Warner Bros. Television
Warner Bros. Television

22 Facts About Family Matters

Warner Bros. Television
Warner Bros. Television

It began as a family show about Chicago cop Carl Winslow and his family, but fairly quickly morphed into “The Steve Urkel Show.” Here are 22 things you might not know about Family Matters.

1. IT WAS A SPINOFF OF PERFECT STRANGERS.

Family Matters all began with its matriarch, Harriette, whose character originated in the third season of Perfect Strangers as the elevator operator at the Chicago Chronicle, the fictional newspaper where that series’ main characters—Larry and Balki—worked. In the end, Family Matters emerged the victor, running a full season longer than Perfect Strangers. 

2. STEVE URKEL WAS ONLY SUPPOSED TO APPEAR IN ONE EPISODE.

Though it’s difficult to imagine the Winslow family without their nerdy neighbor, Steve Urkel was never intended to be a regular character on the show, let alone its main character. His introduction came about midway through the first season, and he was originally slated to appear in just a single episode. But the suspenders-wearing pre-teen was an instant hit with audiences, and his role was quickly beefed up to meet (and sometimes overindulge) audience demand. 

3. THERE IS A REAL STEVE URKEL.

Well, there’s a Steve Erkel. He’s a friend of series co-creator Michael Warren, who named the (then) one-off character in honor of his buddy. But as Urkel’s popularity grew, so did the number of prank calls placed to Erkel. 

4. URKEL BECAME AN INDUSTRY UNTO HIMSELF.


Urkel’s popularity extended far beyond the television screen. The merchandizing bonanza behind the character included Urkel posters, books, lunchboxes, clothing, trading cards, and a talking doll. In 1991, Ralston even introduced an Urkel-branded breakfast cereal called Urkel-Os

5. URKEL CROSSED OVER ONTO A NUMBER OF OTHER SHOWS.

Urkel’s popularity made him a hot commodity on the sitcom crossover front; he made appearances in Full House, Step by Step, and Meego. He was also mentioned, but not seen, in an episode of Boy Meets World.

6. ALL THIS URKEL DIDN’T PLEASE THE REST OF THE CAST.

In an interview with Vanity Fair, Jaleel White admitted that the sudden popularity of his character caused a little tension on the set. “Things were definitely strained in the early going,” he said. “There’s no sense in hiding that. There was a division between myself and the rest of the cast, but over nine years and 215 episodes, obviously relationships get better. I still talk to certain cast members to this day.” 

7. THE WINSLOW’S YOUNGEST CHILD TOTALLY DISAPPEARED.

In the show’s fourth season, the Winslow’s youngest daughter Judy is seen walking upstairs … but never comes down. By the time season five rolled around, Judy was no more. Nor was she ever mentioned again throughout the remaining seasons. The reason for Judy’s departure? Rumor has it that she wanted more money. 

8. JAIMEE FOXWORTH CONTINUED ACTING. SORT OF.

Seven years after getting the boot from Family Matters, Jaimee Foxworth—the actress who played Judy—popped up in a film project ... though it was the kind of film that might make Eddie Winslow blush. In 2000, under the screen name Crave, Foxworth began working in adult films. By 2008, she was Celebrity Rehab-bing it with Dr. Drew. These days she's raising her son and working on a book about being a child star.

9. JAIMEE FOXWORTH WASN’T THE ONLY JUDY.

In the pilot episode, Judy Winslow was portrayed by another actress entirely: Valerie Jones, whose only other credits were on two episodes of The Fresh Prince of Bel-Air (playing two completely different roles). 

10. THERE WERE TWO HARRIETTES, TOO.

In an odd move, JoMarie Payton—who played Harriette—left midway through the series’ ninth and final season (the role was assumed by Judyann Elder for the remainder of the show). Though rumors have long persisted that her departure was due to Urkel fatigue, Payton set the record straight with TV Series Finale in 2010, stating that she “just wanted something else to do, just to energize me a little bit more, on the creative side.” Though she had wanted to leave prior to the show’s final season, it wasn’t until year nine that she was contractually able to do so. “I was like a free agent and so when they went to CBS and all, they asked me to come back. And I really didn’t want to come back. I had just done my jazz album and all. And we agreed that I would come back just to kick off the move to CBS and that’s how that whole deal went. I was to do half of a season, eight of the episodes. And I had an option out and I exercised my option. I did.” As for all that talk that she was just tired of Urkel? “There were some things being said, and like I said, just ignore it because you know it’s not true,” said Payton. “But it did hurt, because it made me look like this scandalous person, that was jealous of this kid [Jaleel].”

11. JALEEL WHITE COULD’VE BEEN A HUXTABLE.

Yes, you read that right. Jaleel White was actually cast as one of the Huxtable kids: Rudy. At least he thought he had been. “Yep, that’s why the character was named Rudy—it was intended to be a boy,” White told Vanity Fair. “That’s my tragic auditioning story. We were all packed up and ready to go to New York and my agent had told my parents that they needed to start looking for places to live out there. Next thing you know, there was one more audition and that was supposed to be a formality at the network. And a little girl comes walking in, and I’m like—even at eight years old—‘Who’s she?’ And they’re like, ‘She’s auditioning for Rudy, too.’ So I’m like, ‘Oh, it’s not as much of a formality as I thought.’ That was my first time walking into a room of 30 people staring at you going, ‘OK, make me laugh.’ They were in such a hurry to get to New York and start filming that they came out and picked the kids one by one right in front of all of us. Malcolm-Jamal Warner, Tempest Bledsoe … The rest of us all went home crying. It was amazing. Obviously I’m grateful that things worked out the way they did; I think it put a little more money in my pocket.”

12. IT’S ONE OF THE LONGEST-RUNNING AFRICAN AMERICAN-FOCUSED SITCOMS.

Upon completing its ninth and final season, Family Matters became the second longest-running American sitcom featuring a predominantly African American cast. The only show that ran longer? The Jeffersons, which ran for 11 seasons.

13. ORIGINALLY, IT WAS LOUIS ARMSTRONG WHO INTRODUCED THE SHOW.

Though it’s hard to think of Family Matters without hearing its theme song “As Days Go By” in your head, its original theme music was Louis Armstrong’s “What a Wonderful World.” The song was switched out after the fifth episode of the first season, though Armstrong was still heard in the pilot episode when it ran in syndication. 

14. THE THEME SONG WAS LOST ENTIRELY DURING SEASON SEVEN.

By the seventh season, the show’s producers decided to go opening theme-less entirely—and credit-less. The names of the cast and creators ran during each episode’s teaser scene. 

15. TGIF SUCCESS IS A FLEETING THING.

Though Family Matters was a staple program in ABC’s family-friendly “TGIF” lineup of Friday night programming, the show changed networks in its final season. As did Step by Step. In 1997, CBS acquired the rights to broadcast Family Matters’ ninth and tenth seasons as part of its CBS Block Party (TGIF’s stiffest programming competitor). The ratings didn’t prove strong enough to make a tenth season happen.

16. SEASON 10 WOULD HAVE SEEN STEVE AND LAURA GET MARRIED.

Though it was never produced, the show’s tenth season storyline was already set: Steve Urkel and Laura Winslow get married. Instead, we merely see them get engaged in the series finale.

17. THE PRODUCERS DIDN'T WANT YOU TO KNOW THAT BABY RICHIE WAS PLAYED BY TWINS.

By now, even the most casual of television viewers understands that any time you see a baby in a major role in a sitcom, there are bound to be two of them. (It’s because of California state regulations regarding the number of hours child actors are allowed to work.) But just as they had done on Full House—where Mary-Kate and Ashley Olsen were originally credited as a single individual, “Mary Kate Ashley Olsen,” for the first seven seasons—the twins who played Richie as a baby were credited as one person, Joseph Julius Wright, instead of Joseph & Julius Wright.

18. JALEEL WHITE PLAYED EIGHT DIFFERENT CHARACTERS.

As if Urkel’s grating “Did I do that?” catchphrase weren’t enough, the producers decided to cram as much Urkel into any given episode as was humanly possible. Which led to Jaleel White doing the Eddie Murphy thing and playing a variety of other characters, including Stefan Urquelle (Steve’s studly alter-ego), cousins Cornelius Eugene and Myrtle Urkel (a.k.a. Urkel in drag), Albert Einstein, Bruce Lee, and Elvis Presley. On a couple of occasions, he even provided the voice of his Urkel-Bot, the robot he invented. 

19. TURBO FROM BREAKIN’  IS THE MAN BENEATH THE URKEL-BOT COSTUME.

If Urkel-Bot’s moves look familiar, that’s because they belong to every ‘80s kid’s favorite break-dancer, Michael “Boogaloo Shrimp” Chambers, a.k.a. Turbo from Breakin’ and Breakin’ 2: Electric Boogaloo. (Sorry, Ozone.)

20. URKEL DROVE A BIMMER.

Steve Urkel’s three-wheeled jalopy may have had “nerd” written all over it, but it was actually a pretty sweet (and rare) ride: a BMW Isetta. 

21. REGINALD VELJOHNSON WON THE FAMILY MATTERS GAME.

Though the series’ focus may have shifted from Reginald VelJohnson to Jaleel White, VelJohnson is the only member of the cast to have appeared in every one of the show’s 215 episodes. 

22. VELJOHNSON IS A VETERAN COP.

Not in real life, of course. But onscreen, where he’s played a police officer in Ghostbusters, Turner and Hooch, and—most famously—Die Hard and Die Hard 2. Yippee-ki-yay indeed.

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Universal Pictures Home Entertainment
The 10 Wildest Movie Plot Twists
Laura Harring in Mulholland Drive (2001)
Laura Harring in Mulholland Drive (2001)
Universal Pictures Home Entertainment

An ending often makes or breaks a movie. There’s nothing quite as satisfying as having the rug pulled out from under you, particularly in a thriller. But too many flicks that try to shock can’t stick the landing—they’re outlandish and illogical, or signal where the plot is headed. Not all of these films are entirely successful, but they have one important attribute in common: From the classic to the cultishly beloved, they involve hard-to-predict twists that really do blow viewers’ minds, then linger there for days, if not life. (Warning: Massive spoilers below.)

1. PSYCHO (1960)

Alfred Hitchcock often constructed his movies like neat games that manipulated the audience. The Master of Suspense delved headfirst into horror with Psycho, which follows a secretary (Janet Leigh) who sneaks off with $40,000 and hides in a motel. The ensuing jolt depends on Leigh’s fame at the time: No one expected the ostensible star and protagonist to die in a gory (for the time) shower butchering only a third of the way into the running time. Hitchcock outdid that feat with the last-act revelation that Anthony Perkins’s supremely creepy Norman Bates is embodying his dead mother.

2. PLANET OF THE APES (1968)

No, not the botched Tim Burton remake that tweaked the original movie’s famous reveal in a way that left everyone scratching their heads. The Charlton Heston-starring sci-fi gem continues to stupefy anyone who comes into its orbit. Heston, of course, plays an astronaut who travels to a strange land where advanced apes lord over human slaves. It becomes clear once he finds the decrepit remains of the Statue of Liberty that he’s in fact on a future Earth. The anti-violence message, especially during the political tumult of 1968, shook people up as much as the time warp.

3. DEEP RED (1975)

It’s not rare for a horror movie to flip the script when it comes to unmasking its killer, but it’s much rarer that such a film causes a viewer to question their own perception of the world around them. Such is the case for Deep Red, Italian director Dario Argento’s (Suspiria) slasher masterpiece. A pianist living in Rome (David Hemmings) comes upon the murder of a woman in her apartment and teams up with a female reporter to find the person responsible. Argento’s whodunit is filled to the brim with gorgeous photography, ghastly sights, and delirious twists. But best of all is the final sequence, in which the pianist retraces his steps to discover that the killer had been hiding in plain sight all along. Rewind to the beginning and you’ll discover that you caught an unknowing glimpse, too.

4. SLEEPAWAY CAMP (1983)

Sleepaway Camp is notorious among horror fans for a number of reasons: the bizarre, stilted acting and dialogue; hilariously amateurish special effects; and ‘80s-to-their-core fashions. But it’s best known for the mind-bending ending, which—full disclosure—reads as possibly transphobic today, though it’s really hard to say what writer-director Robert Hiltzik had in mind. Years after a boating accident that leaves one of two siblings dead, Angela is raised by her aunt and sent to a summer camp with her cousin, where a killer wreaks havoc. In the lurid climax, we see that moody Angela is not only the murderer—she’s actually a boy. Her aunt, who always wanted a daughter, raised her as if she were her late brother. The final animalistic shot prompts as many gasps as cackles.

5. THE USUAL SUSPECTS (1995)

The Usual Suspects has left everyone who watches it breathless by the time they get to the fakeout conclusion. Roger "Verbal" Kint (Kevin Spacey), a criminal with cerebral palsy, regales an interrogator in the stories of his exploits with a band of fellow crooks, seen in flashback. Hovering over this is the mysterious villainous figure Keyser Söze. It’s not until Verbal leaves and jumps into a car that customs agent David Kujan realizes that the man fabricated details, tricking the law and the viewer into his fake reality, and is in fact the fabled Söze.

6. PRIMAL FEAR (1996)

No courtroom movie can surpass Primal Fear’s discombobulating effect. Richard Gere’s defense attorney becomes strongly convinced that his altar boy client Aaron (Edward Norton) didn’t commit the murder of an archbishop with which he’s charged. The meek, stuttering Aaron has sudden violent outbursts in which he becomes "Roy" and is diagnosed with dissociative identity disorder, leading to a not guilty ruling. Gere’s lawyer visits Aaron about the news, and as he’s leaving, a wonderfully maniacal Norton reveals that he faked the multiple personalities.

7. FIGHT CLUB (1999)

Edward Norton is no stranger to taking on extremely disparate personalities in his roles, from Primal Fear to American History X. The unassuming actor can quickly turn vicious, which led to ideal casting for Fight Club, director David Fincher’s adaptation of the Chuck Palahniuk novel. Fincher cleverly keeps the audience in the dark about the connections between Norton’s timid, unnamed narrator and Brad Pitt’s hunky, aggressive Tyler Durden. After the two start the titular bruising group, the plot significantly increases the stakes, with the club turning into a sort of anarchist terrorist organization. The narrator eventually comes to grips with the fact that he is Tyler and has caused all the destruction around him.

8. THE SIXTH SENSE (1999)

Early in his career, M. Night Shyamalan was frequently (perhaps a little too frequently) compared to Hitchcock for his ability to ratchet up tension while misdirecting his audience. He hasn’t always earned stellar reviews since, but The Sixth Sense remains deservedly legendary for its final twist. At the end of the ghost story, in which little Haley Joel Osment can see dead people, it turns out that the psychologist (Bruce Willis) who’s been working with the boy is no longer living himself, the result of a gunshot wound witnessed in the opening sequence.

9. THE OTHERS (2001)

The Sixth Sense’s climax was spooky, but not nearly as unnerving as Nicole Kidman’s similarly themed ghost movie The Others, released just a couple years later. Kidman gives a superb performance in the elegantly styled film from the Spanish writer-director Alejandro Amenábar, playing a mother in a country house after World War II protecting her photosensitive children from light and, eventually, dead spirits occupying the place. Only by the end does it become clear that she’s in denial about the fact that she’s a ghost, having killed her children in a psychotic break before committing suicide. It’s a bleak capper to a genuinely haunting yarn.

10. MULHOLLAND DRIVE (2001)

David Lynch’s surrealist movies may follow dream logic, but that doesn’t mean their plots can’t be readily discerned. Mulholland Drive is his most striking work precisely because, in spite of its more wacko moments, it adds up to a coherent, tragic story. The mystery starts innocently enough with the dark-haired Rita (Laura Elena Harring) waking up with amnesia from a car accident in Los Angeles and piecing together her identity alongside the plucky aspiring actress Betty (Naomi Watts). It takes a blue box to unlock the secret that Betty is in fact Diane, who is in love with and envious of Camilla (also played by Harring) and has concocted a fantasy version of their lives. The real Diane arranges for Camilla to be killed, leading to her intense guilt and suicide. Only Lynch can go from Nancy Drew to nihilism so swiftly and deftly.

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iStock
Hollywood's 5 Favorite Movie Villains
iStock
iStock

Movie villains are meant to bring out the best in a hero, but with the right script, director, and performer in place, these bad guys can sometimes steal the show from their clean-cut rivals.

Take any horror movie, for example—chances are you’re not watching Friday the 13th to root for the absentminded teenagers down at Camp Crystal Lake. And Steven Spielberg certainly didn’t become a household name by directing a shark movie titled Three Guys on a Boat Drinking Narragansett.

The Hollywood Reporter set out to celebrate these iconic agents of evil by surveying 1000 professionals in the entertainment industry (directors, producers, entertainment attorneys, etc.) on their favorite movie villains. A rogues' gallery of murderous AI, mafia bosses, and a diabolical fashion magazine editor all made the top 25 list as the worst of the worst, and while they’re all deserving, the top five are the gold standard. They include:

5. Nurse Ratched: Played by Louise Fletcher in One Flew Over the Cuckoo's Nest (1975)
4. The Joker: Played by Heath Ledger in The Dark Knight (2008)
3. The Wicked Witch of the West: Played by Margaret Hamilton in The Wizard of Oz (1939)
2. Hannibal Lecter: Played by Anthony Hopkins in The Silence of the Lambs (1991), Hannibal (2001), and Red Dragon (2002)
1. Darth Vader: Played by David Prowse and James Earl Jones in the Star Wars movies (Prowse 1977-1983, Jones 1977-present)

That top spot might not come as a surprise to most, unless you’re still in your twenties: According to The Hollywood Reporter, survey respondents in that age group put Darth Vader in the sixth spot—behind Regina George from Mean Girls.

To check out the entire list, head to The Hollywood Reporter.

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