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Today in History: Archduke Ferdinand Is Murdered in Sarajevo

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June 28, 1914: Murder in Sarajevo

There were seven of them—six Bosnian Serbs and one Bosnian Muslim—blending in with the crowds along Appel Quay, the promenade tracing the sluggish River Miljacka through downtown Sarajevo. Some were armed with pistols, some with grenades, each hoping to strike a blow against Austrian tyranny on the sunny morning of Sunday, June 28, 1914.

The first four—Muhamed Mehmedbašić, Nedjelko Čabrinović, Vaso Čubrilović, and Cvjetko Popović—lined both sides of Appel Quay in front of the Sarajevo police station. Another conspirator, Gavrilo Princip, stood at the intersection with Franz Josef Street, where the latter turned to cross the River Miljacka over the Latin Bridge. Beyond the intersection the ringleader, Danilo Ilić, was pacing back and forth along the Quay, overseeing the operation. Finally, the seventh plotter, Trifun Grabež, was posted near the intersection with the Kaiser Bridge, in the “last chance” position.

Their target, Archduke Franz Ferdinand, heir to the thrones of Austria and Hungary, had come to Bosnia to observe the empire’s annual military maneuvers, and only agreed to visit the provincial capital at the insistence of the Austrian governor, Oskar Potiorek. Actually, this wasn’t his first visit: Several days before, on Thursday, June 25, the Archduke and his beloved wife, Sophie Chotek, Duchess of Hohenberg, left their hotel in the nearby spa town of Ilidža to pay a surprise visit to the Sarajevo bazaar, where they did some shopping amid enthusiastic crowds. Then, on Friday and Saturday, while the Archduke was off observing the army maneuvers, Sophie returned on her own to visit various churches, mosques, and charitable institutions, again meeting with a warm welcome; on Saturday evening she gushed, “Everywhere we have gone here we have been greeted with so much friendliness,” even from Bosnian Serbs.

But today was the official event, the day for pomp and circumstance (and, coincidentally, the Archduke and Sophie’s wedding anniversary). Accordingly, the itinerary was planned more or less down to the minute: After attending a private mass in Ilidža, the Archduke and his wife arrived at the Sarajevo train station at 9:40am, then paid a visit to the local army barracks, where he reviewed the troops. By 10am they were on their way again, heading east on Appel Quay to City Hall to meet the local dignitaries.

Serbianna / Wikimedia Commons

They rode with Governor Potiorek in the back of a brand new Gräf & Stift “Double Phaeton” open-topped touring car owned by Lieutenant Colonel Count Franz von Harrach, who was serving as the Archduke’s bodyguard and sat in front with the driver, Leopold Lojka. Theirs was third in a motorcade of seven vehicles—the first carrying Sarajevo’s chief of special security and three policemen, the second the mayor and chief of police, and the rest various members of the Archduke’s entourage, as well as provincial officials and prominent local businessmen.

The motorcade proceeded at a leisurely pace so the crowds could see the Archduke, who was nervous about assassins but also felt compelled to appear casual and unconcerned. There were no troops lining the streets—Potoriek insisted, implausibly, that the populace was happy under his benevolent administration—and in fact most of the spectators seemed enthusiastic, shouting cheers of “Zivio!” (“long may he live!”) as the Archduke’s car passed. But the Archduke’s intuition was better than the governor’s.

The first conspirator, Mehmedbašić, lost his nerve—but the second, Čabrinović, was more determined: Around 10:15am, he threw a small bomb at the Archduke’s car. The device bounced off and exploded under the following vehicle, injuring two military adjutants, Count Erich von Merizzi and Count Alexander Boos-Waldeck. Čabrinović immediately took a cyanide pill and threw himself in the Miljacka, but the poison didn’t work, leaving him at the mercy of enraged onlookers, who fished him out of the shallow river and administered a severe beating before the police took him into custody.

Now the Archduke’s motorcade sped away to City Hall, too fast for any of the other would-be assassins to make an attempt; assuming that Čabrinović would crack under interrogation, their next priority was to avoid being rounded up—all except Princip who, coolheaded as always, meandered across the street to stand in front of Moritz Schiller’s delicatessen at the corner of Appel Way and Franz Josef Street, along the planned return route for the Archduke’s motorcade. (The story that Princip went to Schiller’s to order a sandwich is probably a myth.)

Wikimedia Commons

Meanwhile, the motorcade proceeded to City Hall, where Franz Ferdinand couldn’t conceal his anger. When the mayor (who’d been riding in a lead car and was still unaware of the bomb attempt) tried to begin his official greeting, the Archduke interrupted, “Lord Mayor, what is the good of your speeches? I come to Sarajevo on a friendly visit and someone throws a bomb at me. This is outrageous!” However, Sophie whispered something in her husband’s ear and he regained his composure, bidding the mayor to finish his speech and then giving his own prepared speech in return. Next came the presentation of local worthies including Muslim, Christian, and Jewish community leaders, followed by an official reception, where Franz Ferdinand tried to make light of the assassination attempt, joking, “Today we shall get a few more little bullets.” By 10:45am, the meet-and-greet was over and they were on their way again.

Wikimedia Commons

At this point, the itinerary called for the Archduke to attend another reception at a local museum, but instead he gallantly insisted on visiting the hospital to see the military adjutants, Merizzi and Boos-Waldeck, who were being treated for injuries sustained in the bomb attempt. The original plan had the motorcade turning right on Franz Josef Street, the shortest route to both the hospital and museum, but the Archduke’s security team, fearing more assassins might be lying in wait along this route, decided to change things up and take the long way round, back down Appel Quay. They also switched the order of the cars, with the mayor and chief of police in the lead car and the Archduke, Sophie, and Governor Potiorek in the second. Count von Harrach insisted on riding on the left running board to shield the Archduke from the south (river) side of the Quay, where the last attack had originated.  

Unfortunately, the driver of the lead car either wasn’t informed of the change in plans or simply forgot, and mistakenly turned right on Franz Josef Street, as called for in the original itinerary. Lojka, apparently confused, also began turning but Potiorek told him to stop, then called out to the lead car to turn around so they could resume their journey along the correct route. As the driver of the lead car began to maneuver about in the narrow street, Princip, still standing in front of Schiller’s delicatessen, was astonished to see his target sitting in the back of the second car, just five paces away. Without hesitation he stepped forward and fired two shots, hitting the Archduke in the neck and Sophie in the lower abdomen. Chaos ensued as a crowd of bystanders attacked Princip and wrestled him to the ground, while Lojka backed up to get away from the melee. Harrach, who was still clinging to the other side of the car, later recounted:

As the car quickly reversed, a thin stream of blood spurted from His Highness's mouth onto my right cheek. As I was pulling out my handkerchief to wipe the blood away from his mouth, the Duchess cried out to him, “For God's sake! What has happened to you?” At that she slid off the seat and lay on the floor of the car, with her face between his knees. I had no idea that she too was hit and thought she had simply fainted with fright. Then I heard His Imperial Highness say, “Sophie, Sophie, don’t die. Stay alive for the children!” At that, I seized the Archduke by the collar of his uniform, to stop his head dropping forward and asked him if he was in great pain. He answered me quite distinctly, “It is nothing!” His face began to twist somewhat but he went on repeating, six or seven times, ever more faintly as he gradually lost consciousness, “It’s nothing!” Then came a brief pause followed by a convulsive rattle in his throat, caused by a loss of blood. This ceased on arrival at the governor's residence. The two unconscious bodies were carried into the building where their death was soon established.

In the days to come, all the conspirators except Mehmedbašić were apprehended, and anti-Serb riots broke out in Bosnia, as Catholic Croats and Bosnian Muslims took the opportunity to loot their neighbors’ homes and businesses. Further afield European public opinion was sympathetic to the Archduke and Austria-Hungary: Then, as now, terrorist attacks or “outrages” were viewed as barbaric and counterproductive, and newspapers like Britain’s Daily Mirror stirred readers’ emotions by dwelling on the Archduke’s “pathetic last words to his wife” and the “poignant fate” of their three orphaned children following the “ghastly tragedy.” Kaiser Wilhelm II, who was hosting the British fleet’s visit to Kiel, blanched on hearing the news: He considered the Archduke and Sophie personal friends.

Wikimedia Commons / Chronicaling America 

But ironically, the first response in Vienna was a secret (or not so secret) feeling of relief. While no one was happy that Franz Ferdinand was dead, exactly, the court had long been perturbed by his plans to reform Austria-Hungary by either adding a third monarchy representing the Slavs or—even more radically—transforming it into a federal state. Both options would have met with bitter opposition in the Hungarian half of the Dual Monarchy, where the Magyar aristocrats would see their influence diminished, and this looming conflict threatened to tear the fragile empire apart. Thus, the elderly Emperor Franz Josef displayed a strange combination of horror and resignation when he was informed of his headstrong nephew’s demise:

On hearing the news… the Emperor collapsed into the armchair at his desk as if struck by a thunderbolt. He remained motionless for a long time. At the end he rose, paced the room a prey to the most violent agitation, his eyes rolling with terror. “Horrible!... Horrible!...” was the only word which escaped his lips. At last he seemed to have somewhat recovered his self control, for he exclaimed suddenly as if speaking to himself: “The Almighty is not mocked!... A Higher Power has restored that order which I, unfortunately, was not able to maintain.”

In the same vein, the Imperial ambassador to Berlin, Count Szőgyény, confided to the former German chancellor Bernhard von Bülow that the assassination was “a dispensation of Providence,” as the Archduke’s ascent to the throne “might have given rise to serious conflict, perhaps even civil war…”  

In keeping with this attitude, and the court’s contempt for the Archduke’s morganatic wife, the funeral arrangements were very modest: There were few signs of public mourning as the couple’s remains arrived back in Vienna on July 2, and practically no one attended the ceremonial lying-in-state in the Hofburg palace or the funeral at the Archduke’s rural retreat at Artstetten on July 3. In the crowning act of petty cruelty, Lord Chamberlain Prince Alfred of Montenuovo even forbade the Archduke’s three orphaned children (now stripped of all privileges, as the offspring of a morganatic union) from saying goodbye to their dead parents.

Wikimedia Commons / Wikimedia Commons

But this didn’t mean his death couldn’t serve some purpose. After years of Serbian defiance, the assassination provided a perfect opportunity to settle accounts with the Slavic kingdom by force, as the Austrian chief of the general staff, Conrad von Hötzendorf, had so frequently advocated. This wasn’t just about avenging a single crime: The time had come to reverse the tide of Slavic nationalism, which posed an existential threat to the multiethnic empire. In short, war was the only option, even at risk of a wider conflict with Serbia’s great Slavic patron, Russia. In a meeting with his staff on June 29, 1914, Conrad outlined the case he would shortly present to Emperor Franz Josef, Foreign Minister Count Berchtold, and Hungarian Premier Count István Tisza:

Austria-Hungary cannot let the challenge pass with cool equanimity nor, after the blow on the one cheek, offer the other in Christian meekness, neither is it a case for a chivalrous encounter with “poor little” Serbia, as she likes to call herself, nor for atonement for murder – what is now at issue is the strictly practical importance of the prestige of a Great Power… The Sarajevo outrage has toppled over the house of cards built up with diplomatic documents… the Monarchy has been seized by the throat and forced to choose between letting itself be strangled and making a last effort to defend itself against attack.

Two people were dead; millions more would soon follow.

See the previous installment or all entries.

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11 Delicious Facts About Good Burger
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Paramount Pictures

It takes just 14 words—“Welcome to Good Burger, home of the Good Burger, can I take your order?”—to make a ‘90s kid swoon with nostalgia. Good Burger, the beloved Nickelodeon comedy about a couple of daft teens who try to save their fast food joint from corporate greed, was born out of a Kenan Thompson/Kel Mitchell sketch on All That in the mid-'90s. A year later, due to its popularity, it found itself being turned into its own live-action movie, with Brian Robbins at the helm. Today—20 years after its original release—it’s a silly cult hit that’s indelibly a part of Generation Y. Revisit the classic with these facts about Good Burger.

1. KEL MITCHELL AUDITIONED FOR ALL THAT WITH HIS CHARACTER FROM GOOD BURGER.

In an interview with The A.V. Club, Kel Mitchell explained how he came up with Ed. “I did a ‘dude’ voice, and that’s where Ed [from Good Burger] was kind of born,” he said. “I did that there at the audition. They were just cracking up.”

2. ED’S FIRST APPEARANCE WAS IN THE JOSH SERVER SKETCH, “DREAM REMOTE.”

Essentially, Good Burger was born out of a random character decision made during one little sketch. “It was where [Josh] could have a remote control that could control his entire life,” Mitchell told The A.V. Club. “So, he could fast-forward through his sister nagging, he could make pizza come really quickly. I was the pizza guy. I came to the door, and the pizza guy didn’t really have a voice, so I was like, ‘Mleh, here’s your pizza! That was the first time we saw Ed, and so they created Good Burger.”

3. ED’S LOOK WAS INSPIRED BY MILLI VANILLI.

When prepping for Ed’s debut on All That, Kel Mitchell spotted what would become the character’s signature look. “I remember I went to the hair room, and I saw these braids. It was like these early Brandy ’90s Milli Vanilli braids. I put those on, and it came to life,” he told The A.V. Club.

4. THOUSANDS OF POUNDS OF MEAT STUNK UP THE SET.

Nickelodeon

For a movie all about burgers, you better believe the production had a ton of them sitting around on set. "At one point, there was over 1750 pounds of meat on the set," Kenan Thompson told The Morning Call. "Some of it was old meat. It was so nasty. Some of the burgers would stay out there for a long time. I felt sorry for the extras who had to eat them with cold, clammy fries. But on screen, those burgers look good."

5. ELMER’S GLUE WAS USED TO KEEP THE FOOD LOOKING FRESH.

In order to keep the food looking good on screen, the production resorted to old, albeit inedible, tricks. "It was so gross, because when I scoop out ice cream in the movie, it was really vegetable shortening with food coloring,” Mitchell told The Morning Call. “When I poured milk on cereal, we used Elmer's Glue so the flakes wouldn't get soggy."

6. KENAN AND KEL CONTRIBUTED TO THE GOOD BURGER SOUNDTRACK.

Good Burger was their baby, so of course Kenan and Kel took the reins on more than just the creation of the characters, according to a 1997 interview with The Morning Call. Specifically, Kel partnered up with Less Than Jake on the hit song, “We’re All Dudes.” Because of this, the soundtrack actually charted at 101 on the Billboard 200.

7. GOOD BURGER WAS LINDA CARDELLINI’S FEATURE FILM DEBUT.

YouTube

In an interview with The A.V. Club, the Freaks and Geeks star reminisced about her breakout role in the Nickelodeon movie. “That’s my sister’s favorite role that I’ve ever played! It was so much fun. It was my first film, and it was a fantastic part,” Cardellini said. “I got to play crazy! Nobody knew who I was, and I got the part from the table read.”

8. WRITER DAN SCHNEIDER INTENDED TO GIVE UP ACTING WHEN HE WROTE GOOD BURGER, BUT HE PLAYED MR. BAILY IN THE FILM.

On creating Good Burger, writer/producer/actor Dan Schneider explained to The A.V. Club: “I’ve always wanted to write, and after I was doing All That and Kenan & Kel, I got the opportunity to do another TV show—I was still going on auditions. I realized that if I took that show, I was going to have to give up All That and Kenan & Kel. I really didn’t want to do [that] ... I passed on the acting role, and that was really the turning point, I guess, in 1996, when I was like, ‘You know what? I’m going to put my acting career on the back burner, and I’m going to be a writer-producer.’ Then I wrote the movie Good Burger.” However, if you watch the movie, you’ll notice Schneider starring as Mr. Baily.

9. THE ORIGINAL TRAILER FEATURED A SCENE THAT DIDN’T MAKE THE MOVIE.

For reasons that remain a mystery, a scene where a Good Burger customer orders “a good shake” from Ed (Mitchell), only to receive an actual bodily shaking from the Good Burger employee, didn’t make the final cut. It did, however, feature for a few seconds in the theatrical trailer.

10. KENAN AND KEL REUNITED FOR A GOOD BURGER SKETCH ON THE TONIGHT SHOW.

In 2015, Kenan and Kel reunited for a Good Burger sketch with Jimmy Fallon. This time, however, Fallon played Ed’s co-worker, while Kenan came in as a construction worker as a surprise. "We've been wanting to get back together," Mitchell told E! News. "It was just about the right project ... it felt like home."

11. THE FIRST LINE IN THE FILM IS THE SAME AS THE LAST LINE.

Appropriately, the line is, “Welcome to Good Burger, home of the Good Burger, can I take your order?”—just watch the movie.

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10 Surprising Facts About The Babadook
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IFC Films

In 2014, The Babadook came out of nowhere and scared audiences across the globe. Written and directed by Aussie Jennifer Kent, and based on her short film Monster, The Babadook is about a widow named Amelia (played by Kent’s drama schoolmate Essie Davis) who has trouble controlling her young son Samuel (Noah Wiseman), who thinks there’s a monster living in their house. Amelia reads Samuel a pop-up book, Mister Babadook, and Samuel manifests the creature into a real-life monster. The Babadook may be the villain, but the film explores the pitfalls of parenting and grief in an emotional way. 

“I never approached this as a straight horror film,” Kent told Complex. “I always was drawn to the idea of grief, and the suppression of that grief, and the question of, how would that affect a person? ... But at the core of it, it’s about the mother and child, and their relationship.”

Shot on a $2 million budget, the film grossed more than $10.3 million worldwide and gained an even wider audience via streaming networks. Instead of creating Babadook out of CGI, a team generated the images in-camera, inspired by the silent films of Georges Méliès and Lon Chaney. Here are 10 things you might not have known about The Babadook (dook, dook).

1. THE NAME “BABADOOK” WAS EASY FOR A CHILD TO INVENT.

Jennifer Kent told Complex that some people thought the creature’s name sounded “silly,” which she agreed with. “I wanted it to be like something a child could make up, like ‘jabberwocky’ or some other nonsensical name,” she explained. “I wanted to create a new myth that was just solely of this film and didn’t exist anywhere else.”

2. JENNIFER KENT WAS WORRIED PEOPLE WOULD JUDGE THE MOTHER.

Amelia isn’t the best mother in the world—but that’s the point. “I’m not a parent,” Kent told Rolling Stone, “but I’m surrounded by friends and family who are, and I see it from the outside … how parenting seems hard and never-ending.” She thought Amelia would receive “a lot of flak” for her flawed parenting, but the opposite happened. “I think it’s given a lot of women a sense of reassurance to see a real human being up there,” Kent said. “We don’t get to see characters like her that often.”

3. KENT AND ESSIE DAVIS TONED DOWN THE CONTENT FOR THE KID.

Noah Wiseman was six years old when he played Samuel. Kent and Davis made sure he wasn’t present for the more horrific scenes, like when Amelia tells Samuel she wishes he was the one who died, not her husband. “During the reverse shots, where Amelia was abusing Sam verbally, we had Essie yell at an adult stand-in on his knees,” Kent told Film Journal. “I didn’t want to destroy a childhood to make this film—that wouldn’t be fair.”

Kent explained a “kiddie version” of the plot to Wiseman. “I said, ‘Basically, Sam is trying to save his mother and it’s a film about the power of love.’”

4. THE FILM IS ALSO ABOUT “FACING OUR SHADOW SIDE.”

IFC Films

Kent told Film Journal that “The Babadook is a film about a woman waking up from a long, metaphorical sleep and finding that she has the power to protect herself and her son.” She noted that everybody has darkness to face. “Beyond genre and beyond being scary, that’s the most important thing in the film—facing our shadow side.”

5. THE FILM SCARED THE HELL OUT OF THE DIRECTOR OF THE EXORCIST.

In an interview with Uproxx, William Friedkin—director of The Exorcist—said The Babadook was one of the best and scariest horror films he’d ever seen. He especially liked the emotional aspect of the film. “It’s not only the simplicity of the filmmaking and the excellence of the acting not only by the two leads, but it’s the way the film works slowly but inevitably on your emotions,” he said.

6. AN ART DEPARTMENT ASSISTANT SCORED THE ROLE AS THE BABADOOK.

Tim Purcell worked in the film’s art department but then got talked into playing the titular character after he acted as the creature for some camera tests. “They realized they could save some money, and have me just be the Babadook, and hence I became the Babadook,” Purcell told New York Magazine. “In terms of direction, it was ‘be still a lot,’” he said.

7. THE MOVIE BOMBED IN ITS NATIVE AUSTRALIA.

Even though Kent shot the film in Adelaide, Australians didn’t flock to the theaters; it grossed just $258,000 in its native country. “Australians have this [built-in] aversion to seeing Australian films,” Kent told The Cut. “They hardly ever get excited about their own stuff. We only tend to love things once everyone else confirms they’re good … Australian creatives have always had to go overseas to get recognition. I hope one day we can make a film or work of art and Australians can think it’s good regardless of what the rest of the world thinks.”

8. YOU CAN OWN A MISTER BABADOOK BOOK (BUT IT WILL COST YOU). 

IFC Films

In 2015, Insight Editions published 6200 pop-up books of Mister Babadook. Kent worked with the film’s illustrator, Alexander Juhasz, who created the book for the movie. He and paper engineer Simon Arizpe brought the pages to life for the published version. All copies sold out but you can find some Kent-signed ones on eBay, going for as much as $500.

9. THE BABADOOK IS A GAY ICON.

It started at the end of 2016, when a Tumblr user started a jokey thread about how he thought the Babadook was gay. “It started picking up steam within a few weeks,” Ian, the Tumblr user, told New York Magazine, “because individuals who I presume are heterosexual kind of freaked out over the assertion that a horror movie villain would identify as queer—which I think was the actual humor of the post, as opposed to just the outright statement that the Babadook is gay.” In June, the Babadook became a symbol for Gay Pride month. Images of the character appeared everywhere at this year's Gay Pride Parade in Los Angeles.

10. DON'T HOLD YOUR BREATH FOR A SEQUEL.

Kent, who owns the rights to The Babadook, told IGN that, despite the original film's popularity, she's not planning on making any sequels. “The reason for that is I will never allow any sequel to be made, because it’s not that kind of film,” she said. “I don’t care how much I’m offered, it’s just not going to happen.”

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