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Rex Features

This Is What Anne Frank's Arrest Looked Like

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Rex Features

The summer of 1944 was full of raised hopes and broken hearts all across Europe. By August, the Americans and Russians were trudging toward Germany. Warsaw was in the throes of its bloody uprising. And in the heart of Amsterdam, within arm's reach of a busy canal street, Anne Frank hid with her parents, Otto and Edith, her sister Margot, the Van Pels family (Hermann, Auguste, and son Peter), and Fritz Pfeffer, waiting for the war to end. The Jews in hiding had withstood bombs, near-starvation, two break-in attempts, and the many privations of their helpers during over two years in hiding, and the suspense had begun to take its toll. They were pale and malnourished from life without sun, but they were alive.

Anne, 15 years old and the diarist of the house, had long since grown out of the schoolgirl clothes she took with her into what she called Het Achterhuis (the house behind). In hiding, she studied, argued with her mother, experienced her first kiss, and watched the huge chestnut tree in the back of the house bloom and die and bloom again.

Via TravelPod

At first, she was terrified the hiding place, in the back of her father's office, would be discovered. "Not being able to go outside upsets me more than I can say, and I'm terrified our hiding place will be discovered and that we'll be shot," she wrote in her diary in September 1942. "That, of course, is a fairly dismal prospect." But by August 1944, she had other worries. She was revising her old diary and reflecting on the new person she'd become. In her most recent diary entry, she wrote about her fear of vulnerability, that people would discover that beneath her cheeky exterior was a deeply serious, deeply emotional young woman. "...I can't keep that up," she wrote. "...Finally I twist my heart around again, so that the bad is on the outside and the good is on the inside and keep on trying to find a way of becoming what I would so like to be and what I could be, if ... there weren't any other people living in the world."

And then, on August 4, 1944, everything changed.

via Biography.com

August 4, 1944

[all times are approximate]

8am: Miep Gies goes upstairs to get the shopping list. Anne greets her cheerfully and asks if there's any news.

Before 11am: Somebody places an anonymous phone call to the Sicherheitsdienst (SD) office in Amsterdam, claiming there are Jews hiding at 263 Prinsengracht.

11am: A man in civilian clothing enters the office and points a revolver at Miep, Bep Voskuijl, and Johannes Kleiman, who are working in the front office. Plain-clothes Dutch policemen and a German officer in uniform arrive around the same time and force Victor Kugler to give them a tour of the building.

11:15am: Miep's husband, Jan, arrives to get his lunch. Miep gives him the lunch, some money, and several illegal ration cards and tells him something is wrong. He leaves quickly.


Via The Examiner

11:30am: Kleiman gives a distraught Bep his wallet and tells her to go to a pharmacist's office one street over, call his wife with the news, and disappear.

1:00pm: Kleiman is told to give the office keys to Miep. He tells her to keep out of it and she refuses, but follows his instructions to save what can be saved.

1:15pm: A Dutch policeman enters Miep's office and asks that a car be sent. The German officer, Karl Silberbauer, comes into the office and Miep realizes he has a Viennese accent (she is originally from Vienna). He confronts her and she remains calm until he threatens her husband, whom she defends.


Via The Holocaust Research Project

1:30pm: Miep hears the sound of the Franks, Van Pelses, and Pfeffer tramping down the stairs. "I could tell from their footsteps that they were coming down like beaten dogs," she writes. At the same time, Jan stands across the canal from the office with Kleiman's brother. Together, they watch their friends walking from the office door into a green truck. Each is carrying a small parcel. Though the truck drives within feet of them, Jan doesn't get a glimpse of their faces. The Franks are taken to SD headquarters along with their male protectors.

5:00pm: Bep and Jan return to the office. Together with Miep, they go into the hiding place, which has been looted and is in chaos. Miep notices Anne's diary strewn across the floor of her parents' bedroom. She picks it up, along with a shawl of Anne's and a compact of Mrs. Frank's.

Via Richard Ehrlich Photography

Though Kleiman and Kugler were released or escaped from prison, the Franks, Van Pelses, and Mr. Pfeffer were not so lucky. Though Miep and Jan begged and bargained for their freedom, they eventually went on to Westerbork, and from there to Auschwitz on the last transport to leave the Netherlands during the war. Starving, Anne died in March 1945 in the Bergen-Belsen concentration camp in Germany. Her father, Otto, was the family's only survivor.

Via The Anne Frank Trust UK

Thousands of Dutch citizens performed tiny acts of resistance during the war, from hiding Jewish friends to taking thousands of clandestine photographs to document the terror they saw outside their windows. Anne's arrest could have looked like this, or this (though there was only one armed officer on the scene).

Via Geheugen van Plan Zuid / The Memory of the Netherlands

That no photos of that terrifying August day exist could be a matter of fate as much as fear. Maybe a neighbor documented the event, but the evidence was lost to bombs or forgotten in a book. Maybe a photo of the Franks after the Secret Annex will emerge like this extraordinary video of a living, breathing Anne.

Or maybe Anne Frank's arrest was just another razzia (roundup) to the citizens of Amsterdam.

This post originally appeared in 2014.

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Wikimedia Commons // Public Domain
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‘American Gothic’ Became Famous Because Many People Saw It as a Joke
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Wikimedia Commons // Public Domain

In 1930, Iowan artist Grant Wood painted a simple portrait of a farmer and his wife (really his dentist and sister) standing solemnly in front of an all-American farmhouse. American Gothic has since inspired endless parodies and is regarded as one of the country’s most iconic works of art. But when it first came out, few people would have guessed it would become the classic it is today. Vox explains the painting’s unexpected path to fame in the latest installment of the new video series Overrated.

According to host Phil Edwards, American Gothic made a muted splash when it first hit the art scene. The work was awarded a third-place bronze medal in a contest at the Chicago Art Institute. When Wood sold the painting to the museum later on, he received just $300 for it. But the piece’s momentum didn’t stop there. It turned out that American Gothic’s debut at a time when urban and rural ideals were clashing helped it become the defining image of the era. The painting had something for everyone: Metropolitans like Gertrude Stein saw it as a satire of simple farm life in Middle America. Actual farmers and their families, on the other hand, welcomed it as celebration of their lifestyle and work ethic at a time when the Great Depression made it hard to take pride in anything.

Wood didn’t do much to clear up the work’s true meaning. He stated, "There is satire in it, but only as there is satire in any realistic statement. These are types of people I have known all my life. I tried to characterize them truthfully—to make them more like themselves than they were in actual life."

Rather than suffering from its ambiguity, American Gothic has been immortalized by it. The country has changed a lot in the past century, but the painting’s dual roles as a straight masterpiece and a format for skewering American culture still endure today.

Get the full story from Vox below.

[h/t Vox]

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“Dissension” by Tobias Rothe. Original image courtesy Fondazione Federico Zeri/Università di Bologna // CC-BY 3.0
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Get Your GIFs Ready for This International Public Domain GIF-Making Competition
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“Dissension” by Tobias Rothe. Original image courtesy Fondazione Federico Zeri/Università di Bologna // CC-BY 3.0

Excellent GIF-making skills can serve you beyond material for your clever tweets. Each year, a group of four digital libraries from across the world hosts GIF IT UP, a competition to find the best animated image sourced from public domain images from their archives.

The competition is sponsored by Europeana, the Digital Public Library of America (DPLA), New Zealand’s DigitalNZ, and the National Library of Australia’s Trove, all of which host millions of public domain works. The requirements are that the source material must be in the public domain, have a 'no known copyright restrictions' statement, or have a Creative Commons license that allows its reuse. The material must also come from one of the sponsored sources. Oh, and judging by the past winners, it helps if it’s a little whimsical.

The image above won the grand prize in 2015. And this was a runner-up in 2016:

via GIPHY

This year’s prizes haven’t been announced yet (although Europeana says there will be a new one for first-time GIF makers), but last year’s grand prize winner got their own Giphoscope, and runners-up got $20 gift cards. (Turns out, there’s not a lot of money in public domain art.)

Not an expert GIFer yet? You can always revisit the audio version of DPLA’s advanced GIF-making tutorial from last year.

The fourth-annual GIF IT UP contest opens to submissions October 1.

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