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10 Recent Bestsellers People Tried to Ban (and Why)

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The fact that classics such as To Kill a Mockingbird and The Catcher in the Rye were banned when they were first released is now as commonly taught in schools as the books themselves. But that was the ‘60s, a time when racial segregation was still legal and sex education was barred from schools—we wouldn’t think of banning books for progressive content today, right? Wrong. 

Each year, hundreds of formal challenges asking for the removal of “inappropriate” books from shelves and syllabi are filed with schools and libraries across the country. And more often than not, the books in question are contemporary novels that top the bestseller lists even as their worth is questioned. To promote awareness of this attempted censorship, the American Library Association’s Office of Intellectual Freedom compiles a list of the most commonly challenged books each year. Here are 10 wildly popular 21st century books that people have tried to ban—and the surprising reasons they were deemed unsuitable material.

1. The Captain Underpants Series

Dav Pilkey’s popular series for beginning readers, published by Scholastic, frequently tops the ALA’s list of most challenged books (having made the top 10 in 2013, 2012, 2005, 2004, and 2002, and ranking No. 13 on The 100 Banned/Challenged Books from 2000-2009). What’s so upsetting about two fourth-grade best friends and their homegrown comic-books-come-to-life? Offensive language, violence, and material unsuitable to the age group. School districts in California and Connecticut tried to ban the series in 2001 because it was allegedly causing unruly behavior among the children. Apparently, (literal) toilet talk is seen as unsuitable for the under-10 set.

2. The Absolutely True Diary of a Part-Time Indian

This story of a Native American boy who leaves his school on the Spokane Indian Reservation to attend an all-white high school, written in 2007 by Sherman Alexie, won the National Book Award for Young People’s Literature the year it was released. It has also been challenged for drugs, alcohol, smoking, offensive language, racism, and sexually explicit content (in places including Stockton, Missouri; Richland, Washington; Idaho's Meridian district—the list goes on and on) every year since 2010.

3. The Perks of Being a Wallflower

Stephen Chbosky’s coming-of-age novel has been so popular amongst teens since its 1999 release that it was made into a feature film starring Percy Jackson’s Logan Lerman and Harry Potter’s Emma Watson in 2012. During his freshman year of high school, introvert Charlie, the novel’s protagonist, is faced with questions of friendship, sexuality, and substance abuse, while he struggles to repress memories of his own sexual abuse. Challengers were angered by the book’s depictions of all of the above, particularly homosexuality and bestiality, and deemed the book “unsuited to age group.” If teenagers can’t read the issues that teens face, who can?

4. And Tango Makes Three

And Tango Makes Three is a 2005 picture book written by Peter Parnell and Justin Richardson. It tells the true story of two male penguins in New York’s Central Park Zoo who became a couple when they were given an egg to raise. This heart-warming tale of an untraditional family landed on the ALA’s list of top 10 challenged books in 2012, 2010, 2009, 2008, 2007, and 2006, as challengers felt it was unsuitable for its age group due to its depiction of homosexuality. It is No. 4 on the Top 100 Banned/Challenged Books from 2000-2009, ahead of the aforementioned Perks of Being a Wallflower.

5. The Internet Girls Series

ttyl, ttfn, and l8r, g8r, comprise a trilogy of books written for teenagers entirely as instant messages. While Lauren Myracle’s books racked up the usual complaints of sexually explicit content and offensive language (they do feature three 16-year-old girls, after all), they also received challenges based on religious viewpoint, as they feature harsh views of Christianity and a religious character guilty of sexual assault. Myracle wrote a response to the "honor" of topping the ALA's list for the Huffington Post in 2012. "Being an author of banned books is cool, I've decided," she wrote. "I'm writing books that evoke a reaction, books that, if dropped in a lake, go down not with a whimper but a splash."

6. The Alice Series

Phyllis Reynolds Naylor, the author of such beloved young adult books as Shiloh (which won the Newbery Medal in 1992) and Night Cry, helped a generation of girls deal with weighty themes such as loss, acceptance, faith, and sexuality with her prolific Alice series. Beginning with The Agony of Alice, published in 1985, and ending with Now I’ll Tell You Everything (2013), Naylor’s titular heroine—who begins as a 6th grader—copes with growing up after her mother dies of leukemia. Second on the ALA’s list of Top 100 Banned/Challenged list, parents found issue with the series’ depiction of nudity, sexually explicit content, homosexuality, drug use, religious viewpoint, and offensive language. One mom in Phoenix, Arizona, asked that the books be pulled from elementary school shelves after discovering that Lovingly Alice " described sex in detail and used the words 'penis' and 'vagina.'"

7. What My Mother Doesn’t Know

Following in the grand tradition of novels with teen female protagonists in all their questioning, experimenting, discovering glory being deemed inappropriate (from Maya Angelou’s I Know Why the Caged Bird Sings to Judy Blume’s novels to the aforementioned ttyl and Alice series), Sonya Sones’s 2001 novel appears on the ALA’s yearly challenged books list four times between 2001 and 2013 and ranks No. 31 on its 100 Most Banned Books list. Once again, Sones’s tale of young love (written entirely in verse) was considered too sexually explicit and full of offensive language for its intended audience. Ironically, What My Mother Doesn’t Know was chosen as one of the ALA Best Books for Young Adults in 2002.

8. The Kite Runner

Khaled Hosseini’s debut novel, which stayed No. 1 on the New York Times Bestseller List for two years after its 2003 release, selling over 70,000 hardback and 1,250,000 paperback copies, was challenged in 2008 and 2012 for homosexuality, offensive language, religious viewpoint, and sexually explicit material. That these are used to portray tumultuous political and familial relationships—and show how themes of redemption, guilt, and faith permeate both personal and global spheres—are, apparently, irrelevant.

9. The Hunger Games

The surprising thing about Suzanne Collins’s dystopian trilogy’s inclusion on these lists is not its presence itself, but the reason for its presence. One can maybe understand parents and teachers who feel the novel is too violent for young readers, such as a New Hampshire mother who called for the book's ban after it gave her 11-year-old daughter nightmares. However, in addition to violent content, The Hunger Games was most often challenged in 2010, 2011, and 2013 for its religious viewpoint, anti-ethnic and anti-family sentiments, and occult or satanic imagery. Rebellious kids, it seems, are a big no-no for anxious parents and authority figures.

10. The Harry Potter Series

It probably comes as no surprise that the No. 1 Banned or Challenged Books from 2000-2009 are J.K. Rowling’s Harry Potter series. Rowling’s allegory for good vs. evil, starring a boy wizard and his magical friends, has been vilified by conservative Christians for its alleged satanic themes. Never mind the fact that the novels, published between 1997 and 2007, take a progressive stance on discrimination and sexism. Or that there are over 450 million Harry Potter books in print worldwide, the books have been translated into 73 different languages, and the Harry Potter brand is now worth an estimated $15 billion.

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10 Facts About Robert E. Howard’s Conan the Barbarian
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Nearly every sword-wielding fantasy hero from the 20th century owes a tip of their horned helmet to Robert E. Howard’s Conan the Barbarian. Set in the fictional Hyborian Age, after the destruction of Atlantis but before our general recorded history, Conan's stories have depicted him as everything from a cunning thief to a noble king and all types of scoundrel in between. But beneath that blood-soaked sword and shield is a character that struck a nerve with generations of fantasy fans, spawning adaptations in comics, video games, movies, TV shows, and cartoons in the eight decades since he first appeared in the December 1932 issue of Weird Tales. So thank Crom, because here are 10 facts about Conan the Barbarian.

1. THE FIRST OFFICIAL CONAN STORY WAS A KULL REWRITE.

Conan wasn’t the only barbarian on Robert E. Howard’s resume. In 1929, the writer created Kull the Conqueror, a more “introspective” brand of savage that gained enough interest to eventually find his way onto the big screen in 1997. The two characters share more than just a common creator and a general disdain for shirts, though: the first Conan story to get published, “The Phoenix on the Sword,” was actually a rewrite of an earlier rejected Kull tale titled “By This Axe I Rule!” For this new take on the plot, Howard introduced supernatural elements and more action. The end result was more suited to what Weird Tales wanted, and it became the foundation for future Conan tales.

2. BUT A “PROTO-CONAN” STORY PRECEDED IT.

A few months before Conan made his debut in Weird Tales, Howard wrote a story called "People of the Dark" for Strange Tales of Mystery and Terror about a man named John O’Brien who seemed to relive his past life as a brutish, black-haired warrior named … Conan of the reavers. Reave is a word from Old English meaning to raid or plunder, which is obviously in the same ballpark as barbarian. And in the story, there is also a reference to Crom, the fictional god of the Hyborian age that later became a staple of the Conan mythology. This isn't the barbarian as we know him, and it's certainly not an official Conan tale, but the early ideas were there.

3. ROBERT E. HOWARD NEVER INTENDED TO WRITE THESE STORIES IN ORDER.

Howard was meticulous in his world-building for Conan, which was highlighted by his 8600-word history on the Hyborian Age the character lived in. But the one area the creator had no interest in was linearity. Conan’s first story depicted him already as a king; subsequent stories, though, would shift back and forth, chronicling his early days as both a thief and a youthful adventurer.

There’s good reason for that, as Howard himself once explained: “In writing these yarns I've always felt less as creating them than as if I were simply chronicling his adventures as he told them to me. That's why they skip about so much, without following a regular order. The average adventurer, telling tales of a wild life at random, seldom follows any ordered plan, but narrates episodes widely separated by space and years, as they occur to him.”

4. THERE ARE NUMEROUS CONNECTIONS TO THE H.P. LOVECRAFT MYTHOS.

For fans of the pulp magazines of the early 20th century, one of the only names bigger than Robert E. Howard was H.P. Lovecraft. The two weren’t competitors, though—rather, they were close friends and correspondents. They’d often mail each other drafts of their stories, discuss the themes of their work, and generally talk shop. And as Lovecraft’s own mythology was growing, it seems like their work began to bleed together.

In “The Phoenix on the Sword,” Howard made reference to “vast shadowy outlines of the Nameless Old Ones,” which could be seen as a reference to the ancient, godlike “Old Ones” from the Lovecraft mythos. In the book The Coming of Conan the Cimmerian, editor Patrice Louinet even wrote that Howard’s earlier draft for the story name-dropped Lovecraft’s actual Old Ones, most notably Cthulhu.

In Lovecraft’s “The Shadow of Time,” he describes a character named Crom-Ya as a “Cimmerian chieftain,” which is a reference to Conan's homeland and god. These examples just scratch the surface of names, places, and concepts that the duo’s work share. Whether you want to read it all as a fun homage or an early attempt at a shared universe is up to you.

5. SEVERAL OF HOWARD’S STORIES WERE REWRITTEN AS CONAN STORIES POSTHUMOUSLY.

Howard was only 30 when he died, so there aren’t as many completed Conan stories out in the world as you’d imagine—and there are even less that were finished and officially printed. Despite that, the character’s popularity has only grown since the 1930s, and publishers looked for a way to print more of Howard’s Conan decades after his death. Over the years, writers and editors have gone back into Howard’s manuscripts for unfinished tales to doctor up and rewrite for publication, like "The Snout in the Dark," which was a fragment that was reworked by writers Lin Carter and L. Sprague de Camp. There were also times when Howard’s non-Conan drafts were repurposed as Conan stories by publishers, including all of the stories in 1955's Tales of Conan collection from Gnome Press.

6. FRANK FRAZETTA’S CONAN PAINTINGS REGULARLY SELL FOR SEVEN FIGURES.

Chances are, the image of Conan you have in your head right now owes a lot to artist Frank Frazetta: His version of the famous barbarian—complete with rippling muscles, pulsating veins, and copious amounts of sword swinging—would come to define the character for generations. But the look that people most associate with Conan didn’t come about until the character’s stories were reprinted decades after Robert E. Howard’s death.

“In 1966, Lancer Books published new paperbacks of Robert E. Howard's Conan series and hired my grandfather to do the cover art,” Sara Frazetta, Frazetta's granddaughter owner and operator of Frazetta Girls, tells Mental Floss. You could argue that Frazetta’s powerful covers were what drew most people to Conan during the '60s and '70s, and in recent years the collector’s market seems to validate that opinion. In 2012, the original painting for his Lancer version of Conan the Conqueror sold at auction for $1,000,000. Later, his Conan the Destroyer went for $1.5 million.

Still, despite all of Frazetta’s accomplishments, his granddaughter said there was one thing he always wanted: “His only regret was that he wished Robert E. Howard was alive so he could have seen what he did with his character.”

7. CONAN’S FIRST MARVEL COMIC WAS ALMOST CANCELED AFTER SEVEN ISSUES.

The cover to Marvel's Conan the Barbarian #21
Marvel Entertainment

Conan’s origins as a pulp magazine hero made him a natural fit for the medium’s logical evolution: the comic book. And in 1970, the character got his first high-profile comic launch when Marvel’s Conan The Barbarian hit shelves, courtesy of writer Roy Thomas and artist Barry Windsor-Smith.

Though now it’s hailed as one of the company’s highlights from the ‘70s, the book was nearly canceled after a mere seven issues. The problem is that while the debut issue sold well, each of the next six dropped in sales, leading Marvel’s then editor-in-chief, Stan Lee, to pull the book from production after the seventh issue hit stands.

Thomas pled his case, and Lee agreed to give Conan one last shot. But this time instead of the book coming out every month, it would be every two months. The plan worked, and soon sales were again on the rise and the book would stay in publication until 1993, again as a monthly. This success gave way to the Savage Sword of Conan, an oversized black-and-white spinoff magazine from Marvel that was aimed at adult audiences. It, too, was met with immense success, lasting from 1974 to 1995.

8. OLIVER STONE WROTE A FOUR-HOUR, POST-APOCALYPTIC CONAN MOVIE.

John Milius’s 1982 Conan movie is a classic of the sword and sorcery genre, but its original script from Oliver Stone didn’t resemble the final product at all. In fact, it barely resembled anything related to Conan. Stone’s Conan would have been set on a post-apocalyptic Earth, where the barbarian would do battle against a host of mutant pigs, insects, and hyenas. Not only that, but it would have also been just one part of a 12-film saga that would be modeled on the release schedule of the James Bond series.

The original producers were set to move ahead with Stone’s script with Stone co-directing alongside an up-and-coming special effects expert named Ridley Scott, but they were turned down by all of their prospects. With no co-director and a movie that would likely be too ambitious to ever actually get finished, they sold the rights to producer Dino De Laurentiis, who helped bring in Milius.

9. BARACK OBAMA IS A FAN (AND WAS TURNED INTO A BARBARIAN HIMSELF).

When President Barack Obama sent out a mass email in 2015 to the members of Organizing for Action, he was looking to get people to offer up stories about how they got involved within their community—their origin stories, if you will. In this mass email, the former Commander-in-Chief detailed his own origin, with a shout out to a certain barbarian:

“I grew up loving comic books. Back in the day, I was pretty into Conan the Barbarian and Spiderman.

Anyone who reads comics can tell you, every main character has an origin story—the fateful and usually unexpected sequence of events that made them who they are.”

This bit of trivia was first made public in 2008 in a Daily Telegraph article on 50 facts about the president. That led to Devil’s Due Publishing immortalizing the POTUS in the 2009 comic series Barack the Barbarian, which had him decked out in his signature loincloth doing battle against everyone from Sarah Palin to Dick Cheney.

10. J.R.R. TOLKIEN WAS ALSO A CONAN DEVOTEE.

The father of 20th century fantasy may always be J.R.R. Tolkien, but Howard is a close second in many fans' eyes. Though Tolkien’s work has found its way into more scholarly literary circles, Howard’s can sometimes get categorized as low-brow. Quality recognizes quality, however, and during a conversation with Tolkien, writer L. Sprague de Camp—who himself edited and touched-up numerous Conan stories—said The Lord of the Rings author admitted that he “rather liked” Howard’s Conan stories during a conversation with him. He didn’t expand upon it, nor was de Camp sure which Conan tale he actually read (though it was likely “Shadows in the Moonlight”), but the seal of approval from Tolkien himself goes a long way toward validation.

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Why a Readily Available Used Paperback Is Selling for Thousands of Dollars on Amazon
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At first glance, getting ahold of a copy of One Snowy Knight, a historical romance novel by Deborah MacGillivray, isn't hard at all. You can get the book, which originally came out in 2009, for a few bucks on Amazon. And yet according to one seller, a used copy of the book is worth more than $2600. Why? As The New York Times reports, this price disparity has more to do with the marketing techniques of Amazon's third-party sellers than it does the market value of the book.

As of June 5, a copy of One Snowy Knight was listed by a third-party seller on Amazon for $2630.52. By the time the Times wrote about it on July 15, the price had jumped to $2800. That listing has since disappeared, but a seller called Supersonic Truck still has used copy available for $1558.33 (plus shipping!). And it's not even a rare book—it was reprinted in July.

The Times found similar listings for secondhand books that cost hundreds if not thousands of dollars more than their market price. Those retailers might not even have the book on hand—but if someone is crazy enough to pay $1500 for a mass-market paperback that sells for only a few dollars elsewhere, that retailer can make a killing by simply snapping it up from somewhere else and passing it on to the chump who placed an order with them.

Not all the prices for used books on Amazon are so exorbitant, but many still defy conventional economic wisdom, offering used copies of books that are cheaper to buy new. You can get a new copy of the latest edition of One Snowy Knight for $16.99 from Amazon with Prime shipping, but there are third-party sellers asking $24 to $28 for used copies. If you're not careful, how much you pay can just depend on which listing you click first, thinking that there's not much difference in the price of used books. In the case of One Snowy Knight, there are different listings for different editions of the book, so you might not realize that there's a cheaper version available elsewhere on the site.

An Amazon product listing offers a mass-market paperback book for $1558.33.
Screenshot, Amazon

Even looking at reviews might not help you find the best listing for your money. People tend to buy products with the most reviews, rather than the best reviews, according to recent research, but the site is notorious for retailers gaming the system with fraudulent reviews to attract more buyers and make their way up the Amazon rankings. (There are now several services that will help you suss out whether the reviews on a product you're looking at are legitimate.)

For more on how Amazon's marketplace works—and why its listings can sometimes be misleading—we recommend listening to this episode of the podcast Reply All, which has a fascinating dive into the site's third-party seller system.

[h/t The New York Times]

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