CLOSE
Original image
sony pictures

10 Things to Know About 22 Jump Street

Original image
sony pictures

From Dartmouth style beer pong to on-set head butts, here are 10 things the directors and cast told us about making 22 Jump Street, out today.

1. DIRECTORS PHIL LORD AND CHRIS MILLER SHOT THIS WHILE THEY WERE WORKING ON THE LEGO MOVIE.

Unlike the first Jump Street film, which the directors spent a year on before shooting, Lord says this film “came together really fast. [It] was just like ‘alright, we’re prepping. OK, here we go, oh no! Let’s rewrite the scene on the set.’ It had a looser feel in production.” It didn’t help that he and Miller were also working on The Lego Movie when they started on 22 Jump Street.

“It was so hard,” Lord says. “We were shooting for 14 hour days then we’d go home and be on our computers giving notes on dailies from The LEGO Movie.”

One company that was working on The LEGO Movie was based in Australia, which meant that someone was working on it 24/7, and, says Miller, “Often times we would get home from a shoot at 10:30 at night and start a conference call for another hour and a half before we went to bed. So it was really not something we would want to do again, two movies at the same time.”

But it did help that there were two directors on both projects: “If somebody was so sick and ill that they couldn’t work on it, the other one could pick up the slack,” Lord says.

2. THE MOVIE IS ABOUT KEEPING A RELATIONSHIP GOING.

“It’s very challenging to do sequels, especially for a comedy,” Lord says. “There aren’t that many that are great.” And so at first, he and Miller weren’t sure how to tackle a Jump Street sequel. But then they had a breakthrough. “We thought, ‘Well, maybe the idea of making a sequel rhymes with trying to keep your relationship going,’” Lord says. “They’re having to make a sequel to their relationship. What’s it like to make a sequel to the first time you fall in love with somebody? You can feel like you have to do something over and over. That’s something that every couple has to deal with.” Yes, even directing duos. “Maintaining the sort of freshness and fun and having a positive work and friendship that is something very close to home for us,” Miller says.

And like the first movie—which spent a lot of time poking fun at the idea of making a movie out of a TV show—22 spends plenty of time making fun of sequels. “There was a lot more of it in the script than what [is in the finished film],” Lord says.

3. THE DIRECTORS WENT BACK TO COLLEGE TO DO SOME RESEARCH.

For 21, the directors visited a high school to see what it was like, and, says Miller, “we were just flabbergasted by how different it was and how the social structure was so different” from when they were in high school. So for 22, the directors returned to their alma mater, Dartmouth, and visited a frat at UCLA to see how much things had changed since they had graduated 20 years ago. “It turns out, surprisingly not that much has changed,” Miller says. “It’s still about drinking to excess and working out and sports are still important culturally. College hasn’t caught up to high school yet.”

4. CHANNING TATUM DID A LOT OF HIS OWN STUNTS.

The opening action sequence has Tatum’s character, Jenko, jumping on top of—and running along—the roof of an 18-wheeler as it drives through the Port of New Orleans. Tatum did that stunt, and many others, himself. “Channing is really one of the best stunt men you’ll ever find,” Miller says. “The studio was nervous about him doing the more difficult stuff. There were a lot of arguments. Because if he broke his leg, we'd have to shut down production. Sometimes we just didn’t say anything and let him do it because he would be like, ‘I’m not going to have a stunt double jump from one rooftop to the other, I’ll do that!’ And we were like ‘oh god.’”

According to Tatum, he had just finished working on three very physically demanding films, so he knew he could handle the stunts in 22. “We used to do this stuff growing up, in a really unsafe manner, and now I get to do them with some of the best safety guys and stunt guys in the world. So you know, it’s just fun for me,” he says. “I played football like 10 years in my life so I wasn’t really worried about that. I was just worried about keeping my body together. I had two bum wheels on this so it was pretty disappointing to do football with like a rolled ankle that was taped up about this thick. And then I tore a ligament in my right foot. You’re like, ‘Oh man I get to play football again? And I can’t do it as well as I want to?’ It worked out. I haven’t seen all of it, but it looks OK.”

Hill also did some of his own stunts, but his approach was very different from Tatum’s. “I was more creatively inspired to think of the most clumsy way to do each stunt,” he says. “There’s some creative puzzling of that: Here’s how you obviously would do this, and here are the people to help you do it right. How can I completely mess that up? It’s so different from anything I’ve done, and it’s fun.”

5. JONAH HILL WAS REALLY EXCITED ABOUT THE FOOTBALL SCENES.

“I had never worn football pads before, so I was excited,” Hill says. “The idea that you could, like, run into things or have someone run into you and it [wouldn’t] hurt as bad. I don’t think I’ve ever worn a helmet before in my life, so I let Channing headbutt me.”

Tatum was more than willing to play along: “We got a three point stance and I hit him. He took it pretty well.”

6. THE BEER PONG WAS REAL.

Lord says it is “most authentic beer pong playing to ever be committed to film,” played in the Dartmouth style. The two directors were the only ones who knew how to play beer pong that way, so they played with Tatum and another actor—off camera. “Some of our personal college experiences, we put them in there,” says Miller, who was in a frat in college.

7. THE WEATHER MADE ONE ACTION SEQUENCE REALLY DIFFICULT.

In keeping with Hollywood’s tendency to make sequels bigger than the original film, 22 Jump Street majorly upgrades on 21’s action sequences. Though none were simple, the climactic scene, which features a helicopter, was particularly tough to pull off. In addition to dealing with actors and stunt men hanging in wires, they had the wind and the weather to contend with. “We filmed in Puerto Rico, where there’s a thunderstorm that comes by every hour on the hour,” Lord says. “So everyone squeegees the deck, and then you can shoot for 10 minutes. We had to send everything away. The helicopter can’t fly in the rain. It’s all a drag.”

8. THE SUPPORTING CAST IS AWESOME.

Tatum and Hill are obviously great, but 22 Jump Street’s supporting cast more than holds their own. Ice Cube returns to play Captain Dickson, and Lord describes his as a “zen master. He’s steady and he has a really philosophical approach to his entire career.” According to Miller, “He is multi-talented, and as far as the scenes that he was in, he had strong opinions about what he thought his character was and he was a great guardian of who he thought Dickson was.” Cube also proved that he was great at improvising, adlibbing lines about his character’s awesome office and $1800 shoes.

Meanwhile, Workaholics star Jillian Bell joined the cast as Mercedes, the roommate of a girl Schmidt grows close to. “I’ve only seen one person [who was] able to make Jonah take a little step back, and that was Jillian,” Tatum says. “She just brings the pain. They would just battle it out.”

Hill agrees. “As one of the writers, I would say Jillian’s part was incredibly underwritten, not very fleshed out,” he says. “And when Jillian came in and auditioned and we started improvising, she made that part her own. She made that part great. It wasn’t written great.”

Other roles were filled by people Lord and Miller were fans of. “[It was just] ‘Let’s get as many funny voices into the movie as possible,’” Lord says. Craig Roberts, best known for his role in the 2010 film Submarine, plays Spencer. “Craig is amazing,” Lord says. “He shows up for a blip and he’s all over the DVD material.” And even if you don’t know H. Jon Benjamin’s face, you know his voice: He plays both Archer and Bob of Bob’s Burgers. “He plays a coach in Home Movies, which is an old TV show that we love,” Lord says. “For that it was a really ‘Oh my god, let’s cast him and we’ll get to hang out with him and maybe we’ll be friends.’”

9. HILL IS A HUGE FAN OF ICE CUBE, AND ASKED HIM TONS OF QUESTIONS DURING BOTH MOVIES.

Hill had idolized Cube since the rapper’s NWA days. “When we were writing the first [Jump Street], the first idea we wrote down was the person who wrote ‘F*** the Police’ would play the police chief in the film," Hill says. "He said yes, so when we were around him, I got to ask him any question I wanted about NWA or Three Kings or 'AmeriKKKa’s Most Wanted.' We got to ask him [about ‘It’s A Good Day’]—because there are theories that there is a day that it’s based on, which is not true, he told us.”

“It was really fun to watch Jonah around him,” Tatum says. “Cube’s, like, his childhood hero. It was really funny to watch them interact. He was wildly tolerant of all the questions.”

“Over two movies!” Hill says. “That’s, like, a full six months. I had to really go to the drawing board with new questions.”

According to Cube, among the questions Hill asked were what it was like to work with Big Daddy and Chuck D and to tour with Salt n Pepa. “I don’t mind,” Cube says. “If someone asks me questions, it just brings back memories that I usually have. I’ve been blessed to have a very vivid life of a lot of different things that are very interesting to people and it’s cool.”

10. YOU SHOULD STAY FOR THE END CREDITS.

No spoilers here, but 22 Jump Street’s closing credits might be the funniest you’ll ever see. “That’s all Phil and Chris and this company Alma Mater,” Hill says. “I think people loved the movie, but it needed one more thing. For a while, we just sat around and said ‘God, I just need one more thing at the end.’ And Phil and Chris had this idea and they just ran with it. It was done recently, in just one day. Those guys are so talented. They literally put that together in like a week. They did it right before we had to lock the movie.”

All images courtesy of Sony Pictures.

Original image
iStock
arrow
Lists
10 Regional Twists on Trick-or-Treating
Original image
iStock

Walk around any given American neighborhood on the night of October 31, and you’ll likely hear choruses of "trick-or-treat" chiming through the area. The sing-songy phrase is synonymous with Halloween in some parts of the world, but it's not the only way kids get sweets from their neighbors this time of year. From the Philippines to the American Midwest, here are some regional door-to-door traditions you may not have heard of.

1. PANGANGALULUWA // THE PHILIPPINES

Rice cakes wrapped in leaves.
Suman

The earliest form of trick-or-treating on Halloween can be traced back to Europe in the Middle Ages. Kids would don costumes and go door-to-door offering prayers for dead relatives in exchange for snacks called "soul cakes." When the cake was eaten, tradition held that a soul was ferried from purgatory into heaven. Souling has disappeared from Ireland and the UK, but a version of it lives on halfway across the world in the Philippines. During All Saints Day on November 1, Filipino children taking part in Pangangaluluwa will visit local houses and sing hymns for alms. The songs often relate to souls in purgatory, and carolers will play the part of the souls by asking for prayers. Kids are sometimes given rice cakes called suman, a callback to the soul cakes from centuries past.

2. PÃO-POR-DEUS // PORTUGAL

Raw dough.
iStock

Instead of trick-or-treating, kids in Portugal go door-to-door saying pão-por-deus ("bread for god") in exchange for goodies on All Saints Day. Some homeowners give out money or candy, while others offer actual baked goods.

3. HALLOWEEN APPLES // WESTERN CANADA

Kids trick-or-treating.
iStock

If they're not calling out "trick-or-treat" on their neighbors’ doorsteps on Halloween night, you may hear children in western Canada saying "Halloween apples!" The phrase is left over from a time when apples were a common Halloween treat and giving out loose items on the holiday wasn't considered taboo.

4. ST. MARTIN'S DAY // THE NETHERLANDS

The Dutch wait several days after Halloween to do their own take on trick-or-treating. On the night of November 11, St. Martin's Day, children in the Netherlands take to the streets with their homemade lanterns in hand. These lanterns were traditionally carved from beets or turnips, but today they’re most commonly made from paper. And the kids who partake don’t get away with shouting a few words at each home they visit—they’re expected to sing songs to receive their sugary rewards.

5. A PENNY FOR THE GUY // THE UK

Guy Fawkes Night celebration.

Peter Trimming, Wikimedia Commons // CC BY-SA 2.0

Guy Fawkes Night is seen by some as the English Protestants’ answer to the Catholic holidays associated with Halloween, so it makes sense that it has its own spin on trick-or-treating. November 5 marks the day of Guy Fawkes’s failed assassination attempt on King James as part of the Gunpowder Plot. To celebrate the occasion, children will tour the neighborhood asking for "a penny for the guy." Sometimes they’ll carry pictures of the would-be-assassin which are burned in the bonfires lit later at night.

6. TRICKS FOR TREATS // ST. LOUIS, MISSOURI

Kids knocking on a door in costume.
iStock

If kids in the St. Louis area hope to go home with a full bag of candy on Halloween, they must be willing to tickle some funny bones. Saying "tricks-for-treats" followed by a joke replaces the classic trick-or-treat mantra in this Midwestern city. There’s no criteria for the quality or the subject of the joke, but spooky material (What’s a skeleton’s favorite instrument? The trombone!) earns brownie points.

7. ME DA PARA MI CALAVERITA // MEXICO

Sugar skulls with decoration.
iStock

While Dia de los Muertos, or Day of the Dead, is completely separate from Halloween, the two holidays share a few things in common. Mexicans celebrate the day by dressing up, eating sweet treats, and in some parts of the country, going house-to-house. Children knocking on doors will say "me da para mi calaverita" or "give me money for my little skull," a reference to the decorated sugar skulls sold in markets at this time of year.

8. HALLOWEEN! // QUEBEC, CANADA

Kids dressed up for Halloween.
iStock

Trick-or-treaters like to keep things simple in the Canadian province of Quebec. In place of the alliterative exclamation, they shout “Halloween!” at each home they visit. Adults local to the area might remember saying "la charité s’il-vous-plaît "(French for “charity, please”) when going door-to-door on Halloween, but this saying has largely fallen out of fashion.

9. SWEET OR SOUR // GERMANY

Little girl trick-or-treating.
iStock

Halloween is only just beginning to gain popularity in Germany. Where it is celebrated, the holiday looks a lot like it does in America, but Germans have managed to inject some local character into their version of trick-or-treat. In exchange for candy, kids sometimes sing out "süß oder saures"—or "sweet and sour" in English.

10. TRIQUI, TRIQUI HALLOWEEN // COLOMBIA

Kids dressed up for Halloween.
Rubí Flórez, Flickr // CC BY-NC-ND 2.0

Kids in Colombia anticipate dressing up and prowling the streets on Halloween just as much as kids do in the States. There are a few significant variations on the annual tradition: Instead of visiting private residencies, they're more likely to ask for candy from store owners and the security guards of apartment buildings. And instead of saying trick-or-treat, they recite this Spanish rhyme:

Triqui triqui Halloween
Quiero dulces para mí
Si no hay dulces para mí
Se le crece la naríz

In short, it means that if the grownups don't give the kids the candy they're asking for, their noses will grow. Tricky, tricky indeed

Original image
Warner Home Video
arrow
entertainment
11 Thrilling Facts About Dial M for Murder
Original image
Warner Home Video

In 1953 Alfred Hitchcock was looking for a new project after a film he’d been developing fell through. Sensing a need to go back to his safe space of murderous thrillers, he opted to adapt a stage play that had already proved to be a hit on British television. Though he had no particular attachment to the project, Dial M for Murder would ultimately become one of Hitchcock’s best-known—and best-loved—classics.

From the film’s use of 3D to the debut of Grace Kelly in Hitchcock’s filmography to a pivotal murder sequence that made the director lose weight from stress, here are 11 facts about Dial M for Murder.

1. IT’S BASED ON A STAGE PLAY.

Dial M for Murder is, in terms of locations and number of characters, a relatively sparse film that barely leaves its primary set. This is because it was based on a stage play by Frederick Knott, which premiered as a BBC TV special in 1952 and later opened at London’s Westminster Theater and, eventually, Broadway. After seeing the BBC production, producer Sir Alexander Korda purchased the rights to make the film version, and later sold them to Warner Bros. for $75,000.

2. ALFRED HITCHCOCK THOUGHT HE WAS “COASTING” WHEN HE MADE THE FILM.

By 1953, when Dial M for Murder arrived at Warner Bros., Hitchcock was developing a project called The Bramble Bush, the story of a man who steals another man’s passport, only to find out that the original owner is wanted for murder. Hitchcock wrestled with the story for a while, but was never satisfied with it. When Dial M for Murder landed at the studio, Hitchcock knew the play had been a hit, and opted to direct it. As he later told fellow director François Truffaut, he found the film to be “coasting, playing it safe,” as he was already known as a thriller filmmaker.

3. IT’S HITCHCOCK’S ONLY 3D FILM.

In the early 1950s, the 3D movie craze was raging, and Warner Bros. was eager to pair it with the fame of Hitchcock. So, the director was ordered to use the process on Dial M for Murder. This meant Hitchcock had to work with the giant cameras necessary for the process, but there was also a trade-off that makes the film fascinating—even in 2D. In order to make the film look appropriately interesting in 3D, Hitchcock added a pit into the floor of the set, so the camera could move at lower angles and captures objects like lamps in the foreground. As a result, the film looks like no other Hitchcock ever shot, particularly for the infamous scissors murder that’s the film's thrilling centerpiece. Unfortunately, by the time Dial M for Murder was released in 1954, the 3D fad was dying out, so the film was shown in 2D at most screenings.

4. IT WAS HITCHCOCK’S FIRST FILM WITH GRACE KELLY.

Of all of the iconic blonde stars Hitchcock cast in his films, the most famous is almost undoubtedly Grace Kelly, the actress-turned-princess who first joined him for this film. Hitchcock once described Kelly as a "rare thing in movies ... fit for any leading-lady part,” and it was said he had the easiest working relationship with her of any star. They worked so well together that they went on to make two more films, Rear Window in 1954 and To Catch a Thief in 1955.

5. IT TAKES PLACE ALMOST ENTIRELY INDOORS.

Because Dial M for Murder is based on a stage play, the original script had very little in the way of outdoor set pieces. Hitchcock wanted to keep it that way, as he later explained to Truffaut:

“I’ve got a theory on the way they make pictures based on stage plays; they did it with silent pictures, too. Many filmmakers would take a stage play and say, ‘I’m going to make this into a film.’ Then they would begin to ‘open it up.’ In other words, on the stage it was all confined to one set, and the idea was to do something that would take it away from the confined stage setting.”

Hitchcock wanted to keep the confinement intact, so almost all of the action in the film takes place indoors, largely in the Wendices' apartment. This adds to the intimacy and tension.

6. HITCHCOCK PERSONALLY CHOSE EVERY PROP.

Hitchcock was always known as a meticulous director obsessed with detail, but on Dial M for Murder he was particularly detail-oriented, in part because the 3D cameras were going to capture objects in a way his other films hadn’t. As a result, he selected all of the objects in the Wendice apartment himself, and even had a giant false telephone dial made for the famous “M” close-up in the title sequence.

7. KELLY’S WARDROBE GROWS DARKER ON PURPOSE.

Grace Kelly in 'Dial M for Murder' (1954)
Warner Home Video

Hitchcock’s exacting eye also led to an elaborate “color experiment” to portray the psychological condition of Kelly’s character. As the film begins, the colors she wears are all very bright, suggesting a happy life in which she doesn’t suspect anything is wrong. As the film grows darker for her, to the point that she’s framed for murder, the wardrobe grows darker and “more somber,” as Hitchcock put it.

8. KELLY WON A PARTICULAR WARDROBE ARGUMENT.

For the scene in which Swann (Anthony Dawson) attempts to murder Margot (Kelly) by strangling her (until she manages to stab him with a pair of scissors), Hitchcock had another exacting wardrobe request. He had an elegant velvet robe made for Kelly, hoping to create interesting textural effects as the lights and shadows played off the fabric while she fought for her life. Kelly reasoned that, since Margot was alone in the apartment (as far as she knew) and was only getting out of bed to answer the phone, she wouldn’t bother to put on a robe.

“I said I wouldn't put on anything at all, that I'd just get up and go to the phone in my nightgown. And [Hitchcock] admitted that was better, and that's the way it was done,” Kelly later recalled.

9. HITCHCOCK WAS SO NERVOUS ABOUT THE PIVOTAL SCENE THAT HE LOST WEIGHT.

Dial M for Murder was shot in just 36 days, but the director took special care with one scene in particular: the murder sequence in which Margot stabs Swann with the scissors. Not only was it a key scene in the film, but it was also a moment that required particular care to make the 3D effects work. Hitchcock agonized over the scene to such a degree that he apparently lost 20 pounds during filming.

"This is nicely done but there wasn't enough gleam to the scissors, and a murder without gleaming scissors is like asparagus without the hollandaise sauce—tasteless,” he reportedly said after one take.

10. HITCHCOCK MAKES HIS CAMEO IN A PHOTOGRAPH.

Hitchcock became known throughout his career for making cameos in his films, ranging from the very subtle (you can see his silhouette in neon outside the window in Rope) to the more elaborate (missing the bus in the opening sequence of North by Northwest). In Dial M for Murder, his cameo falls somewhere in between. He appears in a class reunion photo in the Wendice apartment, seated at a banquet table among other men.

11. IT’S BEEN REMADE FOUR TIMES.

Michael Douglas and Gwyneth Paltrow in 'A Perfect Murder' (1998)
Warner Bros.

Dial M for Murder was a film adaptation of a stage play that had also already been adapted for television in Britain, and it proved popular enough that four more adaptations followed. In 1958, NBC broadcast a Hallmark Hall of Fame production, in which both Anthony Dawson and John Williams returned to play Swann and Chief Inspector Hubbard, respectively. A 1967 ABC television production of the play co-starred Laurence Harvey and Diane Cilento. A television movie starring Angie Dickinson and Christopher Plummer was produced in 1981, and in 1998 the play served as the inspiration for the film A Perfect Murder, starring Michael Douglas and Gwyneth Paltrow.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios