The Mona Lisa Does Not Actually Cause the ‘Mona Lisa Effect’

Wikimedia Commons // Public Domain
Wikimedia Commons // Public Domain

Do you ever feel like you’re being watched? By a certain Leonardo da Vinci painting, perhaps? Scientists call it the Mona Lisa effect: the sense that the eyes of a figure in a painting or photograph are following you as you move around the room. But according to a new study in the journal i-Perception, the eyes in the Mona Lisa painting don’t actually fit the criteria.

The Mona Lisa effect is real—scholars have documented the phenomenon for nearly 2000 years. The effect doesn’t just depend on the direction of the painted figure’s gaze. The figure’s head position in the painting and the slant of the picture itself create specific geometric conditions in space, distorting the viewer’s perception of the painted person’s stare. The sensation can occur no matter where the viewer is in relation to the portrait.

Until now, according to researchers at Bielefeld University in Germany, no one had tested the effect on the Mona Lisa itself. Gernot Horstmann and Sebastian Loth, members of the university’s Cluster of Excellence Cognitive Interaction Technology, designed a study in which 24 participants viewed 15 different sections of the Mona Lisa painting on a monitor. A simple ruler was placed in front of the monitor, and each viewer marked the spot where they thought the gaze landed on the ruler, which indicated its angle.

An angle of zero meant a straight-at-the-viewer look. A slightly sideward gaze toward the viewer’s ear, corresponding to a 5-degree angle, would still prompt the sense of being watched. "But as the angle increases, you would not have the impression of being looked at,” Horstmann said in a statement.

After analyzing about 2000 assessments from participants, the researchers found that viewers felt the gaze of Leonardo da Vinci’s masterpiece to be at an angle of 15.4 degrees—looking off to their right-hand side, rather than directly at them.

“It is clear that the term Mona Lisa effect is nothing but a misnomer,” Horstmann said. But even though this particular phenomenon has been demystified, people's obsession with the painting will surely continue.

Can You Tell an Author’s Identity By Looking at Punctuation Alone? A Study Just Found Out.

iStock.com/RyersonClark
iStock.com/RyersonClark

In 2016, neuroscientist Adam J Calhoun wondered what his favorite books would look like if he removed the words and left nothing but the punctuation. The result was a stunning—and surprisingly beautiful—visual stream of commas, question marks, semicolons, em-dashes, and periods.

Recently, Calhoun’s inquiry piqued the interest of researchers in the United Kingdom, who wondered if it was possible to identify an author from his or her punctuation alone.

For decades, linguists have been able to use the quirks of written texts to pinpoint the author. The process, called stylometric analysis or stylometry, has dozens of legal and academic applications, helping researchers authenticate anonymous works of literature and even nab criminals like the Unabomber. But it usually focuses on an author's word choices and grammar or the length of his or her sentences. Until now, punctuation has been largely ignored.

But according to a recent paper led by Alexandra N. M. Darmon of the Oxford Centre for Industrial and Applied Mathematics, an author’s use of punctuation can be extremely revealing. Darmon’s team assembled nearly 15,000 documents from 651 different authors and “de-worded” each text. “Is it possible to distinguish literary genres based on their punctuation sequences?” the researchers asked. “Do the punctuation styles of authors evolve over time?”

Apparently, yes. The researchers crafted mathematical formulas that could identify individual authors with 72 percent accuracy. Their ability to detect a specific genre—from horror to philosophy to detective fiction—was accurate more than half the time, clocking in at a 65 percent success rate.

The results, published on the preprint server SocArXiv, also revealed how punctuation style has evolved. The researchers found that “the use of quotation marks and periods has increased over time (at least in our [sample]) but that the use of commas has decreased over time. Less noticeably, the use of semicolons has also decreased over time.”

You probably don’t need to develop a powerful algorithm to figure that last bit out—you just have to crack open something by Dickens.

What Happens to Your Body If You Die in Space?

iStock.com/1971yes
iStock.com/1971yes

The coming decades should bring about a number of developments when it comes to blasting people into orbit and beyond. Private space travel continues to progress, with Elon Musk and Richard Branson championing civilian exploration. Professional astronauts continue to dock at the International Space Station (ISS) for scientific research. By the 2040s, human colonists could be making the grueling journey to Mars.

With increased opportunities comes the increased potential for misadventure. Though only 18 people have died since the emergence of intragalactic travel in the 20th century, taking more frequent risks may mean that coroners will have to list "space" as the site of death in the future. But since it's rare to find a working astronaut in compromised health or of an advanced age, how will most potential casualties in space meet their maker?

Popular Science posed this question to Chris Hadfield, the former commander of the ISS. According to Hadfield, spacewalks—a slight misnomer for the gravity-free floating that astronauts engage in outside of spacecraft—might be one potential danger. Tiny meteorites could slice through their protective suits, which provide oxygen and shelter from extreme temperatures. Within 10 seconds, water in their skin and blood would vaporize and their body would fill with air: Dissolved nitrogen near the skin would form bubbles, blowing them up like a dollar-store balloon to twice their normal size. Within 15 seconds, they would lose consciousness. Within 30 seconds, their lungs would collapse and they'd be paralyzed. The good news? Death by asphyxiation or decompression would happen before their body freezes, since heat leaves the body slowly in a vacuum.

This morbid scene would then have to be dealt with by the accompanying crew. According to Popular Science, NASA has no official policy for handling a corpse, but Hadfield said ISS training does touch on the possibility. As he explained it, astronauts would have to handle the the body as a biohazard and figure out their storage options, since there's really no prepared area for that. To cope with both problems, a commander would likely recommend the body be kept inside a pressurized suit and taken someplace cold—like where garbage is stored to minimize the smell.

If that sounds less than regal, NASA agrees. The company has explored the business of space body disposal before, and one proposition involves freeze-drying the stiff with liquid nitrogen (or simply the cold vacuum of space) so it can be broken up into tiny pieces of frozen tissue, which would occupy only a fraction of the real estate that a full-sized body would.

Why not eject a body, like Captain Kirk and his crew were forced to do with the allegedly dead Spock in 1982's Star Trek II: The Wrath of Khan? Bodies jettisoned into space without a rocket to change their trajectory would likely fall into the wake of the spacecraft. If enough people died on a long trip, it would create a kind of inverted funeral procession.

Even if safely landed on another planet, an astronaut's options don't necessarily improve. On Mars, cremation would likely be necessary to destroy any Earth-borne bacteria that would flourish on a buried body.

Like most everything we take for granted on Earth—eating, moving, and even pooping—it may be a long time before dying in space becomes dignified.

[h/t Popular Science]

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