George Pollard Jr., Unlucky Captain of the Ship That Inspired Moby-Dick

Gregory Peck as Captain Ahab during the shooting of the 1956 film Moby Dick
Gregory Peck as Captain Ahab during the shooting of the 1956 film Moby Dick
Hulton Archive/Getty Images

Captain George Pollard Jr. had no choice but to eat his cousin. Crammed aboard a small whaleboat with some of his crew, the captain had been drifting aimlessly in the South Pacific for more than two months. The sun was relentless, their thirst was unquenchable, and the hull was leaking. Saltwater had leached into the men’s stash of bread, and one by one, Pollard’s men died of starvation—and were promptly devoured by the hungry survivors.

It was a nightmare scenario. Weeks earlier, in November 1820, Pollard's crew had been pursuing (and harpooning) a pod of sperm whales when an angry 85-foot-long whale barreled head-on into the captain's ship, The Essex of Nantucket, sending it to the ocean's bottom. The 20 survivors scrambled into three small whaleboats, which eventually became separated during a storm. After two and a half months at sea, the days began to blur and the stockpile of food dwindled, and the four men remaining on Pollard’s boat realized they were all going to starve if food didn’t soon become available. So they agreed to draw lots: Whoever pulled the short stick would volunteer to be shot and eaten.

It was a terribly irony. When the Essex sank, the men had been relatively close to the Marquesas Islands, but Pollard's men were afraid of landing there—the islands were rumored to be full of cannibals. Pollard agreed to follow a longer route, hoping to drift south and then east in hopes of reaching Chile. That decision, however, had made cannibals of the men on board.

As for the drawing of lots, Pollard’s 18-year-old cousin, Owen Coffin, was the unlucky loser. When Pollard insisted that he take the young man's place, Coffin refused—and was summarily shot in the head. “He was soon dispatched,” Pollard grimly recalled, “and nothing of him left.” About two weeks later, Pollard's boat was discovered. By that point, the two surviving men—Pollard and sailor Charles Ramsdell—had resorted to drinking their own urine and were found gnawing on the bones of their deceased mates.

The ordeal would haunt Captain Pollard. Before the voyage, he had promised Coffin’s mother that the boy would return home safely, and his failure to keep Coffin alive plagued Pollard's conscience. After surviving a second shipwreck, the captain took a job on sturdy land as Nantucket's night watchman, where he looked over the streets and wharves.

Three decades later, when Pollard was 60, Herman Melville—fresh from finishing Moby-Dick—paid the aging skipper a visit. Pollard didn’t know about the book, and the two didn’t exchange many words. But Melville harbored a secret: The sinking of the Essex had inspired his novel. (We should caution that Melville did not base the monomaniacal character of Ahab on Pollard himself. "While Melville was inspired by Pollard's adventures," the BBC says, "the unlucky seafarer's character is not thought to have been the basis for the novel's obsessive Capt Ahab.")

Melville marveled at the tormented man, saying of his encounter: “To the islanders he was a nobody—to me, the most impressive man, tho’ wholly unassuming, even humble—that I ever encountered.” In fact, Melville mentioned Pollard in his epic Clarel, the longest poem in American literature.

Never he smiled;
Call him, and he would come; not sour
In spirit, but meek and reconciled:
Patient he was, he none withstood;
Oft on some secret thing would brood.

Rare First Edition of Harry Potter and the Philosopher’s Stone Sold for More Than $56,000

UBC Library Communications and Marketing, Flickr // CC BY-NC-ND 2.0
UBC Library Communications and Marketing, Flickr // CC BY-NC-ND 2.0

Publishers weren't very optimistic about the future of Harry Potter and the Philosopher's Stone when they printed it in 1997. Only 500 first edition copies were made, 300 of which were donated to libraries. As anyone who's been to a bookstore, movie theater, or theme park in the past two decades knows, that prediction couldn't have been further off.

Book one of the Harry Potter series spawned one of the most successful literary franchises of all time and earned millions for author J.K. Rowling. That means those rare first edition prints are exceedingly valuable today, and one of the most pristine copies ever discovered just sold for $56,500 at auction, BBC reports.

The sellers, an anonymous couple from Lancashire, England, had stored their copy of Harry Potter and the Philosopher's Stone—along with a first edition of Harry Potter and the Chamber of Secrets—in a code-locked briefcase for safekeeping. The plan wasn't to wait for the books to accrue value over time; originally, they had wanted to protect them and pass them down as family heirlooms.

The couple changed their minds after learning that another first edition copy of Philosopher's Stone had sold for $35,000. That turned out to be a smart move. By locking it away, they managed to preserve one of the best first edition copies of the book experts had seen. The book also contained two errors that made it an even more appealing item for collectors. Its value was placed between $30,700 to $37,000.

At the auction, however, bidders blew past those numbers. It sold for a winning bid of approximately $56,500. The buyer will end up paying $70,000 in total to cover additional fees and taxes.

That's a significant amount to pay for a book, but it's not even the highest figure that's been bid for the title. Earlier in 2019, a first-edition print of Harry Potter and the Philosopher's Stone with several errors sold for $90,000.

[h/t BBC]

When Bram Stoker Adapted Dracula for the Stage

Lyceum Theatre, London, 1897, Public Domain, Wikimedia Commons
Lyceum Theatre, London, 1897, Public Domain, Wikimedia Commons

For one of literature’s most enduring works, Bram Stoker’s Dracula didn’t receive much of an audience turnout when it was first adapted for the stage. The classic 1897 novel was transformed into a play by Stoker the same year it was published—and only two paying customers showed up to its debut.

In Stoker's defense, it wasn't supposed to be a grand production; it was a copyright reading of the script, which was slapped together by the author in a hurry so he could submit it to the Lord Chamberlain’s Office for approval and licensing and retain the dramatic rights. The play, titled Dracula: or The Un-Dead, was held on May 18, 1897—eight days before the novel was released—and was only advertised for a half-hour before the performance began. Considering that the play had a prologue, five acts, and 40 scenes, it’s unclear whether an audience would have felt compelled to stay for the entire thing anyway.

The dramatic reading starred actress and pioneering suffragette Edith Craig as Mina Murray. Stoker had originally wanted the actor who helped inspired the character of Dracula—the dark, mysterious Henry Irving—to act alongside Murray. However, Irving reportedly refused to get involved, telling Stoker that the script for Dracula: or The Un-Dead was "dreadful."

The play faithfully adhered to the novel Dracula’s plot, although many of the epistolary work's lush details were condensed for time purposes. A series of character monologues help move the story forward; Greg Buzwell, who serves as curator for Printed Literary Sources, 1801–1914 at the British Library, points out that they might have sounded wooden because Stoker was better at scenic details than straight-up dialogue.

Following Dracula's stage debut, Stoker’s bloodthirsty Count didn’t reappear in theaters until 1924. However, the original play’s script offers a peek into Bram Stoker’s artistic process as he translated his characters from page to stage. You can check out the hodgepodge of personal handwriting and galley proofs over at the British Library’s website, which gives a great overview of the play's historic legacy.

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