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10 Things We No Longer See at Airports

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Air travel used to be a lot more expensive and exclusive before the industry was deregulated, and many airports therefore had a lot more amenities that were included in the cost of your pricey ticket. Of course, the events of 9/11 changed the design and operation of U.S. airports, as did technology and health concerns. See how many of these features, if any, you remember.

1. Observation Decks

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Plane spotting as a hobby has become less convenient since 9/11. Watching airplanes take off and land was a free and exciting activity that a lot of kids enjoyed with their parents back in the day; so much so that almost every airport had a glass-enclosed observation area (outside the security check) where the public could sit for hours to watch and even photograph jumbo jets.

2. Colorful, Distinctive Luggage Tags

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Baggage tags affixed by airlines at airports used to be as different and collectable as postage stamps. Each airport had its own logo and color combination and overall design, so that you could tell from many yards away if the bag was destined for ORD (Chicago) or ORY (Paris). In the name of efficiency, baggage tags are now computer-generated and are all of the same generic, zebra-striped black-and-white bar code variety.

3. Hare Krishnas

The berobed followers of Krsna handing out flowers while soliciting donations at every major airport was so ubiquitous in the 1970s and '80s that it was included as a joke in the 1980 farcical film Airplane! Tighter security, combined with a 1997 ban imposed at LAX by the City Council, eventually prevented the sect from approaching airline passengers as they tried to catch their flights.

4. Courtesy Cars

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Believe it or not, one of the perks offered by most major airports to businessmen (they did most of the flying at the time) was the use of an airport-owned automobile for a nominal fee. Eventually, rental cars would become big airport business and those Important Businessmen would have to wait in line with the rest of us Average Humans to pick up a sub-compact.

5. Coin-Operated TV Chairs

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If your flight happened to be delayed and you didn’t feel like reading, watching TV was one way to make the time pass quickly. Most airports had a section of “TV chairs” that featured coin-operated televisions which would provide 30 minutes of local programming for 25 cents. Since pretty much everyone has their own portable entertainment these days, the Tele-A-Chair equipment is not economically viable for most airports.

6. Free Baggage Carts

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In many other parts of the world, luggage carts are owned by the individual airport and are provided to customers as a convenience. This was once the standard in the U.S. as well—until the late 1960s when the buggy business was sub-contracted out to a company called Smarte Carte. Airports found that they could save money by not having to retrieve carts from the far reaches of the parking lot, or worry about passengers taking them home with them.

See Also: 11 Things We No Longer See on Planes

7. Welcoming/Bidding Farewell at the Gate

Again, tightened security now prevents friends and family members from walking almost up the jetway to greet arriving passengers or clutch them tightly for one last farewell hug before departure. These regulations also make a major plot point of 1970’s Airport impossible—after all, that’s how Academy Award-winner Helen Hayes sneaked aboard an international flight.

8. Life Insurance Kiosks

For many years there were not only kiosks with smiling personnel ready to sell you flight insurance ($25,000 coverage or more for a few dollars), but also self-service vending machines located near just about every gate. Despite the occasional kook who bought a huge policy with the intent of blowing up the plane, the pre-flight insurance business slowly fizzled out simply because as air travel became more affordable and common, folks didn’t view a flight as any more life-threatening than a road trip, and revenues dropped.

9. Outdoor Stairs as Your Only Option

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Until the Jetway was invented, all passengers had to walk outside onto the tarmac and climb a set of portable stairs to board the aircraft. This was often inconvenient depending upon weather conditions, or on the passenger’s personal fear of flying. The first Jetway covered corridors were installed by Delta Airlines at Atlanta’s Hartsfield Airport in May 1961.

10. Smoking

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For many years there were no restrictions on where you could light up in an airport. Then when the Surgeon General got involved with all those health warnings, designated smoking areas became the norm. When cigarettes were first banned on certain flights, the most congested area in the airport arrival lounge wasn’t the baggage claim but rather the perimeter around the first pedestal ashtray passengers encountered as they exited. Today, smoking restrictions at many airports are so tight that folks have to stand some 20 feet or more outside the exit doors of the building.

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Pop Culture
Wise Quacks: A History of the Rubber Duck
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In the middle of a raging storm in 1992, a cargo ship carrying a huge assortment of vinyl toys tipped over. Descending into the Pacific were nearly 29,000 tub playthings, including untold thousands of rubber ducks. Bobbing and drifting, the tiny yellow birds took weeks, months, and years to wash ashore in Hawaii, Maine, Seattle, and other far-flung locations. Their journeys were able to tell oceanographers crucial information about waves, currents, and seasonal changes—what one journalist dubbed “the conveyor belt” of the sea.

The humble little rubber duck had, once again, exceeded expectations.


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Aside from soap, shampoo, and towels, there may be no more pervasive an item in a kid-occupied bathtub than the rubber duck, a generic aquatic toy that usually squeaks, sometimes spits water, and can be teethed upon without incident.

The ducks had their origins in the mid-1800s, when rubber manufacturing began to gain ground. Out of the many animals crafted, they were the most native to water and broke away from the pack. Families who used to make bathing a weekly event prior to Sunday church sessions would entice children to submerge themselves in the murky tubs with a duck, some of which didn’t float. They were intended as chew toys.

In 1933, a latex supplier licensed a series of Disney characters and made inexpensive bath floaters: The most popular were Donald and Donna Duck. While Disney’s brand recognition helped, companies looking to mass-market cheap ducks didn’t want to depend on a license. Sculptor Peter Ganine is believed to have been the now-familiar generic duck’s primary designer, patenting a toy in 1949 for a period of 14 years. Ganine reportedly sold over 50 million of them.

By the early 1960s, the vinyl ducks were free from patent restriction and became a bathroom fixture. They were cheaply made, cheaply acquired, and a soothing presence for children with apprehensions about being dipped into water. Any hydrophobia was eased by the bright yellow duck, who didn’t appear to have a care in the world.

On February 25, 1970, rubber ducks got their biggest break yet. On the first season of Sesame Street, Ernie splashed in a tub while singing an ode to his maritime companion:

Rubber Duckie, you’re the one

You make bath time lots of fun

Rubber Duckie, I’m awfully fond of you

Rubber Duckie, joy of joys

When I squeeze you, you make noise

Rubber Duckie, you’re my very best friend, it’s true

The song went on to sell over 1 million copies as a single and has been included in well over 21 different Sesame Street compilation albums. The image of Ernie playing with the duck was licensed for T-shirts, storybooks, and other merchandise that further endeared the ducks to child-occupied households.

The duck has since undergone some minor advancements. Some, molded to resemble celebrities or athletes, are a popular gift or marketing tool; others are sculpted to giant-sized proportions to bob in lakes during summer festivals. And while the toys now come in $99, Bluetooth-enabled versions, it was the classic yellow duck that made it in 2013 into the National Toy Hall of Fame.

Additional Sources:
“Rubber Ducks and Their Significance in Contemporary American Culture,” The Journal of American Culture, Volume 29, Number 1 [PDF].

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13 Rich Facts About Dynasty
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Glitz, glamour, and murder! The 1980s nighttime soap Dynasty captured the zeitgeist with a one-percenting oil family, the Carringtons, living large in Denver, of all places. The show, created by Esther and Richard Shapiro, premiered on January 12, 1981, to capitalize on competing nighttime soap Dallas. But what set Dynasty apart was its unabashed catfights, characters dripping with diamonds, and the progressiveness of its casting.

The show didn’t become a top 10 hit until season two, when Blake Carrington’s (John Forsythe) ex-wife Alexis (Joan Collins) strutted into town, upending the family and picking many knock-down, drag-out fights with Blake’s current wife, Krystle (Linda Evans). After becoming the number one show in America in 1985—and airing in 80 countries—Dynasty spun off into The Colbys, which only lasted two seasons.

By the spring of 1989, Dynasty’s popularity had begun to wane; after nine seasons and 220 episodes, the Carringtons were told to pack their bags. Because of the abrupt cancelation, the show returned with a two-part miniseries in October 1991. Try as they might, shows like Desperate Housewives, Empire, or any of The Real Housewives can’t hold a candle to Dynasty’s opulent legacy. Here are 13 saucy facts about the iconic TV show (which made a comeback last year).

1. THE SHOW WAS ORIGINALLY CALLED OIL.

The Shapiros wanted to make a show about the 1979 oil crisis, but they instead created an “American fantasy.” “We thought people had seen enough stories where families fell apart,” Esther Shapiro told New York magazine. “We wanted a strong, 19th-century sort of family where people were in conflict but loved each other in spite of everything. We found that the audience wasn’t very interested in the oil workers’ stories. But people were just fascinated by what was going on inside that castle.”

Dallas tapped into a similar market, but Dynasty flipped the story. “Dallas, it seems to me, is more male-oriented and rural,” Esther said. “It has a lot more to do with business wheeling and dealing than with family. The women tend to be pretty passive. Our women, though, are anything but passive … and anything but victims.”

2. ANGIE DICKINSON WAS OFFERED THE PART OF KRYSTLE.

Back when the show was still called Oil, Angie Dickinson was offered the role of Krystle, which she turned down. Without realizing Oil had become Dynasty, she asked Aaron Spelling about it at a party, a while after the show began airing. “Aaron nearly fell backwards,” Dickinson told People. “He said, ‘Well, it’s on every Wednesday at 9 o’clock, and it’s called Dynasty.’” Spelling decided to offer Dickinson another role, this time as Lady Ashley Mitchell, but she turned that part down, too. “I said, ‘I’m sorry, I just can’t. There are too many ladies already. I would want it to be my show.’”

Evans, for one, was grateful to Dickinson. “I’ve thanked God endlessly, but I owe a special thanks to Angie Dickinson for turning down the part of Krystle,” Evans wrote in her memoir. “Since then, we’ve become friends, so I was able to thank Angie myself.”

3. ALEXIS WAS THE FEMALE J.R. EWING.

“A lot of what [Alexis] was like was from [Dallas’s] J.R.,” Collins said on Watch What Happens Live. “And when I first came into the show, they compared me to J.R.” On 2006’s Dynasty Reunion: Catfights and Caviar, Collins further explained her conniving yet somewhat lovable character. “I think it was the first time that audiences saw on television a woman who could be evil and manipulating and downright nasty, and have a lot of charm and sexuality.”

4. IT FEATURED ONE OF MAINSTREAM TELEVISION’S EARLIEST GAY CHARACTERS. 

Jack Coleman as Steven Carrington in 'Dynasty'
Jack Coleman as Steven Carrington
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Steven Carrington—played first by Al Corley, then by Jack Coleman—was Blake Carrington’s gay son (though he did have relationships with women, too). The idea of having an openly gay character on TV seemed like a good idea, but Dynasty’s producers kept Steven’s storylines rather tame and ambiguous, which didn’t sit well with Corley. The actor often complained in interviews how “Steven doesn't have any fun. He doesn’t laugh; he has no humor,” which prompted producers to replace him at the end of season two. In order to have Corley exit the show, the writers had Steven become disfigured after he was involved in an oil rig explosion. After some magical plastic surgery, Coleman reemerged as the new and improved Steven.

“My feeling was that I was in a kind of a situation where I was expected to be a spokesman, and I was never comfortable being a spokesman,” Coleman told the Los Angeles Times. “It’s just the kind of position you wind up in when a character is long-running. You not only have to defend the character but the situation to the entire country. Ultimately I saw Steven as a man who was unsure of his sexuality and from time to time was attracted to women. He was caught between worlds.”

Despite his mixed feelings about playing a conflicted gay character, Corley felt like he made a difference. “I had no idea how important this character was to a lot of people,” Corley said on the Dynasty Reunion. “The letters that I got that said, ‘This is the first thing I’ve ever seen where I can actually go to my parents and I can tell them, hey, look, there’s somebody else. There’s a face to all of this.’”

5. THE SHOW’S COSTUME DESIGNER, NOLAN MILLER, RESURRECTED SHOULDER PADS.

Joan Crawford’s 1940s attire of hats, slim-fitting dresses, and gloves was a big inspiration on Dynasty’s costume designer, Nolan Miller. “Everything was coordinated: Each dress had its own particular hat, purse, gloves, shoes, and it never varied,” Esther Shapiro told New York magazine. “Joan Crawford didn’t mix and match. We decided to take it one step further: Alexis would never wear the same thing twice. In fact, no one on Dynasty would.” Miller had a weekly wardrobe budget of $35,000, and designed 3000 outfits during the show’s run.

Collins suggested to Miller that he needed to copy haute couture designers like Yves Saint Laurent “and have high style, and so they started doing that with me, which is when they started bringing out the big shoulder pads, early in 1983,” Collins told PBS. “When I started getting very dressed up for every single scene, even in the boudoir, they loved it so much that every actress also was dressed up to the nines.”

6. DYNASTY MERCHANDISE GROSSED MORE THAN $400 MILLION.

A show about moneyed people wearing nice things translated into the public being able to purchase some of the show’s glitz. A line of Dynasty merchandise was released, which included $3 pantyhose, $150 Forever Krystle perfume, $500 tuxedos, $800 ball gowns, $10,000 handmade Alexis and Krystle dolls, and a $200,000 chinchilla coat. Crafty fans of the show could also buy Miller’s patterns through McCall’s Pattern Co. and make the fancy dresses themselves.

7. THE CAST DIDN’T KNOW THE OUTCOME OF THE MOLDAVIAN MASSACRE.

More than 60 million people tuned in to watch Dynasty’s season five finale, on May 15, 1985. The cliffhanger involved a Game of Thrones Red Wedding-like massacre in Moldavia, where terrorists crashed Amanda’s (Catherine Oxenberg) wedding to Prince Michael—whom she did not want to marry—and unleashed bullets onto the unsuspecting wedding attendees. “We had no idea who was going to live or die. None of us knew,” Collins said during the Dynasty Reunion. “Because we knew if you were really bloodied up, that was it. Might as well call your agent and say, ‘I need a job’ … It was very funny, actually.”

Fans had to wait until the sixth season premiered on September 25, 1985 to learn that none of the main cast died—just supporting characters Lady Ashley Mitchell (the second role that Dickinson turned down, which Ali MacGraw played) and Luke Fuller (Billy Campbell). The stunt was so popular, T-shirts imprinted with “I survived the Moldavian Massacre” were sold.

8. ROCK HUDSON’S APPEARANCE GENERATED SOME CONTROVERSY.

In 1985, there were still a lot of misconceptions about AIDS, with many people believing you could catch the virus from saliva. Between 1984 and 1985, Rock Hudson appeared on nine episodes of Dynasty as Evans’ lover, Daniel Reece. During filming, the producers didn’t know Hudson had AIDS (he died on October 2, 1985). The characters shared an open-mouth kiss, and Evans couldn’t understand why he didn’t lay it on her. “Instead of passionately kissing me, Rock just barely brushed his lips over mine and then backed away,” she said.

"Is it possible," asked one reporter, "that Rock Hudson transmitted AIDS to actress Linda Evans during love scenes [on Dynasty]?” To protect actors, the Screen Actors Guild wrote a letter that “recommended against kissing that involves the exchange of saliva with members of the AIDS high-risk groups—homosexuals, intravenous drug users, and hemophiliacs.”

9. DIAHANN CARROLL HOPED THE SERIES WOULD BREAK THE COLOR LINE. 

Diahann Carroll in 'Dynasty'
ABC

Diahann Carroll joined the cast as Dominique Deveraux during season four, and at the time was the only African-American with a recurring role on a nighttime serial. “Our intention is to play the characters in 1984 with an emphasis on character, not color,” Esther Shapiro told People. Carroll had attended a Golden Globes party where she met Dynasty's executive producer Aaron Spelling. He liked her so much, “We virtually closed the deal that night while having a drink at the bar,” Spelling said. 

Carroll felt the time was right for not only a black actress to appear on a mainstream soap, but also for a storyline of interracial romance to manifest. “They’ve done everything,” she said. “They've done incest, homosexuality, murder. I think they’re slowly inching their way toward interracial. I want to be wealthy and ruthless. I want to be the first black b*tch on television.” Carroll played the role for another season on Dynasty and two seasons on The Colbys before briefly returning to Dynasty in season seven.

10. YOU CAN VISIT THE DYNASTY MANSION.

The show was based in Denver but parts of it were filmed near San Francisco. The Filoli Estate in Woodside, California was a stand-in for the Carrington’s gigantic home. The specs: 36,000 square feet, 43 rooms, 17 bathrooms, and 17 fireplaces. This May, the estate’s 16-acre garden will host the Filoli Flower Show, which will display 50,000 tulips and 15,000 daffodils for the public to marvel at. If you’re a member of Filoli, you can visit the premises at any time—not just once a year.

11. THE LILY POND SCENE OCCURRED IN SHALLOW WATER.

Dynasty’s most famous catfight is one that took place in a lily pond and entailed Krystle and Alexis ripping each other to shreds—while wearing gowns! Evans wrote that they filmed the scene at an estate in Pasadena, in shallow water. “It looked like we were in six feet of water but in reality we were in only two and a half feet, and fighting on our knees! It felt absurd and we struggled all day to make it look authentic. When at the end of the day the director yelled ‘cut and print,’ we stood up looking like a couple of drowned rats. The crew spontaneously broke out in applause and laughter … Joan loved the verbal fights—I hated them. I loved the physical confrontations—she loathed them. We did them all—for nine years!”

12. A DYNASTY MOVIE WAS IN THE WORKS.

In 2011, the creators of Dynasty announced they were working on a script for a prequel set in 1961, to be released in theaters in 2012. That didn’t happen, clearly, but the plot surrounded a younger Blake Carrington. “We’re taking Blake Carrington back to his young manhood and when he met Alexis, and setting the movie in the Mad Men-era of the 1960s,” Esther Shapiro said. “It will give us the opportunity to start fresh, without the constraints that television placed on our characters in the series.”

“Our intention is, if this works, to make this a franchise because people want to see the others,” co-creator Richard Shapiro told ABC. “People are asking about Krystle and so forth.”

13. IT JUST GOT A SMALL-SCREEN REBOOT.

In May 2017, the CW announced that it would be bringing a reboot of the series back to the small screen, courtesy of Gossip Girl creators Josh Schwartz and Stephanie Savage. The series made its premiere in October 2017, and will return to complete its first season on January 17, 2018.

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