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15 Facts About Kill Bill Vol. 2

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Even if you’ve seen the second half of Quentin Tarantino’s revenge epic, these little nuggets will give you a reason to give it another look.

1. Pulp Fiction spawned the idea.

Uma Thurman and Tarantino came up with the character of The Bride while working on the set of Tarantino’s 1994 film Pulp Fiction. Tarantino mentioned he was interested in doing a revenge movie or a 1970s kung-fu movie, and Thurman envisioned a character left for dead on her wedding day like the scene that opens Kill Bill Vol. 2.

2. The volumes have distinct influences.

The Kill Bill saga was originally supposed to be a single four-hour epic before it was split into two films. Tarantino made the split by having the first film reflect “Eastern” cinematic influences like the kung fu genre, while the second film reflects “Western” influences such as the Spaghetti Western genre.

3. Warren Beatty was Tarantino’s first choice for Bill.

When Tarantino let the actor go because of creative differences, he cast David Carradine in the iconic role because Carradine previously appeared in Tarantino’s favorite childhood TV show, Kung Fu.

4. Samuel L. Jackson makes a sneaky cameo.

He briefly appears as Rufus, the wedding piano player. 

5. Kill Bill Vol. 2 was not as violent as you might think.

Only three people are killed onscreen in the entire second movie.

6. Pai Mei pulled double duty.

Actor Gordon Liu plays Pai Mei in Vol. 2, but he also appeared as Johnny Mo, the leader of the Crazy 88, in Kill Bill Vol. 1. Liu was cast in the Kill Bill saga because he previously appeared in a kung fu movie called The 36th Chamber of Shaolin that heavily influenced Tarantino while writing Kill Bill.

7. Tarantino originally wanted to dub his own voice for Pai Mei.

The voice would celebrate the poorly dubbed kung fu movies he loves.

8. Pai Mei appeared in previous kung fu films.

The Pai Mei character had shown up in many previous kung fu movies such as Executioners from Shaolin and Clan of the White Lotus (both starring Gordon Liu). The character and his trademark bushy eyebrows were based on a legendary real life kung fu master known as Bak Mei, which means “White Eyebrows” in Cantonese.

9. The Bride borrowed her finishing move from another film.

The Bride’s “Five Point Palm Exploding Heart Technique” also appears in the Shaw Brothers’ films Executioners from Shaolin and Clan of the White Lotus, which were primary inspirations behind the Kill Bill saga.

10. There are subtle tributes to Charles Bronson and Elmore Leonard.

The poster on the wall of Budd’s trailer is for a movie called Mr. Majestyk, starring Charles Bronson and written by Elmore Leonard. Most of Tarantino’s movies contain numerous references to Bronson, while Tarantino adapted Leonard’s novel “Rum Punch” into his 1997 film, Jackie Brown.

11. Bill’s flute was Carradine’s idea.

Tarantino added the flute that Bill carries with him to the script after Carradine brought it with him to fight rehearsals during the movie’s pre-production. Carradine, who was also a musician, made the flute himself on the set of Kung Fu in the 1970s.

12. Michael Parks also wore two hats.

Parks portrays two separate characters in the Kill Bill saga. He plays Bill’s mentor Esteban Vihaio in Vol. 2 and also played Texas Ranger Earl McGraw in Vol. 1. Parks first played the McGraw character in the film From Dusk Till Dawn, which was directed by Robert Rodriguez and written by and starred Tarantino, and later also played McGraw in Planet Terror and Death Proof directed by Rodriguez and Tarantino respectively. 

13. Ricardo Montalban lost his part.

The part of Esteban was originally supposed to be played by Montalban. When Montalban couldn’t make the first table reading of the script, Tarantino had Parks stand in and liked his take so much that he gave him the role in the final film.

14. Robert Rodriguez gave Tarantino a deal on the score.

Fellow director and Tarantino’s best friend Rodriguez wrote the score for Kill Bill Vol. 2 for free and began writing the music before any of the movie was shot. Rodriguez’s band Chingon also performs the song “Malagueña Salerosa” over the closing credits.

15. Of course there’s a movie reference in the climactic scene.

The Western playing on the TV when The Bride confronts Bill is called The Golden Stallion, starring Roy Rogers.

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15 Things You Might Not Know About One Flew Over the Cuckoo’s Nest
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Warner Bros.

Milos Forman's One Flew Over the Cuckoo’s Nest, which premiered on this day in 1975, won critical acclaim, box office success, and a shelf full of Oscars. But even if you love the complex exploration of life inside a 1960s psychiatric hospital, there are a few things you may not know about its behind-the-scenes story. 

1. CUSTOMS NEARLY DOOMED THE PROJECT. 

Despite the middling success of the 1963 stage adaptation of Ken Kesey’s novel starring Kirk Douglas, Hollywood legend Douglas was dead set on adapting the story for the screen. Douglas contacted Czech director Miloš Forman about the project, promising to send Forman a copy of the book for his perusal. 

Douglas mailed Forman the novel, but the package was confiscated by Czechoslovakian customs and never reached the director. Unaware of the parcel’s fate, the filmmaker resented Douglas’ broken promise, and Douglas thought Forman rude for never bothering to confirm receipt of the novel. It took a decade to sort the mess out, and things only cleared up when Kirk’s son Michael Douglas took another crack at production and contacted Forman once more. 

2. ONE STUDIO WANTED TO CHANGE THE ENDING.

When producers were shopping the picture to studios, 20th Century Fox was interested, but with a catch. Fox would distribute the film, but only if the filmmakers would agree to rewrite the ending; the studio wanted McMurphy to live. Producers Saul Zaentz and Michael Douglas wisely considered this a deal breaker, and United Artists eventually distributed the film.

3. JACK NICHOLSON AND LOUISE FLETCHER WERE NOT THE FIRST CHOICES FOR THEIR CHARACTERS. 


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When Kirk Douglas spearheaded the first attempt to bring One Flew Over the Cuckoo’s Nest to life on the big screen in the 1960s, he had intended to play the Randle Patrick McMurphy role himself, just as he had on stage. When production began in earnest 10 years later, Douglas was too old for the part, leaving director Forman to consider and contact the likes of Gene Hackman, Marlon Brando, and (his personal favorite) Burt Reynolds before finally settling on Jack Nicholson.

A number of different actresses were considered for the role of Nurse Ratched, the film’s central antagonist, as well: Anne Bancroft, Colleen Dewhurst, Geraldine Page, and Angela Lansbury were all in the running, before Louise Fletcher ultimately got the part. 

4. LOUISE FLETCHER CHANGED FORMAN’S VIEW ON THE CHARACTER. 

Forman’s original view of Nurse Ratched was as “the personification of evil,” a characterization that made Louise Fletcher a bad fit for the part in the filmmaker’s mind. As Fletcher pressed for the role, Forman’s perspective of Ratched evolved: “I slowly started to realize that it would be much more powerful if it’s not this visible evil,” he said. “That she’s only an instrument of evil. She doesn’t know that she’s evil. She, as a matter of fact, believes that she’s helping people.” This new take on the character paved the way for the official casting of Fletcher. 

5. SEVERAL OF THE FILM’S STARS WERE NOT ACTORS. 

Following the production team’s decision to use Oregon State Hospital as its shooting location, the producers hit on the idea of casting facility superintendent Dr. Dean Brooks as Dr. John Spivey, the doctor charged with assessing R. P. McMurphy’s psychological health. Brooks agreed to play what turned out to be a sizable role, though it would be the only acting job he would ever take. He also helped secure employment for many of his hospital’s patients as extras and crew members during production. 

Mel Lambert, another non-actor, was wrangled to play the harbormaster who protested McMurphy’s ad hoc fishing trip. What’s more, Lambert—a respected area businessman who had a strong relationship with the local Native American community—introduced the production team to Will Sampson, the 6-foot-5-inch-tall Muscogee painter who would make his acting debut as the major character Chief Bromden. 

6. THE STARS LIVED ON THE WARD DURING PRODUCTION. 


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All of the actors who played patients actually lived on the Oregon State Hospital psychiatric ward throughout production. The men personalized their sleeping quarters, spent their days on campus “get[ting] a sense of what it was to be hospitalized” (as actor Vincent Schiavelli put it), and interacting with real psychiatric patients. 

7. MANY SCENES WERE SHOT WITHOUT THE ACTORS’ KNOWLEDGE. 

To complete this realistic immersion, Forman led his performers in unscripted group therapy sessions in which he directed the actors to develop their characters’ psychological maladies organically. He would often capture footage of the actors, both in and out of character, without explicitly mentioning that the cameras were rolling. The film’s final cut includes a shot of a visibly irritated Fletcher reacting to a piece of direction fed to her by Forman. 

8. FORMAN AND NICHOLSON HAD A TREMENDOUS SPAT OVER THE FILM’S PLOT. 

While the intensity of the turmoil varies from rumor to rumor, reports from the set were consistent on one fact: The star refused to speak with Forman for a large chunk of the production process. Nicholson took issue with Forman’s suggestion that the hospital inmates would be an unruly bunch upon the initial arrival of McMurphy. Instead, the actor insisted that such disavowal of the medical staff’s authority should only begin after the introduction of McMurphy into their lives and routines. 

Although the version of the story that we see in the film today is more closely associated with Nicholson’s alleged reading, suggesting that Forman ultimately took his advice, Nicholson refused to interact with his director from that point forward. When the star and Forman needed to communicate with one another, they used cinematographer Bill Butler as a middleman. 

9. DANNY DEVITO CREATED AN IMAGINARY FRIEND DURING PRODUCTION. 


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Emotionally strained by a demanding shooting schedule that kept him 3000 miles from his future wife, Rhea Perlman, DeVito developed the coping mechanism of an imaginary friend with whom he would have nightly chats. Concerned that his own sanity might be slipping away, DeVito sought the advice of Dr. Brooks, who assured him that there was no reason to worry as long as DeVito could still identify the character as fictional. 

10. THE CREW WAS WORRIED ABOUT THE SANITY OF ONE CAST MEMBER.

While Dr. Brooks had no concerns about DeVito, he echoed the rest of the cast and crew’s apprehensions about the psychological state of Sydney Lassick, who played Charlie Cheswick. Lassick exhibited increasingly unpredictable and emotionally erratic behavior during his time in character, a pattern that culminated in a tearful outburst during his observation of the final scene between Nicholson and Sampson. Lassick became so overwhelmed during the scene that he had to be removed from set. 

11. FLETCHER TOOK OFF HER CLOTHES IN ORDER TO GET FRIENDLIER WITH HER CO-STARS.

Envious of the camaraderie her male costars had forged, and hoping to dispel any associations with her tyrannical character, Fletcher surprised the cast one evening by ripping off her dress on the crowded ward. Years later, the actress laughed about the display, saying, “‘I’ll show them I’m a real woman under here, you know.’ I think that must have been what I was thinking.” 

12. THE FISHING TRIP SCENE BARELY MADE IT INTO THE FILM. 

Initially, Forman was vocally opposed to including a scene that took place beyond the grounds of the hospital out of concerns that a temporary liberation would undercut the dramatic force of the film’s ending. In the end, Zaentz convinced Forman to shoot the fishing trip sequence. It was the final scene filmed and the only piece shot out of chronological order. 

One thing to look for in the fishing scene: A very subtle Anjelica Huston cameo. Huston, who was dating Nicholson during production, has a nonspeaking role as one of the spectators on the dock as McMurphy and his fellow patients steer the stolen boat back to shore. 


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13. ONE FLEW OVER THE CUCKOO’S NEST WAS THE FIRST FILM TO WIN ALL “BIG FIVE” ACADEMY AWARDS IN 41 YEARS.

Not since 1934's It Happened One Night swept the Oscars had a film walked away with awards for Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay. One Flew Over the Cuckoo’s Nest took home the lot, with Nicholson and Fletcher winning the top acting awards. The feat would not be matched again for another 16 years, with Silence of the Lambs becoming the next (and last to date) movie to earn the distinction. 

14. THE FILM ENJOYED ONE OF THE LONGEST THEATRICAL RUNS IN MOVIE HISTORY. 

One Flew Over the Cuckoo’s Nest was revered worldwide, but Swedish viewers developed an especially soft spot for the film. Cuckoo’s Nest remained a regular option for Swedish moviegoers through 1987—11 years after its initial release. 

15. KESEY REFUSED TO SEE THE FILM (BUT MAY HAVE BY ACCIDENT). 

The poster child for the “the book was better” movement, One Flew Over the Cuckoo’s Nest author Kesey disapproved of a big screen adaptation of his novel as soon as he found out that the filmmakers had abandoned the use of Chief Bromden as the story’s narrator. Kesey never intended to see the movie, but one story says he inadvertently caught a few moments during a bout of channel surfing one evening. Once Kesey realized what he was watching, he promptly changed stations.

According to fellow novelist Chuck Palahniuk (who has famously praised director David Fincher’s adaptation of his novel Fight Club, plot changes and all), Kesey once stated privately that he did not care for the material.

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Samsung’s Star Wars Vacuums Offer Everything You Want in a Droid
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Hate housecleaning but love Star Wars? Samsung’s got the solution. In anticipation of December’s Star Wars: The Last Jedi, the newest film in the Star Wars saga, Samsung has transformed a limited number of its VR7000 POWERbot robot vacuum cleaners into two familiar faces from George Lucas’s legendary space opera: a Stormtrooper and Darth Vader (which comes with Wi-Fi connectivity and a remote control).

In order to create a unique device that would truly thrill Star Wars aficionados, Samsung consulted with fans of the film throughout each stage of the process. The result is a pair of custom-crafted robo-vacuums that fill your home with the sounds of a galaxy far, far away as they clean (when you turn Darth Vader on, for example, you'll hear his iconic breathing).

“We are very pleased to be part of the excitement leading up to the release of The Last Jedi and to be launching our limited edition POWERbot in partnership with Star Wars fans,” B.S. Suh, Samsung’s executive vice president, said in a press statement. “From its industry-leading suction power, slim design, and smart features, to the wonderful character-themed voice feedback and sound effects, we are confident the Star Wars limited edition of the VR7000 will be a big hit.”

Be warned that this kind of power suction doesn’t come cheap: while the Stormtrooper POWERbot will set you back $696, the Darth Vader vacuum retails for $798. Who knew the Dark Side was so sparkling clean?


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