14 Famous People Who Survived the 1918 Flu Pandemic

Hulton Archive // Getty Images
Hulton Archive // Getty Images

A century ago this year, a deadly flu pandemic swept the globe. The first cases of the so-called Spanish Flu—named because that’s where the early news reports of the disease originated (later research has put its real origin as anywhere from China to Kansas to France)—are traditionally dated to Kansas in March 1918. The disease ultimately infected some 500 million people, and estimates put the death toll anywhere from 20 to 50 million. The people on this list contracted the Spanish flu and lived to tell the tale.

1. WALT DISNEY

Walt Disney sitting in a chair.
Hulton Archive // Getty Images

If Walt Disney hadn’t contracted the flu, we might never have had Mickey Mouse. Even though he was only 16 at the time, Disney lied about his birth year to sign up for the Red Cross Ambulance Corps at the tail end of WWI. Then he got sick. By the time he was ready to ship out, the war was over.

2. MARY PICKFORD

A close-up photo of silent film star Mary Pickford smiling.
General Photographic Agency // Getty Images

The silent film star was at the height of her fame when she fell ill; thankfully, her bout with the flu was uneventful, but as the disease spread, many movie theaters were forced to close. Irritated theater owners in Los Angeles, claiming they had been singled out, petitioned for all other places that people gathered together (except for grocery stores, meat markets, and drug stores) to be forced to close as well.

3. DAVID LLOYD GEORGE

David Lloyd George sitting outside with his dog and reading a newspaper.
Ernest H. Mills // Getty Images

Weeks before the end of World War I, the Prime Minister of the United Kingdom came very close to dying of the flu. He was confined to his bed for nine days, had to wear a respirator, and was accompanied by a doctor for over a month. Because it was thought that news of the PM’s illness would hurt the morale of the British people and “encourage the enemy,” his condition was kept mostly hidden from the press.

4. FRANKLIN D. ROOSEVELT

Portrait of a young Franklin D. Roosevelt.
Hulton Archive // Getty Images

In 1918, the future president was Assistant Secretary of the Navy, and had been in Europe for two months before contracting the flu on the boat home. The New York Times described his illness “a slight attack of pneumonia caused by Spanish influenza.” Roosevelt convalesced at his mother’s New York City home until he was well enough to head back to Washington, D.C.

5. WOODROW WILSON

Woodrow Wilson circa 1912.
Hulton Archive // Getty Images

Considering Wilson was President of the United States and he was dealing with the end of WWI, early 1919 was a seriously inconvenient time to get sick. Not only did he get the flu, but he fell ill so violently and so quickly that his doctors were sure he had been poisoned. When Wilson was well enough to rejoin the “Big Three” negotiations a few days later, people commented on how weak and out of it he seemed.

6. WILHELM II

Wilhelm II in his uniform.
Hulton Archive // Getty Images

While the German Kaiser was undoubtedly upset to get sick himself, he had reason to be happy about the flu epidemic, or so he thought. One of his military generals insisted—despite the fact that the surgeon general disagreed—that the illness would decimate the French troops, while leaving the Germans mostly unharmed. Since Germany needed a miracle to win the war, the flu must have seemed like a godsend. In the end, it ravaged all armies pretty much equally, and Germany surrendered.

7. JOHN J. PERSHING

John J. Pershing in uniform sitting on a horse.
Hulton Archive // Getty Images

While the great American general got sick himself, the flu gave him a much larger problem. His troops were dying at a faster rate from illness than from bullets. Soon there were more than 16,000 cases among U.S. troops in Europe alone. Pershing was forced to ask the government for more than 30 mobile hospitals and 1500 nurses in just over a week.

8. HAILE SELASSIE I

Haile Selassie sitting in a chair drinking tea.
Keystone/Hulton Archive/Getty Images

The future emperor of Ethiopia was one of the first Africans to contract the disease. His country was woefully unprepared for the epidemic: There were only four doctors in the capital available to treat patients. Selassie survived, but it's unknown how many people the flu killed in Ethiopia; it killed 7 percent of the population of neighboring British Somaliland.

9. LEO SZILARD

A black and white photo of Leo Szilard in a suit and tie.
Department of Energy, Wikimedia Commons // Public Domain

You may not have heard of him, but the atomic scientist Szilard might have saved the world. While he survived the flu during WWI (he was supposedly cured by spending time in a humid room, the standard treatment for respiratory illness at the time), what he should be remembered for is his foresight before WWII. When he and other physicists were discovering different aspects of nuclear fission, he persuaded his colleagues to keep quiet about it, so that the Nazis wouldn’t get any closer to making an atomic bomb.

10. KATHERINE ANNE PORTER

Author Katherine Anne Porter sitting in a chair wearing a hat with a bow on it.
Hulton Archive // Getty Images

The author turned her experience with sickness in 1918 into a short novel called Pale Horse, Pale Rider. The story is told by a woman with the flu who is tended to by a young soldier. While she recovers, he contracts the disease and dies.

11. ALFONSO XIII

The King of Spain working at his desk.
Keystone/Hulton Archive/Getty Images

Alfonso was the King of Spain when the “Spanish” flu hit, and he was not immune to its outbreak. The flu was no worse in Spain than anywhere else, but unlike most journalists in other countries—who were under wartime censorship—the Spanish media actually covered the pandemic, leading to an unfair association that persists to this day.

12. EDVARD MUNCH

The Scream artist had an apparent obsession with sickness and death long before he came down with the flu, painting many works on the subject. But the flu obviously affected him especially: He painted a few self-portraits of both his illness and shortly after his recovery.

13. LILLIAN GISH

A portrait of Lillian Gish.
General Photographic Agency // Getty Images

The silent film star started feeling sick during a costume fitting and collapsed with a 104° fever when she got home. Fortunately, she could afford a doctor and two nurses to attend to her around the clock. While she recovered, it wasn’t all good news. Gish complained later, “The only disagreeable thing was that it left me with flannel nightgowns—have to wear them all winter—horrible things.”

14. CLEMENTINE CHURCHILL

Clementine Churchill speaks at a microphone.
Arthur Tanner/Topical Press Agency/Getty Images

While Winston was in France in 1919, the Churchill household—including his wife Clementine and their nanny Isabelle, who was looking after their young daughter Marigold—contracted the flu. According to Churchill’s daughter Mary Soames, Isabelle grew delirious and took Marigold from her cot. Despite being sick herself, Clementine grabbed the child and was anxious for days about Marigold’s condition. Isabelle died of the flu, but Clementine and Marigold survived (although Marigold would die in 1921).

During World War II, Clementine served as a close adviser to Winston. She was also the “Chairman” of the Red Cross Aid to Russia Fund, which raised 8 million pounds during WWII and resulted in her being awarded the Soviet Order of the Red Banner of Labor, being made a Dame, and being given a 19th century glass fruit bowl from Stalin. Churchill’s Chief Staff Officer, General Hastings “Pug” Ismay, would later comment that without Clementine the “history of Winston Churchill and of the world would have been a very different story.”

A version of this story appeared in 2014.

When Harriet Tubman Helped Lead a Civil War Raid That Freed 750 People

A portrait of Harriet Tubman, the legendary Underground Railroad conductor and Civil War nurse, scout, and spy
A portrait of Harriet Tubman, the legendary Underground Railroad conductor and Civil War nurse, scout, and spy
Photos.com/iStock via Getty Images

As clouds flitted across the moonlit sky on the night of June 2, 1863, three gunboats snaked up the Combahee River in South Carolina’s Lowcountry region. The Civil War was raging and the vessels were filled with Union troops, many of them from the 2nd South Carolina Colored Infantry, on a mission to strike Confederate plantations. There to guide them on this perilous expedition was a black woman already famed for her bold excursions into hostile territory: Harriet Tubman.

From Underground Railroad to Union Spy

Born into slavery, Tubman—the subject of the soon-to-be-released movie Harriet—had liberated herself in 1849, fleeing north from bondage in Maryland to freedom in Philadelphia. Though a fugitive with a price on her head (her former slaveholder promised $50 for her capture, $100 if she was found out of state) Tubman repeatedly returned to Maryland to usher other slaves to freedom along the Underground Railroad, a clandestine network of people, both black and white, who facilitated the escape of enslaved people northwards. It is believed that Tubman rescued around 70 slaves this way, and by the end of the Combahee River Raid on that June night in 1863, she had helped free some 750 more.

After the outbreak of the Civil War in 1861, John Andrew, the abolitionist governor of Massachusetts, had asked Tubman to head to the South and assist with the "contrabands"—a term used to refer to the thousands of enslaved people who fled to Union camps amid the chaos of the conflict. It was a fitting role for Tubman, since helping African Americans shed the bonds of slavery had become the driving purpose of her life.

She volunteered in Fort Monroe, Virginia, before heading to Port Royal, South Carolina, where she worked as a nurse for soldiers and liberated slaves. Disease ran rampant during the war, and Tubman was skilled in herbal medicine. She also oversaw the building of a laundry house, so she could train African American women to become laundresses—a vocation that would prove useful as they embarked on a new, free chapter of their lives. But according to H. Donald Winkler, who writes about Tubman’s wartime exploits in Stealing Secrets: How a Few Daring Women Deceived Generals, Impacted Battles, and Altered the Course of the Civil War, “many believe that the humanitarian aspects of her trip … were a cover for her real work as a spy operating within enemy lines.”

Biographer Catherine Clinton, author of Harriet Tubman: The Road to Freedom, agrees that it is possible Tubman was sent to the South at least in part to gather intelligence. “Certainly she was someone who was able to go behind the lines and make contact in a way that the soldiers were not, because she had done that on the Underground Railroad,” Clinton tells Mental Floss.

Time and again as an Underground Railroad rescuer, Tubman had proven her cunning, charisma, and steely resolve, slipping into slavery territory and back out again with multiple fugitives in tow. She secretly reached out to enslaved people to encourage their escape, scouted dangerous areas, and cultivated contacts who were ready to offer shelter and support. Tubman liked to stage her rescues on Saturday nights, because Sunday was a day of rest; by the time they were discovered missing on Monday, Tubman had been given a head start.

She also possessed an uncanny ability to avoid detection, often with the help of disguises. In her book, Clinton writes that on one trip through a town near her former Maryland home, Tubman caught sight of a man who had once been her master. Fortunately, she had a bonnet pulled low over her face and two live chickens in her hands. When the man came close, Tubman pulled on strings tied to the birds’ legs, causing them to fuss and flap—and giving her an excuse to avoid eye contact.

Such exploits earned Tubman a legendary reputation among abolitionist circles. She was nicknamed “Moses,” after the biblical figure who led the oppressed to freedom.

Whatever the initial purpose of her journey south, by 1863 Tubman was working as a covert Union operative. She recruited a small but trustworthy group of black scouts, several of whom were water pilots with a thorough knowledge of the coastal landscape. The spies would sail along waterways, take note of enemy positions and movements, and communicate the information back to Union brass. Colonel James Montgomery, a fervent abolitionist, relied on Tubman’s intelligence to stage several successful raids, according to Winkler. The most famous of these was the Combahee River Raid.

Tubman's Turn to Lead

Combahee River basin, near the Harriet Tubman Bridge, Beaufort County, South Carolina
The Combahee River basin in Beaufort County, South Carolina, near the Harriet Tubman Bridge and near where the raid is believed to have taken place.
Henry de Saussure Copeland, Flickr // CC BY-NC 2.0

The goal of the mission was to destroy Confederate supply lines, disable mines in the Combahee River, and cripple prosperous plantations along the shore. As Tubman had shown with her Underground Railroad rescues, “the great weapon was to go into enemy territory and use the subversive weapon of the enslaved people themselves,” Clinton says. So if all went according to plan, Tubman and Montgomery intended to free the plantations of their slaves, too.

But first, they would need to plot their attack. Before the fateful night, Tubman and her team of spies secretly sailed up the Combahee to map the locations of rice and cotton storehouses. Tubman also found the enslaved people who had laid Confederate “torpedoes”—stationary mines beneath the water—and promised them liberation in exchange for information. It was important to spread the word about the upcoming raid, so that when it happened, the slaves would be ready to run.

Montgomery, who had worked with Tubman to raise the 2nd South Carolina Colored Infantry, was in command of the several hundred black troops who ultimately set out up the Combahee to execute the raid on June 2. But Tubman was there to guide the ships through the mines, which were difficult to spot on a dark and cloudy night. She thus became, according to Smithsonian Magazine, the first woman in U.S. history to lead a military expedition.

One of the three Union gunboats stalled after it ran aground, but the other two were able to proceed as planned. John Adams, the lead boat, pushed up to Combahee Ferry, where there was an island, a causeway, and a pontoon bridge. Montgomery’s men burned the bridge. They also set fire to plantations, storehouses, and rice mills, pillaging whatever food and cotton supplies they could carry, according to an account by the U.S. Army. And when the gunboats approached, slaves came pouring onto the shore, where rowboats were waiting to bring them to the ships. Tubman was floored by the scene.

“I never saw such a sight,” she later recalled. “Sometimes the women would come with twins hanging around their necks; it appears I never saw so many twins in my life; bags on their shoulders, baskets on their heads, and young ones tagging along behind, all loaded; pigs squealing, chickens screaming, young ones squealing.”

The scene grew all the more chaotic when it became clear that there were too many fugitive slaves for the rowboats to accommodate at once. According to The New York Times, those left behind held onto the vessels to stop them from leaving. Hoping to restore some calm, a white officer reportedly asked Tubman to speak to “your people.” She didn’t care for the turn of phrase—“[T]hey wasn’t my people any more than they was his,” she once said—but she nevertheless began to sing:

“Come along; come along; don’t be alarmed
For Uncle Sam is rich enough
To give you all a farm.”

Her voice had the desired effect. “They throwed up their hands and began to rejoice and shout ‘Glory!’ and the rowboats would push off,” Tubman remembered. “I kept on singing until all were brought on board.”

All of this commotion did not go unnoticed by Confederate troops. But their response was sluggish. “With malaria, typhoid fever and smallpox rampant in the [Lowcountry] from spring through early fall, most Confederate troops had been pulled back from the rivers and swamps,” Winkler explains. A contingent did approach Combahee Ferry, with orders to push the Yankees back, but reportedly only succeeded in shooting one fugitive slave. Major Emmanuel, the Confederate ranking officer in the area, came after the retreating ships with a single piece of field artillery, but his men got trapped between the river and Union snipers. They were only able to fire a few shots that landed in the water.

The raid was, in other words, a tremendous success, and Tubman’s contribution was “invaluable,” Clinton says. For the next year, Tubman stayed in the South, assisting in guerrilla activities and working to support liberated slaves.

Recognition Deferred

During her three years of military service, Tubman had been paid just $200 (about $3000 in today's money). Finding herself in difficult financial straits after the war—she was the sole supporter of her elderly parents, whom she had extricated from the South during her Underground Railroad days—Tubman appealed to the federal government for additional compensation. Her cause was backed by a number of influential supporters who believed that Tubman deserved a veteran’s pension, but her campaign for payment would nevertheless span more than 30 years.

It was only in the early 1890s that Tubman began receiving a pension—not for her own wartime work, but because her late husband, Nelson Davis, had served with the Eighth United States Colored Infantry, which entitled her to $8 per month as a veteran widow. In 1899, Congress approved an Act raising that sum to $20, but as the National Archives points out, “the Act did not acknowledge that the increase was for Tubman’s own service.” The government’s resistance may have stemmed, at least in part, from the fact that documentation of Tubman’s activities on the frontlines was lacking. But Clinton believes other factors were at play.

“I found evidence that one of the members of the [pensions] committee was a South Carolina politician who blocked her pension,” Clinton says. “And it was really in many ways a point of honor ... that a black woman not be given recognition as a soldier.” Upon receiving the increased funds, Clinton adds, Tubman used the money to “bankroll a charity. That’s who she was.”

When Tubman died in 1913, she was buried with military honors in Auburn, New York. The Combahee River Raid was just one remarkable chapter in her remarkable life, but it left a powerful impression on her. Looking back on that night, when hundreds of slaves rose up and made a dash for freedom, the woman known as Moses would remember them like "the children of Israel, coming out of Egypt.”

30 Words and Phrases From Victorian Theatrical Slang

An 1884 illustration of spectators in the theater
An 1884 illustration of spectators in the theater
suteishi/iStock via Getty Images

In 1909, the English writer James Redding Ware published a dictionary of 19th-century slang and colloquial language called Passing English of the Victorian Era. Relatively little is known about Ware’s life—not helped by the fact that much of his work was published under the pseudonym Andrew Forrester—but among the other works attributed to him are around a dozen stage plays, many of which were first performed in the theaters of London in the late 1800s and early 1900s.

It was this firsthand experience that undoubtedly helped Ware to flesh out his dictionary with a host of slang words and expressions used by Victorian actors, actresses, theatrical producers, and backstage workers. From nicknames for incoherent actors to mooching companions and noisy babies, although many of the entries in Ware’s Passing English have sadly long since dropped out of use, they’re no less useful or applicable today.

1. Agony Piler

An actor who always seems to perform in weighty or sensationalist parts.

2. Back-Row Hopper

An audience member who visits bars frequented by actors and flatters them into buying him a drink.

3. Blue Fire

“Blue fire” was originally the name of a special effect used in Victorian theaters in which a mixture containing sulfur would be ignited to create an eerie blue glow on stage. The effect astonished audiences at the time, who had never seen anything like it before, hence "blue fire" came to be used to describe anything equally amazing or sensational, or that astounded an audience.

4. Bum-Boozer

A heavy drinker.

5. Burst

The sudden swell of people out onto a street when a play ended.

6. Button-Buster

A terrible comedian.

7. Celestials

Also known as “roof-scrapers,” the celestials were the audience members in the “gods” or the gallery, the highest tier of seats in the theater.

8. Charles His Friend

A nickname for any uninspiring part in a play whose only purpose is to give the main protagonist someone to talk to. The term apparently derives from a genuine list of the characters in a now long-forgotten drama, in which the lead’s companion was listed simply as “Charles: his friend.”

9. Deadheads

Audience members who haven’t paid to get in (as opposed to those who have, who were the livestock). Consequently, a nickname for journalists and first-night critics.

10. Decencies

A term referring to an actor’s strategically padded costume, defined by Ware as “pads used by actors, as distinct from actresses, to ameliorate outline.”

11. FLABBERDEGAZ

A fluffed line, a stumbled word, or a mistimed joke. Also called a Major Macfluffer.

12. The Ghost Walks

A reference to the famous opening scene of Hamlet, saying that “the ghost walks” (or, more often than not, that “the ghost doesn’t walk”) meant that there was (or that there wasn’t) enough money to be paid that week.

13. Gin And Fog

Hoarseness caused by heavy drinking the night before.

14. Greedy Scene

A scene in a play in which the lead actor has the stage all to him or herself.

15. Joey

To mug to the audience, or to lark about to attract someone’s attention.

16. Logie

A fake gemstone, or fake jewelry in general. Supposedly named after David Logie, an inventor who manufactured fake jewels out of zinc.

17. Matinée Dog

A nickname for the audience of a matinee performance. To "try it on the matinee dog" meant to test a new act or a new reading of a scene during a daytime performance, as the afternoon audiences were considered less discerning than the more seasoned and more demanding evening audiences.

18. Mumble-Mumper

An old, inarticulate performer whose lines cannot be easily heard or interpreted by the audience.

19. On The Pross

If you’re on the pross then you’re looking for someone to buy you a drink or a meal—pross is a shortening of “prosperous,” in the sense of searching for someone wealthy enough to buy you dinner.

20. Palatic

Very, very drunk. Probably derived from a deliberate mispronunciation of “paralytic."

21. To Play to The Gas

To make just enough money to get by—literally just enough to pay your gas bill.

22. Scorpions

An actor’s nickname for babies, whose constant noise could ruin a performance.

23. Star-Queller

An inferior actor whose terrible performance ruins the excellent performances given by everyone else.

24. Swan-Slinger

The playwright Ben Jonson famously called Shakespeare “The sweet swan of Avon” in a memorial poem published in 1623. A swan-slinger, consequently, is a Shakespearean actor.

25. To Take a Dagger And Drown Yourself

To say one thing but then do another. To stab yourself and pass the bottle, meanwhile, meant to take a swig of a drink and then pass the bottle onto the next person.

26. Thinking Part

A role in which an actor is required to say little or nothing at all. Likewise, a feeder was any role in which an actor was only required to “feed” lines to the more important character.

27. Toga-Play

Also called BC-plays, toga-plays were either classical period dramas, like Shakespeare’s Julius Caesar, or plays by classical-era playwrights.

28. Twelve-Pound Actor

A child born into an acting family.

29. Village Blacksmith

“The Village Blacksmith” is the title of a poem by Henry Wadsworth Longfellow, the third verse of which begins, “Week in, week out, from morn till night, / You can hear his bellows blow.” It was the “week in, week out” line that inspired this expression referring to a performer or worker who isn’t a complete failure, but whose contracts rarely last longer than a single week.

30. Whooperup

A terrible singer.

[This list first ran in 2015 and was republished in 2019]

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