These Modern, Minimalist Cremation Urns Double as Planters

C.C. Boyce
C.C. Boyce

Cremation is becoming an increasingly common end-of-life plan, but many have lamented the lack of options when selecting an urn to store their loved one's ashes. Many of these vessels take the form of drab-looking vases that, for some people, serve as reminders of a painful event.

That’s why C.C. Boyce stepped in. The Los Angeles-based designer and woodworker created a collection of “planturns”—urns that double as planters—to fill a gap in the market.

“A while back a friend’s father passed away and they couldn’t find a cremation urn that they liked, so they asked me to make something, and I did, thinking this would just be a one-off custom job,” Boyce said in a video uploaded to Kickstarter. “But when I posted the final product to Instagram, I was flooded with messages from people all across the death care industry—people who took care of pets as well as people.”

Plant urns
C.C. Boyce

Some wanted an urn with a more modern aesthetic, while others wanted a subtler piece that would effortlessly blend with their household decor. The symbolism of death fusing with new life has not gone unnoticed, either.

Boyce spent a year experimenting with different designs and settled on two styles: one that comes in speckled maple, and another that comes in a two-toned walnut and sycamore. All of the vessels have two parts that attach via magnetic pull, so even if the planturn gets knocked over, the ashes will still be safe and sound.

The bottom part contains a hand-waxed muslin bag to store your loved one’s cremated remains, and the top part features a glass or ceramic holder for your plant of choice, whether it’s a succulent or air plant.

They come in three sizes, which will vary in accordance with the amount of ashes you want to store. A small planturn is suitable for small pets, while a large can hold the ashes of a person. Get it on Kickstarter for $225 to $500, depending on the size.

The New iPhone 11 Is Triggering People With Trypophobia

Justin Sullivan/Getty Images
Justin Sullivan/Getty Images

People with trypophobia, or a fear of clusters of small holes, know which triggers to avoid. Soap bubbles, lotus seed pods, and the insides of cantaloupes can all induce panic and revulsion in people who are sensitive to the pattern. Now, they have a new item to add to their list. As Gizmodo points out, the new iPhone has a design feature that's turning off trypophobes.

Apple debuted the iPhone 11 at an event on September 10 ahead of its release on September 20. This latest model comes with many upgrades, including a super-powered processor and longer battery life, but the biggest change has been met with a mixed reception.

The iPhone 11 Pro has three camera lenses where there would normally be one. People who prefer Apple's sleek, minimalist style have criticized the design, while those with trypophobia have had even stronger reactions. Some scientists think the fear of clusters of holes originally developed as a survival mechanism to steer people away from infectious diseases. When someone gets nauseous at the sight of three cameras grouped on the back of a smart phone, it's because it reminds them of decaying flesh.

Presentation launching iPhone 11.
Justin Sullivan/Getty Images

The iPhone likely looks the way it does today thanks to another highly specific fear that afflicted Steve Jobs. The Apple founder suffered from koumpounophobia, or a fear of buttons—an incredibly rare phobia that's only been documented once in all of psychiatric literature. His fear may have lead to the popularization of the smooth, buttonless touch screen. It also explains why the tech giant preferred black turtlenecks to button-down shirts.

Though similar to trypophobia, a fear of buttons and fear of clusters of circles aren't quite the same thing. So while triggering to many, the updated iPhone doesn't necessarily conflict with Jobs's original design aesthetic.

[h/t Gizmodo]

The Reason Why Ships Are Often Painted Red on the Bottom

75tiks/iStock via Getty Images
75tiks/iStock via Getty Images

If you’ve ever salvaged a sea vessel, you might have noticed that ship hulls are often red. If you haven’t dealt with a shipwreck—and chances are you haven’t—you may have still seen a red hull in pictures or in partial view at a shipyard. Since that portion of the ship is below the waterline, it seems strange to opt for a specific color.

The reason is tradition. And worms.

In a piece for Jalopnik, Andrew P. Collins explains that early sailing ships protected themselves against barnacles and wood-eating worms by covering their hulls in a copper or copper oxide paint that acted as a biocide. The copper gave the paint a red tint. By reducing the muck that naturally collects on the hull, ships can maintain their structural integrity and avoid being weighed down by gunk like seaweed that would reduce drag.

These days, biocides can be mixed with virtually any color of paint. But the hulls are often painted red to maintain a nautical tradition. Collins also points out that the red may help observers gauge the load of a ship’s cargo. The more weight on board, the lower in the water it will be. That's why you often see numbers positioned vertically on the side of the hull.

No matter what’s covering the hull, it’s never going to completely eliminate growth. Often, ports will prohibit ship owners from scraping hulls while docked, since ships traveling in outside waters might have picked up a non-native species of weed that could prove problematic in a new environment.

[h/t Jalopnik]

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