10 Wonderful Casting Decisions That Made Fans Unnecessarily Angry

Keira Knightley and Matthew Macfadyen in Pride & Prejudice (2005)
Keira Knightley and Matthew Macfadyen in Pride & Prejudice (2005)

Fannish enthusiasm can be a wonderful thing. But sometimes it can go a bit too far, as when hardcore fans are absolutely convinced that they, and only they, know how to properly adapt their beloved franchise into a feature film. When someone is cast who doesn't fit their vision of a favorite character, things can get nasty. As these 10 casting backlashes prove, it's usually best to wait and see how someone does in a role before bringing out the pitchforks.

1. Heath Ledger // The Dark Knight (2008)

Heath Ledger being cast as the Joker has become the litmus test for fans overreacting to a casting decision. Much of the backlash against Ledger stemmed from his roles in teen-centric comedies such as 10 Things I Hate About You. GeekTyrant has a time capsule of Reddit reacting to the news: “Heath Ledger has the charisma of a lettuce leaf.” “The Joker is a character that needs an actor with gravity. Not some little twerp who got lucky.” “Probably the worst casting of all time.” “Let’s reminisce on the days of a A Knight’s Tale and Ten Things I Hate About You. Heath? The Joker? Bad casting. Bad joke.” And [sic all]: “There are better choices in my own opinion, but what do I know, its only been my life enjoying these comics?” But the Academy really had the final say when they awarded Ledger a posthumous Oscar for the part.

2. Michael Keaton // Batman (1989)

Ledger wasn’t the first Batman actor (Bactor?) to suffer the rage of fanboys: When Michael Keaton was cast as the Caped Crusader back in the late '80s, fans sent physical complaint letters (oh, pre-Internet days) to the studio—by one account, more than 50,000 of them. The primary complaints: Keaton was a comedian, and he wasn’t physically intimidating enough. A 1998 article in The Toronto Star noted that Batman “may turn out to be a wimp,” as Keaton was “no Sylvester Stallone.” Director Tim Burton responded to the backlash, explaining that “I met with a number of very good, square-jawed actors, but the bottom line was that I just couldn’t see any of them putting on a bat suit.”

In 2015, Keaton reflected on the time comic book fans the world over hated his guts, saying that “I heard about the outrage, and I couldn’t get it. I didn’t understand why it was such a big deal. It made me feel bad that it was even in question.” But Keaton was in good company; the Star article also mentioned that some fans disliked "the casting of Jack Nicholson as the Joker, a pathologically evil Batman archenemy. Mr. Nicholson, it seems, is guilty of having a sense of humor."

3. Jennifer Lawrence // The Hunger Games (2012)

The biggest complaint against Jennifer Lawrence being cast as The Hunger Games' heroine Katniss Everdeen? She wasn't skinny enough. Because the character comes from the impoverished District 12, Katniss—some argued—should be stick-thin. Her hair color was also a point of contention, with some fans dismissing the Oscar-winning actress as a “beach bunny blonde” with “chubby cheeks.” In an interview with Teen Vogue, Lawrence said she understood the casting backlash: "The cool thing about Katniss is that every fan has such a personal relationship with her, and they understand and know her in a singular way. I'm a massive fan too, so I get it." The Hunger Games franchise went on to earn close to $3 billion globally.

4. Daniel Craig // Casino Royale (2006)

In 2005, layered popped collars were in, Fox canceled Arrested Development, and people just could not handle a blonde guy being cast as the world’s most famous super-spy. Daniel Craig’s height and general appearance were also an issue—the site DanielCraigIsNotBond.com wondered how “a short, blonde actor with the rough face of a professional boxer and a penchant for playing killers, cranks, cads and gigolos [could] pull off the role of a tall, dark, handsome and suave secret agent." An actor "with his looks,” the site suggested, should instead star in a Caddyshack prequel. Most of the world left the “James Blonde” hatred behind when Casino Royale came out to excellent reviews, but the website is still going strong: Earlier this month it posted a story titled "Daniel Craig: Worst Spy Ever."

5. Anne Hathaway // The Dark Knight Rises (2012)

You’d think Batfans would have learned their lesson by now, but no such luck: Fans were skeptical when the squeaky-clean Anne Hathaway was cast as Catwoman/Selina Kyle in The Dark Knight Rises, and it only got worse when the first picture of her in costume leaked. The word “underwhelming” was used a lot. Speaking with MTV, Hathaway responded to the criticism and warned the Internet at large about rushing to judgment based on a single promo pic: “What I’m happy to say is, if you didn’t like the photo, you only see about a 10th of what that suit can do. And if you did like the photo, you have excellent taste.”

6. Robert Pattinson // Twilight (2008)

Given how The Twilight Saga launched Robert Pattinson to the heights of teen heartthrob-dom, it can be easy to forget that, when he was cast, the majority of fans were not pleased. His only major movie before then had been Harry Potter and the Goblet of Fire, where he played Cedric Diggory, whose clean-cut, good boy image was a far cry from the brooding sexiness that fans wanted from vampire Edward Cullen. French actor Gaspard Ulliel was a fan favorite choice to fill the role, a fact referenced by author Stephenie Meyer in a blog post where she named future Superman Henry Cavill as her preferred actor for the part. Pattinson would later describe the fan reaction as “unanimous unhappiness” to MTV. He told the Evening Standard that he “got bags of letters from angry fans, telling me that I can’t possibly play Edward, because I’m Diggory,” and to Entertainment Weekly, he noted that "I stopped reading [blogs] after I saw the signatures saying 'Please, anyone else.'"

7. Keira Knightley // Pride & Prejudice (2005)

Joe Wright's 2005 adaptation of Pride & Prejudice was ill-fated from the very start as star Keira Knightley committed the great sin of not being Jennifer Ehle, who played the role of Elizabeth Bennet in the beloved 1995 BBC miniseries. Shocking! When BBC News asked readers about the movie back in 2004, there was a fair amount of general handwringing of the "how dare you remake a classic?!" variety. Some mega-fans of the 1995 version, though, flipped their pretty beribboned bonnets about Knightley specifically: "The disaster is the casting of Kiera [sic] ‘Bones’ Knightley as Elizabeth," said one anonymous commenter from Pasadena, California. Others chimed in: "This other actor [Matthew Macfadyen] seems to [sic] young for the roll [sic] and Keira too beautiful and thin for playing Lizzy too." "Knightley is too pinched and one-dimensional, not solid enough!" "Keira Knightley is too attractive and rather bad at acting." “Kiera [sic] Knightley should never be Elizabeth Bennet ... she’s not that type of actress.” The Academy disagreed, granting Knightley one of the film’s four Oscar nominations. But that vitriol was nothing compared to the fan reaction to…

8. Matthew Macfadyen // Pride & Prejudice (2005)

Again, from the BBC: “There is only one Mr. Darcy and that is Colin Firth.” “[Firth] ‘is’ the one and only Mr. Darcy.” “No one will compare to Firth.” “Colin Firth is the definitive Mr. Darcy, never to be matched at least not for many a year.” “Matthew Macfayden is not a bad looking chappy but he’s not Colin Firth and cannot possibly live up to the expectations of my comrades and I!” And the nastiest: “You must have someone dashingly handsome as Darcy ... try Rupert Everett, Hugh Jackman, or someone of the tall, arrogant, but handsome calibre. Macfayden doesn't have a masculine enough jaw, I suspect he'll need a seriously good wig to make up for his own rather thin, receding, floppy hair." Not that it wouldn’t be amazing to see a version of Pride & Prejudice with the “masculine-jawed” Jackman as Darcyeven better if he played it in character as Wolverinebut somehow Macfadyen’s turn as the “darkly handsome but socially paralyzed Darcy” pleased critics and audiences alike despite him not being Colin Firth emerging wet from a lake.

9. Vivien Leigh // Gone with the Wind (1939)

Even in pre-Internet times, fans would get demanding about the casting of their favorite characters. With Vivien Leigh in Gone with the Wind, the problem was that she was a British actor playing the world's most famous Southern belle. Producer David O. Selznick tried to downplay Leigh's nationality in the official casting announcement, instead saying that she was educated in Europe and did some "recent screen work in England." Outraged fans wrote letters to newspapers that slammed Leigh's casting as an "insult to Southern womanhood” and "a direct affront to the men who wore the Gray and an outrage to the memory of the heroes of 1776 who fought to free this land of British domination." The President of the United Daughters of the Confederacy, which initially planned to boycott the film, eventually warmed up to Leigh; according to the film’s historical advisor, Susan Myrick, she believed that an Englishwoman was preferable to “a woman from the East or Middle West."

10. René Zellweger // Bridget Jones's Diary (2001)

Call it a reverse Scarlett O’Hara: instead of being angry that a British actor was playing a Southern character, Bridget Jones’s Diary fans couldn’t imagine the Texas-born Renée Zellweger playing Bridget Jones, who is a modern-day version of Pride & Prejudice's Elizabeth Bennet. (What you can take away from this piece: Batman fans and Jane Austen fans are equally hardcore.) “The criticism has been hurtful,” noted Zellweger in a 2000 interview with The Guardian. “Not the bit about the fact that an American girl is playing this part. I can understand that. But it's the extremes to which it's taken. They'll slip something else in there like, ‘Nobody has even heard of her before;' ‘What's she ever done?;' ‘The unknown Texan comic.’ That's hurtful, d'ya know?”

Co-star Hugh Grant came to Zellweger's defense, telling Entertainment Weekly, “She's very funny, and she's been living in England a long time now, mastering the accent. It'll be a triumph. I know it will." The time with a vocal coach—Barbara Berkeley, who worked with Gwyneth Paltrow for Shakespeare In Love—paid off, and Bridget Jones’s Diary became a modern rom-com classic.

Disney's Most Magical Destinations Have Been Reimagined as Vintage Travel Posters

UpgradedPoints.com
UpgradedPoints.com

Many of the iconic settings of animated Disney movies were modeled after real places around the world. Ussé Castle in France’s Loire Valley, for example, is widely rumored to have been the inspiration behind the original Sleeping Beauty story. (Although the castle in the movie more closely resembles Germany's Neuschwanstein Castle.) Likewise, the fictional island in Moana was made to look like Samoa, and the Sultan’s palace in Aladdin shares some similarities with India's Taj Mahal.

If you’ve ever dreamed of exploring Agrabah or Neverland, then you’ll probably enjoy getting lost in these Disney-inspired travel posters from the designers at UpgradedPoints.com, an online resource that helps individuals maximize their credit card travel rewards. Only one of the posters features a real destination ("Beautiful France"), but these illustrations let you get one step closer to scaling Pride Rock or plumbing the depths of Atlantica.

All of the images are rendered in a vintage style with enticing slogans attached—much like the exotic travel posters that were prevalent in the 1930s.

“A few of our designers wanted to capture that longing to experience the true locations of these fantastic films, and the inner child in all of us couldn’t resist seeing how they interpreted the locations of their favorite films,” UpgradedPoints.com writes. “The results are breathtaking and make us wish we could fall into our favorite Disney movies.”

Keep scrolling to see the posters, and for more travel inspiration, read up on eight real-life locations that inspired Disney places (plus one that didn't).

A Disney-inspired poster of France
UpgradedPoints.com

An Atlantica travel poster
UpgradedPoints.com

A Disney-inspired poster
UpgradedPoints.com

A Disney-inspired poster
UpgradedPoints.com

A Lion King travel poster
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A Neverland travel poster
UpgradedPoints.com

11 Memorable Facts About Cats the Musical

Mike Clarke/Getty Images
Mike Clarke/Getty Images

“It was better than Cats!” Decades after Andrew Lloyd Webber's famed musical opened on Broadway on October 7, 1982, this tongue-in-cheek idiom remains a part of our lexicon (thanks to Saturday Night Live). Although the feline extravaganza divided the critics, it won over audiences of all ages and became an industry juggernaut—one that single-handedly generated more than $3 billion for New York City's economy—and that was before it made a return to the Great White Way in 2016. In honor of Andrew Lloyd Webber's birthday on March 22, let’s take a trip down memory lane.

1. The work that Cats the musical is based on was originally going to include dogs.

Old Possum’s Book of Practical Cats, published in 1939, is a collection of feline-themed poems written by the great T. S. Eliot. A whimsical, lighthearted effort, the volume has been delighting cat fanciers for generations—and it could have become just as big of a hit with dog lovers, too. At first, Eliot envisioned the book as an assemblage of canine- and tabby-related poems. However, he came to believe that “dogs don’t seem to lend themselves to verse quite so well, collectively, as cats.” (Spoken like a true ailurophile.) According to his publisher, Eliot decided that “it would be improper to wrap [felines] up with dogs” and barely even mentioned them in the finished product.

For his part, Andrew Lloyd Webber has described his attitude towards cats as “quite neutral.” Still, the composer felt that Eliot’s rhymes could form the basis of a daring, West End-worthy soundtrack. It seemed like an irresistible challenge. “I wanted to set that exciting verse to music,” he explained. “When I [had] written with lyricists in the past … the lyrics have been written to the music. So I was intrigued to see whether I could write a complete piece the other way ‘round.”

2. "Memory" was inspired by a poem that T.S. Eliot never finished.

In 1980, Webber approached T.S. Eliot’s widow, Valerie, to ask for her blessing on the project. She not only said “yes,” but provided the songwriter with some helpful notes and letters that her husband had written about Old Possum’s Book of Practical Cats—including a half-finished, eight-line poem called “Grizabella, the Glamour Cat.” Feeling that it was too melancholy for children, Eliot decided to omit the piece from Practical Cats. But the dramatic power of the poem made it irresistible for Webber and Trevor Nunn, the show’s original director. By combining lines from “Grizabella, the Glamour Cat” with those of another Eliot poem, “Rhapsody on a Windy Night,” they laid the foundation for what became the powerful ballad “Memory.” A smash hit within a smash hit, this showstopper has been covered by such icons as Barbra Streisand and Barry Manilow.

3. Dame Judi Dench left the cast of Cats when her Achilles tendon snapped.

One of Britain’s most esteemed actresses, Dench was brought in to play Grizabella for Cats’s original run on the West End. Then, about three weeks into rehearsals, she was going through a scene with co-star Wayne Sleep (Mr. Mistoffelees) when disaster struck. “She went, ‘You kicked me!’” Sleep recalls in the above video. “And I said, ‘I didn’t, actually, are you alright?’” She wasn’t. Somehow, Dench had managed to tear her Achilles tendon. As a last-minute replacement, Elaine Paige of Evita fame was brought aboard. In an eerie coincidence, Paige had heard a recorded version of “Memory” on a local radio station less than 24 hours before she was asked to play Grizabella. Also, an actual black cat had crossed her path that day. Spooky.

4. To finance the show, Andrew Lloyd Webber ended up mortgaging his house.

Although Andrew Lloyd Webber had previously won great acclaim as one of the creative minds behind Jesus Christ Superstar and other hit shows, Cats had a hard time finding investors. According to choreographer Gillian Lynne, “[it] was very, very difficult to finance because everyone said ‘A show about cats? You must be raving mad.’” In fact, the musical fell so far short of its fundraising goals that Webber ended up taking out a second mortgage on his home to help get Cats the musical off the ground.

5. When Cats the musical came to Broadway, its venue got a huge makeover.

Cats made its West End debut on May 11, 1981. Seventeen months later, a Broadway production of the musical launched what was to become an 18-year run at the Winter Garden Theatre. But before the show could open, some major adjustments had to be made to the venue. Cats came with an enormous, sprawling set which was far too large for the theatre’s available performing space. To make some more room, the stage had to be expanded. Consequently, several rows of orchestra seats were removed, along with the Winter Garden’s proscenium arch. And that was just the beginning. For Grizabella’s climactic ascent into the Heaviside Layer on a giant, levitating tire, the crew installed a hydraulic lift in the orchestra pit and carved a massive hole through the auditorium ceiling. Finally, the theater’s walls were painted black to set the proper mood. After Cats closed in 2000, the original look of the Winter Garden was painstakingly restored—at a cost of $8 million.

6. Cats the musical set longevity records on both sides of the Atlantic.

The original London production took its final bow on May 11, 2002, exactly 21 years after the show had opened—which, at the time, made Cats the longest-running musical in the West End’s history. (It would lose that title to Les Miserables in 2006.) Across the pond, the show was performed at the Winter Garden for the 6138th time on June 19, 1997, putting Cats ahead of A Chorus Line as the longest-running show on Broadway. To celebrate, a massive outdoor celebration was held between 50th and 51st streets, complete with a laser light show and an exclusive after-party for Cats alums.

7. One theatergoer sued the show for $6 million.

Like Hair, Cats involves a lot of performer-audience interaction. See it live, and you might just spot a leotard-clad actor licking himself near your seat before the curtain goes up. In some productions, the character Rum Tum Tugger even rushes out into the crowd and finds an unsuspecting patron to dance with. At a Broadway performance on January 30, 1996, Tugger was played by stage veteran David Hibbard. That night, he singled out one Evelyn Amato as his would-be dance partner. Mildly put, she did not appreciate his antics. Alleging that Hibbard had gyrated his pelvis in her face, Amato sued the musical and its creative team for $6 million.

8. Thanks to Cats the musical, T.S. Eliot received a posthumous Tony.

Because most of the songs in Cats are almost verbatim recitations of Eliot’s poems, he’s regarded as its primary lyricist—even though he died in 1965, long before the show was conceived. Still, Eliot’s contributions earned him a 1983 Tony for Best Book of a Musical. A visibly moved Valerie Eliot took the stage to accept this prize on her late spouse’s behalf. “Tonight’s honor would have given my husband particular pleasure because he loved the theatre,” she told the crowd. Eliot also shared the Best Original Score Tony with Andrew Lloyd Webber.

9. The original Broadway production used more than 3000 pounds of yak hair.

Major productions of Cats use meticulously crafted yak hair wigs, which currently cost around $2300 apiece and can take 40 hours or more to produce. Adding to the expense is the fact that costumers can’t just recycle an old wig after some performer gets recast. “Each wig is made specifically for the actor,” explains wigmaker Hannah McGregor in the above video. Since people tend to have differently shaped heads, precise measurements are taken of every cast member’s skull before he or she is fitted with a new head of hair. “[Their wigs] have to fit them perfectly,” McGregor adds, “because of the amount of jumping and skipping they do as cats.” Perhaps it should come as no surprise that, over its 18-year run, the first Broadway production used 3247 pounds of yak hair. (In comparison, the heaviest actual yaks only weigh around 2200 pounds.)

10. A recent revival included hip hop.

In December 2014, Cats returned to the West End with an all-new cast and music. “The Rum Tum Tugger,” a popular Act I song, was reimagined as a hip hop number. “I’ve come to the conclusion, having read [Old Possum’s Book of Practical Cats] again, that maybe Eliot was the inventor of rap,” Webber told the press.

11. Another revival featured an internet-famous feline for one night only.

On September 30, Grumpy Cat made her Broadway debut in Cats, briefly taking the stage with the cast. Despite being named Honorary Jellicle Cat, she hated every minute of it.

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