoes earned Milton the alias “Gummo.” Finally, Julius was both cynical and often seen wearing a “grouch bag”—wherein he’d store small objects like marbles and candy—around his neck. Thus, “Groucho” was born. For the record, nobody knows how Herbert Marx came to be known as “Zeppo.”

3. GROUCHO WORE HIS TRADEMARK GREASEPAINT MUSTACHE BECAUSE HE HATED MORE REALISTIC MODELS.

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Phony, glue-on facial hair can be a pain to remove and reapply, so Groucho would simply paint a ‘stache and some exaggerated eyebrows onto his face. However, the mustache he later rocked as the host of his famous quiz show You Bet Your Life was 100 percent real.

4. HARPO WAS A SELF-TAUGHT HARPIST.

Without any formal training (or the ability to read sheet music), the second-oldest Marx brother developed a unique style that he never stopped improving upon. “Dad really loved playing the harp, and he did it constantly,” his son, Bill Marx, wrote. “Maybe the first multi-tasker ever, he even had a harp in the bathroom so he could play when he sat on the toilet!”

5. THE VERY FIRST MARX BROTHERS MOVIE WAS NEVER RELEASED.

Financed by Groucho, Chico, Harpo, Zeppo, and a handful of other investors, Humor Risk was filmed in 1921. Accounts differ, but most scholars agree that the silent picture—which would have served as the family’s cinematic debut—never saw completion. Despite this, an early screening of the work-in-progress was reportedly held in the Bronx. When Humor Risk failed to impress there, production halted. By Marx Brothers standards, it would’ve been an unusual flick, with Harpo playing a heroic detective opposite a villainous Groucho character.

6. GUMMO AND ZEPPO BECAME TALENT AGENTS.

World War I forced Gummo to quit the stage. Following his return, the veteran decided that performing was no longer for him and instead started a raincoat business. Zeppo—the youngest brother—then assumed Gummo’s role as the troupe’s straight-talking foil. A brilliant businessman, Zeppo eventually broke away to found the talent agency Zeppo Marx Inc., which grew into Hollywood’s third-largest, representing superstars like Clark Gable, Lucille Ball, and—of course—the other three Marx Brothers. Gummo, who joined the company in 1935, was charged with handling Groucho, Harpo, and Chico’s needs.

7. CHICO ONCE LAUNCHED A BIG BAND GROUP.

Chico took advantage of an extended break between Marx brothers movies to realize a lifelong dream. A few months before The Big Store hit cinemas in 1941, he co-founded the Chico Marx Orchestra: a swinging jazz band that lasted until July of 1943. Short-lived as the group was, however, it still managed to recruit some amazing talent—including singer/composer Mel Tormé, who would go on to help write “The Christmas Song (Chestnuts Roasting on an Open Fire)” in 1945.

8. THEY TESTED OUT NEW MATERIAL FOR A NIGHT AT THE OPERA IN FRONT OF LIVE AUDIENCES.

With the script still being drafted, MGM made the inspired choice to let the brothers perform key scenes in such places as Seattle, Salt Lake City, and San Francisco. Once a given joke was made, the Marxes meticulously timed the ensuing laughter, which let them know exactly how much silence to leave after repeating the gag on film. According to Harpo, this had the added benefit of shortening A Night at the Opera’s production period. “We didn’t have to rehearse,” he explained. “[We just] got onto the set and let the cameras roll.”

9. GROUCHO TEMPORARILY HOSTED THE TONIGHT SHOW.

Jack Paar bid the job farewell on March 29, 1962. Months before their star’s departure, NBC offered Paar’s Tonight Show seat to Groucho, who had established himself as a razor-sharp, well-liked host during You Bet Your Life’s 14-year run. Though Marx turned the network down, he later served as a guest host for two weeks while Johnny Carson prepared to take over the gig. When Carson finally made his Tonight Show debut on October 1, it was Groucho who introduced him.

10. SPY MAGAZINE USED A MARX BROTHERS MOVIE TO PRANK U.S. CONGRESSMEN.

Duck Soup takes place in Freedonia, a fictional country over which the eccentric Rufus T. Firefly (Groucho) presides. In 1993, 60 years after the movie’s release, this imaginary nation made headlines by embarrassing some real-life politicians. Staffers from Spy got in touch with around 20 freshmen in the House of Representatives, asking some variation on the question “Do you approve of what we’re doing to stop ethnic cleansing in Freedonia?” A few lawmakers took the bait. Representative Corrine Brown (D-Florida) professed to approve of America’s presence in Freedonia, saying, “I think all of those situations are very, very sad, and I just think we need to take action to assist the people.” Across the aisle, Steve Buyer (R-Indiana) concurred. “Yeah,” he said, “it’s a different situation than the Middle East.”

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