11 Facts Yü Should Know About the Umlaut

1. The word “umlaut” comes from one of the Brothers Grimm.

Jacob Grimm was not only a collector of fairy tales (along with his brother Wilhelm), but also one of the most famous linguists ever. In 1819 he described a sound-change process that affected the historical development of German. He called it umlaut from um (around) + laut (sound).

2. “Umlaut” is originally the name for a specific kind of vowel mutation.

Technically, “umlaut” doesn’t refer to the dots, but to the process where, historically, a vowel got pulled into a different position because of influence from another, upcoming vowel.

3. Mimicking that mutation process is a great way to learn to pronounce the umlaut.

Try this: make a u sound (an “oo”). Now imagine there’s an i-sound (an “ee”) coming up. Keep your lips completely frozen in u position while you try to say “ee” with the rest of your mouth. You should feel the body of your tongue move forward and up in your mouth. Hold that u sound with your lips though! Good. That’s an ü.

Not working? Trying pinging back and forth: oo-ee-oo-ee-oo-ee-oo-ee … now freeze your tongue position in “ee” and only move your lips back to “oo.”

(Start with “ah” for ä and “oh” for ö.)

4. English was also affected by the umlaut mutation.

Ever wonder why the plural of “mouse” is “mice”? Blame umlaut. Way, way back in a time before English had branched off from other Germanic languages, plurals were formed with an –i ending. So mouse was mus, and mice was musi. That plural –i pulled the u forward into umlaut. Later, the –i plural ending disappeared and a whole bunch of other sound changes happened, but we are left with the echo of that mutated vowel in mouse/mice, as well as in foot/feet, tooth/teeth, and other irregular pairs.

5. Umlauts weren’t always written as dots above a vowel.

Since the Middle Ages, umlauted vowels have been indicated in various ways in German. Before the two-dot version became the standard in the 19th century, it was usually written as a tiny “e” above the vowel, like so:

It is still sometimes written with an e next to the vowel, for example, Muenchen for München, or schoen for schön.

6. Not all umlauts are umlauts.

We rather casually use “umlaut” to mean “two little dots above a letter,” but not all little dots are umlauts. The mark that prevents two adjacent vowels from combining into one syllable is called a “diaeresis” or “trema.” You see it in French (naïve, Chloë, Noël) and in the pages of the New Yorker (coöperate, reëlection). In Spanish it indicates that the u should be pronounced in the combination gu which is usually pronounced as g alone. Sigue is “seegay” but pingüe is “pingway.”

7. How do you alphabetize umlauted vowels? Depends on the language.

In German, the umlaut is ignored for alphabetization purposes, except when it comes to lists of names. Then, ü, ö, and ä are treated like ue, oe, and ae, respectively, so that variations on the same name (Müller, Mueller) will be grouped together. In Swedish and Finnish the umlauted vowels come at the end of the alphabet (…X,Y,Z,Å,Ä,Ö). In Hungarian and Turkish the umlauted vowels follow their non-umlauted counterparts.

8. In Germany, a Big Mac used to be a Big Mäc.

And the Filet-o-Fish was the Fishmäc. The spelling with the umlaut actually gets German speakers a little closer to the English pronunciation of “Mac.” But in 2007 McDonald’s took away the umlauts, and now Germans have to get boring ol’ Big Macs like the rest of us.

9. Epäjärjestelmällistyttämättömyydellänsäkäänköhän

This Finnish word, according to the Guinness Book of Records, is the longest non-compound word in the world. With 12 umlauted letters, it is probably the word with the most umlauts as well. It means something like “questionable this thing being doubtful its non-unsytematization.” Finns don’t even really understand it. But they can just as well get five umlauts in a normal word like kääntäjää (translators). The longest run of consecutive umlauts comes from Estonian: jäääär means “the edge of the ice.”

10. An artificial language full of umlauts became hugely popular in the 1880s.

A German priest named Johann Schleyer invented a universal language he called Volapük. It was based on simplified European roots and was meant to be logical and easy to learn. It was chock-full of umlauts: “love” was löf, “smile” was smül, and “speak” was pük. Many people did learn it, and by 1889 there were over 200 Volapük clubs around the world and 25 Volapük journals. Even people who didn’t learn it had heard of it. But supporters thought it would have a better chance of succeeding internationally if it lost the umlauts. Schleyer refused. He said that “a language without umlauts sounds monotonous, harsh, and boring.” Infighting over umlauts and other proposed reforms led to a schism and, ultimately, to the decline of Volapük.

11. Heavy Metal Umlauts don’t look so heavy metal to umlaut users.

Beginning with Blue Öyster Cult in the early '70s, heavy metal bands started using the umlaut to signal a badass hard rock attitude. To Americans the umlaut had a harsh, Teutonic look to it and Mötley Crüe, Motörhead, Queensrÿche, and dozens of other bands (listed on the Metal Umlaut Wikipedia page) tried to impart a little gothic scariness through randomly scattered pairs of dots. The dots didn’t have quite the same effect in umlaut-using countries, where the umlaut signifies vowel qualities of softness, highness, lightness and roundedness.

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A New App Interprets Sign Language for the Amazon Echo
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The convenience of the Amazon Echo smart speaker only goes so far. Without any sort of visual interface, the voice-activated home assistant isn't very useful for deaf people—Alexa only understands three languages, none of which are American Sign Language. But Fast Company reports that one programmer has invented an ingenious system that allows the Echo to communicate visually.

Abhishek Singh's new artificial intelligence app acts as an interpreter between deaf people and Alexa. For it to work, users must sign at a web cam that's connected to a computer. The app translates the ASL signs from the webcam into text and reads it aloud for Alexa to hear. When Alexa talks back, the app generates a text version of the response for the user to read.

Singh had to teach his system ASL himself by signing various words at his web cam repeatedly. Working within the machine-learning platform Tensorflow, the AI program eventually collected enough data to recognize the meaning of certain gestures automatically.

While Amazon does have two smart home devices with screens—the Echo Show and Echo Spot—for now, Singh's app is one of the best options out there for signers using voice assistants that don't have visual components. He plans to make the code open-source and share his full methodology in order to make it accessible to as many people as possible.

Watch his demo in the video below.

[h/t Fast Company]

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How to Craft the Perfect Comeback, According to Experts
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In a 1997 episode of Seinfeld called “The Comeback,” George Costanza is merrily stuffing himself with free shrimp at a meeting. His coworker mocks him: “Hey, George, the ocean called. They’re running out of shrimp.” George stands humiliated as laughter fills the room, his mind searching frantically for the perfect riposte.

It’s only later, on the drive home, that he thinks of the comeback. But the moment has passed.

The common human experience of thinking of the perfect response too late—l’esprit de l’escalier, or "the wit of the staircase"—was identified by French philosopher Denis Diderot when he was so overwhelmed by an argument at a party that he could only think clearly again once he’d gotten to the bottom of the stairs.

We've all been there. Freestyle rappers, improv comedians, and others who rely on witty rejoinders for a living say their jobs make them better equipped to seize the opportunity for clever retorts in everyday life. They use a combination of timing, listening, and gagging their inner critics. Here are their insights for crafting the perfect comeback.

LISTEN TO YOUR OPPONENT’S ARGUMENT.

The next time you’re in a heated conversation, be less focused on what you're about to say and more attentive to what you're actually responding to. When you spend more time considering what your sparring partner is saying, “you’re deferring your response until you’ve fully heard the other person," Jim Tosone, a technology executive-turned-improv coach who developed the Improv Means Business program, tells Mental Floss. Your retorts may be more accurate, and therefore more successful, when you’re fully engaged with the other person’s thoughts.

DON’T THINK TOO MUCH.

According to Belina Raffy, the CEO of the Berlin-based company Maffick—which also uses improv skills in business—not overthinking the situation is key. “You’re taking yourself out of unfolding reality if you think too much,” she tells Mental Floss. It’s important to be in the moment, and to deliver your response to reflect that moment.

TRAIN THAT SPONTANEOUS MENTAL MUSCLE.

History’s most skilled comeback artists stored witticisms away for later use, and were able to pull them out of their memory at the critical time.

Winston Churchill was known for his comebacks, but Tim Riley, director and chief curator at the National Churchill Museum in Fulton, Missouri, tells Mental Floss that many of his burns were borrowed. One of his most famous lines was in response to politician Bessie Braddock’s jab, “Sir, you are drunk.” The prime minister replied, “And you, Bessie, are ugly. But I shall be sober in the morning, and you will still be ugly.”

Riley says this line was copied from comic W.C. Fields. Nevertheless, it took quick thinking to remember and reshape the quote in the moment, which is why Churchill was thought of as a master of timing. “It was an off-the-cuff recall of something he had synthesized, composed earlier, and that he was waiting to perform,” Riley says.

But in some situations, the retort must be created entirely in the moment. Training for spontaneity on stage also helps with being quicker-witted in social situations, New York City battle rap emcee iLLspokinn tells Mental Floss. It’s like working a spontaneous muscle that builds with each flex, so, you’re incrementally better each time at seizing that witty opportunity.

MUZZLE YOUR INNER CRITIC.

Anyone who has been in the audience for an improv show has seen how rapidly performers respond to every situation. Improv teaches you to release your inhibitions and say what drops into your mind: “It’s about letting go of the need to judge ourselves,” Raffy explains.

One way to break free of your internal editor might be to imagine yourself on stage. In improv theater, the funniest responses occur in the spur of the moment, says Douglas Widick, an improv performer who trained with Chicago’s Upright Citizens Brigade. By not letting one’s conscience be one’s guide, actors can give into their “deepest fantasies” and say the things they wouldn’t say in real life.

IF YOU HAVE AN EXTRA SECOND, HONE YOUR ZINGER.

The German version of Diderot’s term is Treppenwitz, also meaning the wit of the stairs. But the German phrase has evolved to mean the opposite: Something said that, in retrospect, was a bad joke. When squaring up to your rival, the high you get from spearing your opponent with a deadly verbal thrust can be shadowed by its opposite, the low that comes from blurting out a lame response that lands like a lead balloon.

That's a feeling that freestyle rapper Lex Rush hopes to avoid. “In the heat of the battle, you just go for it,” she tells Mental Floss. She likens the fight to a “stream of consciousness” that unfolds into the mic, which leaves her with little control over what she’s projecting into the crowd.

It may help to mull over your retort if you have a few extra seconds—especially if you’re the extroverted type. “Introverts may walk out of a meeting thinking, ‘Why didn’t I say that?’ while extroverts think, ‘Why did I say that?’” Tosone, the improv coach, says. Thinking before you speak, even just briefly, will help you deploy a successful comeback.

And if it doesn’t go your way, iLLspokinn advises brushing off your missed opportunity rather than dwelling on your error: “It can be toxic to hold onto it."

THROW DIGITAL SHADE ACCORDING TO THE SAME RULES—BUT BE QUICK ABOUT IT.

Texting and social media, as opposed to face-to-face contact, give you a few extra minutes to think through your responses. That could improve the quality of your zinger. “We’re still human beings, even on screens. And we prefer something that is well-stated and has a fun energy and wit about it," Scott Talan, a social media expert at American University, tells Mental Floss.

But don't wait too long: Replies lose their punch after a day or so. “Speed is integral to wit, whether in real life or screen life,” Talan says. “If you’re trying to be witty and have that reputation, then speed will help you."

Some companies have excelled in deploying savage social media burns as marketing strategies, winning viral retweets and recognition. The Wendy’s Twitter account has become so well known for its sassy replies that users often provoke it. “Bet you won’t follow me @Wendys,” a user challenged. “You won that bet,” Wendy’s immediately shot back.

George Costanza learns that lesson when he uses his rehearsed comeback at the next meeting. After his colleague repeats his shrimp insult, George stands and proudly announces, “Oh yeah? Well, the jerk store called, and they’re running out of you!”

There’s silence—until his nemesis comes back with a lethal move: “What’s the difference? You’re their all-time best-seller.”

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