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17 Fun Facts About 'Deep Blue Sea'

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This so-bad-it's-good horror flick swam into theaters 15 years ago today. Here are a few things you might not have known about it.

1. The movie was inspired by a macabre experience.

When he was growing up in Australia, screenwriter Duncan Kennedy saw the remains of a shark attack victim, which had washed up near his home. "There was really not much left of him," Kennedy told the Los Angeles Times. He had nightmares about being trapped in a passageway with sharks that could read his mind, and channeled those dreams, and his childhood experience, into the script about sharks whose brains have been modified by a scientist conducting Alzheimer’s research, making them smarter and much more deadly.

2. They filmed with real sharks.

Most of Deep Blue Sea was shot at Baja Studios in Mexico, where the team constructed sets above the massive tanks that James Cameron built to make Titanic. There, the cast worked with animatronic sharks and used their imaginations to sub in for CG sharks that would be filled in later. But after the shoot at Baja wrapped, director Renny Harlin insisted that the cast head to the Bahamas to shoot with real sharks. Thomas Jane, who played shark wrangler Carter, was not thrilled: “I’ve been scared of sharks all my life, ever since I saw Jaws," he said in a DVD special feature.

Jane later recounted the experience for Entertainment Weekly"The first day, I was in a cage, but the next day, they swam me 30 feet down ... Then this guy yanks the breather off me and the water's churning with blood and guts and stuff ... It was so terrifying that I don't want to remember it."

3. The director made tweaks to the sharks to take on Jaws.

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"The problem with approaching a shark movie," Kennedy told the Los Angeles Times, "is how do you do it without repeating Jaws?" Kennedy said that in order to “do Spielberg one better,” Harlin made Deep Blue Sea’s makos 26 feet long. In real life, shortfin mako sharks reach 10 feet on average (although specimens as large as 12 feet have been caught), and longfin makos reach as long as 13.7 feet.

4. The animatronic sharks were really believable.

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The filmmakers created Deep Blue Sea’s monstrous makos with a combination of visual effects and animatronic sharks. “My whole approach to this movie was, no more hiding sharks,” Harlin said in DVD special features. “This time you’re going to really see them. That’s a challenge. We’ve seen sharks on the Discovery Channel. We know what they look like, so our sharks had to be totally convincing.”

The special effects team, headed by Walt Conti—who built Willy in Free Willy and the snakes in Anaconda—spent 8 months on the animatronic sharks. “The number one thing about capturing sharks is getting their energy,” Conti said in the film’s production notes. “They're always cruising kind of slowly, then they snap and just go with this incredible burst of energy. In that way, most of the time, sharks are somewhat lethargic. So probably our biggest challenge was replicating that speed and energy for those lunges. Also, sharks' jaws actually float in their skulls, giving them a specific kind of motion. As far as I know, we're the first animatronics team to totally mimic the multifaceted jaw of the shark.”

To get the job done, the team watched video of real makos swimming frame by frame, then borrowed equipment and technology that’s typically used in 747s and built the sharks as self-contained units. The remote-controlled machines had 1000hp engines, weighed 8000 pounds, and swam on their own, without the use of external wires or apparatus, at up to 30mph. They built 4.5 sharks: Three 15-foot makos, which played the first gen sharks; and 1.5 generation-two sharks, which represented that first generation’s 26-foot-long progeny. The effect was quite realistic: “The first time I saw one of those animatronic sharks, I thought it was a real one,” Stellan Skarsgard, who played Jim Whitlock, said in a special feature created for the DVD.

“When they first brought [the animatronic shark] into the lab we were all in awe of the size of this machine,” Jackson recalled. “It was a real monster. I would walk up to it slowly and touch it and they said it felt like a real shark. The gills moved and it had a mind of its own sometimes.”

Harlin recounted one of those times in the DVD commentary. “[One shark] was sitting in [McAlester’s] room and just as we were getting the computer programming finished, all of a sudden it leapt up [and] went through the ceiling,” he said. “All these 2x4s flying away like matchsticks. It was a good warning for us. It gave us an idea of the awesome power of these creatures and how careful we had to be in terms of the cast and crew being close to them, and how the computer program had to have failsafe procedures so nobody got hurt.”

5. Samuel L. Jackson was originally offered a different role.

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In the original script, there were two men in the kitchen; Harlin initially thought Jackson would play Preacher, the head chef. But Jackson turned it down, “because my agent didn’t like it or the part wasn’t big enough or something,” he said in DVD commentary. So Harlin cast LL Cool J as Preacher and came up with a different part for Jackson. “He said, ‘Now you’re going to be the richest man in the world, and you’re going to have the greatest scene in the movie, and it’s going to be a shock to everyone!” Jackson recalled. “He sent it back, [and the part] was Russell Franklin, and I was like ‘Yeah, this was great.’ I’ve done a lot of different things in movies, or had a lot of things happen to me in the movies, but nothing like what happens to me in this one.” (More on this later.)

Jackson told the Las Vegas Sun that he was motivated to take the part because “I watched a lot of monster pictures growing up and we would go home and someone would pretend to be Dracula or Frankenstein and chase us and we would run from them. This was an opportunity to finally be in a movie like that and run away from something that's bigger and stronger, with sharp teeth and claws. I got to say stuff like ‘Look out, look out! Go this way! Ahhh! Ahhh!’ Even though I didn't get to be that panicky.”

6. If you pay close attention, you'll see a special nod to Jaws.

In the beginning of the film, shark wrangler Carter, played by Thomas Jane, removes a license plate from the teeth of a tiger shark, then gives it to Russell Franklin. Take a closer look, and you’ll notice that it’s the exact same license plate taken from the stomach of the tiger shark that’s cut open in Jaws. Harlin called it “a little nod to the grand master, Spielberg.”

7. Harlin makes a cameo—and he was not a natural.

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As the workers of Aquatica—the lab where the research takes place—are heading home for the weekend, you can see Harlin walking past. “I had a moment of temp insanity—a friend of mine was visiting the set and we decided to walk through the scene,” he said in DVD commentary. “It took 20 takes to get me just walking through it without walking into the other actors or falling off the dock. There’s a reason why some people should stay behind camera.”

8. An accident made it into the finished film.

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According to Jackson, working in the water so much wasn’t just unpleasant—it actually led to an accident that made it into the final film. “When we get Stellan [Skarsgard] hooked up to the helicopter and we're trying to get back to the elevator during the storm, the waves are supposed to rush in front of us and behind us,” Jackson recounted. “At one point three tons of water got thrown on us by accident and we got swept toward those cargo bays and everyone thought we were going into the drink and people were tumbling around this metal grating. … We scrambled up and kept acting. … Everyone was kind of (upset) because they hit us full on with three tons of water. That was not supposed to happen and we didn't have safety harnesses on and we were flailing around on this deck.” Still, Jackson said, “I thought that was pretty funny when I saw it in the final film. I said, ‘Oh, they kept that.’”

9. The parrot was not a professional.

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There wasn’t a huge budget on the movie, and in DVD commentary, Harlin said that there was “lots of discussion about should we have the parrot, should we not have the parrot” for LL Cool J’s character, Preacher. They opted to have the bird, but, Harlin said, “we couldn’t afford a Hollywood parrot—a parrot that is fully trained and comes with its professional trainers and does tricks and speaks on cue and so on. So we decided to go with a parrot from Mexico City.” The production actually used two parrots: one that was good at flying, and one that was adept at sitting on LL’s shoulder.

10. Deep Blue Sea reused some props from other films.

The plane that McAlester and Franklin fly out to Aquatica had been used in the Harrison Ford-Anne Heche film Six Days Seven Nights; Harlin had it repainted for Deep Blue Sea. The facility’s red escape sub had previously been used in another Samuel L. Jackson movie, Sphere.

11. The filmmakers used tricks to make the sets look like they were underwater.

Some of the sets were built on top of the Baja Studios tanks, and were designed to submerge. Others were built on soundstages, so the production designers put fishtanks full of water outside portholes and lit them to make it appear as though the facility was underwater.

12. Jackson’s big death scene became an instant classic.

Harlin really wanted to surprise the audience, and to do that, he took a cue from Alien. “Most of the cast is unknown, and the only person we really recognize is Tom Skerritt,” Harlin explained in DVD commentary. “He was the captain, and when things start going wrong, we relied on him ... he’s going to lead us to safety. And then halfway through the movie, he gets taken away, and it’s a shock and you don’t know what to trust.”

So Harlin cast Samuel L. Jackson early in the process with the intent of killing him off, and made the rest of the cast relative unknowns. “We cast Sam in this part where he’s very powerful, very smart, he’s the oldest of the group. You really think, he’s a movie star. He’s going to take care of business, he’s the one we can rely on, he’s going to be saved,” Harlin said. They made the character’s speech long and corny and pompous on purpose. “I knew the audience would be groaning and saying ‘Oh, come on, this is pompous,' but it had to be pompous for the surprise to work,” Harlin said. “It had to take you to a place where you get a little uncomfortable and start squirming in your seat, and saying, ‘Oh, these filmmakers are stupid, they think we’re going to buy this whole story.' It’s just a little too much. And just when we get to that place, we’re going to take everything away that you believe, and everything that you thought was going to happen in this film, and then you have the audience hooked.”

13. In the original ending, Saffron Burrows’ character lived...

But test audiences, who saw the film less than a month before it was to open in theaters, hated it. “Basically what had happened was that the audience felt so deeply that the scientist character, the woman who was behind the whole experiment with the sharks, that it was all her fault,” Harlin said in 2013. “In their minds, she was the bad guy … I remember us all sitting down and going, ‘Holy sh**, we are in trouble. How do we fix this?’ It was my idea, I said, … ‘When she falls in the water, what if she doesn’t survive? She gets eaten by the sharks and L.L. Cool J is the hero. Everybody likes him, and Thomas Jane.’”

The team did a quick one-day reshoot in the Universal Studios tank. “We did some CG work on the sharks and stuff like that,” Harlin said, “but it was a super fast fix and it saved the movie because the audience got what they wanted.”

14. ...And LL Cool J’s character was supposed to die.

“He was originally going to be shark meat quite early on,” Harlin told the Reading Eagle, “but he was so good we kept him around.”

The rapper-turned-actor did many of his own stunts, and Harlin said he also complained the least out of all the actors. “LL was really determined to do a good job on the film, to do whatever it took to make it work,” the director said in DVD commentary. “LL was pretty great. He had some very uncomfortable situations because he really has to come face to face with the sharks a lot and even ends up in the shark’s mouth at the end of the film, but he was always game, he was really determined to show that he was not a rap artist who wanted to do little movies but he’s a real actor who wants to do something really powerful and interesting.”

15. LL Cool J channeled a shark in the music video for the movie's theme song.

He had a hard time putting in the contact lenses for the "Deepest Bluest (Shark's Fin)" music video.

16. There are a number of shark myths in the movie.

Harlin asserts in DVD commentary that “a lot of this information regarding sharks is very very accurate. Obviously because it’s a movie we take license with some of the stuff they’re doing [in terms of the Alzheimer’s research]… the fact is, sharks have been used a lot to study and find out why these creatures have been around for 400 million years, why they never get cancer, why they never sleep, why they never stop moving.” And maybe it was accurate, at the time. But now we know that sharks do get cancer, and although they don’t sleep like humans, they do have periods of rest. The idea that sharks never stop moving comes from the thought that they need to keep water flowing over their gills, or they’ll die, but that doesn’t apply to all sharks.

Deep Blue Sea’s makos somehow develop the ability to swim backward—and as one character notes, that is, in fact, a physical impossibility. No matter how big a shark's brain is, that's not going to change. You can enjoy a more thorough takedown of the film’s “science” and leaps in logic here.

17. Deep Blue Sea was the first movie Stephen King saw after he was nearly killed in an accident.

“My first trip out after being smacked by a van and almost killed was to the movies (Deep Blue Sea, as a matter of fact; I went in my wheelchair and loved every minute of it),” he wrote in Entertainment Weekly.

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20 Things You Might Not Know About Mr. Show
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You never need an excuse to look back at Mr. Show with Bob and David, but given that today is co-creator Bob Odenkirk's 55th birthday, now seems to be as good a time as any.

1. BOB ODENKIRK AND DAVID CROSS’S FIRST MEETING DID NOT GO VERY WELL.

Following four years of writing on Saturday Night Live, Odenkirk was in Los Angeles in 1992 as a writer for the Chris Elliott Fox cult classic Get a Life. David Cross was a comedian in L.A. after performing for years in Boston. One boring afternoon, Cross asked friend and fellow stand-up Janeane Garofalo if she knew anybody that played basketball. The two went to Odenkirk’s house, and Garofalo introduced David to Bob and then asked if he wanted to play basketball. He said no.

2. ODENKIRK AND CROSS FIRST WORKED TOGETHER ON THE BEN STILLER SHOW.

Despite their inauspicious beginning, the two ended up having numerous fruitful collaborations, starting with their work on The Ben Stiller Show. Odenkirk was a writer/performer on the short-lived but Emmy award-winning sketch show with Garofalo, Stiller, and Andy Dick. Cross was brought in in the middle of the show’s 13-episode run as a writer.

3. THE CO-STARS FIRST PERFORMED ON STAGE TOGETHER AS "THE THREE GOOFBALLZ."

Odenkirk and Cross performed sketch comedy together at the Diamond Club in Los Angeles, with a third improviser that, the joke went, would either be deceased or out elsewhere getting high.

4. "THE THREE GOOFBALLZ' WAS ALMOST THE TITLE OF MR. SHOW

Odenkirk also pitched the title Grand National Championships, but David Cross was never a fan of it.

5. JACK BLACK, SARAH SILVERMAN, AND OTHER FUTURE STARS APPEARED ON THE SHOW BEFORE THEY WERE FAMOUS.

Black was in four episodes of Mr. Show, starring in the classic Jesus Christ Superstar parody “Jeepers Creepers.” Silverman was a performer in 10 episodes. Mary Lynn Rajskub, best known as Chloe on 24, was a featured actress in the first two years. Tom Kenny, the voice of SpongeBob SquarePants, was a series regular for a majority of the run. Scott Adsit, a.k.a. 30 Rock’s Pete Hornberger, was in six episodes.

6. PATTON OSWALT WARMED UP THE MR. SHOW CROWD.

In addition to performing stand-up before tapings and keeping the studio audience interested in between scenes, Oswalt played Famous Mortimer in the episode “Operation: Hell on Earth” (but was credited as “Patton Oswald.”)

7. HOMELESS PEOPLE WERE NOT KIND TO THE ORIGINAL SETS.

Because the pilot episode was shot at a “down and dirty,” small Central Hollywood club, the sets had to be placed outside, where homeless people defecated on them.

8. YOU MIGHT ALSO RECOGNIZE SOME OF THE WRITING STAFF.

Dino Stamatopoulos was already on the original writing staff of Late Night with Conan O’Brien and had written for David Letterman before writing for Cross and Odenkirk. He would later create three shows and play Starburns on Community. Writer/performer Scott Aukerman co-created and executive produces Between Two Ferns, and created and stars on Comedy Bang! Bang!. Writer/performer Paul F. Tompkins hosted VH-1’s Best Week Ever! and currently hosts the satirical debate show No, You Shut Up!, where he moderates discussions by a panel full of puppets. Bob Odenkirk’s brother Bill has written ten episodes of The Simpsons.

9. THE DIRECTORS OF LITTLE MISS SUNSHINE LEARNED HOW TO DIRECT COMEDY FROM MR. SHOW.

Valerie Faris and Jonathan Dayton were known for directing music videos like The Smashing Pumpkins’ “Tonight, Tonight” and Jane’s Addiction’s “Been Caught Stealing,” and decided to direct two Mr. Show episodes to expand their filming vocabulary. The husband and wife team were behind the camera for the classic sketch “Monk Academy.”

10. ONE SKETCH WAS INFLUENCED BY LOUIS C.K.

One of the first sketches in the show’s history involved Odenkirk playing a priest forced to do rather unpleasant and un-priestly things. The idea sprang from a conversation David Cross had with fellow young Boston comic Louis C.K., where Louis talked about annoying people that try to claim a prize on a bet that their friends never agreed to in the first place.

11. HBO ONLY CENSORED THE SHOW ONCE.

Throughout four years and 30 episodes, the lone note Odenkirk and Cross got from HBO was to get rid of a line where one character tells another to have sex with a baby. Odenkirk admitted that being told to edit it out “wasn’t too much to ask.”

12. THEY ONLY RECEIVED ONE VIEWER COMPLAINT.

The only angry letter that Odenkirk and Cross were ever made aware of was from a military veteran who was offended by the sketch in “Who Let You In?” where Cross’s performance artist character attempts to defecate on the American flag. The two stars actually called the viewer and discovered that he didn’t watch the entire sketch, and therefore never realized that Cross’ character was never able to actually go through with it.

13. ONE SKETCH WAS CUT FROM THE SHOW SIX TIMES AND NEVER MADE IT TO AIR.

A sketch called “Party Car,” a joke on old, low-quality shows filled with '70s celebrities was cut from half a dozen scripts and never filmed. It would have featured Nipsey Russell, Zsa Zsa Gabor, (or reasonable facsimiles), and a baby in a balloon-filled car.

14. BOB ODENKIRK GOT IN TROUBLE FOR USING A PICTURE OF HIS DEAD GRANDFATHER.

Because the sketch “Old Man In House” needed a photo of an old man, and the elderly gentleman was not the butt of the joke, Odenkirk thought it would be fine. Instead, some Odenkirks were “very upset.”

15. CROSS WAS PAYING OFF HIS STUDENT LOAN DEBTS THROUGHOUT MOST OF THE SERIES.

David Cross and Amber Tamblyn
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Despite executive producing and co-creating a series on television, Cross had trouble paying off his student loan debts from his time at Emerson College. Figuring that the person calling from the bill collection agency wouldn’t believe that he couldn’t pay if he knew his job status, Cross pretended that he worked at Mr. Show as a messenger.

16. ONE PERSON WAS GIVEN A "SPECIAL THANKS" IN THE CLOSING CREDITS OF EVERY EPISODE AS A JOKE.

As Cross once explained, Rick Dees was thanked in the credits of the pilot episode, even though he was “certainly nobody we would ever thank, or be in a position to thank.” Some personalities that were thanked for no discernable reason were Greg Maddux, Rodion Romanovich Raskolnikov, Gabe Kaplan, and Howard Zinn.

17. HBO CHANGED THE TIME SLOT FOR ITS FINAL SEASON, AND IT WAS "DEMORALIZING."

After airing Fridays at midnight for the first three seasons, HBO moved the show to Mondays at the same time, confusing some loyal viewers, and the ratings decreased as a result. Bob Odenkirk told a reporter that, after 30 episodes, HBO was still treating the cast and crew as “second-class citizens,” and that they were “demoralized” by the slot shift.

18. BOB AND DAVID TOLD A STUDIO AUDIENCE THAT THEY HAD JUST WITNESSED THE FINAL EPISODE, AND THEY WEREN'T JOKING.

“Patriotism, Pepper, and Professionalism,” the 40th and final episode of Mr. Show, was taped on November 21, 1998. After the final sketch was filmed, Odenkirk and Cross made their announcement, although the show’s cancellation wasn’t made official for another few months.

19. THERE WAS A MR. SHOW MOVIE THAT WENT STRAIGHT TO VIDEO.

Run Ronnie Run focused on David Cross’s redneck criminal character Ronnie Dobbs. It was filmed in 2001, but never made it to theaters. Bob Odenkirk admitted that the movie wasn’t perfect, but he blamed the poor quality on director Troy Miller, for not allowing himself and Cross to edit the movie.

20. THE TWO HAVE REUNITED A FEW OTHER TIMES.

David Cross and Bob Odenkirk star in 'W/ Bob and David'
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In 2002, Bob, David, and Mr. Show writer/performers Brian Posehn, John Ennis, and Stephanie Courtney (Flo in the Progressive commercials) toured the country to perform some of the show’s sketches and material from their unproduced screenplay Mr. Show: Hooray For America! The next year, Odenkirk guest starred as Dr. Phil Gunty on a season one episode of Arrested Development, alongside Cross’ character Tobias Fünke.

In 2012, Odenkirk, Cross, and Posehn went on a six-city tour to promote their book filled with more unproduced material. Bob and David appeared briefly together the next year on an episode of Aukerman’s Comedy Bang! Bang! In 2015, 20 years after Mr. Show's debut, Netflix premiered W/ Bob and David, a five-episode sketch comedy show created by and starring the duo.

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30 Memorable Quotes from Carrie Fisher
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Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

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