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Cartoon All-Stars To The Rescue: The Biggest Anti-Drug PSA Ever

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You probably watched Cartoon All-Stars To The Rescue, but there's a good chance you've repressed that memory.

In 1990, this anti-drug TV special was simulcast across all four major networks—the first-ever scripted program to do this—as well as various cable channels. It aired around the globe, and heads of state sat down to film introductions for their respective nations' versions. George H.W. Bush said before its debut that he wanted every child in America to watch it.

The cartoon cost millions of dollars to make and featured such legendary characters as Bugs Bunny, Daffy Duck, the Smurfs, Garfield, Kermit the Frog, and more. Never before (and not since) have so many expensive studio properties appeared in one production together (it's said their licensing fees were waived). If that weren't enough, McDonald's (which financed it) handed out 250 million pamphlets promoting the special and its message. It featured a musical number from Academy Award-winning songwriters Howard Ashman and Alan Menken and even the vocal talents of George C. Scott. He played Smoke, the evil weed smoke monster.

Despite all this, Cartoon All-Stars To The Rescue did not single-handedly win the War on Drugs. Why not?

The story centers around Michael, a 14-year-old marijuana addict who, drug habit nor not, is a real piece of work. He steals his darling sister Corey's piggy bank to feed his insatiable need for cannabis. This is when our cavalcade of animated All-Stars enter. They magically come to life and teach Michael a lesson about addiction and self-control. You can watch the cartoon in its entirety here:

The problem with the special is the huge cast of All-Stars itself. If there ever was a case of too many cooks in the kitchen, this is it, and our nation's youth paid the price.

Alvin and The Chipmunks

These stars hide under Michael's bed and watch him break open Corey's piggy bank. They also snoop through his stash box and find his weed. Alvin and The Chipmunks are in the music industry, so let's not pretend they haven't seen a joint before. Simon quickly identifies the drug by the smell, saying it's "an unlawful substance used to experience artificial highs." Pretty rich sanctimony coming from the guys who came up with this.


Garfield doesn't do anything in this entire PSA except make three jokes about lasagna. Clearly the events of Cartoon All-Stars To The Rescue didn't happen on a Monday, or else the cat would've varied his schtick to mention that.

Winnie the Pooh

Winnie gives advice to Corey and tells her to talk to both her parents and Michael about his addiction. This is the same Winnie the Pooh who fiends for honey with such fervor that he routinely gets his head stuck in a jar. Go dole your advice out somewhere else, junkie.

Bugs Bunny

When Bugs meets Michael, the bunny is impersonating a police officer. He then kidnaps Michael, takes him in a time machine, and makes him observe the first time the teenager ever smoked pot. He also threatens Michael, saying, "What's up your life!" Those are three felonies, plus one crime against Niven's laws of time travel. Bugs Bunny is repugnant.

Kermit the Frog and Miss Piggy

Oh good, the Muppets are here—they make everything better. Except these are Muppet Babies, and they take Michael on a roller coaster ride through his own brain. If you ever wanted to see Kermit the Frog screeching through an adolescent's parietal lobe while screaming, "YOU GOTTA TAKE DRUGS JUST TO FEEL NORMAL!" then this is your chance.

Daffy Duck

Daffy plays a clairvoyant and shows Michael an image of his corpse.

Come on, man, go easy on the kid.

Michelangelo from the Teenage Mutant Ninja Turtles

Clearly shoehorned in here, but he is one of the few characters to issue positive reinforcement. "You're excellent just the way you are...without drugs!" Nice sentiment, but Michael is so terrified after riding a roller coaster through his own brain and seeing his corpse that the only response he can muster is, "HOW DO I GET OUT OF HERE???"

George H.W. Bush and Barbara Bush

Bush 41 and Barbara Bush introduce us to the program. Bush was heavily involved in promoting Cartoon All-Stars To The Rescue. He filmed a series of ads for it and endorsed the special during a speech to the television academy a month before it aired. Keep in mind, no sitting U.S. president who's supported Cartoon All-Stars To The Rescue has ever been re-elected, so this was a big risk for him. It didn't pay off.

Dick Butkus(?)

This is a confusing one. The father, who looks just like former Chicago Bears linebacker Dick Butkus, notices that some of his beers are missing. A Los Angeles Times article published before the special aired says that addiction experts were criticizing the cartoon because it failed to address alcoholism, something more prevalent in teens. It also mentions that the film was "still being edited" three days before it aired, raising the question of whether the father was thrown in as an afterthought to appease these critics. This would make sense because the issue with the beer is never fully resolved.


Alf gets way too much airtime in Cartoon All-Stars To The Rescue. He takes Michael to a hall of mirrors to teach him one of the PSA's most valuable lessons: No matter how well you think you are doing, chances are you look terrible on the outside and that's all that matters.

Michael's Cool Friends

They try to give Michael crack in an arcade. They try to smoke crack in the park. The pretty girl in the nice hat steals Michael's wallet and runs off to buy more crack. These are the kids the All-Stars should be haunting.

Slimer, Baby Gonzo, The Smurfs, Huey, Dewey, and Louie, etc...

Most of these All-Stars just line up to take turns yelling at Michael. It's like an intervention in the most twisted circle of hell. If only Michael could have waited 23 more years, he'd be able to buy weed legally in Colorado and not have to be subjected to all this abuse.

15 Super Facts About Megamind

In 2010, the superhero craze was on the rise in the wake of such hits as Spider-Man, The Dark Knight, and Iron Man. which made it the perfect time to launch a silly sendup of the genre. And so came Megamind, an animated action-comedy about a clumsy villain whose world turns upside down once he actually defeats his superhero nemesis.


Essentially, the pitch boiled down to "What if Lex Luthor defeated Superman?" Except instead of Luthor being a wealthy, vicious human, the film offers Megamind (Will Ferrell), a cowardly, odd-looking (but still bald!) misfit from another planet. Metro Man (voiced by Brad Pitt) is more the Superman type, an alien from another planet who is strong, handsome, and can fly. It's easy for the people of Metro City to love Metro Man, whereas the oddball with the big blue head is instantly regarded as "other" and "bad." It's up to Megamind to prove himself, and find his true path.


The original script by Alan Schoolcraft and Brent Simons was pitched to Ben Stiller's production company, Red Hour Films, with hopes he'd star as its titular baddie. "[It] was written as a live-action movie," Stiller explained in the spring of 2008. "But we thought it would work as an animated movie so we brought it to Jeffrey Katzenberg [CEO of DreamWorks Animation], and now we're in pre-production."


Instead of voicing Megamind, Stiller opted to executive produce the movie—but he does pop by for a quirky audio cameo as the curmudgeonly curator Bernard, who works at the Metro Man Museum.


Riding high off the career revitalization of his live-action superhero hit Iron Man, Downey was game to bring his sarcastic charms to Metro City's menace. But scheduling conflicts ultimately killed the deal. So producers turned to beloved funnyman Will Ferrell, who brought a zany charisma to Megamind, and some crucial gags.


In the fall of 2008, Stiller was teasing the movie as Master Mind. In that version, Megamind's longtime foe was named Uberman (a more overt spoof of Superman), but by spring of 2009, the title had changed to Oobermind, while Uberman had become Metro Man.


"There were two or three sets of directors on the movie, each of which started making a different version of the movie before it went to someone else," illustrator/author Jason Porath, who helped with the film as an employee at DreamWorks Animation, told Mental Floss.

The project was kicked off by Gary Trousdale, who had co-helmed a string of Disney animated movies including Beauty and the Beast, The Hunchback of Notre Dame, and Atlantis: The Lost Empire. Next, Kyle Jefferson and Cameron Hood, who'd directed the DWA short "First Flight," were brought on. But the final version of Megamind is credited to Tom McGrath, who had co-directed Madagascar and Madagascar 2: Escape 2 Africa with Eric Darnell, and would go on to helm Madagascar 3: Europe's Most Wanted (also with Darnell) and Boss Baby. For their earlier efforts, Trousdale, Jefferson, and Hood ultimately received a special thanks credit on Megamind.


In the case of DreamWorks's How To Train Your Dragon, credited directors Dean DeBlois and Chris Sanders were brought on about one year before the film's release. Then, the beloved movie about a boy and his pet dragon would have been unrecognizable to its fans. "At that point, I think Hiccup was like 9 or 10 years old, all the dragons could talk, and Toothless as we know him didn't exist," Porath tells us. "Those little bug-eyed tiny green dragons he fights for fish in the first movie, one of those was supposed to be his companion dragon. It was a lot closer to the book source material."

This practice extends far beyond DreamWorks: At Pixar, The Good Dinosaur went from Bob Peterson to Peter Sohn. Mark Andrews replaced Brenda Chapman on Brave, and Brad Bird took over directing duties from Jan Pinkava on Ratatouille. At Sony Pictures Animation, Hotel Transylvania cycled through six directors before committing to Genndy Tartakovsky.


DreamWorks Animation

One version of Megamind had its eponymous fiend as part of a supervillain league known as the Doom Syndicate. To concoct this crooked but colorful crew of criminals, DreamWorks had an open call, encouraging its artists to pitch villain ideas. Story artist Ryan Savas has publicly shared his sketches for such quirky baddies as White Zombie, The Barista, The Ectopus, the Liberace-inspired Rhinestone, and Alec Baldwin, who can "hypnotize his victims with awesome acting skills." But as the script became streamlined (and the budget got tighter) the Doom Syndicate was cut from Megamind, meaning characters like Destruction Worker, a smoking skeleton, and "geriatric flame-wielder" Hot Flash never made it to the big screen—but they didn't disappear completely.

Three years after the film's release, DreamWorks unleashed the video game Megamind: Ultimate Showdown for the Xbox 360 and PS3. Some of the Doom Syndicate characters reappeared here, including Hot Flash. But Porath told us the fiery old broad made her mark at the animation's offices as well. "Every year, DreamWorks Animation has a big Halloween costume contest," he shared. "And the winner one year was one of the producers who dressed up as Hot Flash."


Concept art reveals that love interest/journalist Roxanne Ritchie (Tina Fey) had a variety of longer haircuts before the filmmakers settled on her perky pixie cut. During his Uber Man days, Metro Man's Elvis-inspired look toyed with some more outlandish iterations, which involved fur collars, sunglasses, and plenty of glitter. Some test sketches even showed Megamind with spiky hair. But the biggest transformation came to the cunning character's devoted sidekick.

Though fans of the film have come to know Minion as a fanged, talking piranha who gets around in a robo-ape mechasuit, his origins were once far less fantastical. Early concept art shows a version of the character imagined as a chubby man with a tiny jetpack.


This is an image of Ben Stiller.
Theo Wargo/Getty Images

"This genre's been done so many times, that it's always interesting to try to find a postmodern version of it," Stiller told MTV. So he spearheaded a story about how people are not always what they seem.

Notably, this wasn't Stiller's first tme parodying superheroes and villains. In 1999, Stiller starred in the comedy Mystery Men, which followed a batch of wannabe superheroes as they face off with a nefarious foe who was way out of their league. Their powers included farting, bowling, being furious, and shoveling "well."


In an informative blog post, Porath explains that a "gag pass" is essentially the part toward the end of production where filmmakers find opportunities to work in more jokes. In this case, the writers and storyboard artists crafted humorous dialogue and visual gags. Meanwhile, Ferrell was encouraged to improvise to bring some more of his unique brand of comedy to the mix.


To promote the film, Ferrell invited all wannabe superheroes to suit up and join him for a party on October 4, 2010, just a month before the film's opening. But the event also set a Guinness World Record for Largest Gathering of Superheroes. With 1580 costumed attendees, Ferrell and his friends made hero history, breaking the old record by 79 superheroes.


Toward the end of the movie, Megamind is channel surfing and crosses a news report about a water-skiing squirrel. A very similar story is covered in Ferrell's 2004 comedy, Anchorman: The Legend of Ron Burgundy.


Cruel timing meant that Megamind opened four months after audiences went wild for Universal's Despicable Me, an animated movie about a villain who goes good. While Megamind pulled in a decent $321 million worldwide, Despicable Me boasted $543 million, spawning sequels and a spinoff for its cuddlier Minions.

The closeness of their premises and release dates hurt Megamind with critics, too. Roger Ebert wrote, "This setup is bright and amusing, even if it does feel recycled from bits and pieces of such recent animated landmarks as The Incredibles with its superpowers and Despicable Me with its villain." USA Today's Claudia Puig was even more cutting, concluding, "Do we really need Megamind when Despicable Me is around?"


Released on Blu-ray and DVD on February 25, 2011, Megamind pulled in another $74 million in domestic sales. Readily available in this fashion, its popularity grew. Today, Megamind is warmly remembered and rewatched by fans happy to mispronounce "Metro City," "school," and "spider" like the lovable villain at its center. And despite its bumpy ride through production, it's fondly remembered by the fleets of artists who brought it to life.

You can see their enthusiasm in the blogs linked above, where they've proudly shared concept art and sketches. But perhaps Porath puts it best, declaring, "To put in perspective: almost every movie goes through radical shifts like this. Megamind had a bit longer journey than others, but not by much. I would by no means consider it an outlier. There were a phenomenal number of talented, funny people working to make it great, and it was a fun time at the studio. DreamWorks treated us all really well; I will never work for somewhere that took better care of me."

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Courtesy Fathom Events // GKIDS
Hayao Miyazaki's Greatest Hits Are Coming Back to Theaters This Fall
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STUDIO GHIBLI FEST: Castle in the Sky
Courtesy Fathom Events // GKIDS

Get ready, anime fans. As part of an upcoming film festival, some of Japanese animation icon Hayao Miyazaki’s best-loved films will be coming back to U.S. movie theaters this fall.

Fathom Events and the North American animation distributor GKIDS are running a film festival devoted to Studio Ghibli, Miyazaki's Tokyo-based animation studio. As part of a series of monthly events that began in June, the festival will be showing Castle in the Sky, Nausicaä, Spirited Away, and Howl’s Moving Castle. Earlier this summer, the festival showed My Neighbor Totoro and Kiki’s Delivery Service.

Due to the festival’s popularity, Studio Ghibli Fest is adding an extra day of showings, beginning with the August re-release of Castle in the Sky. Instead of two days of movies, there will be three screenings on three different days.

The films will be shown on the last Sunday of the month, with subsequent screenings the following Monday and Wednesday. The Sunday and Wednesday films will be dubbed in English, while the Monday showings will have subtitles. The festival runs until November 29.

Since it’s through Fathom Events, the films will be shown at hundreds of theaters around the country. You can check where screenings are available near you by entering your ZIP code here.

Miyazaki is technically retired, but he hasn't been able to resist the call of Studio Ghibli. He's scheduled to release Boro the Caterpillar, a film he's calling his last (several years after saying the same about 2013's The Wind Also Rises) in 2019. So maybe we can expect an extended Studio Ghibli Fest in a few years.


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