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25 Future Stars Who Appeared on Seinfeld

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Columbia Pictures Television

Originally titled The Seinfeld Chronicles, the sitcom went from inauspicious origins to become one of the most iconic shows of all time, turning its stars into household names. But Jerry Seinfeld, Jason Alexander, Julia Louis-Dreyfus, and Michael Richards weren’t the only actors to get their break on the show about nothing. These now-familiar faces appeared in bit parts on the series before making it big.

1. Peter Krause - Tim in "The Limo" (February 26, 1992)

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On Seinfeld: Before he was spotted driving a hearse on Six Feet Under, Peter Krause played a white supremacist who winds up riding in a limo with Jerry and the gang.

Since Seinfeld: He’s gone on to become a bonafide leading man, most recently on Parenthood.

2. Jeremy Piven - Michael Barth in “The Pilot” (May 20, 1993) 

On Seinfeld: In one of the series’ more meta moments, Piven plays an actor who auditions for the part of George in “The Pilot.”

Since Seinfeld: Piven has had a long career in TV and film since Seinfeld, but his name is now synonymous with irate super agent Ari Gold from HBO’s Entourage.

3. Lauren Graham - Valerie in “The Millennium” (May 1, 1997)

On Seinfeld: She plays Jerry’s speed-dial ranking girlfriend.

Since Seinfeld: A few years after getting dumped by Jerry, Graham landed her most famous role as Lorelai Gilmore on the much-loved Gilmore Girls. She's currently on Parenthood, where she plays Peter Krause's sister.

4. Patton Oswalt - Video store clerk in “The Couch” (October 27, 1994)

On Seinfeld: A fellow stalwart of the mid-nineties stand-up circuit, Patton Oswalt made his first-ever TV appearance as a video store clerk on this episode of Seinfeld.

Since Seinfeld: Oswalt’s career now spans TV, movies, stand-up specials, books, and even video games.

5. Brad Garrett - Tony in “The Bottle Deposit” (May 2, 1996)

On Seinfeld: Garrett had a successful stand-up career and had even performed on The Tonight Show with Johnny Carson before his Seinfeld debut, where he played Tony, the mechanic who was deeply dedicated to his craft.

Since Seinfeld: Garrett has lent his dulcet tones to animated hits like Tangled and Finding Nemo, but he’s perhaps most recognized for his role on Everybody Loves Raymond.

6. Michael Chiklis - Steve in “The Stranded” (November 27, 1991)

On Seinfeld: In the early '90s Chiklis was a serial guest-star of shows including Miami Vice, L.A. Law and of course Seinfeld, where he played a friend who lives way out on Long Island.

Since Seinfeld: The same year as his Seinfeld appearance, Chiklis landed his first big role in The Commish, which ran until 1996 on NBC. Since then he’s found fame and critical acclaim on The Shield and starred in blockbusters like Fantastic Four.

7. Jane Leeves - Marla in “The Virgin” (November 11, 1992)

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On Seinfeld: Pre-Frasier Jane Leeves played the titular virgin in "The Virgin" who eventually leaves Jerry for John F. Kennedy, Jr.

Since Seinfeld: Leeves clearly impressed the NBC brass — she was cast as Daphne on Fraiser just months after “The Virgin” first aired.

8. Jon Favreau - Eric the Clown in “The Fire” (May 5, 1994)

On Seinfeld: Favreau played Eric the Clown, the entertainer at a kids' party that was interrupted by a fire — and George's subsequent cowardly escape.

Since Seinfeld: Favreau turned his own struggles into the surprise hit Swingers, a breakout moment that led to a successful career as an actor, writer, and director.

9. Debra Messing - Beth in “The Yada Yada” (April 24, 1997)

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On Seinfeld: Messing played Jerry’s date in two episodes of Seinfeld, including classic “The Yada Yada,” where she’s revealed to be a closet racist.

Since Seinfeld: Just a few months after her final outing on Seinfeld, messing would go on to become one of the stars of her own groundbreaking sitcom, Will & Grace.

10. Christine Taylor - Ellen in “The Van Buren Boys” (February 6, 1997)

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On Seinfeld: Taylor made an early appearance on Seinfeld as one of Jerry's many flames.

Since Seinfeld: She’s starred in hits including Zoolander and Dodgeball. In 2000, she married Ben Stiller, whose dad Jerry starred on Seinfeld as George’s father, Frank Costanza.

11. Courteney Cox - Meryl in “The Wife” (March 17, 1994)

On Seinfeld: Courteney Cox played Meryl, a girlfriend who masquerades as Jerry's wife in order to share his dry cleaning discount.

Since Seinfeld: Cox will always be known for playing Monica during Friends’ decade-long stint next to Seinfeld on Thursday nights.

12. Teri Hatcher - Sidra in “The Implant” (February 25, 1993)

On Seinfeld: The same year that she got her big break opposite Dean Cain in Lois & Clark: The New Adventures of Superman, Teri Hatcher appeared as Jerry's girlfriend Sidra, who Elaine thought had fake breasts. Her oft-quoted retort, “They’re real and they’re spectacular,” told Jerry all he needed to know after it was too late.

Since Seinfeld: Alongside her aforementioned turn as Lois Lane, Hatcher starred as a Bond girl in 1997’s Tomorrow Never Dies before returning to the small screen on ABC’s Desperate Housewives.

13. Marcia Cross - Dr. Sara Sitarides in “The Slicer” (November 13, 1997)

On Seinfeld: Marcia played a life-saving dermatologist who Jerry dismissed as "Pimple Popper M.D."

Since Seinfeld: Cross appeared on shows like Boy Meets World, Ally McBeal, and Spin City before getting her big break on Desperate Housewives.

14. Drake Bell - Kid in “The Frogger” (August 23, 1998)

On Seinfeld: Bell featured in a blink-and-you’ll-miss-it moment from this season nine episode.

Since Seinfeld: A Nickelodeon star turned musician, Bell has come a long way since his Frogger skills (or lack thereof) landed him in George Costanza’s bad books.

15. Jennifer Coolidge - Jodi in “The Masseuse” (November 18, 1993)

On Seinfeld: Another notch on Seinfeld’s bedpost, Coolidge made one of her first TV appearances as the masseuse from this 1993 episode.

Since Seinfeld: Coolidge went on to forge a successful career on the silver screen where she’s perhaps best remembered as Stifler’s mom from the American Pie movies. She’s also still a regular on the sitcom circuit where she has a recurring role on CBS’s 2 Broke Girls.

16. Sarah Silverman - Emily in “The Money” (January 16, 1997)

On Seinfeld: Sarah Silverman popped up as Kramer’s girlfriend Emily whose “Jimmy legs” keep the K-Man up at night, eventually forcing the couple into separate beds.

Since Seinfeld: The sharp-tongued stand-up star has appeared in her own show, released an autobiography, and recently completed the circle by joining Jerry Seinfeld as a guest on his online series Comedians in Cars Getting Coffee.

17. Denise Richards - Molly Dalrymple in “The Shoes” (February 4, 1993)

On Seinfeld: Playing the daughter of NBC’s head of programming, Richards’ low-cut top almost costs George and Jerry their sitcom in Seinfeld’s meta show-within-a-show fourth season.

Since Seinfeld: She continued to distract the Costanzas of the world in films like Starship Troopers, The World is Not Enough, and Wild Things.

18. Kristin Davis - Jenna in “The Pothole” (February 20, 1997)

On Seinfeld: After unknowingly using a toothbrush that had fallen into the toilet, Davis’ character becomes another in an increasingly long line of Jerry’s ex-girlfriends.

Since Seinfeld: By the time she’d appeared on Seinfeld, Davis was already a familiar face to many armchair dwellers after a starring turn on teen drama Melrose Place. But it wasn’t until a year later that she’d truly hit the big time with her critically acclaimed performance as Sex and the City’s resident prude, Charlotte.

19. Rob Schneider - Bob Grossberg in “The Friar's Club” (March 7, 1996)

On Seinfeld: Rob Schneider had actually opened for Jerry Seinfeld on the stand-up circuit before he appeared on the sitcom as Elaine’s partially deaf colleague in this season 7 episode.

Since Seinfeld: The former SNL cast member has gone on to star in comedies like Deuce Bigalow: Male Gigolo and Grown-Ups.

20. Amanda Peet - Lanette in "The Summer of George" (May 15, 1997)

On Seinfeld: Peet played Lanette, Jerry's date to the Tonys whose male roommate catches Jerry totally off-guard.

Since Seinfeld: Peet's resumé since Seinfeld includes starring roles in Studio 60 on the Sunset Strip and The Whole Nine Yards.

21. Chris Parnell - NBC Executive in "The Butter Shave" (September 25, 1997)


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On Seinfeld: After purposely sabotaging his own set, Seinfeld is dismayed to find out that two NBC executives (one played by Parnell) were in attendance and offer Jerry's hack nemesis Kenny Bania a pilot.

Since Seinfeld: Parnell later joined the cast of Saturday Night Live and played the hapless Dr. Spaceman on 30 Rock (pictured).

22. James Spader - Jason 'Stanky' Hanky in "The Apology" (December 11, 1997)

On Seinfeld: This one's definitely pushing it—Spader had already been in several notable films before he appeared on Seinfeld—but it was a great performance. He played a recovering alcoholic who, during Step Nine of Alcoholics Anonymous' Twelve Steps, apologizes to everyone he has ever wronged—except George.

Since Seinfeld: Spader has been a mainstay in indie films and has won three Emmys for his TV work. His most recent gig has him starring as Raymond "Red" Reddington in NBC's The Blacklist.

23. Anna Gunn - Amy in “The Glasses” (September 30, 1993)

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On Seinfeld: George’s poor squinting ability leads to him mistakenly identifying Gunn's Amy as a cheating girlfriend of Jerry's.

Since Seinfeld: Anna Gunn made her name as an Emmy award-winning star of AMC’s Breaking Bad.

24. Bob Odenkirk - Ben in “The Abstinence” (November 21, 1996)

On Seinfeld: Elaine's almost-doctor boyfriend, Ben, who went to medical school but had not yet passed the licensing exam.

Since Seinfeld: Odenkirk would eventually join Gunn on Breaking Bad, and is currently filming the spinoff Better Call Saul. Before Seinfeld, he was a writer for SNL, and he was starring in Mr. Show when this episode first aired.

25. Bryan Cranston - Tim Whatley in “The Mom and Pop Store” (November 17, 1994)

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On Seinfeld: Cranston famously had a recurring role as Jerry’s dentist, the original re-gifter who converted to Judaism for the jokes. It seems that even then he was destined for great things. Seinfeld has said that he knew the actor would become a star the second he walked on set.

Since Seinfeld: He’s had a successful and varied career in both film and TV, but Cranston will always be remembered for his Emmy-winning turn as Walter White in Breaking Bad.

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20 Things You Might Not Have Known About I Love Lucy
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When I Love Lucy premiered on October 15, 1951, no one could have predicted that it would become one of television’s most beloved and enduring programs of all time. But a combination of innovative filming techniques, the dogged perfectionism of star Lucille Ball, top-notch writing, the “can do” attitude of the production staff, and the business savvy of Desi Arnaz, I Love Lucy topped the Nielsen ratings for four out of its six seasons and picked up a handful of Emmys along the way. And even though the show’s main stars couldn’t stay married to one another (Lucy and Desi divorced in 1960, after 20 years of marriage), they remained the best of friends. As Desi would proclaim until his dying day, “I Love Lucy was never just a title.”

1. CBS DIDN’T THINK AMERICANS WOULD BUY THAT LUCY WAS MARRIED TO A “FOREIGN” MAN.

When CBS approached Lucille Ball with the offer of turning her popular radio show My Favorite Husband into a television show, she was agreeable with one condition: that her real-life husband, Desi Arnaz, would be cast in the role of her spouse (played on the radio by Richard Denning). The network balked—there was no way that American viewers would accept average housewife Liz Cooper (her character’s name on the radio series) being married to a “foreign” man with an indecipherable accent. Never mind the fact that Lucy and Desi had been married more than a decade; such a “mixed” marriage was unbelievable.

2. LUCY AND DESI HAD TO TAKE THEIR SHOW ON THE ROAD TO CONVINCE THE NETWORK BRASS.

Arnaz had a successful career touring the country with his rhumba band, which was one of the reasons Lucille wanted him to get cast as her TV husband—to keep him off the road and close to home. In an effort to show the network (and potential sponsors) that they could work together as a comedy team, they crafted a sort of vaudevillian skit that was inserted into the middle of performances by the Desi Arnaz Orchestra during a tour in the summer of 1950. The audiences roared over Lucille’s antics and her interaction with Desi as she interrupted his band’s concert confusedly, cello in hand, thinking she had an audition scheduled. The “Professor” skit not only convinced the network powers that be that the couple could, in fact, be convincing as husband and wife—it also was such a hit that it was incorporated into episode six of I Love Lucy’s first season.

3. THE SHOW BROKE GROUND IN SEVERAL WAYS, SIMPLY BECAUSE THE ARNAZES WOULDN’T MOVE TO NEW YORK.

Lucille and Desi wanted to work in Los Angeles, near their home and their new baby daughter Lucie. But in 1951 the majority of television shows were broadcast from New York, and that’s where sponsor Philip Morris wanted their show to originate as well. In those days the U.S. wasn’t wired for television from coast-to-coast; shows broadcast live could only be transmitted so far. As a result, such shows were preserved on kinescopes (a movie camera aimed at a TV monitor that recorded the show in negligible quality) and shipped to distant stations.

Philip Morris objected to I Love Lucy being performed in California and the kinescopes sent to New York; their biggest cigarette market was up and down the east coast and they wanted the best TV picture quality for that area. Desi Arnaz suggested that the show be filmed with three cameras, like a stage play, which would provide the same quality picture for every market. But multi-cameras had never been used on a situation comedy before, and there were many obstacles involved, not the least of which was accommodating a live studio audience (Desi knew that Lucille worked best when she got immediate audience feedback).

Desi hired legendary cinematographer Karl Freund to help solve the dilemma, and along with writer-producer Jess Oppenheimer and director Marc Daniels, they built a set, and the necessary filming equipment was strategically placed. CBS balked at the additional expense involved in this undertaking, so Arnaz struck a deal: he and Lucille would take a large cut in their salaries and their company, Desilu Productions, would retain ownership of the films in exchange. The enduring high quality of the 35 millimeter film was part of the reason that I Love Lucy became so popular in rerun syndication, and Desilu’s 100 percent ownership of the series made Lucille and Desi the first millionaire TV stars.

4. ONLY LUCY WAS ALLOWED TO MAKE FUN OF RICKY’S FRACTURED ENGLISH.

After a few episodes were filmed, it became an unwritten rule that only Lucy would ever poke fun at her husband’s pronunciation problems. The writers had allowed other characters to make remarks, but in each case the “joke” was met with stony silence from the studio audience. For some reason, it seemed cruel when anyone other than Lucy “mucked” Ricky’s English.

5. SMOKING WAS REQUIRED ON-CAMERA.

I Love Lucy almost never made it to the air because CBS had trouble securing a sponsor for the show. Finally tobacco giant Philip Morris signed on at the 11th hour. As a result, lots of smoking was featured in each episode, and the name “Philip Morris” was worked into the dialogue whenever plausible. There was, however, one small problem: Lucille Ball was a Chesterfield girl. She eventually overcame this little hurdle by having a stagehand stuff any on-camera Philip Morris packs full of Chesterfield cigarettes.

6. WILLIAM FRAWLEY WAS FAR FROM THE FIRST CHOICE TO PLAY FRED MERTZ.

Lucille Ball was eager to have Gale Gordon, whom she’d worked with on her My Favorite Husband radio show, play crusty neighbor and landlord Fred Mertz. But Gordon, who had a steady gig at the time on the Our Miss Brooks radio program, asked for more money than Desilu had to offer. Character actor William Frawley knew Ball in passing (they’d met back in the 1940s) and phoned her personally when he read about her upcoming TV show in the trade papers to inquire if there might be a part for him. CBS and Philip Morris were wary of hiring Frawley, who had a reputation for being a heavy drinker. But Arnaz (no stranger to the bottle himself) thought that Frawley was just curmudgeonly enough to bring Fred Mertz to life. He met Frawley for lunch at Nickodell’s on Melrose Avenue and offered him the role with the proviso that if he missed work for any reason other than legitimate illness, he’d be written out of the show.

7. DORIS ZIFFEL WAS ALMOST ETHEL MERTZ.

Lucille had worked with Bea Benaderet in radio and wanted her to play Ethel Mertz. But Benaderet had just signed on to play Blanche Morton on the TV version of The Burns and Allen Show and was unavailable. Barbara Pepper was a personal friend of Ball’s, and the two had worked in films together, so she was the next serious consideration for the role. Pepper was the right age and body type to play Ethel, but she was also a known alcoholic and the network nixed her after Frawley was hired; two heavy drinkers in the main cast was too risky. I Love Lucy had already gone into early rehearsals by the time director Marc Daniels saw Vivian Vance performing in a play at the La Jolla Playhouse and recommended her to Arnaz. Pepper did play background characters on several I Love Lucy episodes and would go on to land the role of Doris Ziffel on Green Acres.

8. THE “MERTZES” DESPISED ONE ANOTHER OFF-CAMERA.

Vivian Vance was 22 years younger than her TV husband and resented having such an “old poop” play her spouse. Frawley responded in kind, referring to her variously as “that sack of doorknobs” or just plain “b*tch.” But all that animosity was strictly behind the scenes and known mostly only to the series’ writers and directors. Frawley and Vance were savvy enough to not jeopardize their jobs on TV’s most successful show by openly airing their mutual hostility. Even co-workers like Keith Thibodeaux (Little Ricky, a.k.a. Richard Keith) and Roy Rowan (the show’s announcer), who were on the set daily, had no idea that things were less than cuddly between the two actors until years after I Love Lucy ceased production.

9. DESI ARNAZ HAD LIFTS IN HIS SHOES (AND HIS LOVESEAT).

Arnaz listed his height as 5’11” in most official biographies, but those who worked with him knew that in reality he was 5’9” and wore four-inch lifts in his shoes. Lucille Ball stood 5’7” in her stocking feet, and when she wore heels she seemed to tower over her husband. Desi Arnaz Jr. would later explain to an interviewer that his father “was a Cuban with a Latin male’s pride,” which is why it was important to him to be taller than his wife. A dual-purpose, subtle additional cushion (undetectable by the viewing audience) was added to the Ricardos’ loveseat so that Ricky would be taller than Lucy while seated, and would also give him the extra boost needed to gracefully rise from a sitting position up onto his elevator shoes.

10. ARNAZ FLATLY REJECTED A SCENE THAT INVOLVED RICKY CHEATING ON HIS TAXES.

Desi Arnaz was an unabashed believer in the American Dream and was very patriotic when it came to his adopted homeland. Desi was 17 years old when Fulgencio Batista overthrew the Cuban government and the Arnaz family fled to Miami with little more than the clothes they were wearing. The family lived in a warehouse with some other refugees and Desi got a job cleaning birdcages for a man whole sold canaries to pet stores. As he said during his acceptance speech on Ed Sullivan’s Toast of the Town in 1954, “From cleaning canary cages to this night in New York is a long ways. And I don’t think there’s any other country in the world that could give you that opportunity.” So when a scene in original script in the episode “Lucy Tells the Truth” called for Ricky to fudge some numbers on his income tax return, Arnaz refused to play it and asked the writers to remove it. He didn’t want the audience to think that Ricky would cheat the U.S. government.

11. THE CANDY LADY WAS A BIG DIPPER IN REAL LIFE.

“Job Switching” (often referred to as “The Candy Factory Episode”) has long been a fan favorite, particularly the scene where Lucy and Ethel are stuffing their faces and clothing with chocolates while trying to keep up with a speedy conveyor belt. The previous scene featured Lucy hand-dipping chocolates with a real-life dipper that stage manager Herb Browar found at See’s Candies on Santa Monica Boulevard.

Amanda Milligan had never seen I Love Lucy (she watched wrestling on Monday nights), but Browar hired her anyway; he thought her deadpan expression would make her the perfect straight woman for Lucille to react to. During rehearsals Lucille was worried that the scene just wasn’t going to be funny on film because Milligan seemed hesitant to hit her in the face as the script specified. When the cameras were rolling, Milligan hauled off and smacked Lucille so hard that Ball feared her nose had been broken. Despite her pain and ringing ears Ball didn’t call for a “cut” because she did not want to have to do another take! During a break in filming Lucille asked Milligan “So, how do you like working in show business?” An unsmiling Milligan, who’d spent eight hours per day for the past 30 years putting swirls on chocolates, replied, “I’ve never been so bored in my life.”

12. LUCILLE WAS TOO STRESSED TO APPRECIATE THE HUMOR IN ONE OF HER MOST POPULAR EPISODES.

Another fan favorite was, interestingly, not one of Ball’s favorite episodes. It wasn’t until “Lucy Does a TV Commercial” was voted tops in many viewer polls over the years that she acknowledged that it was a funny episode. During filming, she was too nervous and worried about messing up her lines (imagine having to say “Vitameatavegamin” that many times during a spiel) to appreciate the humor.

Ball was many things, including a great physical comedienne, but one thing she was not was an improviser or extemporaneous speaker. Every slurred word of her drunken Vitameatavegamin pitch was in the script. Lucille even came up with a backup plan, lest she forget her lines: she had script supervisor Maury Thompson made up and placed off-side in front of her podium holding up her lines (there were no cue cards on the I Love Lucy set), much like a real commercial setting.

By the way, that stuff Lucy was pouring onto the spoon was apple pectin.

13. BECAUSE THE SHOW WAS FILMED IN FRONT OF AN AUDIENCE, THEY HESITATED TO YELL “CUT” AND RESHOOT SCENES.

As a result, the occasional blooper was left in and sort of papered-over. One classic example occurred in “Redecorating the Mertz’s Apartment,” at the breakfast table when Lucy is musing aloud about how to repair both the Mertz’s marriage and their tacky apartment. See how Desi saves the scene after she mistakenly says “paint the furniture and reupholster the old furniture:”

14. LUCILLE’S PREGNANCY CREATED PANIC BEHIND THE SCENES.

During season two, Ball discovered that she was pregnant. While the Arnazes were overjoyed (Lucille had previously suffered three miscarriages before giving birth to daughter Lucie in July 1951), they were also concerned about the fate of their hit series. Other than the late 1940s sitcom Mary Kay and Johnny (which also starred a real-life married couple), a visibly pregnant female had never starred on a TV series. It would be impossible to conceal Lucille’s condition because, as Desi told the network, “she got as big as a house when she was carrying Lucie.”

Eventually, the network agreed to write Ball’s pregnancy into the show, and Desi hired a local Catholic priest, a minister, and a rabbi to sit in while each episode was filmed to determine whether there was anything objectionable. CBS deemed that the word “pregnant” was vulgar, so it was replaced with “expecting” (or, as Ricky pronounced it, “‘spectin’”). The scene at the Tropicana, where Lucy finally breaks the news to Ricky, was genuinely emotional for the actors, who both started crying and Desi had to be prompted “sing the baby song!” Director William Asher reshot that scene, but decided that the raw emotion in the original take made for a more poignant moment and used it.

15. LITTLE RICKY AND DESI ARNAZ JR. WERE BORN ON THE SAME DAY.

The Arnazes already knew that Lucille would give birth via Caesarian section when her time came (as that was how Lucie had been delivered), and Ball’s obstetrician regularly scheduled all his C-sections on Mondays. As luck would have it, I Love Lucy aired on Monday nights, so with the pregnancy episodes timed just so, Ball went to the hospital the same night that Lucy Ricardo did.

What the Arnazes did not know in advance, however, was the gender of their pending bundle of joy. I Love Lucy head writer Jess Oppenheimer had decided that the Ricardos would have a boy, so when Desi Arnaz Jr. was born, Desi Sr. joyfully called Jess to announce proudly, “Lucy followed your script! Ain’t she something?!” (By the way, a record-breaking 71.7 percent of American televisions were tuned in that Monday night to see the Ricardo baby, which topped the number of folks who watched Dwight D. Eisenhower get sworn in as President the following day.)

16. LUCILLE TRULY SUFFERED FOR THAT ICONIC GRAPE-STOMPING EPISODE.

“Lucy’s Italian Movie” faced a variety of obstacles. First was getting a vineyard to donate the necessary grapes for stomping. The company that ultimately agreed did so with the proviso that it must be mentioned in the script that foot-pressing was an outmoded method of making wine in Italy. Next was the local extra cast to wrestle Lucille in the grape vat; Teresa Tirelli didn’t speak any English and an interpreter had to explain the scene to her. Apparently something was lost in the translation because Tirelli didn’t grasp that this was supposed to be a filmed-from-the-waist-up fake fight and she literally held Lucille’s head under the grape mush until the star very nearly drowned. And even though the show was broadcast in black and white, Ball, Arnaz, and the production staff were sticklers for detail so a formula for a purplish/blue dye had to be worked out that would properly tint Lucille’s flesh and hair without irritating her skin or reacting with the chemicals used to keep her permed locks that famous henna color for that final scene.

17. LUCILLE EXASPERATED GUEST STAR HARPO MARX.

Ball was a long-time admirer of Harpo Marx, but when it came to actually working with him, she was unprepared for his “never the same way twice” approach to his comedy routines. In the Hollywood episode where she was required to mirror his moves, she insisted on incessant rehearsals to get the bit just right. But Harpo’s attitude was “I’ve done this bit for 35 years, why do I need so much rehearsal?” In the end, this was one of the few instances where the scene was re-shot several times after the studio audience had left and was later pieced together by editor Dann Cahn.

18. THE LONGEST LAUGH ON THE SHOW LASTED 65 SECONDS.

When Lucy hid dozens of eggs and then danced the tango with Ricky (resulting in the inevitable blouse full of scrambled yolks), the audience roared for so long that ultimately some of the laughter had to be edited out in the final film. Neither Ball nor Vance had used eggs during rehearsals so that their onscreen reactions would be more genuine when the shells cracked and the albumen slimed its way down their flesh.

19. ARNAZ REQUIRED AS MUCH REALISM AS POSSIBLE, NO MATTER THE COST OR DIFFICULTY.

No matter how wacky the situation, Arnaz tried hard to maintain some veracity, thinking that that the audience would believe it (and thus find it more humorous) if the actors believed it. So when a scene in “Pioneer Women” required an eight-foot-long loaf of bread to pop out of the oven, the producers found a New York bakery willing to bake one. (It was rye bread, by the way, and when filming was finished it was cut up and served to the audience.) Likewise, in “Deep Sea Fishing” when Ricky and Fred entered into a bet with Lucy and Ethel to see who could catch the biggest fish, two 100-plus pound tunas were purchased at San Francisco’s Fisherman’s Wharf, packed in ice into child-sized coffins and air-shipped to Hollywood.

20. THE “UH-OH” LADY HEARD IN THE STUDIO AUDIENCE WAS LUCILLE’S MOM.

Quite often when Lucy Ricardo was stepping into a precarious situation, a woman in the audience could be heard uttering “uh-oh.” That was Dede Ball, who attended every taping and tended to get wrapped up in the proceedings. I Love Lucy sound engineer Glen Glenn was the co-founder of Glen Glenn Sound, and in the 1960s and ‘70s his company was one of the leading providers of laugh tracks, or canned laughter, to TV sitcoms. Many of the yuks used in their recordings were culled from I Love Lucy and The Red Skelton Show, which is why Dede’s “uh-oh” could be heard years later on shows she’d never seen, much less been in attendance.

Additional Sources:
A Book, by Desi Arnaz The Lucy Book, by Geoffrey Mark Fidelman Meet the Mertzes, by Ron Edelman and Audrey Kupferberg The “I Love Lucy” Book, by Bart Andrews Lucy & Ricky & Fred & Ethel: The Story of I Love Lucy, by Bart Andrews Laughs, Luck….and Lucy, by Jess Oppenheimer

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Steven Spielberg’s Anthology Series Amazing Stories Is Being Rebooted for Apple
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Michael Loccisano / Getty Images

Steven Spielberg may be best known for his Oscar-winning work as a film director, but he’s also put forth some prestige television shows. His best known example, Amazing Stories—which ran from 1985 to 1987—offered a lighter take on a fantasy/sci-fi anthology series for a post-Twilight Zone world. Now, The Wall Street Journal reports that the program is being revived for Apple, with Bryan Fuller (Pushing Daisies, Hannibal, American Gods) being tapped to lead the project.

After making a deal with Amblin Entertainment, Spielberg’s production company, Apple announced it will release a 10-episode season of the rebooted series with each episode telling a new story in the genres of fantasy, horror, or science fiction. Fuller will act as both showrunner and executive producer. A release date has yet to be announced.

Amazing Stories will mark Apple's first foray into original content, joining other producers of streaming-only shows like Netflix and Hulu. And with a budget of $5 million per episode, Apple appears to be tackling the program just like any major network would.

When Amazing Stories, named after the early science fiction pulp magazine, debuted in 1985, it was praised for packing Spielberg’s cinematic flair into 30-minute packages. Big names like Martin Scorsese, John Williams, Clint Eastwood, and Brad Bird all contributed to the original project. Details as to who might be on board for the revival are still pending.

[h/t The Wall Street Journal]

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