25 Surprising Facts About The Wonder Years

20th Century Fox Home Entertainment
20th Century Fox Home Entertainment

Here are some things you might not have known about the award-winning—and much-beloved—1960s-set coming-of-age tale, which made its debut 30 years ago today.

1. THE BASIC CONCEPT BEGAN AS A FILM SCRIPT.

“We played around with writing a screenplay that used narration as a device,” series co-creator Carol Black told New York magazine in 1989. “We just started to think that there was a lot of potential fun in that ‘cause you can really play with the contrast between the narrator’s point of view and what the characters are doing. And you can go inside their head and expose what they’re really thinking when they’re saying something different … And then we just sort of jumped from there to thinking that effect is accentuated when you have an adult narrator looking back on childhood.” Black created the series with her husband, Neal Marlens; the couple had previously worked on Growing Pains.

2. THE SERIES WAS INSPIRED BY A CHRISTMAS STORY.

From the coming-of-age theme to the use of narration, A Christmas Story inspired the spirit of The Wonder Years. Peter “Ralphie” Billingsley even appeared in the series's final two episodes as one of Kevin’s roommates.

3. ITS LACK OF LAUGH TRACK AND SINGLE CAMERA SETUP WERE REVOLUTIONARY.

The Wonder Years set itself apart from other shows of its time, production-wise, with its single camera setup, use of a narrator, and complete lack of laugh track. “The Wonder Years [showed the television industry] that it’s OK to create a show like that—to take out the laugh track, to try different camera styles—to take a risk,” Josh Saviano, who played Paul Pfeiffer, told Salon in 2013.

4. FRED SAVAGE WAS THE OBVIOUS CHOICE FOR KEVIN.


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Casting kids is never an easy task. To help them in finding their lead actor, Marlens and Black interviewed five casting directors for recommendations. All five of them suggested Fred Savage, who at that point was best known for his role in The Princess Bride.

“By the time we actually settled on a casting director, we had already resolved that we should see Fred,” Marlens told The Philadelphia Inquirer in 1988. “Knowing nothing about him, we arranged to screen some unedited footage of a film he was making at the time, Vice Versa … [We saw] a marvelous actor with a natural quality, which essentially means he has no quality at all except being a kid. It sounds funny, but it’s a rare thing to find in a child actor. It’s the same thing we looked for and discovered in Josh Saviano and Danica McKellar.”

5. THE SHOW IS SET IN ANYTOWN, USA.

Though no specific location is ever given for Kevin Arnold’s hometown, that’s not the doing of the series’s creators. Neal Marlens wanted to set The Wonder Years in Huntington, Long Island—his hometown—and additional elements were also pulled from Black’s hometown of Silver Spring, Maryland. But it was at ABC’s insistence that no city or state was ever mentioned. Still, many eagle-eyed watchers have combed through the series for clues—like Jack Arnold’s license plate and Wayne’s driver’s license—that place the show in California, where it was filmed.

6. THE WONDER YEARS PREMIERED AFTER THE SUPER BOWL.

After more than 80 million viewers tuned in to see the Washington Redskins crush the Denver Broncos (final score: 42 to 10) on January 31, 1988, they were treated to the series’s premiere—which Marlens called “a bit of Americana after the quintessential example of Americana.”

7. IT WON ITS FIRST EMMY AFTER JUST SIX EPISODES.

Though it wasn’t an immediate ratings bonanza, The Wonder Years was a critical smash from the get-go. On August 28—with only six episodes screened—Marlens and Black took home the 1988 Emmy for Outstanding Comedy Series.

8. FRED SAVAGE BECAME THE YOUNGEST LEAD ACTOR EMMY NOMINEE.

Fred Savage and Danica McKellar in 'The Wonder Years'
20th Century Fox Home Entertainment

In 1989, at the age of 13, Savage became the youngest actor to be nominated for an Emmy in the Outstanding Lead Actor in a Comedy Series category. He was nominated again in 1990.

9. DANICA MCKELLAR’S TOUGHEST COMPETITION WAS HER SISTER.

When it came down to casting the role of dream girl Winnie Cooper, there were two final contenders: Danica McKellar and her sister, Crystal. “It was practically a tossup,” casting director Mary Buck told the Los Angeles Times in 1990. After choosing Danica for the role, Crystal was hired for the recurring role of Becky Slater, Winnie’s one-time rival for Kevin’s affections.

10. KEVIN AND WINNIE’S FIRST KISS WAS THE REAL THING.

In the series’s premiere episode, Kevin and Winnie share an awkward first kiss, a coming-of-age ritual neither of the young actors had yet to engage in in real life. “The one good thing about getting your first kiss on camera is that you know for sure it’s going to happen,” McKellar said in 2014. For his part, Savage called it terrifying. “We were both really scared and nervous and—and—didn't know what was going to happen or … if we were going to do it right.”

11. A MUTUAL CRUSH WAS INEVITABLE.

Though they swear the relationship eventually morphed into a brother-sister sort of bond, both Savage and McKellar admitted to having mutual crushes in People. “I was in love with her for the same reasons every other boy fell in love with her,” Savage said. “You won't meet a sweeter, nicer girl—and she's gorgeous.”

“In the beginning we had a mutual crush,” added McKellar. “Then things went into the teasing stuff and then into a more comfortable, brother-sister thing.”

12. IT WAS DAN LAURIA’S SUGGESTION THAT JACK BE A VET.

Dan Lauria and Alley Mills in 'The Wonder Years'
20th Century Fox Home Entertainment

“I really didn’t contribute that much, but the one thing I did contribute to the character is that when we were shooting the pilot I said to Neal, ‘Look, I’m a vet. I’m a Vietnam veteran and a Marine, and I think if the story is that I’m a vet, that’d fit the character,’” Dan Lauria recalled to Paste. “Before we even finish the pilot, he said, ‘Well, if we go, Dan, we’re going to make you a Korean War vet to fit the frame.’ And so they did, and it paid off. There were a number of episodes where it was mentioned that I was a veteran and when my daughter left for college I gave her my old duffle bag from the service. We always had the Vietnam War in the background on the TV at the dinner table. So there were actual news clips.”

13. SOME OF KEVIN AND WINNIE’S DIALOGUE WAS LIFTED FROM REAL LIFE.

“Kevin and Winnie’s relationship was, in some ways, defined by my friendship with Fred and some of the things that we would say,” McKellar told Collider. “The writers would actually take lines from things that we were saying to each other, off camera, and put it into the script. There was this whole episode dedicated to, ‘Do you like him, or do you like him, like him?’ That was an expression that he and I used when we were talking about some guy that I had a crush on, in real life. And then, it showed up in a script, a few weeks later. There were a lot of blurred lines.”

14. A GROWTH SPURT CAUSED WINNIE AND KEVIN’S BREAKUP.

Kevin and Winnie’s on-again, off-again romance was one of the series’s key storylines. But on at least one occasion—between the show’s third and fourth seasons—the breakup was more of a practical decision when a growth spurt saw McKellar standing much taller than her sub-five-foot onscreen beau. The couple was kept apart just long enough for Savage to catch up to his co-star’s height.

15. JASON HERVEY’S BROTHER WAS THE REAL WAYNE ARNOLD.


20th Century Fox Home Entertainment

“There were so many things that I borrowed from our real life experiences,” Hervey told Uproxx of his brother, Scott. “I’ll give you an example: Juliette Lewis was my girlfriend on the show at the time, and it was the driver’s license episode. We took Fred—I mean, Kevin—to the mall because my mom made us, and I dropped him off at the absolute, absolute furthest end of the mall parking lot and I said to him, ‘Well, technically, this is the mall.’ And when I picked him up, of course, he was already flirting with this girl, and sure enough Wayne pulls up and I tell him to get in the car, and then every time he went to reach for the door, I kept jerking it forward. And obviously, the first day of 7th grade, my brother did that to me in real life, and just embarrassed the hell out of me.”

16. GROWING UP WAS PART OF THE SHOW’S DEMISE.

The Wonder Years was a show about growing up, which is partially what led to its wrapping production after six seasons. “There has always been a question of just how long the wonder years last,” executive producer Bob Brush told the Los Angeles Times in 1993, following the series’s finale. “As the kids were developing and getting older, there were of course new stories to tell, but the tension and constraints of the deadline of the concept of the wonder years were beginning to press on us … When [Fred Savage] became 16 and 17, there were really things he needed to get to that we couldn’t do at 8 p.m., especially with the kind of venerable cachet that the show had obtained with its audience. We would get notes from the network saying, ‘You could do this on any show besides The Wonder Years.'”

17. THE SERIES ENLISTED THE SOPRANOS CREATOR DAVID CHASE’S HELP.

In an effort to breathe a more mature life into the series, producer Ken Topolsky commissioned Sopranos creator David Chase to write a script. “When it’s a suburban kid who has a pretty good life and he’s complaining about mom not letting him do something, you just want to smack him,” Topolowsky told The Wall Street Journal. “That’s when we felt that Kevin’s wonder years were over.” Though he calls Chase’s script “phenomenal” and “one of the best,” its storyline—which included hard drug use—would have been too big a leap for the family-friendly series.

18. DANIEL STERN WASN’T THE ORIGINAL NARRATOR.

Though Daniel Stern’s voice is the adult Kevin Arnold we all know and love, it was Arye Gross who narrated the original pilot. Eventually, the series premiere was re-recorded with Stern.

19. MARILYN MANSON WAS NOT PAUL PFEIFFER.

It’s one of those Internet rumors that never seems to die. But somehow, somewhere, someone decided that Josh Saviano, the actor who played Kevin’s BFF Paul Pfeiffer, was in fact Marilyn Manson. Which is simply not true. Though that hasn’t stopped the shock rocker from getting in on the fun. “I met [Marilyn Manson] once,” Savage told ABC News. “He came up to me, and he goes, ‘You know, we worked together.’ I was like, ‘I do. I do know that.’”

20. BUT PAUL PFEIFFER REALLY DID BECOME A LAWYER.

In the series finale, Kevin shares that Paul attended Harvard and became a lawyer. Which isn’t too far off base. In reality, Josh Saviano attended Yale and became a lawyer.

21. FANS WERE DISAPPOINTED THAT KEVIN AND WINNIE DIDN’T END UP TOGETHER.


20th Century Fox Home Entertainment

Executive producer Bob Brush knew that fans of the series wouldn’t be happy that it didn’t end with Kevin and Winnie’s happily ever after. “Some viewers will be surprised that nothing works out the way your fondest wish would be,” Brush told the Los Angeles Times. “The message I wanted in there is that that’s part of the beauty of life. It’s fine to say, ‘I'd like everything to be just the way it was when I was 15 and I was happy,’ but it seemed more nurturing to me to say that we leave these things behind and we go on to forge new lives for ourselves.”

22. THE LITTLE BOY’S VOICE IN THE FINALE IS DANIEL STERN’S SON.

As the series concludes, the voice of Kevin’s little boy is heard asking his dad to come outside and play catch. The voice is Stern’s son.

23. THE SERIES GAVE A BOOST TO MANY YOUNG ACTORS’ CAREERS.

Juliette Lewis, Jim Caviezel, Alicia Silverstone, Giovanni Ribisi, Mark-Paul Gosselaar, David Schwimmer, Carla Gugino, and John Corbett (then known as Jack) are just a few of the actors who found some of their earliest roles on The Wonder Years. Even Robin Thicke got in on the action, as a young man doing his teenaged best to pick up a girl.

24. JACK ARNOLD DATED MAGGIE SEAVER.

Before The Wonder Years, Marlens and Black had created Growing Pains. Which is how Dan Lauria heard about the role of Jack Arnold. “I had done a part on Growing Pains, and I was going out with Joanna Kerns [who played mom Maggie Seaver on the show] at the time, so I heard about it through her,” Lauria told Paste. “My agent couldn’t get me in, and Joanna said, ‘Well, why don’t you call Neal? He likes you, you guys got along.’ ‘Cause we both grew up on Long Island, so we would tease each other [about] which school was better at sports. And I said, ‘No, I don’t want to do that, it’s so unprofessional,’ and Joanna went in and actually called Neal, and she came out and said, ‘Neal said be there tomorrow at 10 o’clock. He thinks you’re perfect.’”

25. FRED SAVAGE WILL ALWAYS BE KEVIN ARNOLD.

Fred Savage, Danica McKellar, and Josh Saviano in 'The Wonder Years'
20th Century Fox Home Entertainment

Though he has made the transition from actor to producer and director of shows like It’s Always Sunny in Philadelphia and Party Down, Savage told GQ that “The persona of The Wonder Years is something that's going to be with me forever. And I'm happy for that. It's nothing that I'd ever shy away from, and it makes me feel so good that it's something people still remember and talk about it and think of it so fondly. I think now I've established myself as a director, but starting out, I'd be foolish to think that every opportunity that came after The Wonder Years didn't stem from The Wonder Years. So I owe so much of everything to that show.”

11 Illuminating Facts About Netflix’s GLOW

Erica Parise, Netflix
Erica Parise, Netflix

GLOW is a brilliant show, and the way we know it’s brilliant is that it highlights a perfect tension between comedy and drama amid dozens of different personalities all trying to seriously find themselves in an activity no one takes seriously. Also, it had a drug-dispensing, '80s-style talking robot without devolving into pure silliness.

With Alison Brie and Betty Gilpin leading the ensemble, the show about an amateur women’s wrestling squad vying for a large enough paycheck to make all the training and ointment worth it is an absolute gem (as its six Emmy nominations prove). Here are 11 facts about Netflix’s comedic cage match.

1. PRODUCERS DIDN’T WANT ALISON BRIE IN THE CAST.

Alison Brie in 'GLOW'
Erica Parise, Netflix

Like her character, Ruth, Alison Brie got rejected a lot before getting the role, enduring a grueling casting process for producers and a casting director who wanted an unknown for the part. “I cried in my car after every audition,” she said. “I would sit in my care like Ruth and sob. And we were both listening to the same Ultimate ‘80s mix while [we] audition[ed], so Flock of Seagulls was playing.”

2. THE CAST’S TRAINER IS THE NEPHEW OF THE GUY WHO TRAINED THE REAL-LIFE GORGEOUS LADIES OF WRESTLING.

Professional wrestler Armando “Mando” Guerrero took on the task of teaching the motley crew of women who made up the real-life Gorgeous Ladies of Wrestling back in 1985. He was reportedly an intense coach, putting at least one woman in a headlock until she cried on the first day of training. All these years later, it’s his nephew, Chavo Guerrero Jr., who has the privilege of training the fictional wrestlers of GLOW, as well as choreographing their fights and acting in two episodes.

3. KIA STEVENS IS A WRESTLER IN REAL LIFE.

Kia Stevens and Betty Gilpin in 'GLOW'
Beth Dubber, Netflix

The cast is full of actresses who all work with trainers to catch up on all the chiropractor-defying moves they have to do, but Kia Stevens (who plays Tammé “The Welfare Queen” Dawson) has been making those moves for decades. Wrestling under the name Awesome Kong and Amazing Kong, she’s a five-time Women’s Champion. Stevens has also wrestled in the WWE as Kharma.

4. BRIE SEES RUTH AS “SEXLESS."

One of the catalysts of the show’s plot is Ruth having an affair with her best friend Debbie’s (Betty Gilpin) husband (Rich Sommer), but the rest of the show is hardly romantic for Ruth, which is probably why Brie views the character as “sexless.”

“I don’t think she thinks of herself as being very sexual,” Brie told The A.V. Club. “It’s a major difference between my character and Betty Gilpin’s character, who has been a successful actress and has a bombshell body, and every time you see her she’s in full hair and makeup ... I don’t think that Ruth is not having sex with guys every once in a while. I’m sure she does. I just don’t think it’s a main part of her life goals.” Even the adultery that kicks off the show is less about sex than it is about someone who feels invisible and rejected being seen and accepted by someone else.

5. WORKING WITH WOMEN BOSSES MADE BETTY GILPIN REFLECT ON HER ENTIRE CAREER.

Rich Sommer and Betty Gilpin in 'GLOW'
Erica Parise, Netflix

GLOW is rare for having so many women in the cast and behind the camera, something that the actors have noted affected the shooting environment as a “protected, feminist bubble.” For Gilpin, it also raised some questions about herself.

“Being on a set with female bosses [co-showrunners Liz Flahive and Carly Mensch], the level of comfort and bravery I felt really made me reflect back on my whole career," Gilpin told The Hollywood Reporter. "I’d always known about things that men did that made me shut down creatively, but I was surprised to reflect on things that I did to myself as a result of being in a male-dominated environment ... I felt a level of fear and anxiety that if I didn’t behave like the quiet Barbie I was playing, they wouldn’t let me play a quiet Barbie again."

6. IT ALSO MADE GILPIN FIGHT HARDER AGAINST THE MALE GAZE.

Since Gilpin doesn’t have a stunt double, and she’s doing the wrestling moves herself, GLOW has forced her to reexamine how she views her body while acting. Specifically, she’s gotten a lot less self-conscious and unshackled her movements from fear of the male gaze.

“The way we think about our bodies is completely changing,” Gilpin told The Huffington Post. Where she used to take workout classes designed to avoid bulking up, now she can lift some heavy weights. “I think that it’s our job to band together and say, ‘Okay, what are ways the male gaze has seeped into your brain and is affecting the way you treat yourself? Let’s work together to eliminate that.’”

7. THE SHOW CHANGED ONE IMPORTANT ELEMENT TO HOME IN ON THE CAMARADERIE.

Jackie Tohn, Jessica Gardner, Kimmy Gatewood, Rebekka Johnson, Alison Brie, Kia Stevens, Kate Nash, Ellen Wong, Shakira Barrera, Brigid Ryan, Becki Dennis, Gayle Rankin in 'GLOW'
Erica Parise, Netflix

They fight in the ring, they fight outside of it, they lift each other up, they undercut each other. It’s all part of the show’s drama and grounded realness. It’s a family, and to develop that sensibility, GLOW borrowed from the conditions the real-life women trained under. That includes staying two-to-a-room at a shabby motel, but the show dropped the forced separation of the good wrestler from the heels (the villains) during travel that the real GLOW athletes experience. They also didn’t make the characters call each other by their wrestling names outside the ring.

8. BROOKE HOGAN MADE A CAMEO.

Hulk Hogan's daughter made a brief appearance as a theater owner who rents her space to the ragtag production. She’s not nearly the only person from the wrestling world to make a cameo appearance, either.

9. WORKING ON GLOW IS LIKE BOARDING SCHOOL.

Marianna Palka, Jackie Tohn, Kimmy Gatewood, Rebekka Johnson, Kia Stevens, Betty Gilpin, Kate Nash, Ellen Wong, Shakira Barrera, Britney Young, Sunita Mani, and Gayle Rankin in 'GLOW'
Erica Parise, Netflix

Too often, shows have one spot in the cast for a woman. GLOW initially had 15. According to Gilpin, “I went to boarding school, and being on GLOW reminds me of that. When your call is 5:45 a.m., and there’s a group of 14 women all talking at once, it can be a little much, but it’s also the greatest gift. It’s constant happiness and support all day, every day. I love it.”

10. THE MATCH BASH RECALLS SEEING IN SEASON 2 IS REAL.

There’s a moment in season 2 where Bash (Chris Lowell) described a personal memory of watching a match between Stan Hansen and Bruno Sammartino where the former busted the latter’s neck. The match is real. So is the injury.

At Madison Square Garden, on April 26, 1976, Sammartino was defending his world title against Hansen when Hansen failed to properly execute a body slam and cracked one of Sammartino’s vertebrae. They were back in the ring two months later in a rematch.

11. THE SERIES WILL BE COMING BACK FOR A THIRD SEASON.

On August 20, 2018—more than two months after GLOW's second season dropped on Netflix—entertainment outlets began reporting that the series had officially been renewed by Netflix for a third season. The decision may not have been an easy one to make, however; as Variety reported: "Industry sources claim that the series is not among Netflix’s most watched, but is valued by the streaming service for its creative execution and status as an awards contender."

GIPHY Is Launching the World's First All-GIF Film Festival

iStock
iStock

Think you’re a GIF master? GIPHY is looking to showcase the best in extremely short films with what it calls the world’s first GIF-only film festival, according to It’s Nice That. The GIF database and search engine company is teaming up with Squarespace to launch a contest dedicated to finding the best GIF-makers in America—the GIPHY Film Fest.

To enter your work for consideration in the festival, you’ll need an 18-second-or-less, looping film that tells a “compelling, creative, entertaining, professional-grade story,” according to the contest details. U.S.-based GIF artists can enter up to three mini-films in each of five categories: Narrative, Stop-Motion, Animated, Experimental, and Wild Card/Other. The films can have music (as long as you have the rights to use it) or be silent. All that matters is that they're between one and 18 seconds long.

The grand prize winner will receive $10,000, a five-year subscription to Squarespace (to host that amazing GIF on your website), and the chance to guest-curate an official Spotify playlist. All entries will be judged by a panel of professionals from across several creative industries, including film, animation, illustration, and design.

The GIPHY Film Fest is not the first uber-short film festival in existence. In 2013 and 2014, back when Vine still existed (RIP), the Tribeca Film Festival held a competition each year to find the best six-second films—a time limit that will make 18 seconds feel practically feature length.

Enter GIPHY’s contest here before the entry window closes on September 27, 2018. The winner will be announced on November 8, during a special New York City screening of each of the top films in each category.

[h/t It’s Nice That]

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