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15 Fascinating Facts About Pet Sounds

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Capitol Records

Brian Wilson and The Beach Boys' Pet Sounds forever changed the landscape of pop music. It's a deeply personal album, and Wilson's meticulously complex and bizarre arrangements elevated the three-minute radio tune to art.

The story of how Pet Sounds was made has been told and retold (and parodied) plenty of times since its release in 1966, but there are still many fascinating little stories about the album that may have gone under the radar. In honor of Wilson's 75th birthday, we're taking a look back at the highly influential album.

1. PET SOUNDS WAS INSPIRED BY THE BEATLES' ALBUM, RUBBER SOUL.

"Rubber Soul blew my mind," Brian Wilson once said. "When I heard Rubber Soul, I said, 'That's it. That's all. That's all folks.' I said, 'I'm going to make an album that's really good, I mean really challenge me.' I mean, I love that f*cking album, I cherish that album."

2. IT STARTED WITH A PANIC ATTACK.

In December of 1964, while on a flight to Houston to start yet another Beach Boys tour, Brian Wilson had a panic attack, which led to him collapsing in the plane's aisle and sobbing. He had to return to California, where he recovered and realized that he could tour no longer. He called a meeting with the rest of the band and said, "Listen, I'm going to have to quit the touring group. But it's going to be well worth it, because I'm going to write you some good songs."

3. WHILE THE BAND TOURED IN 1965, BRIAN WILSON STAYED AT HOME AND WORKED ON PET SOUNDS.

Throughout 1965, while the rest of band toured, Wilson worked on his new project. He arranged, composed, and produced the album and conducted an army of L.A.'s best studio musicians, a.k.a. "The Wrecking Crew," to perform on it. Wilson had unprecedented control over Pet Sounds, and he was just 23 years old at the time.

4. IT TOOK AN ENTIRE WEEK TO RECORD THE VOCALS FOR "WOULDN'T IT BE NICE."

Once the rest of the band returned from international touring, Wilson had them come into the studio to put vocals down on top of his compositions. It took a full week to record the voice track on “Wouldn’t it be Nice.” Wilson was so demanding that Mike Love began referring to him as "Dog Ears" and joked that Wilson was able to hear things that normal human beings could not—including "an impure thought."

5. THE TITLE TRACK WAS WRITTEN FOR A JAMES BOND MOVIE.

Wilson wrote the instrumental track “Pet Sounds” with the intention that it would be used in a James Bond movie. The original title was "Run James Run."

6. THE ALBUM'S COMPOSITIONS ARE EXTREMELY COMPLEX.

Wilson's arrangements on Pet Sounds are so musically complex and meticulous that meaning can be derived at a remarkably technical level, as music critic Jim Fusilli explained in his book about the album:

["You Still Believe in Me"] begins in B major, a key rarely used in pop, and remains in B major. The G# major chord below the first, and only, time the word "love" is invoked in the song is particularly striking; on the second pass, the G# major chord hits below the word "fail." In a rare example of the bassist emphasizing the root in a Brian Wilson arrangement, Carol Kaye hits the G# in both instances. It's as if Brian wanted there to be no confusion for the listener: in his mind, at least in this song, love equals failure.

7. THERE WAS SOME MAJOR FAMILY DRAMA DURING THE RECORDING OF "HELP ME, RHONDA."

The Wilsons' abusive father/manager Murry Wilson had effectively been kicked out of his sons' musical lives after a drunken, in-studio tirade during a recording of "Help Me, Rhonda." Despite this, he managed to use his clout with Capitol Records to speed up Brian's vocal track on "Caroline, No" to make it sound higher to his liking.

8. THE BARKING AT THE END OF "CAROLINE, NO" IS REAL.

The barking came courtesy of Brian's two dogs, Banana and Louie.

9. THEY USED SOME UNIQUE METHODOLOGIES TO GET JUST THE RIGHT SOUNDS.

The dreamy, plinking sound at the beginning of "You Still Believe in Me" is achieved by someone reaching inside an open piano and directly plucking its strings. This effect is used in other songs on the album as well, but it is isolated in this case..

10. THE BAND EMPLOYED A NUMBER OF BIZARRE INSTRUMENTS ON THE ALBUM.

Besides its orchestral strings and wind sections, Pet Sounds is famous for its unusual and almost comedic use of bizarre instruments, including bicycle horns, vibraphones, timpani, finger cymbals, Coke cans, accordions, modified 12-string mandolins, and water jugs.

11. CAPITOL RECORDS WASN'T IMPRESSED WITH THE FINAL RESULT.

Capitol Records wasn't thrilled with the album and how far it strayed from the band's usual sound. The company refused to issue a single with it until months after its release. ("Sloop John B" and "Caroline, No" were released as singles months before the album, with the latter published as a Brian Wilson solo.)

12. THE RECORD LABEL WAS SO SURE THE ALBUM WOULD BE A FAILURE THAT THEY RELEASED A "BEST OF" ALBUM AROUND THE SAME TIME TO MITIGATE THE DAMAGE.


Photo by George Stroud/Express/Getty Images

Capitol had such little faith in Pet Sounds, they decided to release The Best of The Beach Boys, a collection of the band's well-known surf and party hits, around the same time.

13THE BEST OF COLLECTION MANAGED TO OUTSELL PET SOUNDS.

Pet Sounds peaked at number 10 on the charts in the United States. The Best of The Beach Boys landed at number eight.

14. THE BEATLES INSPIRED PET SOUNDS, THEN PET SOUNDS INSPIRED THE BEATLES.

Pet Sounds was a hit in the UK, where it topped the charts. Before its release there, Brian Wilson's tour fill-in Bruce Johnston took two copies with him to London and managed—through Beach Boys fanatic Keith Moon—to arrange a meeting at a hotel with John Lennon and Paul McCartney to play it for them. They listened to it once through, paused, and immediately asked to hear the album again. Shortly afterward, the two began to work on Sgt. Pepper's Lonely Hearts Club Band.

15. WITHOUT PET SOUNDS, THERE'D PROBABLY BE NO SGT. PEPPER'S LONELY HEARTS CLUB BAND.

According to The Beatles's producer, George Martin, "Without Pet Sounds, Sgt. Pepper never would have happened ... Pepper was an attempt to equal Pet Sounds."

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20 Things You Might Not Know About Mr. Show
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You never need an excuse to look back at Mr. Show with Bob and David, but given that today is co-creator Bob Odenkirk's 55th birthday, now seems to be as good a time as any.

1. BOB ODENKIRK AND DAVID CROSS’S FIRST MEETING DID NOT GO VERY WELL.

Following four years of writing on Saturday Night Live, Odenkirk was in Los Angeles in 1992 as a writer for the Chris Elliott Fox cult classic Get a Life. David Cross was a comedian in L.A. after performing for years in Boston. One boring afternoon, Cross asked friend and fellow stand-up Janeane Garofalo if she knew anybody that played basketball. The two went to Odenkirk’s house, and Garofalo introduced David to Bob and then asked if he wanted to play basketball. He said no.

2. ODENKIRK AND CROSS FIRST WORKED TOGETHER ON THE BEN STILLER SHOW.

Despite their inauspicious beginning, the two ended up having numerous fruitful collaborations, starting with their work on The Ben Stiller Show. Odenkirk was a writer/performer on the short-lived but Emmy award-winning sketch show with Garofalo, Stiller, and Andy Dick. Cross was brought in in the middle of the show’s 13-episode run as a writer.

3. THE CO-STARS FIRST PERFORMED ON STAGE TOGETHER AS "THE THREE GOOFBALLZ."

Odenkirk and Cross performed sketch comedy together at the Diamond Club in Los Angeles, with a third improviser that, the joke went, would either be deceased or out elsewhere getting high.

4. "THE THREE GOOFBALLZ' WAS ALMOST THE TITLE OF MR. SHOW

Odenkirk also pitched the title Grand National Championships, but David Cross was never a fan of it.

5. JACK BLACK, SARAH SILVERMAN, AND OTHER FUTURE STARS APPEARED ON THE SHOW BEFORE THEY WERE FAMOUS.

Black was in four episodes of Mr. Show, starring in the classic Jesus Christ Superstar parody “Jeepers Creepers.” Silverman was a performer in 10 episodes. Mary Lynn Rajskub, best known as Chloe on 24, was a featured actress in the first two years. Tom Kenny, the voice of SpongeBob SquarePants, was a series regular for a majority of the run. Scott Adsit, a.k.a. 30 Rock’s Pete Hornberger, was in six episodes.

6. PATTON OSWALT WARMED UP THE MR. SHOW CROWD.

In addition to performing stand-up before tapings and keeping the studio audience interested in between scenes, Oswalt played Famous Mortimer in the episode “Operation: Hell on Earth” (but was credited as “Patton Oswald.”)

7. HOMELESS PEOPLE WERE NOT KIND TO THE ORIGINAL SETS.

Because the pilot episode was shot at a “down and dirty,” small Central Hollywood club, the sets had to be placed outside, where homeless people defecated on them.

8. YOU MIGHT ALSO RECOGNIZE SOME OF THE WRITING STAFF.

Dino Stamatopoulos was already on the original writing staff of Late Night with Conan O’Brien and had written for David Letterman before writing for Cross and Odenkirk. He would later create three shows and play Starburns on Community. Writer/performer Scott Aukerman co-created and executive produces Between Two Ferns, and created and stars on Comedy Bang! Bang!. Writer/performer Paul F. Tompkins hosted VH-1’s Best Week Ever! and currently hosts the satirical debate show No, You Shut Up!, where he moderates discussions by a panel full of puppets. Bob Odenkirk’s brother Bill has written ten episodes of The Simpsons.

9. THE DIRECTORS OF LITTLE MISS SUNSHINE LEARNED HOW TO DIRECT COMEDY FROM MR. SHOW.

Valerie Faris and Jonathan Dayton were known for directing music videos like The Smashing Pumpkins’ “Tonight, Tonight” and Jane’s Addiction’s “Been Caught Stealing,” and decided to direct two Mr. Show episodes to expand their filming vocabulary. The husband and wife team were behind the camera for the classic sketch “Monk Academy.”

10. ONE SKETCH WAS INFLUENCED BY LOUIS C.K.

One of the first sketches in the show’s history involved Odenkirk playing a priest forced to do rather unpleasant and un-priestly things. The idea sprang from a conversation David Cross had with fellow young Boston comic Louis C.K., where Louis talked about annoying people that try to claim a prize on a bet that their friends never agreed to in the first place.

11. HBO ONLY CENSORED THE SHOW ONCE.

Throughout four years and 30 episodes, the lone note Odenkirk and Cross got from HBO was to get rid of a line where one character tells another to have sex with a baby. Odenkirk admitted that being told to edit it out “wasn’t too much to ask.”

12. THEY ONLY RECEIVED ONE VIEWER COMPLAINT.

The only angry letter that Odenkirk and Cross were ever made aware of was from a military veteran who was offended by the sketch in “Who Let You In?” where Cross’s performance artist character attempts to defecate on the American flag. The two stars actually called the viewer and discovered that he didn’t watch the entire sketch, and therefore never realized that Cross’ character was never able to actually go through with it.

13. ONE SKETCH WAS CUT FROM THE SHOW SIX TIMES AND NEVER MADE IT TO AIR.

A sketch called “Party Car,” a joke on old, low-quality shows filled with '70s celebrities was cut from half a dozen scripts and never filmed. It would have featured Nipsey Russell, Zsa Zsa Gabor, (or reasonable facsimiles), and a baby in a balloon-filled car.

14. BOB ODENKIRK GOT IN TROUBLE FOR USING A PICTURE OF HIS DEAD GRANDFATHER.

Because the sketch “Old Man In House” needed a photo of an old man, and the elderly gentleman was not the butt of the joke, Odenkirk thought it would be fine. Instead, some Odenkirks were “very upset.”

15. CROSS WAS PAYING OFF HIS STUDENT LOAN DEBTS THROUGHOUT MOST OF THE SERIES.

David Cross and Amber Tamblyn
Frazer Harrison/Getty Images

Despite executive producing and co-creating a series on television, Cross had trouble paying off his student loan debts from his time at Emerson College. Figuring that the person calling from the bill collection agency wouldn’t believe that he couldn’t pay if he knew his job status, Cross pretended that he worked at Mr. Show as a messenger.

16. ONE PERSON WAS GIVEN A "SPECIAL THANKS" IN THE CLOSING CREDITS OF EVERY EPISODE AS A JOKE.

As Cross once explained, Rick Dees was thanked in the credits of the pilot episode, even though he was “certainly nobody we would ever thank, or be in a position to thank.” Some personalities that were thanked for no discernable reason were Greg Maddux, Rodion Romanovich Raskolnikov, Gabe Kaplan, and Howard Zinn.

17. HBO CHANGED THE TIME SLOT FOR ITS FINAL SEASON, AND IT WAS "DEMORALIZING."

After airing Fridays at midnight for the first three seasons, HBO moved the show to Mondays at the same time, confusing some loyal viewers, and the ratings decreased as a result. Bob Odenkirk told a reporter that, after 30 episodes, HBO was still treating the cast and crew as “second-class citizens,” and that they were “demoralized” by the slot shift.

18. BOB AND DAVID TOLD A STUDIO AUDIENCE THAT THEY HAD JUST WITNESSED THE FINAL EPISODE, AND THEY WEREN'T JOKING.

“Patriotism, Pepper, and Professionalism,” the 40th and final episode of Mr. Show, was taped on November 21, 1998. After the final sketch was filmed, Odenkirk and Cross made their announcement, although the show’s cancellation wasn’t made official for another few months.

19. THERE WAS A MR. SHOW MOVIE THAT WENT STRAIGHT TO VIDEO.

Run Ronnie Run focused on David Cross’s redneck criminal character Ronnie Dobbs. It was filmed in 2001, but never made it to theaters. Bob Odenkirk admitted that the movie wasn’t perfect, but he blamed the poor quality on director Troy Miller, for not allowing himself and Cross to edit the movie.

20. THE TWO HAVE REUNITED A FEW OTHER TIMES.

David Cross and Bob Odenkirk star in 'W/ Bob and David'
Saeed Adyani/Netflix

In 2002, Bob, David, and Mr. Show writer/performers Brian Posehn, John Ennis, and Stephanie Courtney (Flo in the Progressive commercials) toured the country to perform some of the show’s sketches and material from their unproduced screenplay Mr. Show: Hooray For America! The next year, Odenkirk guest starred as Dr. Phil Gunty on a season one episode of Arrested Development, alongside Cross’ character Tobias Fünke.

In 2012, Odenkirk, Cross, and Posehn went on a six-city tour to promote their book filled with more unproduced material. Bob and David appeared briefly together the next year on an episode of Aukerman’s Comedy Bang! Bang! In 2015, 20 years after Mr. Show's debut, Netflix premiered W/ Bob and David, a five-episode sketch comedy show created by and starring the duo.

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30 Memorable Quotes from Carrie Fisher
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Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

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