The 15 Best TV Series Finales of All Time

Ursula Coyote, AMC
Ursula Coyote, AMC

What makes a great TV series finale? It depends on the show, of course. But no matter what series you may be watching, you want a finale that ties up loose ends without being annoyingly completist, gives you heart without seeming overly sentimental, and of course makes you feel just as happy, sad, thrilled, or compelled as you did with each previous episode. It’s a very tricky needle to thread, and some series have undoubtedly done it better than others.

In celebration of what it takes to deliver a great final episode, here are (some of) the greatest series finales of all time.

1. The Sopranos // “Made In America”

“Made In America” is, infamously, the episode of television that made millions of viewers briefly think that their cable had just gone out at some crucial moment, when in reality what happened was creator David Chase simply decided one seemingly random moment was the exact second where Tony Soprano’s journey would end. The series finale of The Sopranos spent the better part of its runtime wrapping up a mob war that crippled the family, and then devoted its final minutes to a family dinner set to Journey. Fans still debate the meaning and merits of the final scene, but the sense of palpable unease Chase built up in those last moments—signifying Tony’s perpetual state of watching his back—were a brilliant way to end a show that began as a meditation on existential dread in the first place.

2. Six Feet Under // “Everyone’s Waiting”

The final minutes of “Everyone’s Waiting” are among the most famous in the history of television, and even if the rest of the episode had been a disappointment, they would still rank among the greatest farewells in the medium. As it is, Six Feet Under's final episode with the Fisher family is a gripping, heartfelt, and bitterly funny gem, all building to that last montage. As Sia’s "Breathe Me" plays, we see the deaths of every member of the main cast, which reminds us that death takes many forms beyond mere tragedy, all culminating in the last breaths of Claire. Just thinking about it is enough to make fans of the show burst into tears.

3. Breaking Bad // “Felina”

Few series finales have ever faced such high expectations and managed to rise to meet them so powerfully as Breaking Bad did with its final episode in 2013. “Felina” has everything you could ever want from a Breaking Bad send-off: Walt’s final conversation with Skyler, that incredible revenge shoot-out featuring the rigged machine gun, Jesse’s defiant cry of freedom as he drives away, Walt’s collapse, and that little smile of victory on his face. Some series finales deliver what you want; others deliver what you need. “Felina” somehow manages to do both.

4. M*A*S*H // “Goodbye, Farewell and Amen”

M*A*S*H was on longer than the Korean War was actually fought, and was more than 250 episodes into its run by the time “Goodbye, Farewell and Amen” aired and became one of the most-watched television events in the history of the medium. You’d think the staff of the 4077th might have run out of things to say after such a run, but the series finale manages to be absolutely jam-packed, featuring everything from Hawkeye’s dark repressed memories to Klinger’s wedding. It all builds to that final shot of “GOODBYE” written in stones, which still ranks as one of the most iconic moments in TV history.

5. The Americans // “START”

The Americans quietly became one of the best shows on TV before finally winning a bunch of awards for its final season, and with good reason. The final adventures of Philip and Elizabeth Jennings as they contemplated a return to Russia and an end to their double lives in America were among the best the series ever delivered, all building to a final episode that stuck the landing in every possible way, from the thrills of their final escape to the emotional payoff of their daughter Paige’s big decision.

6. The Wire // "-30-"

The Wire was never going to end anything in a clean, cut-and-dried way, but its series finale did mange to wield the various talents at play in the series to end everything on an ambitious and fairly comprehensive note. The finale reckoned with many of the same questions the entire series did—from the nature of justice to the fragility of power systems and how far people will go to keep them in place—as it worked to resolve the homeless serial killer hoax, illegal wiretapping, and the all-important future of Tommy Carcetti. One last montage reminds us that life goes on in Baltimore, whether the show’s characters have reshaped it for the better or not.

7. Seinfeld // “The Finale”

The series finale of Seinfeld is also among the most divisive in the history of television, and it all begins with an amusing swerve. The show leads off by making us think Jerry and George are about to embark on a typical sitcom sendoff, bidding New York City farewell as they head to California to make a television series, but then the real plot kicks in as the show’s quartet of main characters is arrested for literally doing nothing as a man is carjacked.

The brilliance of the show’s protagonists getting in trouble for the very same thing they’d been doing for nine seasons in a “show about nothing” then pivots to a trial that does play by the sitcom rule of allowing old fan-favorite characters to come back as witnesses, then launches into a wrap-up that mocks the characters, the show’s fans, and the show’s own place of seeming importance in the pop culture landscape. Sitcom finales are usually more like curtain calls; "The Finale" was a provocative final joke.

8. Battlestar Galactica // “Daybreak Parts 1-3”

The finale of Battlestar Galactica might be a little too metaphysical in nature for some viewers, but there’s something about the sense of totality running through it that makes it a perfect sendoff for a series that always placed everything on the line with every single story it told. As the surviving humans of the fleet finally defeat their Cylon enemies, Starbuck sends them to a new home, and they agree to abandon all of their old technology and live among the primitive humans already present on what turns out to be our Earth. It’s a beautiful blending of victory, bittersweet goodbyes, seismic changes to everyone’s lives, angels, the future, and—believe it or not—“All Along the Watchtower.”

9. Star Trek: The Next Generation // “All Good Things…”

“Encounter at Farpoint,” the series premiere of Star Trek: The Next Generation, is a famously slow, bloated affair that was a sign of things to come for the relatively weak first season. “All Good Things…” brilliantly repurposes that story as a time travel saga in which Captain Picard (Patrick Stewart) learns that Q, the alien being who put humanity on trial back in the premiere, is continuing his test of the human race by placing Picard in three different eras of his life. It’s a brilliant conceit that makes an elegant circle out of the series while also allowing Picard to give viewers a grand tour of the series’ entire history, including his own future.

10. Buffy the Vampire Slayer // “Chosen”

Buffy the Vampire Slayer spent weeks setting up its series finale, laying out a last stand that would either end Buffy and her gang of allies forever or wipe Sunnydale off the face of the Earth—or both. The final battle itself has since been dwarfed by more epic series like Game of Thrones, but what makes “Chosen” so magical isn’t its fight scenes, but its heart. With her own army of potential Slayers at her back, Buffy asks Willow to perform a spell that will give them all the powers of a Slayer, leading to one of the most empowering montages in the history of television. Then, even while mourning absent friends, Buffy is able to look toward tomorrow.

11. Newhart // “The Last Newhart”

So many sitcom series finales are all about final goodbyes. Very often characters leave their longtime TV homes for somewhere new, leading to tearful farewells or at least a final moment for everyone to spend one last day together. Newhart absolutely blew that premise up with a twisty, joke-filled finale that includes the entire town being turned into a resort, a five-year time jump, and that brilliant final scene which reveals all of Newhart to have been the dream of Dr. Bob Hartley, Newhart’s character from The Bob Newhart Show. The level of ambition is admirable. That the ambition translated to genuine laughs is wonderful.

12. Twin Peaks: The Return // “Part 17 and Part 18”

Twin Peaks famously ended its early ’90s run with a cliffhanger, which then led to the joyous reception that accompanied The Return, an 18-hour monument to creative freedom which everyone hoped would finally provide some answers. In true David Lynch fashion, though, the answers we got were often difficult to parse. And by the time it was all over, we were left with even more questions. The final two hours of The Return are among the most mind-meltingly intense episodes of television ever devised, all building to a daring and stunning final scene that still has fans talking.

13. The West Wing // “Tomorrow”

The West Wing played the long game with its series finale thanks to a year-long election storyline, which meant that its final episode was always going to be the combination of both an end and a beginning. The intense election story—which included a live debate episode—culminated in the inauguration of a new president, and a farewell to Martin Sheen’s President Josiah Bartlet, but the sense of transition inherent in the plot managed to imbue the series with a new sense of potential energy as it made the turn toward home. Watching “Tomorrow,” you can’t help but fantasize about what it will be like for Josh Lyman and Sam Seaborn to be together in the White House again, changing the world in all new ways. That emotional weight meant that, after seven years, we actually all felt like we could use a little more of The West Wing.

14. Halt and Catch Fire // “Ten of Swords”

Mackenzie Davis as Cameron Howe in Halt and Catch Fire
Bob Mahoney, AMC

Halt and Catch Fire never got the audience it deserved when it was airing, which means many people likely don’t know just how brilliant and daring the show got in its final seasons, which included a time jump, a shocking death, and the dawn of the internet age. “Ten of Swords” is all about closing old chapters and starting new ones, and sends the show’s trinity of remaining major characters in promising new directions, even as they all come to terms with the fact that they can never again recapture what they once had.

15. 30 Rock // “Last Lunch”

30 Rock was one of the most acclaimed comedies of its era in part because of its outright refusal to ever be straightforward about anything. Every plot was jokes on top of jokes and references on top of references, creating a show that rewards viewers who can’t get enough of rapid fire wit (and deserves rewatching). “Last Lunch” continued that tradition while also managing to inject some genuine emotion into the affair, as Jack Donaghy (Alec Baldwin) and Liz Lemon (Tina Fey) reconcile their friendship in a half hour packed with so many gags and callbacks you could watch it half a dozen times and still not catch everything.

New Jersey's Anthony Bourdain Food Trail Has Opened

Neilson Barnard/Getty Images
Neilson Barnard/Getty Images

Before Anthony Bourdain was a world-famous chef, author, or food and travel documentarian, he was just another kid growing up in New Jersey. Earlier this year, Food & Wine reported that Bourdain's home state would honor the late television personality with a food trail tracing his favorite restaurants. And that trail is now open.

Bourdain was born in New York City in 1956, and spent most of childhood living in Leonia, New Jersey. He often revisited the Garden State in his books and television shows, highlighting the state's classic diners and delis and the seafood shacks of the Jersey shore.

Immediately following Bourdain's tragic death on June 8, 2018, New Jersey assemblyman Paul Moriarty proposed an official food trail featuring some of his favorite eateries. The trail draws from the New Jersey episode from season 5 of the CNN series Parts Unknown. In it, Bourdain traveled to several towns throughout the state, including Camden, Atlantic City, and Asbury Park, and sampled fare like cheesesteaks, salt water taffy, oysters, and deep-fried hot dogs.

The food trail was approved following a unanimous vote in January, and the trail was officially inaugurated last week. Among the stops included on the trail:

  1. Frank's Deli // Asbury Park
  1. Knife and Fork Inn // Atlantic City
  1. Dock's Oyster House // Atlantic City
  1. Tony's Baltimore Grill // Atlantic City
  1. James' Salt Water Taffy // Atlantic City
  1. Lucille's Country Cooking // Barnegat
  1. Tony & Ruth Steaks // Camden
  1. Donkey's Place // Camden
  2. Hiram's Roadstand // Fort Lee

10 Sweet Facts About Napoleon Dynamite

© 2004 Twentieth Century Fox
© 2004 Twentieth Century Fox

ChapStick, llamas, and tater tots are just a few things that appear in Napoleon Dynamite, a cult film shot for a mere $400,000 that went on to gross $44.5 million. In 2002, Brigham Young University film student Jared Hess filmed a black-and-white short, Peluca, with his classmate Jon Heder. The film got accepted into the Slamdance Film Festival, which gave Hess the courage to adapt it into a feature. Hess used his real-life upbringing in Preston, Idaho—he had six brothers and his mom owned llamas—to form the basis of the movie, about a nerdy teenager named Napoleon (Heder) who encourages his friend Pedro (Efren Ramirez) to run for class president.

In 2004, the indie film screened at Sundance, and was quickly purchased by Fox Searchlight and Paramount, then released less than six months later. Today, the film remains so popular that in 2016 Pedro and Napoleon reunited for a cheesy tots Burger King commercial. To celebrated the film's 15th anniversary, here are some facts about the ever-quotable comedy.

1. Deb is based on Jerusha Hess.

Jared Hess’s wife Jerusha co-wrote the film and based Deb on her own life. “Her mom made her a dress when she was going to a middle school dance and she said, ‘I hadn’t really developed yet, so my mom overcompensated and made some very large, fluffy shoulders,’” Jared told Rolling Stone. “Some guy dancing with her patted the sleeves and actually said, ‘I like your sleeves … they’re real big.'"

Tina Majorino, who played the fictional Deb, hadn’t done a comedy before, because people thought of her as a dramatic actress. "The fact that Jared would even let me come in and read really appealed to me," she told Rolling Stone. "Even if I didn’t get the role, I just wanted to see what it was like to audition for a comedy, as I’d never done it before."

2. Napoleon's famous dance scene was the result of having extra film stock.

At the end of shooting Peluca, Hess had a minute of film stock left and knew Heder liked to dance. Heder had on moon boots—something Hess used to wear—so they traveled to the end of a dirt road. They turned on the car radio and Jamiroquai’s “Canned Heat” was playing. “I just told him to start dancing and realized: This is how we’ve got to end the film,” Hess told Rolling Stone. “You don’t anticipate those kinds of things. They’re just part of the creative process.”

Heder told HuffPost he found inspiration in Michael Jackson and dancing in front of a mirror, for the end-of-the-movie skit. But when it came time to film the dance for the feature, Heder felt "pressure" to deliver. “I was like, ‘Oh, crap!’ This isn’t just a silly little scene,” he told PDX Monthly. “This is the moment where everything comes, and he’s making the sacrifice for his friend. That’s the whole theme of the movie. Everything leads up to this. Napoleon’s been this loser. This has to be the moment where he lands a victory.” Instead of hiring a choreographer, the filmmakers told him to “just figure it out.” They filmed the scene three times with three different songs, including Jamiroquai’s “Little L” and “Canned Heat.”

3. Napoleon Dynamitefans still flock to Preston, Idaho to tour the movie's locations.

In a 2016 interview with The Salt Lake Tribune, The Preston Citizen’s circulation manager, Rhonda Gregerson, said “every summer at least 50 groups of fans walk into the office wanting to know more about the film.” She said people come from all over the world to see Preston High School, Pedro’s house, and other filming locations as a layover before heading to Yellowstone National Park. “If you talk to a lot of people in Preston, you’ll find a lot of people who have become a bit sick of it,” Gregerson said. “I still think it’s great that there’s still so much interest in the town this long after the movie.”

Besides the filming locations, the town used to host a Napoleon Dynamite festival. In 2005, the fest drew about 6000 people and featured a tater tot eating contest, a moon boot dancing contest, boondoggle keychains for sale, and a tetherball tournament. The fest was last held in 2008.

4. Idaho adopted a resolution commending the filmmakers.

'Napoleon Dynamite' filmmakers Jerusha and Jared Hess
Jerusha and Jared Hess
Frederick M. Brown, Getty Images

In 2005, the Idaho legislature wrote a resolution praising Jared and Jerusha Hess and the city of Preston. HCR029 appreciates the use of tater tots for “promoting Idaho’s most famous export.” It extols bicycling and skateboarding to promote “better air quality,” and it says Kip and LaFawnduh’s relationship “is a tribute to e-commerce and Idaho’s technology-driven industry.” The resolution goes on to say those who “vote Nay on this concurrent resolution are Freakin’ Idiots.” Napoleon would be proud.

5. Napoleon was a different kind of nerd.

Sure, he was awkward, but Napoleon wasn’t as intelligent as other film nerds. “He’s not a genius,” Heder told HuffPost. “Maybe he’s getting good grades, but he’s not excelling; he’s just socially awkward. He doesn’t know how much of an outcast he is, and that’s what gives him that confidence. He’s trying to be cool sometimes, but mostly he just goes for it and does it.”

6. The title sequence featured several different sets of hands..

Eight months before the theatrical release, Fox Searchlight had Hess film a title sequence that made it clear that the film took place in 2004, not in the ’80s or ’90s. Napoleon’s student ID reveals the events occur during the 2004-2005 school year. Heder’s hands move the objects in and out of the frame, but Fox didn’t like his hangnails. “They flew out a hand model a couple weeks later, who had great hands, but was five or six shades darker than Jon Heder,” Hess told Art of the Title. “If you look, there are like three different dudes’ hands—our producer’s are in there, too.”

7. Napoleon Dynamite messed up Netflix's algorithms.

Beginning in 2006, Cinematch—Netflix’s recommendation algorithm software—held a contest called The Netflix Prize. Anyone who could make Cinematch’s predictions at least 10 percent more accurate would win $1 million. Computer scientist Len Bertoni had trouble predicting whether people would like Napoleon Dynamite. Bertoni told The New York Times the film is “polarizing,” and the Netflix ratings are either one or five stars. If he could accurately predict whether people liked the movie, Bertoni said, then he’d come much closer to winning the prize. That didn’t happen for him.

The contest finally ended in 2009 when Netflix awarded the grand prize to BellKor’s Pragmatic Chaos, who developed a 10.06 percent improvement over Cinematch’s score.

8. Napoleon accidentally got a bad perm.


© 2004 Twentieth Century Fox

Heder got his hair permed the night before shooting began—but something went wrong. Heder called Jared and said, “‘Yeah, I got the perm but it’s a little bit different than it was before,’” Hess told Rolling Stone. “He showed up the night before shooting and he looked like Shirley Temple! The curls were huge!” They didn’t have much time to fix the goof, so Hess enlisted Jerusha and her cousin to re-perm it. It worked, but Jon wasn’t allowed to wash his hair for the next three weeks. “So he had this stinky ‘do in the Idaho heat for three weeks,” Jared said. “We were shooting near dairy farms and there were tons of flies; they were all flying in and out of his hair.”

9. LaFawnduh's real-life family starred in the film.

Shondrella Avery played LaFawnduh, the African American girlfriend of Kip, Napoleon’s older brother (played by Aaron Ruell). Before filming, Hess phoned Avery and said, “‘You remember that there were no black people in Preston, Idaho, right? Do you think your family might want to be in the movie?’ And that’s how it happened,” Avery told Los Angeles Weekly. Her actual family shows up at the end when LaFawnduh and Kip get married.

10. A short-lived animated series acted as a sequel.

In 2012, Fox aired six episodes of Napoleon Dynamite the animated series before they canceled it. All of the original actors returned to supply voices to their characters. The only difference between the film and the series is Kip is not married. Heder told Rolling Stone the episodes are as close to a sequel as fans will get. “If you sit down and watch those back to back, you’ve got yourself a sequel,” he said. “Because you’ve got all the same characters and all the same actors.”

This story has been updated for 2019.

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