Franz Ferdinand Wants Peace in the Balkans

Wikimedia Commons

The First World War was an unprecedented catastrophe that killed millions and set the continent of Europe on the path to further calamity two decades later. But it didn’t come out of nowhere. With the centennial of the outbreak of hostilities coming up in August, Erik Sass will be looking back at the lead-up to the war, when seemingly minor moments of friction accumulated until the situation was ready to explode. He'll be covering those events 100 years after they occurred. This is the 121st installment in the series. 

June 13, 1914: Franz Ferdinand Wants Peace in the Balkans

Depending who you ask, the meeting on June 12-13, 1914 between Kaiser Wilhelm II and Archduke Franz Ferdinand, heir to the thrones of Austria and Hungary, was either a war council—or the exact opposite. Actually it was probably a little bit of both. 

The German emperor was supposedly just paying a friendly visit to the Archduke’s beautiful chateau in Konopischt, Bohemia (today Konopiště, Czech Republic, above), where they could go hunting and stroll in the estate’s enormous rose gardens. But the real purpose was to get Wilhelm—and thus Germany—on board for Austria-Hungary’s new strategy in the Balkans. 

Like all good strategies, this involved a number of contingency plans, including the possibility of war against Serbia, should the truculent Slavic kingdom refuse to bend to Austria-Hungary’s will. Thus Franz Ferdinand asked Wilhelm if Germany would support Austria-Hungary if she moved against Serbia, and probably received assurances that Germany would stand by her ally, in line with Wilhelm’s previous statements (the record here is unclear).

But whatever Wilhelm’s response, the June 13 exchange was hardly evidence of a plot to attack Serbia in the near future, as some historians later interpreted it. For his part the Archduke still opposed war with Serbia, and only inquired about Germany’s attitude at the request of Emperor Franz Josef, who in turn was probably prompted by Foreign Minister Berchtold and chief of the general staff Conrad. If Franz Ferdinand had anything to say about it, this scenario would remain strictly hypothetical.

In fact the Archduke was sympathetic to Austria-Hungary’s Slavic peoples, and hoped to reconcile them to Hapsburg rule (thereby neutralizing the Serbian threat) by reforming the empire—either by adding a third monarchy representing the Slavs, or reinventing it as a federal state with more autonomy at the local level. The obstacle in both cases was certain opposition from the Hungarians, who wielded disproportionate power in the Dual Monarchy and refused to grant their non-Hungarian subjects more rights.

Indeed Franz Ferdinand warned Wilhelm that the Hungarians weren’t just antagonizing the Slavs: the powerful Hungarian Premier István Tisza was also creating a huge foreign policy headache with his repressive measures against Hungary’s ethnic Romanian population, which in turn alienated the neighboring Kingdom of Romania—long associated with the Triple Alliance of Germany, Austria-Hungary, and Italy, but now drifting to the Triple Entente of Russia, France, and Britain. In fact the Romanians were about to host Russia’s Tsar Nicholas II and Foreign Minister Sergei Sazonov in a state visit to the Black Sea port of Constanța—yet another ominous development.

The main message the Archduke communicated to the Kaiser on June 13 concerned this complicated situation and what Germany could do to help solve it. Vienna was cultivating an alliance with Bulgaria as a counterweight to Romania, he confided, but the best thing would be to keep Romania in the Triple Alliance, reconcile her with Bulgaria, and thus form a new balance of power that would intimidate Serbia and lock Russia out of the Balkans. To accomplish this, however, the Hungarians had to stop mistreating their own Romanians—and Franz Ferdinand believed the only way Tisza might yield on this issue was if Austria-Hungary’s powerful ally, Germany, sent a clear message that Hungary needed to moderate its domestic policies in order to keep Romania friendly.

The Kaiser promised he would speak to Tisza when he saw him next, but the assassination of Franz Ferdinand in Sarajevo on June 28, 1914 changed everything—clearing the way for war against Serbia and putting the Romanian question on the back burner, where it remained until it finally boiled over in the middle of the Great War.

Meanwhile, Russian intelligence caught wind of the meeting and passed on selected details—specifically, Wilhelm’s promise to support Austria-Hungary if it attacked Serbia—to the chief of Serbian military intelligence, Dragutin Dimitrijević (codename Apis), who would later try to justify the assassination of Franz Ferdinand on the grounds that he was a warmonger preparing a surprise attack on Serbia. Of course this was the exact opposite of the truth, and anyway the plot had been put in motion long before the meeting at Konopischt; in short Dimitrijević was probably just looking for excuses after the fact. 

New French Government Upholds Three-Year Service Law

In France, June 13, 1914 brought the resolution the worst political crisis experienced by the Third Republic since the infamous Dreyfus Affair. Following the victory of the leftist Radicals and Socialists in elections held in April and May, 1914, the stage was set for an all-in battle over the controversial Three-Year Service Law of 1913, which aimed to increase the size of France’s standing army by extending the term of service for army conscripts from two to three years. The leftists were determined to overturn the law but President Poincaré, a conservative, was equally determined to preserve it. 

In the first weeks of June 1914 Poincaré tried again and again to find someone in the new left-dominated Chamber of Deputies who could form a new government that would uphold the law—but failed repeatedly. On June 12 his most recent candidate for Premier, the moderate Alexandre Ribot, was hooted down in the Chamber amid calls for the end of the Three-Year Service Law. But the amusement was wearing off and French public opinion was starting to turn against the entire political class, which seemed incapable of fulfilling even the most basic tasks of government—a feeling familiar to 21st century Americans. As newspapers across the political spectrum heaped ridicule on the Chamber of Deputies, opposition among the Radicals (who despite their name were actually moderate compared to the Socialists) began to crumble, raising hope of a compromise.

It fell to René Viviani, Poincare’s first choice for premier a few weeks before, to form a new government through some political sleight-of-hand, otherwise known as lying. On June 13, 1914 Viviani formed a new cabinet dominated by moderate leftists who told their constituents they were committed to overturning the Three-Year Service Law – but then reversed their position as soon as the Chamber voted to approve the cabinet. Indignant, the Socialists withdrew their support, but the Radicals were able to muster enough votes to keep the government in power. The Three-Year Service Law was safe … for now. 

“Russia is Ready, France Must Be Ready Too!”

Upholding the Three-Year Service Law was crucial to preserving France’s alliance with Russia, the cornerstone of French national security. Just in case anyone forgot was at stake, on June 13, 1914 the Russian war minister, Vladimir Sukhomlinov, published an anonymous op-ed in Birzheye Vedomosti, a Russian newspaper that often served as an official mouthpiece, titled “Russia is Ready, France Must Be Ready Too!” 

The article pointed out that Russia was building strategic railroads and preparing to increase its standing army to 2.3 million men and urged France to maintain the Three-Year Service Law, raising the French standing army to 770,000 men. Only then could would they have a decisive advantage against Germany and and Austria-Hungary, with standing armies of 880,000 and 500,000, respectively.

Sukhomlinov’s opinion piece sent a clear message to friend and foe alike, including Germany, where its inflammatory rhetoric only stoked paranoia about encirclement. When Kaiser Wilhelm received a translated version he scribbled angry notes in the margins, noting that Russia’s strategic railroads were “All against Germany!” and concluding “Well! Finally the Russians have shown their hand. Any person in Germany who does not now believe that the Russo-Gauls are not working together at high tension for a war with us very soon and that we should take corresponding counter-measures deserves to be sent to the lunatic asylum…” 

A few days alter Chancellor Bethmann-Hollweg passed the article along to the German ambassador to London, Prince Lichnowsky, with this gloomy note: “The reaction on German public opinion has been unmistakable and serious. Whereas formerly, it was only the extremists among the Pan-Germans and militarists who urged that Russia was making systematic preparation for a war of aggression upon us very soon, even moderate public men are now inclined to this view…”

See the previous installment or all entries.

11 Illuminating Facts About Netflix’s GLOW

Erica Parise, Netflix
Erica Parise, Netflix

GLOW is a brilliant show, and the way we know it’s brilliant is that it highlights a perfect tension between comedy and drama amid dozens of different personalities all trying to seriously find themselves in an activity no one takes seriously. Also, it had a drug-dispensing, '80s-style talking robot without devolving into pure silliness.

With Alison Brie and Betty Gilpin leading the ensemble, the show about an amateur women’s wrestling squad vying for a large enough paycheck to make all the training and ointment worth it is an absolute gem (as its six Emmy nominations prove). Here are 11 facts about Netflix’s comedic cage match.

1. PRODUCERS DIDN’T WANT ALISON BRIE IN THE CAST.

Alison Brie in 'GLOW'
Erica Parise, Netflix

Like her character, Ruth, Alison Brie got rejected a lot before getting the role, enduring a grueling casting process for producers and a casting director who wanted an unknown for the part. “I cried in my car after every audition,” she said. “I would sit in my care like Ruth and sob. And we were both listening to the same Ultimate ‘80s mix while [we] audition[ed], so Flock of Seagulls was playing.”

2. THE CAST’S TRAINER IS THE NEPHEW OF THE GUY WHO TRAINED THE REAL-LIFE GORGEOUS LADIES OF WRESTLING.

Professional wrestler Armando “Mando” Guerrero took on the task of teaching the motley crew of women who made up the real-life Gorgeous Ladies of Wrestling back in 1985. He was reportedly an intense coach, putting at least one woman in a headlock until she cried on the first day of training. All these years later, it’s his nephew, Chavo Guerrero Jr., who has the privilege of training the fictional wrestlers of GLOW, as well as choreographing their fights and acting in two episodes.

3. KIA STEVENS IS A WRESTLER IN REAL LIFE.

Kia Stevens and Betty Gilpin in 'GLOW'
Beth Dubber, Netflix

The cast is full of actresses who all work with trainers to catch up on all the chiropractor-defying moves they have to do, but Kia Stevens (who plays Tammé “The Welfare Queen” Dawson) has been making those moves for decades. Wrestling under the name Awesome Kong and Amazing Kong, she’s a five-time Women’s Champion. Stevens has also wrestled in the WWE as Kharma.

4. BRIE SEES RUTH AS “SEXLESS."

One of the catalysts of the show’s plot is Ruth having an affair with her best friend Debbie’s (Betty Gilpin) husband (Rich Sommer), but the rest of the show is hardly romantic for Ruth, which is probably why Brie views the character as “sexless.”

“I don’t think she thinks of herself as being very sexual,” Brie told The A.V. Club. “It’s a major difference between my character and Betty Gilpin’s character, who has been a successful actress and has a bombshell body, and every time you see her she’s in full hair and makeup ... I don’t think that Ruth is not having sex with guys every once in a while. I’m sure she does. I just don’t think it’s a main part of her life goals.” Even the adultery that kicks off the show is less about sex than it is about someone who feels invisible and rejected being seen and accepted by someone else.

5. WORKING WITH WOMEN BOSSES MADE BETTY GILPIN REFLECT ON HER ENTIRE CAREER.

Rich Sommer and Betty Gilpin in 'GLOW'
Erica Parise, Netflix

GLOW is rare for having so many women in the cast and behind the camera, something that the actors have noted affected the shooting environment as a “protected, feminist bubble.” For Gilpin, it also raised some questions about herself.

“Being on a set with female bosses [co-showrunners Liz Flahive and Carly Mensch], the level of comfort and bravery I felt really made me reflect back on my whole career," Gilpin told The Hollywood Reporter. "I’d always known about things that men did that made me shut down creatively, but I was surprised to reflect on things that I did to myself as a result of being in a male-dominated environment ... I felt a level of fear and anxiety that if I didn’t behave like the quiet Barbie I was playing, they wouldn’t let me play a quiet Barbie again."

6. IT ALSO MADE GILPIN FIGHT HARDER AGAINST THE MALE GAZE.

Since Gilpin doesn’t have a stunt double, and she’s doing the wrestling moves herself, GLOW has forced her to reexamine how she views her body while acting. Specifically, she’s gotten a lot less self-conscious and unshackled her movements from fear of the male gaze.

“The way we think about our bodies is completely changing,” Gilpin told The Huffington Post. Where she used to take workout classes designed to avoid bulking up, now she can lift some heavy weights. “I think that it’s our job to band together and say, ‘Okay, what are ways the male gaze has seeped into your brain and is affecting the way you treat yourself? Let’s work together to eliminate that.’”

7. THE SHOW CHANGED ONE IMPORTANT ELEMENT TO HOME IN ON THE CAMARADERIE.

Jackie Tohn, Jessica Gardner, Kimmy Gatewood, Rebekka Johnson, Alison Brie, Kia Stevens, Kate Nash, Ellen Wong, Shakira Barrera, Brigid Ryan, Becki Dennis, Gayle Rankin in 'GLOW'
Erica Parise, Netflix

They fight in the ring, they fight outside of it, they lift each other up, they undercut each other. It’s all part of the show’s drama and grounded realness. It’s a family, and to develop that sensibility, GLOW borrowed from the conditions the real-life women trained under. That includes staying two-to-a-room at a shabby motel, but the show dropped the forced separation of the good wrestler from the heels (the villains) during travel that the real GLOW athletes experience. They also didn’t make the characters call each other by their wrestling names outside the ring.

8. BROOKE HOGAN MADE A CAMEO.

Hulk Hogan's daughter made a brief appearance as a theater owner who rents her space to the ragtag production. She’s not nearly the only person from the wrestling world to make a cameo appearance, either.

9. WORKING ON GLOW IS LIKE BOARDING SCHOOL.

Marianna Palka, Jackie Tohn, Kimmy Gatewood, Rebekka Johnson, Kia Stevens, Betty Gilpin, Kate Nash, Ellen Wong, Shakira Barrera, Britney Young, Sunita Mani, and Gayle Rankin in 'GLOW'
Erica Parise, Netflix

Too often, shows have one spot in the cast for a woman. GLOW initially had 15. According to Gilpin, “I went to boarding school, and being on GLOW reminds me of that. When your call is 5:45 a.m., and there’s a group of 14 women all talking at once, it can be a little much, but it’s also the greatest gift. It’s constant happiness and support all day, every day. I love it.”

10. THE MATCH BASH RECALLS SEEING IN SEASON 2 IS REAL.

There’s a moment in season 2 where Bash (Chris Lowell) described a personal memory of watching a match between Stan Hansen and Bruno Sammartino where the former busted the latter’s neck. The match is real. So is the injury.

At Madison Square Garden, on April 26, 1976, Sammartino was defending his world title against Hansen when Hansen failed to properly execute a body slam and cracked one of Sammartino’s vertebrae. They were back in the ring two months later in a rematch.

11. THE SERIES WILL BE COMING BACK FOR A THIRD SEASON.

On August 20, 2018—more than two months after GLOW's second season dropped on Netflix—entertainment outlets began reporting that the series had officially been renewed by Netflix for a third season. The decision may not have been an easy one to make, however; as Variety reported: "Industry sources claim that the series is not among Netflix’s most watched, but is valued by the streaming service for its creative execution and status as an awards contender."

GIPHY Is Launching the World's First All-GIF Film Festival

iStock
iStock

Think you’re a GIF master? GIPHY is looking to showcase the best in extremely short films with what it calls the world’s first GIF-only film festival, according to It’s Nice That. The GIF database and search engine company is teaming up with Squarespace to launch a contest dedicated to finding the best GIF-makers in America—the GIPHY Film Fest.

To enter your work for consideration in the festival, you’ll need an 18-second-or-less, looping film that tells a “compelling, creative, entertaining, professional-grade story,” according to the contest details. U.S.-based GIF artists can enter up to three mini-films in each of five categories: Narrative, Stop-Motion, Animated, Experimental, and Wild Card/Other. The films can have music (as long as you have the rights to use it) or be silent. All that matters is that they're between one and 18 seconds long.

The grand prize winner will receive $10,000, a five-year subscription to Squarespace (to host that amazing GIF on your website), and the chance to guest-curate an official Spotify playlist. All entries will be judged by a panel of professionals from across several creative industries, including film, animation, illustration, and design.

The GIPHY Film Fest is not the first uber-short film festival in existence. In 2013 and 2014, back when Vine still existed (RIP), the Tribeca Film Festival held a competition each year to find the best six-second films—a time limit that will make 18 seconds feel practically feature length.

Enter GIPHY’s contest here before the entry window closes on September 27, 2018. The winner will be announced on November 8, during a special New York City screening of each of the top films in each category.

[h/t It’s Nice That]

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