Texas Middle Schoolers Don Wigs and Paint Happy Little Trees in Tribute to Bob Ross

Brady Sloane
Brady Sloane

Bob Ross is a cultural icon. His fluffy hair and wholesome quotes about “happy accidents” and the benefits of having a tree as a friend have inspired endless memes, Halloween costumes, and T-shirts in addition to a Chia Pet, a Funko toy, and other weird and wonderful merch.

Now, the painter is inspiring a new generation of artists nearly 25 years after his death. As the Associated Press reports, art students at a Texas middle school recently dressed up like Bob Ross and painted along to an episode of The Joy of Painting to honor the public television personality. In an AP video posted to YouTube, dozens of eighth graders at Madison Middle School in Abilene, Texas can be seen sporting curly wigs and button-down denim shirts while holding paint palettes.

Art teacher Brady Sloane told the Abilene Reporter News that she wanted to lighten the mood a little and reward her pre-Advanced Placement students for tackling challenging projects. She discovered that most of her students had heard of Bob Ross, so she decided to start a new tradition and establish a “Flash Bob Flash Mob Day.”

The activity was held in the auditorium, where music stands were turned into makeshift easels and an episode of The Joy of Painting was projected onto a screen. The students got to practice their sponge brush and landscape painting techniques while also learning about a legend in the art world.

"This was just a fun way to incorporate art history, too," Sloane told the newspaper. "He's a part of art history, right? The excitement the students feel when they realize this is an educational experience and a fun experience at the same time is just wonderful to watch."

[h/t Associated Press]

Lost Sketches From The Little Prince Have Been Discovered in Switzerland

Oleksandr Samolyk, Flickr // CC BY 2.0
Oleksandr Samolyk, Flickr // CC BY 2.0

French aviator and author Antoine de Saint-Exupéry's The Little Prince, published in 1943, has long been regarded as one of the most compelling books of the 20th century. Drawing upon Saint-Exupéry's own experiences in aviation, the book tells the tale of a pilot who crashes in the Sahara and befriends a little boy who claims to have come from outer space. The book is accompanied by a number of illustrations by Saint-Exupéry. Now, Smithsonian reports that some of the original preparatory sketches have surfaced.

According to France24.com, the sketches—of the titular Little Prince chatting with a fox, a boa constrictor devouring an elephant, and a character called the Tippler—were purchased at auction in 1986 by an art collector named Bruno Stefanini, who tucked them away in a folder. When Stefanini passed away in December 2018, the artwork—drawn on airmail paper—was uncovered by workers at his non-profit Foundation for Art, Culture, and History in Winterthur, Switzerland.

Aviator and 'The Little Prince' author Antoine de Saint-Exupéry is photographed inside of an airplane cockpit in 1935
Aviator and The Little Prince author Antoine de Saint-Exupéry in 1935.
Hulton Archive/Getty Images

The organization intends to share its findings with the Morgan Library and Museum in New York, which currently houses the original book manuscript (including drafts of the book's most famous phrase, "What is essential is invisible to the eye") and 35 other sketches.

The Stefanini collection also includes a particularly personal piece of material. One of the sketches includes a love letter made out to Saint-Exupéry's wife while the pilot was in New York in 1942 following Germany’s invasion of France. It was there he wrote The Little Prince, which was published the following year. In 1944, Saint-Exupéry was shot down by a German pilot over the Mediterranean.

[h/t Smithsonian]

The Definition of Museum Could Be Changing

The Louvre Museum in Paris, France.
The Louvre Museum in Paris, France.
roman_slavik/iStock via Getty Images

If you’ve always casually defined museum as “a place to see art or historical objects,” you’re not necessarily wrong. But the International Council of Museums (ICOM) has a more specific, official guideline that defines a museum as “a non-profit, permanent institution in the service of society and its development, open to the public, which acquires, conserves, researches, communicates, and exhibits the tangible and intangible heritage of humanity and its environment for the purposes of education, study, and enjoyment.”

ICOM’s 40,000 members have been adhering to this definition for almost 50 years to represent more than 20,000 museums around the world. Now, The Art Newspaper reports, some members want to change it.

On July 22, the organization’s executive board convened in Paris and composed a new definition that Danish curator Jette Sandahl believes better suits the demands of “cultural democracy.” By this updated description, a museum must “acknowledg[e] and addres[s] the conflicts and challenges of the present,” “work in active partnership with and for diverse communities to collect, preserve, research, interpret, exhibit, and enhance understandings of the world,” and “contribute to human dignity and social justice, global equality, and planetary wellbeing.”

The proposal immediately elicited harsh reactions from a number of other members of the museum community, who felt the text was too ideological and vague. François Mairesse, a professor at the Université Sorbonne Nouvelle and the chair of the International Committee of Museology, even resigned from the revisory commission—led by Sandahl—earlier this summer when he realized the new definition wasn’t, by his standards, really a definition. “This is not a definition but a statement of fashionable values, much too complicated and partly aberrant,” he told The Art Newspaper. “It would be disastrous to impose only one type of museum.”

The current plan is for ICOM members to vote on the definition at the general assembly on September 7 in Kyoto, Japan, but 24 national branches and five museums’ international committees have petitioned to postpone the vote—they’d like some time to create their own definition for museum and present it as a counter-proposal.

[h/t The Art Newspaper]

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