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10 Things to Know About 22 Jump Street

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From Dartmouth style beer pong to on-set head butts, here are 10 things the directors and cast told us about making 22 Jump Street, out today.

1. DIRECTORS PHIL LORD AND CHRIS MILLER SHOT THIS WHILE THEY WERE WORKING ON THE LEGO MOVIE.

Unlike the first Jump Street film, which the directors spent a year on before shooting, Lord says this film “came together really fast. [It] was just like ‘alright, we’re prepping. OK, here we go, oh no! Let’s rewrite the scene on the set.’ It had a looser feel in production.” It didn’t help that he and Miller were also working on The Lego Movie when they started on 22 Jump Street.

“It was so hard,” Lord says. “We were shooting for 14 hour days then we’d go home and be on our computers giving notes on dailies from The LEGO Movie.”

One company that was working on The LEGO Movie was based in Australia, which meant that someone was working on it 24/7, and, says Miller, “Often times we would get home from a shoot at 10:30 at night and start a conference call for another hour and a half before we went to bed. So it was really not something we would want to do again, two movies at the same time.”

But it did help that there were two directors on both projects: “If somebody was so sick and ill that they couldn’t work on it, the other one could pick up the slack,” Lord says.

2. THE MOVIE IS ABOUT KEEPING A RELATIONSHIP GOING.

“It’s very challenging to do sequels, especially for a comedy,” Lord says. “There aren’t that many that are great.” And so at first, he and Miller weren’t sure how to tackle a Jump Street sequel. But then they had a breakthrough. “We thought, ‘Well, maybe the idea of making a sequel rhymes with trying to keep your relationship going,’” Lord says. “They’re having to make a sequel to their relationship. What’s it like to make a sequel to the first time you fall in love with somebody? You can feel like you have to do something over and over. That’s something that every couple has to deal with.” Yes, even directing duos. “Maintaining the sort of freshness and fun and having a positive work and friendship that is something very close to home for us,” Miller says.

And like the first movie—which spent a lot of time poking fun at the idea of making a movie out of a TV show—22 spends plenty of time making fun of sequels. “There was a lot more of it in the script than what [is in the finished film],” Lord says.

3. THE DIRECTORS WENT BACK TO COLLEGE TO DO SOME RESEARCH.

For 21, the directors visited a high school to see what it was like, and, says Miller, “we were just flabbergasted by how different it was and how the social structure was so different” from when they were in high school. So for 22, the directors returned to their alma mater, Dartmouth, and visited a frat at UCLA to see how much things had changed since they had graduated 20 years ago. “It turns out, surprisingly not that much has changed,” Miller says. “It’s still about drinking to excess and working out and sports are still important culturally. College hasn’t caught up to high school yet.”

4. CHANNING TATUM DID A LOT OF HIS OWN STUNTS.

The opening action sequence has Tatum’s character, Jenko, jumping on top of—and running along—the roof of an 18-wheeler as it drives through the Port of New Orleans. Tatum did that stunt, and many others, himself. “Channing is really one of the best stunt men you’ll ever find,” Miller says. “The studio was nervous about him doing the more difficult stuff. There were a lot of arguments. Because if he broke his leg, we'd have to shut down production. Sometimes we just didn’t say anything and let him do it because he would be like, ‘I’m not going to have a stunt double jump from one rooftop to the other, I’ll do that!’ And we were like ‘oh god.’”

According to Tatum, he had just finished working on three very physically demanding films, so he knew he could handle the stunts in 22. “We used to do this stuff growing up, in a really unsafe manner, and now I get to do them with some of the best safety guys and stunt guys in the world. So you know, it’s just fun for me,” he says. “I played football like 10 years in my life so I wasn’t really worried about that. I was just worried about keeping my body together. I had two bum wheels on this so it was pretty disappointing to do football with like a rolled ankle that was taped up about this thick. And then I tore a ligament in my right foot. You’re like, ‘Oh man I get to play football again? And I can’t do it as well as I want to?’ It worked out. I haven’t seen all of it, but it looks OK.”

Hill also did some of his own stunts, but his approach was very different from Tatum’s. “I was more creatively inspired to think of the most clumsy way to do each stunt,” he says. “There’s some creative puzzling of that: Here’s how you obviously would do this, and here are the people to help you do it right. How can I completely mess that up? It’s so different from anything I’ve done, and it’s fun.”

5. JONAH HILL WAS REALLY EXCITED ABOUT THE FOOTBALL SCENES.

“I had never worn football pads before, so I was excited,” Hill says. “The idea that you could, like, run into things or have someone run into you and it [wouldn’t] hurt as bad. I don’t think I’ve ever worn a helmet before in my life, so I let Channing headbutt me.”

Tatum was more than willing to play along: “We got a three point stance and I hit him. He took it pretty well.”

6. THE BEER PONG WAS REAL.

Lord says it is “most authentic beer pong playing to ever be committed to film,” played in the Dartmouth style. The two directors were the only ones who knew how to play beer pong that way, so they played with Tatum and another actor—off camera. “Some of our personal college experiences, we put them in there,” says Miller, who was in a frat in college.

7. THE WEATHER MADE ONE ACTION SEQUENCE REALLY DIFFICULT.

In keeping with Hollywood’s tendency to make sequels bigger than the original film, 22 Jump Street majorly upgrades on 21’s action sequences. Though none were simple, the climactic scene, which features a helicopter, was particularly tough to pull off. In addition to dealing with actors and stunt men hanging in wires, they had the wind and the weather to contend with. “We filmed in Puerto Rico, where there’s a thunderstorm that comes by every hour on the hour,” Lord says. “So everyone squeegees the deck, and then you can shoot for 10 minutes. We had to send everything away. The helicopter can’t fly in the rain. It’s all a drag.”

8. THE SUPPORTING CAST IS AWESOME.

Tatum and Hill are obviously great, but 22 Jump Street’s supporting cast more than holds their own. Ice Cube returns to play Captain Dickson, and Lord describes his as a “zen master. He’s steady and he has a really philosophical approach to his entire career.” According to Miller, “He is multi-talented, and as far as the scenes that he was in, he had strong opinions about what he thought his character was and he was a great guardian of who he thought Dickson was.” Cube also proved that he was great at improvising, adlibbing lines about his character’s awesome office and $1800 shoes.

Meanwhile, Workaholics star Jillian Bell joined the cast as Mercedes, the roommate of a girl Schmidt grows close to. “I’ve only seen one person [who was] able to make Jonah take a little step back, and that was Jillian,” Tatum says. “She just brings the pain. They would just battle it out.”

Hill agrees. “As one of the writers, I would say Jillian’s part was incredibly underwritten, not very fleshed out,” he says. “And when Jillian came in and auditioned and we started improvising, she made that part her own. She made that part great. It wasn’t written great.”

Other roles were filled by people Lord and Miller were fans of. “[It was just] ‘Let’s get as many funny voices into the movie as possible,’” Lord says. Craig Roberts, best known for his role in the 2010 film Submarine, plays Spencer. “Craig is amazing,” Lord says. “He shows up for a blip and he’s all over the DVD material.” And even if you don’t know H. Jon Benjamin’s face, you know his voice: He plays both Archer and Bob of Bob’s Burgers. “He plays a coach in Home Movies, which is an old TV show that we love,” Lord says. “For that it was a really ‘Oh my god, let’s cast him and we’ll get to hang out with him and maybe we’ll be friends.’”

9. HILL IS A HUGE FAN OF ICE CUBE, AND ASKED HIM TONS OF QUESTIONS DURING BOTH MOVIES.

Hill had idolized Cube since the rapper’s NWA days. “When we were writing the first [Jump Street], the first idea we wrote down was the person who wrote ‘F*** the Police’ would play the police chief in the film," Hill says. "He said yes, so when we were around him, I got to ask him any question I wanted about NWA or Three Kings or 'AmeriKKKa’s Most Wanted.' We got to ask him [about ‘It’s A Good Day’]—because there are theories that there is a day that it’s based on, which is not true, he told us.”

“It was really fun to watch Jonah around him,” Tatum says. “Cube’s, like, his childhood hero. It was really funny to watch them interact. He was wildly tolerant of all the questions.”

“Over two movies!” Hill says. “That’s, like, a full six months. I had to really go to the drawing board with new questions.”

According to Cube, among the questions Hill asked were what it was like to work with Big Daddy and Chuck D and to tour with Salt n Pepa. “I don’t mind,” Cube says. “If someone asks me questions, it just brings back memories that I usually have. I’ve been blessed to have a very vivid life of a lot of different things that are very interesting to people and it’s cool.”

10. YOU SHOULD STAY FOR THE END CREDITS.

No spoilers here, but 22 Jump Street’s closing credits might be the funniest you’ll ever see. “That’s all Phil and Chris and this company Alma Mater,” Hill says. “I think people loved the movie, but it needed one more thing. For a while, we just sat around and said ‘God, I just need one more thing at the end.’ And Phil and Chris had this idea and they just ran with it. It was done recently, in just one day. Those guys are so talented. They literally put that together in like a week. They did it right before we had to lock the movie.”

All images courtesy of Sony Pictures.

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11 Single Facts About Bridget Jones’s Diary
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Miramax

While it's not officially a holiday movie, so much of the action in Bridget Jones's Diary happens around the most wonderful time of the year that the rom-com has become essential wintertime viewing for many movie fans. Based on Helen Fielding’s novel of the same name, it tells the story of a very single, and hopelessly romantic, working professional named Bridget (Renée Zellweger) who is determined to improve her love life. Enter two strapping gentlemen (Colin Firth and Hugh Grant) to vie for her heart. Get to know more about the timeless dramedy that’s been delighting audiences since 2001. Just as it is.

1. THE SOURCE NOVEL CAME ABOUT FROM AN ANONYMOUS COLUMN ABOUT SINGLE LIFE.

In the foreword of Bridget Jones’s Diary, author Helen Fielding wrote about how she came to conjure up the story: “The Independent asked me to write a column, as myself, about single life in London. Much as I needed the money, the idea of writing about myself in that way seemed hopelessly embarrassing and revealing. I offered to write an anonymous column instead, using an exaggerated, comic, fictional character. I assumed no one would read it, and it would be dropped after six weeks for being too silly.”

2. SEVERAL CHARACTERS ARE BASED ON PEOPLE IN HELEN FIELDING’S LIFE.


Miramax

These include Jude (Tracey MacLeod) and Shazzer (Sharon Maguire, also the film’s director). In a column for the Evening Standard, MacLeod described how she didn’t even realize she inspired part of her best friend’s story until Fielding’s book launch party. “At the launch party for the first Bridget book, I was cornered by a smug married friend, ‘So ... what's it like being Jude?’ she asked,” MacLeod writes. “I was outraged. Of course I wasn't Jude, with her self-help books and horrible boyfriend. My boyfriend wasn't anything like Vile Richard ... But as more people began to believe that Jude and Shazzer were thinly-veiled portraits of myself and Sharon, I secretly got to like the idea.”

3. TONI COLLETTE DECLINED THE LEAD, AND KATE WINSLET WAS CONSIDERED FOR IT.

Before Zellweger stole the show, Aussie Toni Collette and Brit Kate Winslet were up for the part. According to AMC, “Toni Collette declined the role because she was on Broadway starring in The Wild Party at the time, and Kate Winslet was considered but the producers decided she was too young.”

4. HUGH GRANT ONLY SIGNED ON WHEN RICHARD CURTIS WAS ANNOUNCED AS THE WRITER. 


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“The only reason [I was a hard sell] was because I didn't feel they had the script quite right for a long time,” Firth told Cinema.com. “And I kept saying, ‘It's not working. Just get Richard Curtis to come in and help rewrite it.’ Eventually they did, and as soon as Richard came on board, I signed on the dotted line. So that's all it was.”

5. RENÉE ZELLWEGER GAINED 17 POUNDS FOR THE PART.

Zellweger’s weight gain for the role had the media abuzz for a while. According to The Guardian, “In order to play the eponymous heroine in the film adaptation of Fielding's bestseller, the actress gained 17 pounds, consulting a dietitian and endocrinologist who devised a regime of three full meals a day, multiple snacks, and no exercise.”

6. ZELLWEGER WORKED AT PICADOR FOR THREE WEEKS.

Zellweger went full Method for her iconic role, and became a temporary employee of the Picador publishing house. “We came up with a plan: she would be Bridget Cavendish, Bridget for obvious reasons and Cavendish as she was to be passed off as the sister of Jonathan Cavendish, a friend of one of our company chairmen,” Picador publicist Camilla Elworthy told The Guardian. “That last bit at least is true, and no one was to know that Jonathan Cavendish was one of the film's producers.”

7. ZELLWEGER KEPT A PHOTO OF JIM CARREY ON HER DESK.


Miramax

While working at Picador, Zellweger kept a picture of Jim Carrey on her desk—which made her alter ego Bridget Cavendish seem like some sort of obsessed fan. “Under the name Bridget Cavendish, she answered phones, served coffee, and made photocopies—without being recognized by any of her co-workers, who offered career advice and wondered privately why she kept a photo of Jim Carrey (her then-boyfriend) on her desk,” noted Hollywood.com.

8. ZELLWEGER INVITED HER BOSS AT PICADOR TO BE AN EXTRA ON SET.

In Camilla Elworthy’s write-up for The Guardian, she noted how she became a part of the production. “Renée sent me a thank you letter and gift after she'd gone and I have seen her a few times since then," Elworthy wrote. "She invited me on to the film set one day. She informed me that I had to stick around and be an extra and made sure that I was put somewhere that I would be seen ... As a result, half my head can be seen for half a nano-second in the launch party scene.”

9. THE EPIC FIGHT SCENE BETWEEN GRANT AND COLIN FIRTH WASN’T CHOREOGRAPHED.

You can thank the two actors for the hilarity of the iconic scene. In a Vulture article about the greatest fight scenes in movie history, writer Denise Martin recalled the improvised spar, writing, “No stunt coordinators. No elaborate choreography. Just a perfectly realized wimp brawl between two upper-middle-class Englishmen coming to awkward fisticuffs in front of a Greek restaurant.”

10. FIELDING ASKED FRIEND SALMAN RUSHDIE TO CAMEO IN THE FILM.

Recalling how he came to be part of the film, famed novelist Salman Rushdie told Texas Monthly, “Helen Fielding, the author of the book, is an old pal of mine, and she asked if I’d come along and make a fool of myself, and I said, ‘Why not?’”

11. GRANT DIDN’T HEAR ZELLWEGER SPEAK IN HER AMERICAN ACCENT UNTIL THE FILM’S WRAP PARTY.

Zellweger was so engrossed with Bridget Jones that one of her leading love interests didn’t meet the real actress until the end of the shoot. “Not once did she stop speaking with that accent, until the wrap party,” Grant told Cinema.com, “when suddenly this weird ... Texan appeared. I wanted to call security, I didn't know who the f*ck she was!”

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15 Surprising Facts About Scarface
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Universal Home Video

Say hello to our little list. Here are a few facts to break out at your next screening of Scarface, Brian De Palma’s gangsters-and-cocaine classic, which arrived in theaters on this day in 1983.

1. IT WASN'T THE FIRST SCARFACE.

Brian De Palma's Scarface is a loose remake of the 1932 movie of the same name, which is also about the rise and fall of an American immigrant gangster. The producer of the 1983 version, Martin Bregman, saw the original on late night TV and thought the idea could be modernized—though it still pays respect to the original film. De Palma's flick is dedicated to the original film’s director, Howard Hawks, and screenwriter, Ben Hecht.

2. IT COULD HAVE BEEN A SIDNEY LUMET FILM.

At one point in the film's production, Sidney Lumet—the socially conscious director of such classics as Dog Day Afternoon and 12 Angry Men—was brought on as its director. "Sidney Lumet came up with the idea of what's happening today in Miami, and it inspired Bregman," Pacino told Empire Magazine. "He and Oliver Stone got together and produced a script that had a lot of energy and was very well written. Oliver Stone was writing about stuff that was touching on things that were going on in the world, he was in touch with that energy and that rage and that underbelly."

3. OLIVER STONE WASN'T INTERESTED IN WRITING THE SCRIPT, UNTIL LUMET GOT INVOLVED.


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Producer Bregman offered relative newcomer Oliver Stone a chance to overhaul the screenplay, but Stone—who was still reeling from the box office disappointment of his film, The Hand—wasn't interested. "I didn’t like the original movie that much," Stone told Creative Screenwriting. "It didn’t really hit me at all and I had no desire to make another Italian gangster picture because so many had been done so well, there would be no point to it. The origin of it, according to Marty Bregman, [was that] Al had seen the '30s version on television, he loved it and expressed to Marty as his long time mentor/partner that he’d like to do a role like that. So Marty presented it to me and I had no interest in doing a period piece."

But when Bregman contacted Stone again about the project later, his opinion changed. "Sidney Lumet had stepped into the deal," Stone said. "Sidney had a great idea to take the 1930s American prohibition gangster movie and make it into a modern immigrant gangster movie dealing with the same problems that we had then, that we’re prohibiting drugs instead of alcohol. There’s a prohibition against drugs that’s created the same criminal class as (prohibition of alcohol) created the Mafia. It was a remarkable idea."

4. UNFORTUNATELY, ACCORDING TO STONE, LUMET HATED HIS SCRIPT.

While the chance to work with Lumet was part of what lured Stone to the project, it was his script that ultimately led to the director's departure from the film. According to Stone: "Sidney Lumet hated my script. I don’t know if he’d say that in public himself, I sound like a petulant screenwriter saying that, I’d rather not say that word. Let me say that Sidney did not understand my script, whereas Bregman wanted to continue in that direction with Al."

5. STONE HAD FIRSTHAND EXPERIENCE WITH THE SUBJECT MATTER.

In order to create the most accurate picture possible, Stone spent time in Florida and the Caribbean interviewing people on both sides of the law for research. "It got hairy," Stone admitted of the research process. "It gave me all this color. I wanted to do a sun-drenched, tropical Third World gangster, cigar, sexy Miami movie."

Unfortunately, while penning the screenplay, Stone was also dealing with his own cocaine habit, which gave him an insight into what the drug can do to users. Stone actually tried to kick his habit by leaving the country to complete the script so he could be far away from his access to the drug.

"I moved to Paris and got out of the cocaine world too because that was another problem for me," he said. "I was doing coke at the time, and I really regretted it. I got into a habit of it and I was an addictive personality. I did it, not to an extreme or to a place where I was as destructive as some people, but certainly to where I was going stale mentally. I moved out of L.A. with my wife at the time and moved back to France to try and get into another world and see the world differently. And I wrote the script totally f***ing cold sober."

6. BRIAN DE PALMA DIDN'T WANT TO AUDITION MICHELLE PFEIFFER.


Universal Home Video

De Palma was hesitant to audition the relatively untested Pfeiffer because at the time she was best known for the box office bomb Grease 2. Glenn Close, Geena Davis, Carrie Fisher, Kelly McGillis, Sharon Stone and Sigourney Weaver were all considered for the role of Elvira, but Bregman pushed for Pfeiffer to audition and she got the part.

7. YES, THERE IS A LOT OF SWEARING.

According to the Family Media Guide, which monitors profanity, sexual content, and violence in movies, Scarface features 207 uses of the “F” word, which works out to about 1.21 F-bombs per minute. In 2014, Martin Scorsese more than doubled that with a record-setting 506 F-bombs thrown in The Wolf of Wall Street.

8. TONY MONTANA WAS NAMED FOR A FOOTBALL STAR.

Stone, who was a San Francisco 49ers fan, named the character of Tony Montana after Joe Montana, his favorite football player.

9. TONY IS ONLY REFERRED TO AS "SCARFACE" ONCE, AND IT'S IN SPANISH.

Hector, the Colombian gangster who threatens Tony with the chainsaw, refers to Tony as “cara cicatriz,” meaning “scar face” in Spanish.

That chainsaw scene, by the way, was based on a real incident. To research the movie, Stone embedded himself with Miami law enforcement and based the infamous chainsaw sequence on a gangland story he heard from the Miami-Dade County police.

10. VERY LITTLE OF THE FILM WAS ACTUALLY SHOT IN MIAMI.

The film was originally going to be shot entirely on location in Miami, but protests by the local Cuban-American community forced the movie to leave Miami two weeks into production. Besides footage from those two weeks, the rest of the movie was shot in Los Angeles, New York, and Santa Barbara.

11. ALL THAT "COCAINE" LED TO PROBLEMS WITH PACINO'S NASAL PASSAGES.

Though there has long been a myth that Pacino snorted real cocaine on camera for Scarface, the "cocaine" used in the movie was supposedly powdered milk (even if De Palma has never officially stated what the crew used as a drug stand-in). But just because it wasn't real doesn't mean that it didn't create problems for Pacino's nasal passages. "For years after, I have had things up in there," Pacino said in 2015. "I don't know what happened to my nose, but it's changed."

12. PACINO'S NOSE WASN'T HIS ONLY BODY PART TO SUFFER DAMAGE.

Still of Al Pacino as Tony Montana in 'Scarface' (1983)
Universal Home Video

In the film's very bloody conclusion, Montana famously asks the assailants who've invaded his home to "say hello to my little friend," which happens to be a very large gun. That gun took a beating from all the blanks it had to fire, so much so that Pacino ended up burning his hand on its barrel. "My hand stuck to that sucker," he said. Ultimately, the actor—and his bandaged hands—had to sit out some of the action in the last few weeks of production.

13. STEVEN SPIELBERG DIRECTED A SINGLE SHOT.

De Palma and Spielberg had been friends since the two began making studio movies in the mid-1970s, and they made a habit of visiting each other’s sets. Spielberg was on hand for one of the days of shooting the Colombians’ initial attack on Tony Montana’s house at the end of the movie, so De Palma let Spielberg direct the low-angle shot where the attackers first enter the house.

14. SOME COOL TECHNOLOGY WENT INTO THE GUN MUZZLE FLASHES.

In order to heighten the severity of the gunfire, De Palma and the special effects coordinators created a mechanism to synchronize the gunfire with the open shutter on the movie camera to show the huge muzzle flash coming from the guns in the final shootout.

15. SADDAM HUSSEIN WAS A FAN OF THE FILM.

The trust fund the former Iraqi dictator set up to launder money was called “Montana Management,” a nod to the company Tony uses to launder money in the movie.

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