A Clue on the Ceiling of Grand Central Terminal Shows How Dirty It Was 30 Years Ago

iStock.com/undercrimson
iStock.com/undercrimson

The mural above the concourse at Grand Central Terminal is one of the most gawked-at ceilings in New York City, but even daily commuters may have missed a peculiar feature. Tucked at the edge of the green and gold constellations is a rectangular black mark. The apparent blemish didn't get there by mistake: As Gothamist explains in its new series WHY?, it was left there by restorers when the ceiling was cleaned more than 20 years ago.

Prior to the Metropolitan Transportation Authority's renovation of Grand Central in the 1990s, the concourse was a lot dirtier. The station itself was constructed in Manhattan in the early 1900s, and the celestial scene that's on the ceiling today was painted there in the 1940s. It took only a few decades for tobacco smoke and other pollutants to stain the mural so badly that it needed to be restored.

Using Simple Green-brand cleaning solution and cotton rags, conservators spent two years scrubbing nearly every inch of the ceiling back to its former glory; the one part they skipped was a 9-inch-by-18-inch patch in the northwest corner. Sometimes, when doing a major cleaning project, preservationists will leave a small sample of the art or artifact untouched. If the cleaning products did any damage to the paint, the patch gives future preservationists something to compare it to. It also acts as a snapshot of what the mural looked like in its old condition.

To hear more about the mural and its dirty secret, watch the video from Gothamist below.

[h/t Gothamist]

10,000 People Gathered at Stonehenge to Welcome the Summer Solstice

Finnbarr Webster, Getty Images
Finnbarr Webster, Getty Images

There are plenty of reasons to welcome the start of summer. Today, people visiting Stonehenge took that celebration to a whole new level.

The BBC reported that an estimated 10,000 people made the pilgrimage to the 5000-year-old site to partake in summer solstice festivities. "Stonehenge was built to align with the Sun, and to Neolithic people, the skies were arguably as important as the surrounding landscape," Susan Greaney, a senior historian at English Heritage, said in a statement. "At solstice we remember the changing daylight hours, but the changing seasons, the cycles of the Moon, and movements of the Sun are likely to have underpinned many practical spiritual aspects of Neolithic life."

These spiritual aspects are just one of the many fascinating facts about the summer solstice; the day is an extremely old calendar event recognized by ancient cultures across the globe. They include the Druids and other pagans, whose tradition of observing the solstice at Stonehenge has long been upheld by modern revelers.

Scientifically speaking, Stonehenge is an optimal viewing place for the solstice due to its structure. According to TIME, the site’s architects appeared to have kept both the summer and winter solstices in mind during its construction, as the positions of the stones are specifically tuned to complement the sky on both occasions.

The solstices were sacred to the pagans, whose modern-day followers continue to honor their rituals. Pagans in particular refer to the day as Litha, and mark it with activities such as meditation, fire rites, and outdoor yoga.

“What you’re celebrating on a mystical level is that you’re looking at light at its strongest," Frank Somers, a member of the Amesbury and Stonehenge Druids, said in 2014. "It represents things like the triumph of the king, the power of light over darkness, and just life—life at its fullest."

Those who were unable to make the journey can head over to the Stonehenge Skyscape project's website, where English Heritage’s interactive live feed fully captured the experience.

Tourists Are Picking Apart Britain's Oldest Tree

Paul Hermans, Wikimedia Commons // CC BY-SA 3.0

The Fortingall Yew in the Fortingall churchyard in Perthshire, Scotland has seen a lot. Since it started growing at least 2000 years ago, it's been present for the Roman settlement of Scotland, the shift from paganism to Christianity, and the country's induction into the United Kingdom. But after standing for millennia, the ancient tree is facing its greatest threat yet. Tourists are removing twigs and branches from the tree to take home as souvenirs, and the tree is under so much stress that it's spontaneously changing sexes, Atlas Obscura reports.

Because of how the tree grows, it's hard to date the Fortingall Yew precisely. It comprises several separate trunks that have hollowed out over the years, making it easier for the tree to support itself in its old age. Based on historical measurements and 19th-century ring counts, the yew has been around for at least two millennia, but it could date back as far as 5000 years. That makes it the oldest tree in Britain and one of the oldest living things in Europe.

That impressive title means the tree gets a lot of visitors, not all of whom are concerned with extending its lifespan even longer. A stone and iron wall built in the Victorian era encloses the tree, but that hasn't stopped people from climbing over it to break off pieces or leave behind keepsakes like beads and ribbons.

As the abuse adds up, the tree has responded in concerning ways. It sprouted red berries this spring, a sign that the tree is transitioning to a different sex for the first time in its life. Yew trees are either male or female, and sex changes among the species are incredibly rare and misunderstood. Some botanists believe it's a reaction to stress. The change may be a survival mechanism intended to increase the specimen's chances of reproducing.

Scientists aren't sure why this particular yew, which was formerly male, sprouted berries on its upper branches, an exclusively female characteristic, but they've collected the berries to study them. The seeds from the berries will be preserved as part of a project to protect the genetic diversity of yew trees across the globe.

In the mean time, caretakers of the Fortingall Yew are imploring visitors to be respectful of the tree and keep their hands to themselves.

[h/t Atlas Obscura]

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