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30 Vintage Photos of People in Libraries

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Library of Congress

Story time duty is nothing new for librarians, as you can see in this image, taken by Jessie Tarbox Beals in 1910. A librarian is sharing a Native American legend about the Northern Lights with an audience of youngsters from a nearby Jewish school.

Librarians Helping People 

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Librarians are vital in helping people locate and check out books. Here we see a 1941 image of two different librarians struggling to keep up with the crowd of youngsters at the Brooklyn Public Library’s children’s room.

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Until 1976, blind children had their own schools and libraries with books written in braille. Blind children collect books from the braille library at the Berlin Institute for the Blind, 1920. 

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Here’s a view from the perspective of one of the librarians, as we see her help a young girl check out a book.

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This Woodrow Wilson High School student librarian doesn’t look too excited to be learning the ropes for her new position, does she? The image was taken by Ester Bubley in 1943.

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During WWII, rationing registration often took place at local schools. Here we see one such event occurring in a school library in Lititz, Pennsylvania. The school principal, M.C. Demmy, handled the registration while the town librarian, Mrs. Searle, overlooked the process and kept a watchful eye on the library itself. This image reminds us that libraries often play important roles in communities that extend beyond the simple lending of books. Photo taken by Marjory Collins in 1942.

Checking Out the Books

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Not all of a librarian’s duties involve directly helping the public though. They also must organize new additions to the collection, put back books taken from the shelves, and otherwise keep things running smoothly. Here is Dr. Giles E. Dawson, a reference librarian at the Folger Library, inspecting a new collection of 9,000 rare, antique books valued at $2.5 million. All of the books were printed before 1640, and 787 of them were the only copy known to exist at the time the titles were purchased. 1938, Harris & Ewing

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A woman inspects a map bigger than she is. The giant book was loaned for an exhibition at the Manchester Central Library in February, 1937. 

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Remember that before television became the norm as a means of entertainment, books were a critical part of a person’s recreation. That’s why even Farm Security Administration camps developed during the Great Depression would often feature libraries, like this one at the Arvin camp for migrant workers. Here is the librarian for the small collection, as shot by Dorothea Lange in 1938.

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Similarly, here is a librarian at work for the small library built for the Casa Grande Valley Farm Collective that was created as part of the New Deal. 1940 image by Russell Lee

See Also: 24 Awesome Librarian Tatoos

Groups of Librarians 

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Library of Congress

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Library of Congress

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Just like any occupation, librarians have a number of trade organizations to represent the interests of their profession, and many of these organizations are over 100 years old. In fact, the American Library Association has been going strong for over 136 years now, helping to fight censorship, support libraries, and promote literacy all the while. Here’s a shot of the association after a big 1919 meeting at the New Monterey Hotel in New Jersey. I’ve broke it into multiple sections so you can actually see the entire image, but if you want to see it all assembled, click this link to see the whole thing on The Library of Congress site.

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This smaller group shot features members of the Special Libraries Association and was taken after their 20th annual convention in Washington D.C. in 1928. While the Special Libraries Association currently represents a number of information professionals who do not even work in libraries, at the time they differed from the ALA in that the members of this group all worked for business, government, law, finance, non-profit and academic organizations and institutions, whereas members of the ALA could work in any type of library anywhere.

Librarians Posing 

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While most librarians operate on a local level, a few reach national positions like the Librarian of Congress. Here is one such success story, that of Ainsworth Rand Spofford, the sixth Librarian of Congress, photographed sometime around the time his term ended in 1897.

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His successor, Dr. Herbert Putnam, was relatively young when he started working in the position. Here he is around 1900.

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And here is Dr. Putnam again near the end of his 44 years of service in the Library of Congress in 1939.

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All the way over in Australia, in 1901, the two houses of Parliament decided they needed to establish a library where all records of parliamentary hearings could be stored. Arthur Wadsworth, Head Librarian of the Victorian Parliamentary Library, was named as a temporary librarian for the new Commonwealth Parliamentary Library until it found a permanent home – and he kept the position for 26 years. Image courtesy of the National Library of Australia.

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While it might not be as big of a deal as the Library of Congress or the Commonwealth Parliamentary Library, I’m sure most librarians would jump at the opportunity to serve as the Librarian of the Smithsonian National Academy of Science. Here is the 1924 librarian in the position, Paul Brockett.

Around the World 

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Librarians at El Azhar Mosque at Cairo in 1950. 

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Russian refugees look for books at a compact Russian library in Paris, 1906. 

Interiors

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The inside of the Gladstone Library in 1920. If you find yourself completely engrossed in a book, you can always stay the night. 

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Karl Marx was a frequent visitor of this enormous library known as the Reading Room in the British Museum. Picture taken in 1925.

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An inside peek at Mudie's lending library in 1910. 

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Here is the gorgeous personal library of Chatsworth House in Derbyshire, circa 1930. 

Hard at Work

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The House of Commons Library in London has adopted the saying, "contributing to a well-informed democracy." Here are some men working to do just that, November 1919.

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A woman sorts photographs at the Keystone Press Agency picture library in 1951. 

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A librarian in the (at the time) new National Central Library places books into a dumbwaiter to transport them to another floor. The Carnegie United Kingdon Trustees poured $50,000 into the library, which was a lot of money back in 1933.

Students

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A librarian explains the progress of the war to schoolchildren at Roath Library, Cardiff, November 1939.

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Libraries often double as an art gallery for young students' creations. See children gather around a student-created model of Battersea Fair displayed in the Beckenham Central Library. It took the hard work of four Beckenham students to create in 7 months. 21st November, 1952. 

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1955: A student leafs through a book in the Bennet Library at the Wyoming Seminary, a prep school in Northern Pennsylvania

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A young boy repurposes a pile of books as a step ladder to reach a higher shelf at the Police Athletic League library in 1955. The library was designed to provide children with recreational activities to keep them off the streets and out of trouble. 

Bonus: A young boy checks out a book from the mobile library in 1955. Mobile libraries and book mobiles are still around, transporting books to retirement homes and areas with no library. 

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10 Colorful Facts About Teletubbies
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Ian Gavan, Getty Images

It was the show that every baby loved and every parent found annoying, but somehow Teletubbies took over the world in the late 1990s, much the same way The Beatles did in the 1960s. Tinky-Winky, Dipsy, Laa-Laa, and Po—the four colorful characters with televisions in their stomachs—demanded hugs, loved to repeat themselves, and became icons of educational television, though many still question just what was to be learned from their antics. On the 20th anniversary of the series' American premiere, we're looking behind the scenes of the weird show that somehow just worked.

1. THEY WERE RACIALLY DIVERSE, INSIDE AND OUT.

When the Teletubbies sat down with Today to reveal their true identities, fans learned that the actors inside the costumes were as diverse as the characters themselves, and each one added a bit of his or her own culture to the character they portrayed. John Simmit blended reggae into Dipsy’s babytalk, while Pui Fan Lee incorporated Cantonese into Po’s gibberish. In a short film called Understanding Teletubbies, Tina Wagner from Ragdoll Productions and educational consultant Faith Rogow revealed that body color and height are not the only differences between the four characters. “They also have different skin tones in their faces,” Rogow said. “All of that is very purposeful.”

2. THEY LOOK LIKE ALIENS BUT WERE INSPIRED BY ASTRONAUTS.

Teletubbies co-creator Andrew Davenport told The Guardian that when writing the show, he was inspired by the moon landings and the physical appearance of the astronauts. “It struck me as funny that, at this pinnacle of human achievement, the figures that emerged in bulky spacesuits from landing capsules are like toddlers, with oversized heads and foreshortened legs,” he said, “and they respond to the excitement of their new world by bouncing about. So I devised characters based on spacemen, with limited language just like the emergent speech of young children.”

3. THEY’RE A LOT TALLER THAN THEY LOOK.

Because the Teletubbies only appear on the show in their fake world, there is nothing to compare them to besides each other. Wagner revealed in the short film that in costume, Tinky-Winky is almost nine feet tall.

4. THE RABBITS IN TELETUBBYLAND WERE ALSO MASSIVE.

Teletubbies co-creator Anne Wood revealed in an interview with The Guardian that those cute and fluffy rabbits that appear in the show are not your average pet bunnies. “They needed to be big to fit in with the scale,” Wood said. There was also a problem with their health. “The only suitable ones we could find had been bred on the continent to be eaten,” Wood revealed. “We gave them perfect conditions, running free over the Teletubby grasslands, but their breeding had given them enlarged hearts, and almost weekly the animal trainer would greet me in distress and tell me another had died.”

5. IT WAS THE BBC’S BIGGEST BRAND.

The world famous Teletubbies (L-R) Po, Laa-Laa, Dipsy and Tinky-Winky cross 7th Avenue in Times Square in New York 27 March 2007 as they arrive on American soil in person for the first time ever.
TIMOTHY A. CLARY, AFP/Getty Images

According to the BBC'S annual report for 1998/1999, Teletubbies was its leading brand with over $46 million in revenue. At the time, they were seen by children in 120 countries and territories and aired in 20 languages.

6. THEY SUED WAL-MART.

Because the Teletubbies brand was so big, it had to be protected. In 1999, they sued Wal-Mart Stores Inc. for selling blatant knockoffs called Bubbly Chubbies. “It's not flattery. It's just illegal," Kenn Viselman, the chief executive of the company that marketed the Teletubbies in the United States, told the Los Angeles Times. A spokesperson said that Wal-Mart would “never knowingly infringe on copyright or trademark law,” but the company later agreed to stop selling the toys and destroyed the rest of the inventory.

7. SOME PEDIATRICIANS PROTESTED.

In 1999, the German Association of Pediatricians argued that Teletubbies was bad for children because it (and other shows like it) caused “uncontrollable television consumption in later years.” The doctors also questioned the educational value of the show.

8. TAYLOR SWIFT WAS A FAN.

This past Halloween, Taylor Swift Instagrammed a throwback photo of a Teletubbies costume she wore as a child. The photo is black-and-white, but Swift said that she was Laa-Laa and none of the other kids got it. “When you dress as the yellow teletubby for Halloween, but it's before Teletubbies got huge so all the kids at school ask you why you're dressed as a yellow pregnant alien,” she captioned the photo.

9. THERE WERE A LOT OF EPISODES.

According to IMDb, there were 365 episodes of Teletubbies produced. They aired in the UK on BBC2 between March 31, 1997 and February 16, 2001, and on PBS in the U.S. And there will be more episodes: In 2015, a Teletubbies reboot was announced. The series has also been kept alive in pop culture thanks to numerous references in everything from Family Guy to Doctor Who to Major League Baseball.

10. THEY ARE PLATINUM RECORDING ARTISTS.

On December 1, 1997, the Fab Four dropped a single called “Teletubbies Say ‘Eh-Oh'.” In the week before Christmas, the song had already reached number one on the Billboard UK Singles Chart, selling 1.2 million copies and earning a double platinum certification. It remained in the top 75 for 29 weeks.

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When Michael Flatley Was 'Lord of the Dance'
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Jo Hale, Getty Images

In 1989, while speaking with the Chicago Tribune, a 30-year-old dancer named Michael Flatley outlined some significant plans he had for the future. Chief among them: franchising a plumbing business called Dynasewer, which he hoped would one day replace Roto-Rooter as the go-to company for desperate people with impenetrably clogged toilets.

Few people outside of the Chicago area have ever heard of Dynasewer, which tells you everything you need to know about Flatley’s grand plans. Instead of running a sewage empire, he embraced dancing, something he had loved and practiced since the age of 11. A little over six years later, he was selling millions of videos and made a fortune touring as the Irish-stepping star of Lord of the Dance.

 
 

The contrast between Flatley’s plumbing aspirations and his theatrical gifts isn’t as jarring as it might seem. Born in Chicago on July 16, 1958 to Irish immigrants, Flatley took cues from both his parents. His mother was an accomplished Irish step-dancer, which usually emphasizes a rigid torso and vertically-held arms along with rhythmic lower body choreography; his grandmother was a contest champion in their native Ireland. His father was a construction laborer and plumber who eventually owned his own contracting business. There was no reason Flatley couldn’t be inspired by both of their talents.

Dancing was an informal hobby for the young Flatley, and one he didn’t begin to take seriously until age 11—a significantly late start for step-dancers. To make up for lost time, Flatley practiced for hours every day in his family’s garage. The work paid off: At 17, he won the All-World Championships in Ireland, becoming the first American ever to do so.

While it was a commendable accomplishment, and one that surely thrilled the step-obsessed Flatleys, Irish stepping was not considered a viable option toward financial independence. For the next several years, Flatley assisted his father in construction work, digging ditches and contemplating a career in professional boxing, another physically demanding passion he had developed.

Then The Chieftains came calling. The Irish folk band was successful touring Ireland with an act that mixed traditional Celtic music with high-energy step routines, and Flatley acquitted himself well as a supporting player. He accompanied the group for four years, at the same time developing the Dynasewer brand as a financial cushion to fall back on, as he assumed his dancing career would be a short-lived endeavor. Even a Guinness World Record—which Flatley earned for tapping his feet 28 times in one second in 1989—was hard to monetize. (In 1998, he broke his own record when he reached an impressive 35 taps per second.)

Flatley’s fortunes changed in 1994, thanks to the Eurovision Song Contest. Looking to broadcast the distinctive art of Irish stepping, Flatley joined a new troupe and co-created Riverdance, a seven-minute number that broadened the appeal of his art by adding flashy costumes, a stage-filling number of backup performers, and a degree of sensuality.

Riverdance was a phenomenal ratings success, becoming the talk of that year’s Eurovision field in much the same way Michael Jackson had walked off with a televised Motown special in 1981 by debuting the Moonwalk. Almost immediately, Flatley and producers began assembling a full-length Riverdance stage show that was even more bombastic. Flatley, his exposed torso reminiscent of a flamenco dancer, led a wildly successful international tour and became one of the very few dancers recognizable to the general public—attention usually only afforded to actor-performers like Gregory Hines or Mikhail Baryshnikov.

For six months, Flatley was on top of the world. Then, the night before Riverdance was scheduled to open in London, he was fired.

 
 

According to Flatley, the acrimonious split from Riverdance was a result of the show’s unprecedented success. As the key creative force behind the scenes, the performer wanted to retain control of his choreography, a concession that the show’s producers were unwilling to make. In a show of force, they ousted their star from the stage.

Flatley’s legal response to that situation wouldn’t be resolved until 1999, when the two parties came to an undisclosed settlement. But it didn't take that long for the parties to realize that it was Flatley, and not the Riverdance banner, that audiences were flocking to see. Less than six months after his Riverdance dismissal, Flatley and new partner John Reid conceived Lord of the Dance, a brand-new stage attraction that featured a loose narrative—Flatley is a warrior up against sinister forces—and even more bombastic theatrics. (Reid and Flatley would part ways, rather acrimoniously, a couple of years later.) Flatley exuded so much energy that he claimed he lost 8 to 10 pounds during each performance (then ate “everything in sight to keep my weight up").

'Lord of the Dance' star Michael Flatley poses during a public appearance
Alaxandra Beier, Getty Images

Lord of the Dance was a staggering success, making $60 million in just two years of touring and selling 12 million copies on video. Flatley continued performing through 1998, before announcing his retirement from the show. He was nearing 40, and his back, feet, and joints had taken a significant amount of impact. He felt it was time to step away.

In 2005, the urge to perform returned, and Flatley debuted Celtic Tiger. He continued dancing through 2016, at which point, he told reporters, being the Lord of the Dance had led to diminished physical abilities. “My groin is gone,” he said. And his left foot sometimes fractures spontaneously.

Wealthy from touring, Flatley could sit idle and nurse his aching frame. Instead, he recently shot a film, Blackbird, which he directed and stars in alongside Eric Roberts. He also paints, albeit in an unconventional way: Flatley produces abstract works by dipping his feet into paint and moving them across the canvas.

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