In less than 24 hours, millions of royal enthusiasts will climb out of their beds at an ungodly hour, brew up the strongest pot of coffee they can manage, and watch Prince Harry and American actress Meghan Markle exchange their “I do”s. While gluing oneself to our personal electronics to witness all the lavish pomp and circumstance that surround a royal affair may seem like a relatively new pastime, the truth is that we’ve been doing it for years. Case in point: Queen Elizabeth II and Prince Philip’s 1947 wedding.
Though Elizabeth and Philip didn’t have dozens of television networks broadcasting their every step down the aisle, their nuptials did manage to attract more than 200 million earlobes, who listened in on the event via BBC Radio. Shortly thereafter, newsreel footage of the soon-to-be Queen’s big day made its way into movie theaters around the world. Now, thanks to the power of the internet, we can go back in time and tune in, too.
British Pathé has made a handful of videos from the wedding, which took place on November 20, 1947, available for streaming on YouTube. So if you want to start your royal marathon a little early, here’s your chance.
If you want to go back even further in time, The Royal Family’s YouTube channel includes footage of the 1923 wedding of Elizabeth’s parents, The Duke of York (later King George VI) and Lady Elizabeth Bowes-Lyon (later Queen Elizabeth The Queen Mother), which also took place at Westminster Abbey.
Dubbed “The Great Stone Face” for his ability to hold a deadpan expression even as the world (quite literally) crashed down around him, Buster Keaton was “one of the three great silent comedians” in film history, according to filmmaker Tony Zhou.
A video by Zhou, spotted by The Kid Should See This, explains just how Keaton managed to pull off such memorable stunts, and why his scenes continue to influence modern actors and filmmakers. First, Keaton shunned title cards and subtitles, instead opting to advance the story through action. He disliked repetition and thought each movement should be unique, while also insisting on authenticity and proclaiming that a filmmaker should “never fake a gag.” If a gag couldn’t be captured all in one shot, he wouldn’t do it.
The angle and positioning of the camera was also paramount. Many of Keaton’s vaudeville-esque gags were visual in nature, toying with the viewer’s perspective to create illusions that led to hilarious reveals. But for that to be successful, the camera had to remain stationary, and the joke had to play out entirely onscreen.
A low-speed chase scene in Wes Anderson's The Grand Budapest Hotel, where Ralph Fiennes's Gustave H. runs up a long staircase in the background to escape cops, is a modern example of this. “Like Wes Anderson, Buster Keaton found humor in geometry,” Zhou says.
Check out Zhou’s video below.
[h/t The Kids Should See This]