25 of Oscar Wilde's Wittiest Quotes

By Napoleon Sarony - Library of Congress, Public Domain, Wikimedia Commons
By Napoleon Sarony - Library of Congress, Public Domain, Wikimedia Commons

On October 16, 1854, Oscar Fingal O'Flahertie Wills Wilde was born in Dublin, Ireland. He would go on to become one of the world's most prolific writers, dabbling in everything from plays and poetry to essays and fiction. Whatever the medium, his wit shone through.

1. On God

"I think that God, in creating man, somewhat overestimated his ability."

2. On the world as a stage

"The world is a stage, but the play is badly cast."

3. On forgiveness

"Always forgive your enemies; nothing annoys them so much."

4. On good vs. bad

"It is absurd to divide people into good and bad. People are either charming or tedious."

5. On getting advice

"The only thing to do with good advice is pass it on. It is never any use to oneself."

6. On happiness

"Some cause happiness wherever they go; others whenever they go."

7. On cynicism

"What is a cynic? A man who knows the price of everything and the value of nothing."

8. On sincerity

"A little sincerity is a dangerous thing, and a great deal of it is absolutely fatal."

9. On money

"When I was young I thought that money was the most important thing in life; now that I am old I know that it is."

10. On life's greatest tragedies

"There are only two tragedies in life: one is not getting what one wants, and the other is getting it."

11. On hard work

"Work is the curse of the drinking classes."

12. On living within one's means

"Anyone who lives within their means suffers from a lack of imagination."

13. On true friends

"True friends stab you in the front."

14. On mothers

"All women become like their mothers. That is their tragedy. No man does. That's his."

15. On fashion

"Fashion is a form of ugliness so intolerable that we have to alter it every six months."

16. On being talked about

"There is only one thing in life worse than being talked about, and that is not being talked about."

17. On genius

"Genius is born—not paid."

18. On morality

"Morality is simply the attitude we adopt towards people whom we personally dislike."

19. On relationships

"How can a woman be expected to be happy with a man who insists on treating her as if she were a perfectly normal human being?"

20. On the definition of a "gentleman"

"A gentleman is one who never hurts anyone’s feelings unintentionally."

21. On boredom

"My own business always bores me to death; I prefer other people’s."

22. On aging

"The old believe everything, the middle-aged suspect everything, the young know everything."

23. On men and women

"I like men who have a future and women who have a past."

24. On poetry

"There are two ways of disliking poetry; one way is to dislike it, the other is to read Pope."

25. On wit

"Quotation is a serviceable substitute for wit."

And one bonus quote about Oscar Wilde! Dorothy Parker said it best in a 1927 issue of Life:

If, with the literate, I am
Impelled to try an epigram,
I never seek to take the credit;
We all assume that Oscar said it.

Rare First Edition of Harry Potter and the Philosopher’s Stone Sold for More Than $56,000

UBC Library Communications and Marketing, Flickr // CC BY-NC-ND 2.0
UBC Library Communications and Marketing, Flickr // CC BY-NC-ND 2.0

Publishers weren't very optimistic about the future of Harry Potter and the Philosopher's Stone when they printed it in 1997. Only 500 first edition copies were made, 300 of which were donated to libraries. As anyone who's been to a bookstore, movie theater, or theme park in the past two decades knows, that prediction couldn't have been further off.

Book one of the Harry Potter series spawned one of the most successful literary franchises of all time and earned millions for author J.K. Rowling. That means those rare first edition prints are exceedingly valuable today, and one of the most pristine copies ever discovered just sold for $56,500 at auction, BBC reports.

The sellers, an anonymous couple from Lancashire, England, had stored their copy of Harry Potter and the Philosopher's Stone—along with a first edition of Harry Potter and the Chamber of Secrets—in a code-locked briefcase for safekeeping. The plan wasn't to wait for the books to accrue value over time; originally, they had wanted to protect them and pass them down as family heirlooms.

The couple changed their minds after learning that another first edition copy of Philosopher's Stone had sold for $35,000. That turned out to be a smart move. By locking it away, they managed to preserve one of the best first edition copies of the book experts had seen. The book also contained two errors that made it an even more appealing item for collectors. Its value was placed between $30,700 to $37,000.

At the auction, however, bidders blew past those numbers. It sold for a winning bid of approximately $56,500. The buyer will end up paying $70,000 in total to cover additional fees and taxes.

That's a significant amount to pay for a book, but it's not even the highest figure that's been bid for the title. Earlier in 2019, a first-edition print of Harry Potter and the Philosopher's Stone with several errors sold for $90,000.

[h/t BBC]

When Bram Stoker Adapted Dracula for the Stage

Lyceum Theatre, London, 1897, Public Domain, Wikimedia Commons
Lyceum Theatre, London, 1897, Public Domain, Wikimedia Commons

For one of literature’s most enduring works, Bram Stoker’s Dracula didn’t receive much of an audience turnout when it was first adapted for the stage. The classic 1897 novel was transformed into a play by Stoker the same year it was published—and only two paying customers showed up to its debut.

In Stoker's defense, it wasn't supposed to be a grand production; it was a copyright reading of the script, which was slapped together by the author in a hurry so he could submit it to the Lord Chamberlain’s Office for approval and licensing and retain the dramatic rights. The play, titled Dracula: or The Un-Dead, was held on May 18, 1897—eight days before the novel was released—and was only advertised for a half-hour before the performance began. Considering that the play had a prologue, five acts, and 40 scenes, it’s unclear whether an audience would have felt compelled to stay for the entire thing anyway.

The dramatic reading starred actress and pioneering suffragette Edith Craig as Mina Murray. Stoker had originally wanted the actor who helped inspired the character of Dracula—the dark, mysterious Henry Irving—to act alongside Murray. However, Irving reportedly refused to get involved, telling Stoker that the script for Dracula: or The Un-Dead was "dreadful."

The play faithfully adhered to the novel Dracula’s plot, although many of the epistolary work's lush details were condensed for time purposes. A series of character monologues help move the story forward; Greg Buzwell, who serves as curator for Printed Literary Sources, 1801–1914 at the British Library, points out that they might have sounded wooden because Stoker was better at scenic details than straight-up dialogue.

Following Dracula's stage debut, Stoker’s bloodthirsty Count didn’t reappear in theaters until 1924. However, the original play’s script offers a peek into Bram Stoker’s artistic process as he translated his characters from page to stage. You can check out the hodgepodge of personal handwriting and galley proofs over at the British Library’s website, which gives a great overview of the play's historic legacy.

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