CLOSE
Original image
Warner Bros

17 Fun Facts About 'Deep Blue Sea'

Original image
Warner Bros

This so-bad-it's-good horror flick swam into theaters 15 years ago today. Here are a few things you might not have known about it.

1. The movie was inspired by a macabre experience.

When he was growing up in Australia, screenwriter Duncan Kennedy saw the remains of a shark attack victim, which had washed up near his home. "There was really not much left of him," Kennedy told the Los Angeles Times. He had nightmares about being trapped in a passageway with sharks that could read his mind, and channeled those dreams, and his childhood experience, into the script about sharks whose brains have been modified by a scientist conducting Alzheimer’s research, making them smarter and much more deadly.

2. They filmed with real sharks.

Most of Deep Blue Sea was shot at Baja Studios in Mexico, where the team constructed sets above the massive tanks that James Cameron built to make Titanic. There, the cast worked with animatronic sharks and used their imaginations to sub in for CG sharks that would be filled in later. But after the shoot at Baja wrapped, director Renny Harlin insisted that the cast head to the Bahamas to shoot with real sharks. Thomas Jane, who played shark wrangler Carter, was not thrilled: “I’ve been scared of sharks all my life, ever since I saw Jaws," he said in a DVD special feature.

Jane later recounted the experience for Entertainment Weekly"The first day, I was in a cage, but the next day, they swam me 30 feet down ... Then this guy yanks the breather off me and the water's churning with blood and guts and stuff ... It was so terrifying that I don't want to remember it."

3. The director made tweaks to the sharks to take on Jaws.

iStock

"The problem with approaching a shark movie," Kennedy told the Los Angeles Times, "is how do you do it without repeating Jaws?" Kennedy said that in order to “do Spielberg one better,” Harlin made Deep Blue Sea’s makos 26 feet long. In real life, shortfin mako sharks reach 10 feet on average (although specimens as large as 12 feet have been caught), and longfin makos reach as long as 13.7 feet.

4. The animatronic sharks were really believable.

Warner Bros

The filmmakers created Deep Blue Sea’s monstrous makos with a combination of visual effects and animatronic sharks. “My whole approach to this movie was, no more hiding sharks,” Harlin said in DVD special features. “This time you’re going to really see them. That’s a challenge. We’ve seen sharks on the Discovery Channel. We know what they look like, so our sharks had to be totally convincing.”

The special effects team, headed by Walt Conti—who built Willy in Free Willy and the snakes in Anaconda—spent 8 months on the animatronic sharks. “The number one thing about capturing sharks is getting their energy,” Conti said in the film’s production notes. “They're always cruising kind of slowly, then they snap and just go with this incredible burst of energy. In that way, most of the time, sharks are somewhat lethargic. So probably our biggest challenge was replicating that speed and energy for those lunges. Also, sharks' jaws actually float in their skulls, giving them a specific kind of motion. As far as I know, we're the first animatronics team to totally mimic the multifaceted jaw of the shark.”

To get the job done, the team watched video of real makos swimming frame by frame, then borrowed equipment and technology that’s typically used in 747s and built the sharks as self-contained units. The remote-controlled machines had 1000hp engines, weighed 8000 pounds, and swam on their own, without the use of external wires or apparatus, at up to 30mph. They built 4.5 sharks: Three 15-foot makos, which played the first gen sharks; and 1.5 generation-two sharks, which represented that first generation’s 26-foot-long progeny. The effect was quite realistic: “The first time I saw one of those animatronic sharks, I thought it was a real one,” Stellan Skarsgard, who played Jim Whitlock, said in a special feature created for the DVD.

“When they first brought [the animatronic shark] into the lab we were all in awe of the size of this machine,” Jackson recalled. “It was a real monster. I would walk up to it slowly and touch it and they said it felt like a real shark. The gills moved and it had a mind of its own sometimes.”

Harlin recounted one of those times in the DVD commentary. “[One shark] was sitting in [McAlester’s] room and just as we were getting the computer programming finished, all of a sudden it leapt up [and] went through the ceiling,” he said. “All these 2x4s flying away like matchsticks. It was a good warning for us. It gave us an idea of the awesome power of these creatures and how careful we had to be in terms of the cast and crew being close to them, and how the computer program had to have failsafe procedures so nobody got hurt.”

5. Samuel L. Jackson was originally offered a different role.

Warner Bros

In the original script, there were two men in the kitchen; Harlin initially thought Jackson would play Preacher, the head chef. But Jackson turned it down, “because my agent didn’t like it or the part wasn’t big enough or something,” he said in DVD commentary. So Harlin cast LL Cool J as Preacher and came up with a different part for Jackson. “He said, ‘Now you’re going to be the richest man in the world, and you’re going to have the greatest scene in the movie, and it’s going to be a shock to everyone!” Jackson recalled. “He sent it back, [and the part] was Russell Franklin, and I was like ‘Yeah, this was great.’ I’ve done a lot of different things in movies, or had a lot of things happen to me in the movies, but nothing like what happens to me in this one.” (More on this later.)

Jackson told the Las Vegas Sun that he was motivated to take the part because “I watched a lot of monster pictures growing up and we would go home and someone would pretend to be Dracula or Frankenstein and chase us and we would run from them. This was an opportunity to finally be in a movie like that and run away from something that's bigger and stronger, with sharp teeth and claws. I got to say stuff like ‘Look out, look out! Go this way! Ahhh! Ahhh!’ Even though I didn't get to be that panicky.”

6. If you pay close attention, you'll see a special nod to Jaws.

In the beginning of the film, shark wrangler Carter, played by Thomas Jane, removes a license plate from the teeth of a tiger shark, then gives it to Russell Franklin. Take a closer look, and you’ll notice that it’s the exact same license plate taken from the stomach of the tiger shark that’s cut open in Jaws. Harlin called it “a little nod to the grand master, Spielberg.”

7. Harlin makes a cameo—and he was not a natural.

Getty Images

As the workers of Aquatica—the lab where the research takes place—are heading home for the weekend, you can see Harlin walking past. “I had a moment of temp insanity—a friend of mine was visiting the set and we decided to walk through the scene,” he said in DVD commentary. “It took 20 takes to get me just walking through it without walking into the other actors or falling off the dock. There’s a reason why some people should stay behind camera.”

8. An accident made it into the finished film.

Warner Bros

According to Jackson, working in the water so much wasn’t just unpleasant—it actually led to an accident that made it into the final film. “When we get Stellan [Skarsgard] hooked up to the helicopter and we're trying to get back to the elevator during the storm, the waves are supposed to rush in front of us and behind us,” Jackson recounted. “At one point three tons of water got thrown on us by accident and we got swept toward those cargo bays and everyone thought we were going into the drink and people were tumbling around this metal grating. … We scrambled up and kept acting. … Everyone was kind of (upset) because they hit us full on with three tons of water. That was not supposed to happen and we didn't have safety harnesses on and we were flailing around on this deck.” Still, Jackson said, “I thought that was pretty funny when I saw it in the final film. I said, ‘Oh, they kept that.’”

9. The parrot was not a professional.

Warner Bros

There wasn’t a huge budget on the movie, and in DVD commentary, Harlin said that there was “lots of discussion about should we have the parrot, should we not have the parrot” for LL Cool J’s character, Preacher. They opted to have the bird, but, Harlin said, “we couldn’t afford a Hollywood parrot—a parrot that is fully trained and comes with its professional trainers and does tricks and speaks on cue and so on. So we decided to go with a parrot from Mexico City.” The production actually used two parrots: one that was good at flying, and one that was adept at sitting on LL’s shoulder.

10. Deep Blue Sea reused some props from other films.

The plane that McAlester and Franklin fly out to Aquatica had been used in the Harrison Ford-Anne Heche film Six Days Seven Nights; Harlin had it repainted for Deep Blue Sea. The facility’s red escape sub had previously been used in another Samuel L. Jackson movie, Sphere.

11. The filmmakers used tricks to make the sets look like they were underwater.

Some of the sets were built on top of the Baja Studios tanks, and were designed to submerge. Others were built on soundstages, so the production designers put fishtanks full of water outside portholes and lit them to make it appear as though the facility was underwater.

12. Jackson’s big death scene became an instant classic.

Harlin really wanted to surprise the audience, and to do that, he took a cue from Alien. “Most of the cast is unknown, and the only person we really recognize is Tom Skerritt,” Harlin explained in DVD commentary. “He was the captain, and when things start going wrong, we relied on him ... he’s going to lead us to safety. And then halfway through the movie, he gets taken away, and it’s a shock and you don’t know what to trust.”

So Harlin cast Samuel L. Jackson early in the process with the intent of killing him off, and made the rest of the cast relative unknowns. “We cast Sam in this part where he’s very powerful, very smart, he’s the oldest of the group. You really think, he’s a movie star. He’s going to take care of business, he’s the one we can rely on, he’s going to be saved,” Harlin said. They made the character’s speech long and corny and pompous on purpose. “I knew the audience would be groaning and saying ‘Oh, come on, this is pompous,' but it had to be pompous for the surprise to work,” Harlin said. “It had to take you to a place where you get a little uncomfortable and start squirming in your seat, and saying, ‘Oh, these filmmakers are stupid, they think we’re going to buy this whole story.' It’s just a little too much. And just when we get to that place, we’re going to take everything away that you believe, and everything that you thought was going to happen in this film, and then you have the audience hooked.”

13. In the original ending, Saffron Burrows’ character lived...

But test audiences, who saw the film less than a month before it was to open in theaters, hated it. “Basically what had happened was that the audience felt so deeply that the scientist character, the woman who was behind the whole experiment with the sharks, that it was all her fault,” Harlin said in 2013. “In their minds, she was the bad guy … I remember us all sitting down and going, ‘Holy sh**, we are in trouble. How do we fix this?’ It was my idea, I said, … ‘When she falls in the water, what if she doesn’t survive? She gets eaten by the sharks and L.L. Cool J is the hero. Everybody likes him, and Thomas Jane.’”

The team did a quick one-day reshoot in the Universal Studios tank. “We did some CG work on the sharks and stuff like that,” Harlin said, “but it was a super fast fix and it saved the movie because the audience got what they wanted.”

14. ...And LL Cool J’s character was supposed to die.

“He was originally going to be shark meat quite early on,” Harlin told the Reading Eagle, “but he was so good we kept him around.”

The rapper-turned-actor did many of his own stunts, and Harlin said he also complained the least out of all the actors. “LL was really determined to do a good job on the film, to do whatever it took to make it work,” the director said in DVD commentary. “LL was pretty great. He had some very uncomfortable situations because he really has to come face to face with the sharks a lot and even ends up in the shark’s mouth at the end of the film, but he was always game, he was really determined to show that he was not a rap artist who wanted to do little movies but he’s a real actor who wants to do something really powerful and interesting.”

15. LL Cool J channeled a shark in the music video for the movie's theme song.

He had a hard time putting in the contact lenses for the "Deepest Bluest (Shark's Fin)" music video.

16. There are a number of shark myths in the movie.

Harlin asserts in DVD commentary that “a lot of this information regarding sharks is very very accurate. Obviously because it’s a movie we take license with some of the stuff they’re doing [in terms of the Alzheimer’s research]… the fact is, sharks have been used a lot to study and find out why these creatures have been around for 400 million years, why they never get cancer, why they never sleep, why they never stop moving.” And maybe it was accurate, at the time. But now we know that sharks do get cancer, and although they don’t sleep like humans, they do have periods of rest. The idea that sharks never stop moving comes from the thought that they need to keep water flowing over their gills, or they’ll die, but that doesn’t apply to all sharks.

Deep Blue Sea’s makos somehow develop the ability to swim backward—and as one character notes, that is, in fact, a physical impossibility. No matter how big a shark's brain is, that's not going to change. You can enjoy a more thorough takedown of the film’s “science” and leaps in logic here.

17. Deep Blue Sea was the first movie Stephen King saw after he was nearly killed in an accident.

“My first trip out after being smacked by a van and almost killed was to the movies (Deep Blue Sea, as a matter of fact; I went in my wheelchair and loved every minute of it),” he wrote in Entertainment Weekly.

Original image
Brendon Thorne/Getty Images
arrow
entertainment
30 Memorable Quotes from Carrie Fisher
Original image
Brendon Thorne/Getty Images

Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

Original image
Getty Images
arrow
Lists
12 Admissible Facts About Judge Judy
Original image
Getty Images

Judge Judith Sheindlin was 54 years old when her namesake TV show premiered on September 16, 1996. Two years later the diminutive (5’1”) adjudicator was trouncing the powerhouse Oprah Winfrey Show in the Nielsen ratings. Today, she is one of the highest paid TV celebrities, earning $47 million per year—which she will continue to do through 2020, thanks to a new extended contract.

Fervent fans are familiar with Judge Judy’s more outrageous cases, like The Tupperware Lady and the eBay Cell Phone Scammer, but they might not know some of these fun facts about both the show and the woman behind it, who turns 75 years old today.

1. THAT GRUFF, NO-NONSENSE STYLE OF JURISPRUDENCE IS NOT AN ACT.

Judge Judy spent a little over 20 years in New York City’s family court system, where she earned a reputation early in her career for being blunt, impatient, and tough-talking. “I can’t stand stupid, and I can’t stand slow,” was one of her oft-repeated “Judyisms” at that time. She also frequently warned attorneys appearing before her: "I want first-time offenders to think of their appearance in my courtroom as the second-worst experience of their lives ... circumcision being the first." 60 Minutes filmed her in action as part of a 1993 profile, and while her hair color and eyebrows have softened since then, her impatient rants and verbal smackdowns haven’t changed a bit.

2. SHE BEGAN WEARING HER TRADEMARK LACE COLLAR AS SOON AS SHE WAS APPOINTED AS A JUDGE.

New York City Mayor Ed Koch appointed Judith Sheindlin to the bench in 1982, and to celebrate she and her husband Jerry—both civil servants at the time—took a $399 package trip to Greece for two weeks. While passing by a row of street kiosks with various locally made crafts for sale, she impulsively purchased a white lace collar from a vendor. She explained to her husband that male judges wore stiff-collared white dress shirts and colorful neckties that peeped out of the top of their robes, so that they had a nice colorful “buffer” between the austere black gown and their face. Female judges, however, had nothing but neck peeping out of their robes and the unforgiving black color revealed every minute of sleep deprivation as well as any skin tone irregularities. The white lace collar, she decided, would not only perk up her face but would also be a bit disarming for litigants—she could picture them thinking “That nice little lady with the lace collar sitting behind the bench couldn’t hurt a fly!”

3. DESPITE THOSE NEW YORK CITY SCENES ON THE COMMERCIAL BUMPERS, JUDGE JUDY IS TAPED IN CALIFORNIA.

Sheindlin spends 52 days per year taping her show. She flies to California via private jet every other Monday and hears cases on Tuesday and Wednesday (occasionally Thursday if there are production delays). One full week’s worth of shows are filmed each day. Many viewers, however, are fooled into thinking Judy is holding court in her native New York, thanks to the scenic Manhattan footage in between station breaks and the New York state flag behind her chair. That is, until something oh-so-unique to the west coast—like an earthquake—occurs on-camera. (Note that in the clip below, Judge Judy quickly ducks beneath her bench once the room begins to tremble.)

4. SHE IS BRIEFED ON THE CASES BEFORE SHE ARRIVES ON THE SET.

Judge Sheindlin does not go to the studio unprepared; producers FedEx the sworn statements and relevant information on each upcoming case to her home (Naples, Florida in the winter; Greenwich, Connecticut in the spring and summer) and she familiarizes herself with enough details to have some background, but not enough so that the case doesn’t appear “fresh” when she questions the litigants during filming.

5. THE CASES REALLY ARE REAL.

The production company has a staff of 60-plus researchers across the country who spend their days poring over lawsuits filed in local small claims courts. Thanks to the Freedom of Information Act, they are able to photocopy cases that they think might make for interesting television and those copies are forwarded to the show’s producers. Any cases that make it to the next stage (about three percent) involve contacting the litigants involved and asking them if they’d like to forego their civil court hearing in exchange for a free trip to Los Angeles, an $850 appearance fee, and a per diem of $40 (as of 2012). An added incentive is that any judgments awarded are paid by the show, not by the plaintiff or defendant. The best cases, according to the executive producer, are those that involve litigants with a prior relationship—mother/daughter, father/son, boyfriend/girlfriend, etc. Such cases engage the audience because it’s an emotional tie that’s been broken (the recurring plot on many soap operas).

6. THE AUDIENCE, HOWEVER, IS NOT SO REAL.

Regular viewers will note that the same faces seem to pop up in the audience regularly. Those folks in the spectator seats are paid extras (often aspiring actors) who earn $8 per hour to sit and look attentive. Prospective audience members apply for the limited amount of seats by emailing their contact information along with a clear headshot to one of Judge Judy’s production coordinators (sorry, we cannot provide that info). If chosen, the spectator must dress appropriately (business casual or better) and arrive promptly for the 8:30 a.m. call time. Audience members must pass through metal detectors on their way in and are not allowed to bring cell phones or any electronic devices with them, and food, drinks and chewing gum are also verboten. Spectators are rearranged after each case so it’s not as obvious that it’s the same group of people, and the most attractive folks are always seated in the front row (it’s Hollywood, after all). The audience is instructed to talk animatedly amongst themselves in between each case so that Officer Byrd’s “Order in the court!” admonition has more impact. Bad behavior is grounds for immediate expulsion (in front of 10 million viewers, as Judge Judy likes to remind us).

7. JUDGE JUDY DRESSES CASUALLY FOR THE JOB.

Sheindlin has been known to publicly chastise litigants who come to her courtroom in skimpy clothing or “beach attire,” but behind that bench and under that robe she is usually sporting jeans and a tank top or T-shirt.

8. OFFICER BYRD IS A REAL BAILIFF.

Brooklyn native Petri Hawkins Byrd earned his B.Sc. degree from the John Jay College of Criminal Justice in 1989 and started working in the Brooklyn Family Court system. He first worked with Judge Sheindlin when he transferred to the Manhattan Family Court. “We [the court officers] used to call her the Joan Rivers of the judicial system,” he recalled in a 2004 interview. “She was just hilarious.” Byrd relocated to San Mateo, California in 1990 to work as a Special Deputy U.S. Marshal and a few years later he read an item in Liz Smith’s gossip column about Sheindlin’s upcoming TV show. He sent his old colleague a congratulatory letter and added, “If you need a bailiff, I still look good in uniform.”

9. DESPITE HIS SOMETIMES IMPOSING COURTROOM DEMEANOR, OFFICER BYRD IS ALSO A VERY FUNNY GUY.

He is a talented impressionist, but his sense of humor almost cost him his job—or so he thought at the time. Once, back when he was working with the feisty Judge Sheindlin in New York, he donned her robe and reading glasses to entertain his co-workers with a barrage of Judyisms. Of course, as always seems to happen when one mocks the boss in the workplace, he was caught in the act.

10. THE OCCASIONAL CELEBRITY RELIES ON JUDGE JUDY’S BRAND OF JUSTICE.

Depending upon your own definition of “celebrity”, of course. Actress Roz Kelly (Pinky Tuscadero on Happy Days) appeared on the show in 1996 as the plaintiff, suing her plastic surgeon for a leaky breast implant that was impeding her acting career. One year later, former Sex Pistol John Lydon (a.k.a. Johnny Rotten) appeared as a defendant when drummer Robert Williams, who was hired to support Lydon on a solo tour, sued the singer for lost wages and an assault. Despite Lydon’s occasional bad courtroom behavior, the decision was made in his favor.

11. THE STAR ORIGINALLY DIDN’T WANT THE SHOW NAMED AFTER HER.

Sheindlin first envisioned calling her show Hot Bench, a term used frequently in the appellate court, but the producers wisely advised her that the term was meaningless to TV viewers who didn’t work in the legal system. Her next thought was Judy Justice, since she’d overheard her court officers warning deadbeat parents who were delinquent in child support payments that they were in for a load of "Judy Justice" if they weren’t prepared to cough up some money. In retrospect, Sheindlin realized the wisdom in calling the show Judge Judy: She couldn’t be easily replaced, as the various judges had been on The People’s Court. However, after 19 years on the air, she still does not refer to herself by that sobriquet; whether introducing herself to someone or advertising her show in a promotional clip, she is always either “Judge Sheindlin” or “Judge Judy Sheindlin.”

12. JUDGE SHEINDLIN INHERITED HER SENSE OF HUMOR FROM HER FATHER.

Murray Blum, Judy’s beloved father, was a dentist whose office was in the family home. In those days—before sedation dentistry was an option—a dentist’s best tool to distract nervous patients was the gift of gab, and Murray became a master storyteller out of necessity. Years of listening to her father at the dinner table and at family gatherings taught Judy how to deliver a punchline. One evening outside of a hotel in Hollywood, Sheindlin was approached by a woman who introduced herself as Lorna Berle. She told the judge that her husband Milton was a huge fan and asked if she would mind talking to him for a moment. The elderly comic slowly emerged from a limo and Judy greeted him by singing the theme song to Texaco Star Theater, her favorite TV show as a child. Milton Berle complimented her in return, saying “Kid, you’ve got great comic timing.”

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios