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The Alternate Endings of 28 Famous Movies

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Can you imagine a happy ending for Jason Bourne? Sarah Connor enjoying her grandchildren? Andie ending up with Ducky? Whether the directors simply changed their minds or were influenced by the reactions of test audiences, some of our favorite movies once had completely different endings. Here are 28 of them. Spoilers abound!

1. Dr. Strangelove

The ending to this one is so iconic it's almost impossible to fathom it ending any other way. The ending that was used, of course, was Major T.J. "King" Kong riding a nuclear bomb like it's a bucking bronco, followed by Dr. Strangelove miraculously regaining the ability to walk just as the Doomsday Machine activates and detonates nuclear bombs across the world. But all of this could have been replaced with a massive fight at the Pentagon—a piefight. Everyone in the war room, including the POTUS and the Russian Ambassador, cream each other in the face with pies like they're slapstick vaudevillians. Director Stanley Kubrick ended up cutting the scene because he "decided it was farce and not consistent with the satiric tone of the rest of the film." No kidding.

2. Terminator 2

The year is 2029, Sarah Connor is a happy grandmother, and her son John is a senator. Everyone lives happily ever after. That's great and all, but it didn't leave much room for sequels. The studio preferred dollar signs to happy endings.

3. Rocky

Stallone’s original screenplay had Rocky accepting money to throw the fight against Apollo Creed—who would have been Jamaican, by the way. Rocky then uses the cash to help Adrian open a pet store. So ... good script editing, there.

4. Clerks

Depressingly, Clerks originally ended with Dante getting shot and killed by a robber. Kevin Smith said he ended it that way because he didn't know how to end it otherwise, but when his two mentors informed him that the ending was just a giant downer, he decided to end the movie just before the scene where Dante is killed.

5. I Am Legend

Another hopeful ending here. At the end of the version that was released, Dr. Neville heroically blows himself and a bunch of Darkseekers up, saving Anna and Ethan, but giving them the cure before he goes. Critics didn't care for the ending, but perhaps they would have preferred the one where the Darkseekers break into Neville's lab because they're looking for the female Darkseeker he has been experimenting on. Once Neville realizes this and gives the female back, the rest of the mob backs off and Neville realizes that the infected just see him as a murderer of their kind.

6. Fatal Attraction

Audiences were bored to tears by the original ending, in which Dan is charged with murder while an Alex voice-over confesses suicide. Bad audience reaction prompted a change to the ending we know now: the famous bathtub shooting. But Glenn Close hated this ending and fought hard against it, arguing that her character was more likely to self-destruct and commit suicide. She even had psychiatrists analyze Alex. They agreed. After three weeks of resisting, she gave in and filmed the ending that was released. The original ending was kept for the Japanese release of the film, however.

7. Little Shop of Horrors

The 1986 version of this movie-musical was supposed to end with Audrey II killing Audrey and Seymour and taking over New York City. That's in keeping with the off-Broadway ending, which is what the movie was based on. It's said that Frank Oz and most of the actors, including Rick Moranis, much prefer this ending.

8. Thelma and Louise

Only a tiny tweak here, but a fairly significant one—the first ending showed Thelma and Louise's car tumbling all the way to the canyon floor, no doubt getting pulverized in the process. Harvey Keitel's character finds the Polaroid that blew out of the car and looks at it as a helicopter heads down into the Grand Canyon to survey the wreckage. As you probably know, the updated ending is a wee bit more hopeful—we see their car drive off the cliff, but not the aftermath. I suppose there's the chance that there's an awning halfway down the canyon that they bounce off of, cartoon-style.

9. Butch Cassidy and the Sundance Kid

This one got the Thelma and Louise treatment. Or rather, I suppose, Thelma got the Butch Cassidy treatment. The way it ends now is with Butch and Sundance leaving the house with guns a'blazing, and we hear return fire. But we don't actually see anyone die, leaving the ending slightly more ambiguous than the original, where Paul Newman and Robert Redford got to test their acting chops on a gruesome death scene.

10. Clue

It had three alternate endings, but unlike these other movies, you could actually see all three of them when the movie was released—as long as you were willing to pay to see the movie three times. Originally, you didn't know what ending you were going to get until you got to that dividing point at the end of the movie, but eventually, theaters started advertising if ending A, B, or C was playing so patrons could see the endings they hadn't seen yet. Rumor has it there was actually a fourth ending as well, but the filmmakers decided enough was enough.

11. Rambo: First Blood

When the movie was released on DVD in 2004, it included an alternative ending where John Rambo commits suicide. That would have deprived the world of Rambo: First Blood Part II, Rambo III, and Rambo. You can see what could have been above.

12. The Butterfly Effect

In the theatrical ending, Evan travels back in time to prevent himself from growing up with his childhood sweetheart. There’s a “happy” ending where he does the same thing, but gets to ask her out for coffee when he runs into her later in life. There’s a third version of this ending where Evan doesn’t introduce himself when he later meets her, but does follow her down the street, leaving the viewer to wonder if they ever connected or not. And then there’s the ending above.

13. Seven

Studio execs preferred an ending that didn’t result in any heads in boxes—or at the very least, not any human ones: Instead of the ending they went with, they wanted to soften the blow by using the head of a beloved family dog instead. Brad Pitt stuck to his guns and said it was Gwyneth’s head or no head—and no film—at all.

14. Pretty in Pink

Everyone seems to want Andie to end up with Duckie at the end of this John Hughes classic, but the thing is... they tried that. Here’s how it went down: Duckie and Andie walk into the center of the room at prom, the DJ plays David Bowie’s “Heroes,” they dance, and, presumably, our favorite misunderstood misfits are together forever. Everyone involved with the film agreed that the ending was a little lackluster, and test audiences agreed. Hear Jon Cryer talk about the original ending in the clip above.

15. Return of the Jedi

According to producer Gary Kurtz, the first version of the script included the death of Han Solo during a raid on an Imperial base. Kurtz says that George Lucas was concerned about how Han’s demise would impact merchandising and refused to kill any of the main characters off, which is why the movie ended in a “a teddy bear luau” instead. Kurtz and Lucas went their separate ways after this film. 

16. The Princess Diaries

Would you have been disappointed if you hadn't seen the fabulous castle the new Princess Mia was headed off to live in? Garry Marshall's granddaughter was. When he showed his 5-year-old granddaughter the film, she was upset that it just ended with Mia agreeing to become a princess. The little girl really wanted to see the castle and the start of Mia's fabulous new life, so Marshall convinced Disney to buy some footage of a European castle, to which they digitally added the Genovian flag. Marshall said it made his granddaughter much happier.

17. Blade Runner

If you’ve always been disappointed in the voiceover that originally concluded Blade Runner, you’re not alone. Harrison Ford hated it, too. It was later removed from the Director’s Cut. You can see the original ending above, and here’s the alternate ending.

Other ending options included Deckard shooting Rachael, Deckard shooting Rachael because she asked him to, and Gaff chasing Deckard and Rachael as they drive.

18. Titanic

Instead of Aged Rose quietly dropping her priceless Heart of the Ocean bauble into the abyss, the original ending had her giving a seriously cheesy speech about life being the only thing that’s priceless. Then she launches that sucker overboard as Bill Paxton laughs maniacally, flashing some dangerously crazy eyes.

19. Pretty Woman

Everyone loves this Cinderella story because there’s a happily ever after. But what if there wasn’t? The original script called for Vivian to receive her envelope of cash as per the original agreement. No one falls in love, there’s no fire escape-climbing, and Vivian ends up back on the streets. “[It was] a really dark and depressing, horrible, terrible story about two horrible people and my character was this drug addict, a bad-tempered, foulmouthed, ill-humored, poorly educated hooker who had this weeklong experience with a foulmouthed, ill-tempered, bad-humored, very wealthy, handsome but horrible man and it was just a grisly, ugly story about these two people,” Julia Roberts has said.

20. Alien

Even after the movie had started production, no one knew exactly where Ripley would be when the credits rolled. The script went through multiple rewrites, and multiple finales were written up. One of Ridley Scott’s ideas was to have the xenomorph bite our heroine’s head off, then record a final entry in her log—using her voice. Producers thought it was too dark and would only provide additional money for filming if the alien bit it in the end instead.

21. Donnie Darko

Donnie still succumbs to his fate—but with this ending, you actually see it. And it’s heartbreaking.

22. The Bourne Identity

Poor Jason Bourne could have had a happy ending with Marie (until they inevitably killed her at the beginning of the sequel, anyway). Instead, execs decided to end the first film by adding one more tragic event to Bourne’s long history of tragic events.

23. The Birds

The ending of Alfred Hitchcock’s The Birds is pretty iconic in its own right, but Hitch had intended it to be even more memorable: The script called for the final shot to show the Golden Gate Bridge completely covered in feathered foes. When it became clear how expensive it would be to create, the scene was scrapped.

24. National Lampoon’s Vacation

Harold Ramis actually shot another ending to National Lampoon’s Vacation and showed it to audiences — and it tested terribly. “[It] bombed so badly that the audience was laughing for eighty minutes and then just stopped cold," he said. That ending? Clark takes his family to Walley’s home and forces him to entertain his family—at gunpoint.

25. The Shining

Stanley Kubrick’s adaptation of Stephen King's hit novel originally ended with a two-minute hospital scene, a way to show us that Danny and Wendy had survived. But while they’re there, the manager of the Overlook Hotel comes in and tells Wendy that police have investigated, and they didn’t find a shred of paranormal evidence. As he leaves, the manager gives Danny a yellow ball—the same one that led him to the infamous room 237. Kubrick cut the scenes at the last minute after seeing audience reaction: “When I was able to see for the first time the fantastic pitch of excitement which the audience reached during the climax of the movie I decided the scene was unnecessary.” He actually had projectionists cut the scene from the film by hand and mail the strips back to Warner Bros.

26. Gone with the Wind

The script change to the end of Gone with the Wind is small, but it drastically changes the character of Scarlett O’Hara. Instead of it ending with Scarlett declaring, “After all tomorrow is another day,” she gets a little desperate: “Rhett! Rhett! You’ll come back. You’ll come back! I know you will!”

27. Heathers

If you weren’t a fan of the Heathers “quasi-happy ending,” take your pick from these three depressing versions:

  • The school blows up, and the movie ends with prom in heaven.
  • At real prom, the kids all enjoy blue drinks from the punchbowl — the same blue stuff that killed Heather Chandler.
  • Veronica asks Martha Dumptruck if she wants to hang out and rent a movie. Martha responds by stabbing Veronica in the stomach and calling her Heather. As she bleeds out, Veronica gasps, “My name’s not Heather, you bitch!”

28. The Lion King

Scar still meets his much-deserved end, but he burns to death instead of being ripped to pieces by hyenas. During their big battle, Scar throws Simba off of a cliff, saying, “Goodnight, sweet prince.” (A nod to Hamlet, one of the works that inspired the movie.) However, Simba’s fall is broken by a tree, and Scar is engulfed by the flames.

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15 Heartwarming Facts About Mister Rogers
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Though Mister Rogers' Neighborhood premiered 50 years ago, Fred Rogers remains an icon of kindness for the ages. An innovator of children’s television, his salt-of-the-earth demeanor and genuinely gentle nature taught a generation of kids the value of kindness. In celebration of the groundbreaking children's series' 50th anniversary, here are 15 things you might not have known about everyone’s favorite “neighbor.”

1. HE WAS BULLIED AS A CHILD.

According to Benjamin Wagner, who directed the 2010 documentary Mister Rogers & Me—and was, in fact, Rogers’s neighbor on Nantucket—Rogers was overweight and shy as a child, and often taunted by his classmates when he walked home from school. “I used to cry to myself when I was alone,” Rogers said. “And I would cry through my fingers and make up songs on the piano.” It was this experience that led Rogers to want to look below the surface of everyone he met to what he called the “essential invisible” within them.

2. HE WAS AN ORDAINED MINISTER.

Rogers was an ordained minister and, as such, a man of tremendous faith who preached tolerance wherever he went. When Amy Melder, a six-year-old Christian viewer, sent Rogers a drawing she made for him with a letter that promised “he was going to heaven,” Rogers wrote back to his young fan:

“You told me that you have accepted Jesus as your Savior. It means a lot to me to know that. And, I appreciated the scripture verse that you sent. I am an ordained Presbyterian minister, and I want you to know that Jesus is important to me, too. I hope that God’s love and peace come through my work on Mister Rogers’ Neighborhood.”

3. HE RESPONDED TO ALL HIS FAN MAIL.

Responding to fan mail was part of Rogers’s very regimented daily routine, which began at 5 a.m. with a prayer and included time for studying, writing, making phone calls, swimming, weighing himself, and responding to every fan who had taken the time to reach out to him.

“He respected the kids who wrote [those letters],” Heather Arnet, an assistant on Mister Rogers’ Neighborhood, told the Pittsburgh Post-Gazette in 2005. “He never thought about throwing out a drawing or letter. They were sacred."

According to Arnet, the fan mail he received wasn’t just a bunch of young kids gushing to their idol. Kids would tell Rogers about a pet or family member who died, or other issues with which they were grappling. “No child ever received a form letter from Mister Rogers," Arnet said, noting that he received between 50 and 100 letters per day.

4. ANIMALS LOVED HIM AS MUCH AS PEOPLE DID.

It wasn’t just kids and their parents who loved Mister Rogers. Koko, the Stanford-educated gorilla who understands 2000 English words and can also converse in American Sign Language, was an avid Mister Rogers’ Neighborhood watcher, too. When Rogers visited her, she immediately gave him a hug—and took his shoes off.

5. HE WAS AN ACCOMPLISHED MUSICIAN.

Though Rogers began his education in the Ivy League, at Dartmouth, he transferred to Rollins College following his freshman year in order to pursue a degree in music (he graduated Magna cum laude). In addition to being a talented piano player, he was also a wonderful songwriter and wrote all the songs for Mister Rogers' Neighborhood—plus hundreds more.

6. HIS INTEREST IN TELEVISION WAS BORN OUT OF A DISDAIN FOR THE MEDIUM.

Rogers’s decision to enter into the television world wasn’t out of a passion for the medium—far from it. "When I first saw children's television, I thought it was perfectly horrible," Rogers told Pittsburgh Magazine. "And I thought there was some way of using this fabulous medium to be of nurture to those who would watch and listen."

7. KIDS WHO WATCHED MISTER ROGERS’ NEIGHBORHOOD RETAINED MORE THAN THOSE WHO WATCHED SESAME STREET.

A Yale study pitted fans of Sesame Street against Mister Rogers’ Neighborhood watchers and found that kids who watched Mister Rogers tended to remember more of the story lines, and had a much higher “tolerance of delay,” meaning they were more patient.

8. ROGERS’S MOM KNIT ALL OF HIS SWEATERS.

If watching an episode of Mister Rogers’ Neighborhood gives you sweater envy, we’ve got bad news: You’d never be able to find his sweaters in a store. All of those comfy-looking cardigans were knitted by Fred’s mom, Nancy. In an interview with the Archive of American Television, Rogers explained how his mother would knit sweaters for all of her loved ones every year as Christmas gifts. “And so until she died, those zippered sweaters I wear on the Neighborhood were all made by my mother,” he explained.

9. HE WAS COLORBLIND.

Those brightly colored sweaters were a trademark of Mister Rogers’ Neighborhood, but the colorblind host might not have always noticed. In a 2003 article, just a few days after his passing, the Pittsburgh Post-Gazette wrote that:

Among the forgotten details about Fred Rogers is that he was so colorblind he could not distinguish between tomato soup and pea soup.

He liked both, but at lunch one day 50 years ago, he asked his television partner Josie Carey to taste it for him and tell him which it was.

Why did he need her to do this, Carey asked him. Rogers liked both, so why not just dip in?

"If it's tomato soup, I'll put sugar in it," he told her.

10. HE WORE SNEAKERS AS A PRODUCTION CONSIDERATION.

According to Wagner, Rogers’s decision to change into sneakers for each episode of Mister Rogers’ Neighborhood was about production, not comfort. “His trademark sneakers were born when he found them to be quieter than his dress shoes as he moved about the set,” wrote Wagner.

11. MICHAEL KEATON GOT HIS START ON THE SHOW.

Oscar-nominated actor Michael Keaton's first job was as a stagehand on Mister Rogers' Neighborhood, manning Picture, Picture, and appearing as Purple Panda.

12. ROGERS GAVE GEORGE ROMERO HIS FIRST PAYING GIG, TOO.

It's hard to imagine a gentle, soft-spoken, children's education advocate like Rogers sitting down to enjoy a gory, violent zombie movie like Dawn of the Dead, but it actually aligns perfectly with Rogers's brand of thoughtfulness. He checked out the horror flick to show his support for then-up-and-coming filmmaker George Romero, whose first paying job was with everyone's favorite neighbor.

“Fred was the first guy who trusted me enough to hire me to actually shoot film,” Romero said. As a young man just out of college, Romero honed his filmmaking skills making a series of short segments for Mister Rogers’ Neighborhood, creating a dozen or so titles such as “How Lightbulbs Are Made” and “Mr. Rogers Gets a Tonsillectomy.” The zombie king, who passed away in 2017, considered the latter his first big production, shot in a working hospital: “I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made. What I really mean is that I was scared sh*tless while I was trying to pull it off.”

13. ROGERS HELPED SAVE PUBLIC TELEVISION.

In 1969, Rogers—who was relatively unknown at the time—went before the Senate to plead for a $20 million grant for public broadcasting, which had been proposed by President Johnson but was in danger of being sliced in half by Richard Nixon. His passionate plea about how television had the potential to turn kids into productive citizens worked; instead of cutting the budget, funding for public TV increased from $9 million to $22 million.

14. HE ALSO SAVED THE VCR.

Years later, Rogers also managed to convince the Supreme Court that using VCRs to record TV shows at home shouldn’t be considered a form of copyright infringement (which was the argument of some in this contentious debate). Rogers argued that recording a program like his allowed working parents to sit down with their children and watch shows as a family. Again, he was convincing.

15. ONE OF HIS SWEATERS WAS DONATED TO THE SMITHSONIAN.

In 1984, Rogers donated one of his iconic sweaters to the Smithsonian’s National Museum of American History.

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Art
5 Things You Might Not Know About Ansel Adams

You probably know Ansel Adams—who was born on February 20, 1902—as the man who helped promote the National Park Service through his magnificent photographs. But there was a lot more to the shutterbug than his iconic, black-and-white vistas. Here are five lesser-known facts about the celebrated photographer.

1. AN EARTHQUAKE LED TO HIS DISTINCTIVE NOSE.

Adams was a four-year-old tot when the 1906 San Francisco earthquake struck his hometown. Although the boy managed to escape injury during the quake itself, an aftershock threw him face-first into a garden wall, breaking his nose. According to a 1979 interview with TIME, Adams said that doctors told his parents that it would be best to fix the nose when the boy matured. He joked, "But of course I never did mature, so I still have the nose." The nose became Adams' most striking physical feature. His buddy Cedric Wright liked to refer to Adams' honker as his "earthquake nose.

2. HE ALMOST BECAME A PIANIST.

Adams was an energetic, inattentive student, and that trait coupled with a possible case of dyslexia earned him the heave-ho from private schools. It was clear, however, that he was a sharp boy—when motivated.

When Adams was just 12 years old, he taught himself to play the piano and read music, and he quickly showed a great aptitude for it. For nearly a dozen years, Adams focused intensely on his piano training. He was still playful—he would end performances by jumping up and sitting on his piano—but he took his musical education seriously. Adams ultimately devoted over a decade to his study, but he eventually came to the realization that his hands simply weren't big enough for him to become a professional concert pianist. He decided to leave the keys for the camera after meeting photographer Paul Strand, much to his family's dismay.

3. HE HELPED CREATE A NATIONAL PARK.

If you've ever enjoyed Kings Canyon National Park in California, tip your cap to Adams. In the 1930s Adams took a series of photographs that eventually became the book Sierra Nevada: The John Muir Trail. When Adams sent a copy to Secretary of the Interior Harold Ickes, the cabinet member showed it to Franklin Roosevelt. The photographs so delighted FDR that he wouldn't give the book back to Ickes. Adams sent Ickes a replacement copy, and FDR kept his with him in the White House.

After a few years, Ickes, Adams, and the Sierra Club successfully convinced Roosevelt to make Kings Canyon a national park in 1940. Roosevelt's designation specifically provided that the park be left totally undeveloped and roadless, so the only way FDR himself would ever experience it was through Adams' lenses.

4. HE WELCOMED COMMERCIAL ASSIGNMENTS.

While many of his contemporary fine art photographers shunned commercial assignments as crass or materialistic, Adams went out of his way to find paying gigs. If a company needed a camera for hire, Adams would generally show up, and as a result, he had some unlikely clients. According to The Ansel Adams Gallery, he snapped shots for everyone from IBM to AT&T to women's colleges to a dried fruit company. All of this commercial print work dismayed Adams's mentor Alfred Stieglitz and even worried Adams when he couldn't find time to work on his own projects. It did, however, keep the lights on.

5. HE AND GEORGIA O'KEEFFE WERE FRIENDS.

Adams and legendary painter O'Keeffe were pals and occasional traveling buddies who found common ground despite their very different artistic approaches. They met through their mutual friend/mentor Stieglitz—who eventually became O'Keeffe's husband—and became friends who traveled throughout the Southwest together during the 1930s. O'Keeffe would paint while Adams took photographs.

These journeys together led to some of the artists' best-known work, like Adams' portrait of O'Keeffe and a wrangler named Orville Cox, and while both artists revered nature and the American Southwest, Adams considered O'Keeffe the master when it came to capturing the area. 

“The Southwest is O’Keeffe’s land,” he wrote. “No one else has extracted from it such a style and color, or has revealed the essential forms so beautifully as she has in her paintings.”

The two remained close throughout their lives. Adams would visit O'Keeffe's ranch, and the two wrote to each other until Adams' death in 1984.

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