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25 Things You Should Know About Nirvana

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Though he died tragically at the age of 27, today marks what would have been Nirvana frontman Kurt Cobain's 50th birthday. To celebrate the occasion, here are 25 things you should know about the alternative rock icon and his legendary band.

1. KURT COBAIN DROPPED OUT OF HIGH SCHOOL, THEN WORKED THERE AS A JANITOR.

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Even though he was by all accounts a slob, Kurt Cobain worked as a janitor at Weatherwax High School, not long after dropping out of that very school. The dancing janitor in the "Smells Like Teen Spirit" music video was an inside joke for those who knew of Cobain's old job.

2. THE TITLE FOR "ABOUT A GIRL" CAME ABOUT VERY QUICKLY.

Chad Channing, one of Nirvana's drummers before Dave Grohl, claimed that one day he asked Cobain what the song was about. "About a girl," was Cobain's reply. "Why don't you just call it that?"

The girl in question was Cobain's girlfriend, Tracy Marander, who asked why he wrote about everything—including Floyd the Barber from The Andy Griffith Show—but her. Marander didn't even realize that she was the "girl" until she read the official biography of the band, Come as You Are: The Story of Nirvana, four years later.

3. THERE WERE AT LEAST FIVE DIFFERENT DRUMMERS IN THE BAND BEFORE DAVE GROHL.

Cobain and Novoselic were always members of Nirvana—formerly known as Skid Row, Pen Cap Chew, Bliss, and Ted Ed Fred—but finding a permanent drummer proved to be even harder than coming up with a decent band name. In the beginning, there was trivia answer Aaron Burckhard, who pissed off Cobain by getting Kurt's car impounded after being arrested for fighting with a police officer. Then there was Melvins drummer Dale Crover, who pounded the skins for Cobain and Novoselic on their first demo tape before moving to San Francisco. Next came Dave Foster, who got arrested for assaulting the son of the mayor of Cosmopolis, Washington. Burckhard briefly returned before announcing he was too hungover to practice one day. Then a mutual friend introduced Cobain and Novoselic to Chad Channing, who hung around for two years before the group's co-founders decided he wasn't cutting it anymore. Mudhoney drummer Dan Peters played on the "Sliver" single.

Back in Washington, Crover performed with Cobain and Novoselic on a seven date tour with Sonic Youth in August 1990, before Dave Grohl's band Scream broke up and Melvins frontman Buzz Osbourne introduced Grohl to Cobain and Novoselic, ending the vicious cycle of rotating drummers.

4. NIRVANA'S FIRST SINGLE WAS A COVER.

Nirvana's first official release was a cover of "Love Buzz" by the Dutch rock band Shocking Blue. You know Shocking Blue not by "Love Buzz" but by their classic song "Venus," which reached #1 on the U.S. Billboard Hot 100 in February 1970 and sold 7.5 million copies. A 1986 Bananarama cover also topped the charts. "Love Buzz" however did neither of those things, for either Shocking Blue or Nirvana.

5. NIRVANA'S FIRST ALBUM COST $606.17 TO MAKE.

Guitarist Jason Everman didn't play on Bleach, Nirvana's first album, but was added to the band to add a second guitar to the mix soon after. He was a leading candidate to foot the bill—which came to $606.17—because he was the only person in the band to have an actual paying job. Unfortunately for Everman, his withdrawn attitude clashed with Cobain's similar disposition while on tour, resulting in a lot of long, silent driving and a severe lack of band chemistry

Everman failed upward, becoming the bass player for Soundgarden. He would be canned from that gig after one tour, before Soundgarden made it big. Everman's life after near-stardom was profiled in The New York Times Magazine in 2013, where it was reported that he joined the Army's 2nd Ranger Battalion and then the Special Forces, serving tours in Afghanistan and Iraq, and received a Bachelor of Arts in philosophy from Columbia University. 

6. "SMELLS LIKE TEEN SPIRIT" WAS INSPIRED BY COBAIN'S GIRLFRIEND'S DEODORANT. AND ALCOHOL.

After a night of drinking, Kurt Cobain and then-roommate Dave Grohl were joined by Bikini Kill songwriter/vocalist Kathleen Hanna and drummer Tobi Vail at their humble pre-fame abode. The party continued, and eventually Hanna spray painted "Kurt smells like teen spirit" on Cobain's wall, a reference to the deodorant Vail—Cobain's girlfriend at the time—used to smell pleasant without any white residue. As the rest of the legend goes, Cobain loved the phrasing and wrote the song without knowing of the Teen Spirit deodorant's existence until after it was recorded.

7. THE SONG'S RIFF WAS A "RIP OFF" OF THE PIXIES. AND "MORE THAN A FEELING."

The Pixies are universally credited with inventing the loud-quiet dynamic in 1987 with their debut EP Come on Pilgrim. It wouldn't be until 1990—one year after Nirvana's debut album Bleach—that Cobain's affection for the band would heavily influence his songwriting, and through that lens, "Spirit" pretty much sounds like a Pixies parody. Cobain admitted to trying to rip off the group, and at a big 1992 concert in Reading, he also acknowledged the song's passing resemblance to Boston's "More Than A Feeling."

8. WHEN COBAIN SAW HIMSELF ON TV FOR THE FIRST TIME, HE CALLED HIS MOTHER.

The music video for "Smells Like Teen Spirit" premiered on MTV's alternative music show 120 Minutes on Sunday, September 29, 1991. Cobain watched himself in a hotel room at The Roger Smith Hotel in New York City and called his mother to tell her, "There's me."

9. THE BAND WAS ACCUSED OF PLAGIARISM.

It all began in 1989, when Nirvana's "Negative Creep" featured the chorus "Daddy's little girl ain't a girl no more," which reminded a lot of the band's early listeners of Mudhoney's "Sweet Young Thing Ain't Sweet No More." Nothing came of it, but years later Cobain might have had that in mind when he warned Nirvana's co-manager Danny Goldberg about making "Come As You Are" the next single after "Smells Like Teen Spirit."

"Kurt was nervous about 'Come as You Are' because it was too similar to a Killing Joke song ['Eighties'], but we all thought it was still the better song to go with," Goldberg told Rolling Stone. "And, he was right, Killing Joke later did complain about it." But that's all they did—complain.

Killing Joke never actually took the band to court over the similarities to their 1984 song due to "personal and financial reasons," and possibly because "Eighties" itself sounds an awful lot like The Damned's 1982 song "Life Goes On." Shrugging and muttering to themselves that good artists borrow and great artists steal, Killing Joke welcomed Dave Grohl behind the drum kit to play on their 2003 album.

The only time that someone actually sued Nirvana was director Kevin Kerslake, who alleged that Cobain used some of his ideas for the "Heart Shaped Box" music video. The case was settled out of court.

10. THE ORIGINAL MUSIC VIDEO FOR "IN BLOOM" IS FROM 1990 AND SET IN NEW YORK CITY.

"In Bloom"—along with other Nevermind songs "Breed," "Lithium," and "Polly"—was a song intended for a 1990 album with Sub Pop, the band's initial record label. At first, Sub Pop seemed to be up to the task, paying for a recording session and releasing a music video showing the band performing the intended first single at a couple of different shows, traversing around David Dinkins-era lower Manhattan. Because nobody told Novoselic about continuity, he appears in parts of the video completely bald—the bassist thought his playing was so bad at one gig that he shaved his head to appease the bass gods. 

Sub Pop, however, would prove to be on the verge of bankruptcy, and would only be saved by the deal they made with Geffen Records to receive some royalties from Nevermind. Helping to keep the cash flowing was "In Bloom," the album's fourth single, promoted by a much more professional looking and thought out video with the band performing on an old Ed Sullivan Show type of program.

11. THE ORIGINAL "LITHIUM" VIDEO CONCEPT WAS A CARTOON.

Initially, Cobain and director Kevin Kerslake agreed on Cobain's idea for the "Lithium" video: an animated story about a girl named Prego who discovers some eggs that hatch. Unfortunately, the two discovered—a bit too late—that the animation would take four months to produce and decided to just use footage from a couple of live performances. Kerslake did his best to make things interesting by using video of the band at its most vibrant, manic moments during the quiet parts of the song, and vice versa.

12. NEVERMIND'S "CANDY-ASS" SOUND WAS THANKS IN PART TO JOHN LENNON.

Nevermind producer Butch Vig really wanted Cobain to double track his vocals to make the songs sound "fuller," "richer," and not have the record label spend a lot of money to purposely sound lo-fi. Cobain thought that would just be another indication of the band losing its indie, punk credibility (even though he was already recording a major label album). Vig knew that Cobain was a big John Lennon fan, so whenever Kurt would initially not agree to sing along with himself, Vig would tell him, "John Lennon did it." It worked, every time.

Cobain would later claim to resent the mainstream, radio-friendly production of the hugely successful album, poetically and timelessly describing it in 1993 as "candy-ass."

13. "DRAIN YOU," "LOUNGE ACT," AND SEVERAL SONGS ON NEVERMIND ARE REPORTEDLY ABOUT TOBI VAIL.

Author Charles R. Cross—backed with access to Cobain's private journals and pages of unrecorded lyrics—theorized in his 2001 Kurt Cobain biography Heavier Than Heaven that Nevermind is full of references to Tobi Vail, who broke up with Cobain months before the album's recording. The "Smells Like Teen Spirit" lyric that talks about a woman being over-bored and self-assured was likely to be about Cobain's ex. "Drain You" begins with the line, "One baby to another said 'I'm lucky to have met you,'" quoting what Vail had once told Cobain. "Lounge Act" in particular was unequivocally about the Bikini Kill drummer, confirmed by Novoselic and by Cobain himself in an unwritten letter to Vail that Cross read. Cobain wrote: "Every song on this record [In Utero] is not about you. No, I am not your boyfriend. No, I don't write songs about you, except for 'Lounge Act,' which I do not play, except when my wife is not around." 

14. "POLLY" WAS BASED ON A TRUE STORY.

Kurt Cobain wrote "Polly" in 1987 after reading an article about the torture and rape of a 14-year-old girl. Cobain chose to write the song from the perspective of the girl, inventing the name "Polly" to aid in a consistent, innocent-sounding bird metaphor. After hearing the song, Bob Dylan said of Cobain, "That kid has heart."

15. THE BAND WAS THROWN OUT OF THEIR OWN RECORD RELEASE PARTY.

On a Friday the 13th, Geffen threw the band a record release party with invitations that read, "Nevermind Triskaidekaphobia, Here's Nirvana." Cobain started a full-fledged food fight when he threw ranch dressing at Novoselic, and a bouncer responded by grabbing the two and Grohl and throwing them out. The band then stood in the alley behind the club and talked to their friends through the window, before moving the party to a friend's place, where Cobain shot a fire extinguisher and the place had to be evacuated. At the next venue, Cobain completed the destruction trifecta by tossing a gold record plaque by the group Nelson into a microwave after proclaiming it an "affront to humankind."

16. "WEIRD AL" YANKOVIC ASKED FOR NIRVANA'S PERMISSION TO WRITE "SMELLS LIKE NIRVANA" IN THEIR SATURDAY NIGHT LIVE DRESSING ROOM.

Three events on January 11, 1992 proved that Nirvana had completely made the unprecedented transition from underground punk band to universally beloved supergroup: Nevermind was #1 for the first time on that day's Billboard 200 albums chart; the band made their SNL debut performing "Smells Like Teen Spirit" and "Territorial Pissings" on the Rob Morrow-hosted late night show. To the joy of Cobain, Novoselic, and Grohl, they got a phone call from "Weird Al" Yankovic.

"That was the craziest weekend because we get there, and the first time you see the SNL studio, it's tiny," Grohl recalled in 2011. "You imagine it being this big thing but honestly it's tiny, it's so small. The energy is crazy and people are running around and it goes so quickly, and one of the cast members comes up and says, 'Hey I'm friends with Weird Al Yankovic and he wants to talk to you about doing one of your songs.' And so I think we talked to him in the dressing room of SNL. He called the phone. You know you've arrived when Weird Al ... it was pretty huge. And he did a good job."

17. IN UTERO WAS INITIALLY GOING TO BE TITLED I HATE MYSELF AND I WANT TO DIE.

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Nirvana's album titles tended to evolve over time: Nirvana's first album was recorded under the operating title Too Many Humans, until Cobain saw a sign in San Francisco that said to "Bleach Your Works"; Nevermind started out as Sheep, married to artwork of rows and rows of identical houses. Even though it was intended as a joke, Novoselic pointed out to Cobain that he was opening himself up to tons of potential lawsuits, and the idea was dropped.

18. THE SONG "I HATE MYSELF AND I WANT TO DIE" FEATURES A JACK HANDEY "DEEP THOUGHT."

Even though the threat of lawsuits stopped the band from naming an album "I Hate Myself and I Want to Die," it didn't stop them from recording a song with the title "I Hate Myself and I Want to Die," although it might be the reason that it was left off of the In Utero album. Instead, the song with the misunderstood title (it was supposed to be a joke) found a home as the opening track on The Beavis and Butt-head Experience compilation album. But in the middle of the song, after helping to promote one television show, Cobain acknowledged a different, more mainstream show when he mumbled, "Most people don't realize that large pieces of coral, which have been painted brown and attached to the skull by common wood screws, can make a child look like a deer," an SNL "Deep Thought" from Jack Handey.

19. ELTON JOHN SUFFERED COLLATERAL DAMAGE DUE TO NIRVANA'S WAR WITH GUNS N' ROSES.

Kurt Cobain considered Guns N' Roses frontman Axl Rose to be a homophobe and a racist, an opinion that other people agreed with thanks to the lyrics of the GNR song "One in a Million." At the 1992 MTV Video Music Awards, two pianos were set up on stage for an epic performance of "November Rain." Thinking Axl was going to play on it, Cobain spit on the keys of one of the pianos. To his horror, Kurt later found out that he had given a coat of saliva on the piano played by special guest Elton John.

20. MTV REALLY DID NOT WANT NIRVANA TO PLAY "RAPE ME" AT THE VMAS.

Nirvana was causing nothing but trouble at the '92 VMAs, and naturally their choice of song was one big issue. MTV told the band that they would like to hear "Smells Like Teen Spirit." The band responded by saying that they were respectfully going to remember the clout they had earned over the past year and premiere a brand new song called "Rape Me" instead (a song that actually made its premier at a Santa Cruz concert one year earlier).

The network was not only scared by the title, but somewhat correctly surmised that the song was somewhat about them. The network countered that if the band played "Rape Me" on the live telecast that they would fire Amy Finnerty, an employee Cobain was close friends with, and would stop playing the band's videos. Although both parties agreed on "Lithium," MTV didn't trust Cobain, and for the second consecutive time, their paranoia proved to be well founded: When the band launched into the first few chords of "Rape Me," the control room was ready to go directly to commercial. At the last possible moment, Nirvana stopped the sneak preview to play the memorable version of "Lithium" which ended with Novoselic hitting himself in the head with his bass and Cobain and Grohl sarcastically saying hello to Axl Rose.

21. NOVOSELIC PLAYED A NIRVANA GIG AT THE SEATTLE CENTER COLISEUM, EVEN THOUGH HE WAS BANNED FROM THE PREMISES.

Before performing at a Washington Music Industry Coalition Benefit on September 11, 1992 (two days after the VMAs), Nirvana couldn't help but notice that a photo of Novoselic was on the wall backstage, indicating that he was banned for life due to his behavior at a Sonic Youth concert one year before. They opened the show discussing it. Novoselic has yet to be punished for the crime.

22. "HEART SHAPED BOX" WAS ORIGINALLY TITLED "HEART SHAPED COFFIN."

Even though the song was inspired by an actual heart shaped box sent by Courtney Love to Kurt Cobain during the early days of their relationship, the initial lyrics read that the narrator was "buried" in the box (as opposed to "locked"), with the "Heart Shaped Coffin" title.

23. "ALL APOLOGIES" ORIGINALLY SOUNDED LIKE A BEATLES SONG.

The group wrote one third of 1993's In Utero in 1990. During an informal recording session on New Year's Day 1991, Cobain, Novoselic, and Grohl put down an early, jangly version of "All Apologies." Some of the verses didn't have words yet, but the refrain "Married/Buried" was more or less set, a little over one year before Cobain's wedding to Love.

24. DAVE GROHL WROTE THE RIFF TO "SCENTLESS APPRENTICE."

Grohl had been writing songs on his own since he joined Nirvana, even releasing a cassette album of his work in 1992 called Pocketwatch, under the pseudonym Late! It was understood that Cobain was the lone songwriter of Nirvana, but Grohl couldn't help himself and presented the group with the guitar riff and drum parts of what would turn out to be "Scentless Apprentice." Cobain said in an interview that he initially thought Grohl's riff wasn't very good but tried it out to not hurt his feelings (which of course was a nice thing to do until he revealed his thought to a reporter for Grohl to later read). Aside from "Smells Like Teen Spirit," "Scentless Apprentice" was the only song from a Nirvana album that was given a "Cobain/Novoselic/Grohl" writing credit instead of Cobain receiving sole recognition.

Possibly as a reward, "Color Pictures of a Marigold," one of the songs from Pocketwatch, was recorded by Grohl and Novoselic toward the end of the In Utero sessions, and was released as "Marigold," a B-side to the "Heart Shaped Box" single. It would end up being the only Nirvana song that had no input from Cobain.

25. COBAIN EMBELLISHED THE LEADBELLY GUITAR STORY BY ABOUT $445,000.

Before his classic cover of Leadbelly's "Where Did You Sleep Last Night?" on MTV Unplugged, Cobain was provoked by Novoselic to talk about Leadbelly's guitar. "This guy representing the Leadbelly estate wants to sell me Leadbelly's guitar for $500,000," Cobain said. "I even asked David Geffen personally if he would buy it for me. Wouldn't do it."

It's possible that Cobain was trying to pull a fast one on the CEO of his label, because a few months earlier he wondered to a New York Times reporter if buying the guitar for $55,000 was a "punk move" or an "anti-punk move." Separating $445,000 from David Geffen would of course be both.

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11 Magical Facts About Willow
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Five years after the release of Return of the Jedi (1983) and four years after Indiana Jones and the Temple of Doom (1984), George Lucas gave audiences the story for another film about an unlikely hero on an epic journey, but this time he had three Magic Acorns and a taller friend instead of a whip and gun to help him along. Willow (1988) was directed by Ron Howard and starred former Ewok and future Leprechaun, Warwick Davis.

Over the past few decades, Willow—which was released 30 years ago today—has become a cult classic that's been passed down from generation to generation. Before you sit down to explore that world again (or for the first time), here are 11 things you might not have know about Willow.

1. IT WAS WRITTEN FOR WARWICK DAVIS.

In an interview with The A.V. Club, Warwick Davis revealed that George Lucas first mentioned the idea for the film to Davis’s mother during the filming of one of the Ewok TV specials in 1983, in which he was reprising his role as Wicket. Lucas had been developing the idea for more than a decade at that point, but working with Davis on Return of the Jedi helped him realize the vision. “George just simply said that he had this idea, and he was writing this story, with me in mind,” Davis said. “He didn't say at that time that it was going to be called Willow. He said, 'It's not for quite yet; it's for a few years ahead, when Warwick is a bit older.'" The role was Davis’s first time not wearing a mask or costume on screen.

2. IT WAS ORIGINALLY CALLED MUNCHKINS.

Five years after he mentioned the idea, Lucas was ready to make his film with Ron Howard directing and a then-17-year-old Davis as the lead. The original title was presumably inspired by the characters from L. Frank Baum's The Wonderful Wizard of Oz, and the subsequent Victor Fleming film.

3. IT WAS CRITICIZED FOR BEING A COPY OF STAR WARS.

Having thought of the two worlds simultaneously, Lucas may have cribbed some of his own work and other well-known stories a little too much for Willow, and some critics noticed. “Without anything like [Star Wars’s] eager, enthusiastic tone, and indeed with an understandable weariness, Willow recapitulates images from Snow White, The Wizard of Oz, Gulliver's Travels, Mad Max, Peter Pan, Star Wars itself, The Hobbit saga, Japanese monster films of the 1950s, the Bible, and a million fairy tales," wrote Janet Maslin of The New York Times. "One tiny figure combines the best attributes of Tinkerbell, the Good Witch Glinda, and the White Rock Girl.”

Later in her review, Maslin continued to point out the similarities between the two films: “When the sorcerer tells Willow to follow his heart, he becomes the Obi-Wan Kenobi of a film that also has its Darth Vader, R2-D2, C-3P0 and Princess Leia stand-ins. Much energy has gone into the creation of their names, some of which (General Kael) have recognizable sources and others (Burglekutt, Cherlindrea, Airk) have only tongue-twisting in mind. Not even the names have anything like Star Wars-level staying power.”

4. IT WAS THE LARGEST CASTING CALL FOR LITTLE PEOPLE IN MOVIE HISTORY.

Lucas has previously cast several little people for roles in Return of the Jedi, and there were more than 100 actors hired to portray Munchkins in The Wizard of Oz. But, according to Davis, the casting call for Willow was the largest ever at the time with between 225 and 240 actors hired for the film.

5. THE DEATH DOGS WERE REAL DOGS IN COSTUME.

The big bad in the film, Bavmorda, has demon dogs that terrorize Willow’s village. The dogs are more boar-like than canine, but they were portrayed by Rottweilers. The prop team outfitted the dogs with rubber masks and used animatronic heads for close-up scenes.

6. IT WAS THE FIRST USE OF MORPHING IN A FILM.

While trying to use magic to turn an animal back into a human, Willow fails several times before eventually getting it right, but he does succeed in turning the animal into another animal, which is shown in stages. To achieve this, the visual effects teamed used a technique known as "morphing."

The film’s visual effects supervisor, Dennis Muren of Industrial Light & Magic, explained the technique to The Telegraph:

The way things had been up till that time, if a character had to change at some way from a dog into a person or something like that it could be done with a series of mechanical props. You would have to cut away to a person watching it, and then cut back to another prop which is pushing the ears out, for example, so it didn't look fake ... we shot five different pieces of film, of a goat, an ostrich, a tiger, a tortoise, and a woman and had one actually change into the shape of the other one without having to cut away. The technique is much more realistic because the cuts are done for dramatic reasons, rather than to stop it from looking bad.”

7. THE STORY WAS CONTINUED IN SEVERAL NOVELS.

Willow has yet to receive a sequel, but fans of the story can return to the world in a trilogy of books that author Chris Claremont wrote in collaboration with Lucas between 1995 and 2000. According to the Amazon synopsis of Shadow Moon, the first book picks up 13 years after the events of the film, and baby Elora Danan’s friendless upbringing has turned her into a “spoiled brat who seemingly takes joy in making miserable the lives around her. The fate of the Great Realms rests in her hands, and she couldn't care less. Only a stranger can lead her to her destiny.”

8. THERE IS A MISSING SCENE CONCERNING THE MAGIC ACORNS.

Hardcore fans of the film have noticed that there is a continuity error that involves the Magic Acorns Willow was given by the High Aldwin. During an interview with The Empire Podcast, Davis explained that in a scene near the end of the film, he throws a second acorn and is inexplicably out after having only used two of the three Magic Acorns he had been given earlier in the film. Included in the Blu-ray release is the cut scene, in which Willow uses an acorn (his second) in a boat during a storm and accidentally turns the boat to stone. Davis says that his hair is wet in the next scene that did make it into the original version of the film, but the acorn is never referenced.

9. JOHN CUSACK AUDITIONED FOR THE PART OF MADMARTIGAN.

Val Kilmer in 'Willow' (1988)
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Val Kilmer famously played the role of the reluctant hero two years after played Iceman in Top Gun (1986), but he was not the only big name to audition for the role. Davis revealed in a commentary track that he once read with John Cusack, who in 1987 had already starred in Sixteen Candles (1984), Stand by Me (1986), and Hot Pursuit (1987).

10. THERE IS A NOD TO SISKEL AND EBERT.

During a battle scene later in the film, Willow and his compatriots have to fight a two-headed beast outside of the castle. The name of the stop motion beast is the Eborsisk, which is a combination of the names of famed film critics, Roger Ebert and Gene Siskel.

11. THE BABY NEVER ACTED AGAIN.

A scene from 'Willow' (1988)
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As is the case with most shows and films, the role of the baby Elora was played by twins, in this case Kate and Ruth Greenfield. The IMDb pages for both actresses only has the one credit. In 2007, Davis shared a picture of him posing with a woman named Laura Hopkirk, who said that she played the baby for the scenes shot in New Zealand, but she is not credited online.

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30 Things You Might Not Know About Cheers
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On May 20, 1993—25 years ago today—television audiences said farewell to Sam Malone, the fictional Red Sox pitcher-turned-proprietor of Cheers. Though it's the Boston bar where everybody knows your name, there’s plenty you probably don’t know about the classic sitcom, which spent 11 seasons on the air.

1. CHEERS ALMOST DIDN’T MAKE IT THROUGH SEASON ONE.

Like many of television’s greatest success stories (e.g. Seinfeld), Cheers was not an immediate hit. It premiered on September 30, 1982 to dismal ratings—77th place out of 100 shows that week, according to Nielsen. It was NBC’s entertainment president at the time, Brandon Tartikoff, who saved the show from cancellation during its first season.

2. THE BULL & FINCH PUB, ON WHICH CHEERS IS MODELED, IS NOW CALLED CHEERS

Talk about life imitating art. After it was decided that the series would be set in a bar instead of a hotel, co-creators Glen and Les Charles decided the locale should be moved to New England. “Boston was chosen partially because only five short-lived television shows claimed the city and the East Coast pubs were real neighborhood hangouts,” wrote Dennis A. Bjorklund in his book, Toasting Cheers.

As the show’s popularity rose, it didn’t take long for word to spread that the Beacon Hill tavern was the “real” Cheers (though only the exterior shots were filmed there), turning the neighborhood hangout into a tourist attraction. To satisfy the masses, a second location—this one was actually called "Cheers" and featuring a replica of the bar viewers were used to—was opened in nearby Faneuil Hall in 2001. One year later, the Bull & Finch officially changed its name to Cheers.

3. SAM MALONE WAS ORIGINALLY A PROFESSIONAL FOOTBALL PLAYER.

In the script’s earliest incarnations, Sam Malone was an ex-football player, which made sense considering that Fred Dryer—the former NFL defensive end who would go on to star in Hunter—was a top choice to play the role of Sam (opposite Julia Duffy as Diane; William Devane was also a strong contender). Ultimately, it was the chemistry between Ted Danson and Shelley Long that led to them getting the gigs. Once the casting was finalized, the creators swapped out football for baseball, based on Danson’s body type.

4. TED DANSON ATTENDED BARTENDING SCHOOL.

Danson spent two weeks at a bartending school in Burbank, California as part of his training to play Sam.

5. NORM AND CLIFF WEREN’T INTENDED TO BE REGULAR CHARACTERS.

Both George Wendt and John Ratzenberger auditioned for the same role in the pilot, a minor character named George who had a single line: “Beer!” The character’s name was changed to Norm Peterson when Wendt was cast. But Ratzenberger wasn’t about to give up so easily. “As I was leaving the office after the audition, I turned around and asked them, ‘Do you have a bar know-it-all?,’” the Bridgeport, Connecticut-born Ratzenberger recalled to Ability Magazine. “None of the creators was from New England. They were all Hollywood-centered. And I said, ‘Well, every local bar in New England has got a know-it-all—someone who pretends to have the knowledge of all mankind between his ears and is not shy about sharing it.’” Thus, Cliff Clavin was born.

6. NORM PETERSON IS BASED ON A REAL GUY.

In 2012, co-creator Les Charles told GQ that Norm was based on a real person. “I worked at a bar after college, and we had a guy who came in every night. He wasn't named Norm, [but he] was always going to have just one beer, and then he'd say, ‘Maybe I'll just have one more.’ We had to help him out of the bar every night. His wife would call, and he'd always say, ‘Tell her I'm not here.’”

7. NORM’S NEVER-SEEN WIFE VERA IS VOICED BY GEORGE WENDT’S REAL WIFE.

Though she’s only credited in one episode, George Wendt’s wife, Bernadette Birkett, provided the voice for Norm’s wife, Vera. Birkett did make one appearance on the show—as a love interest of Cliff’s—in season three.

8. JOHN RATZENBERGER IMPROVISED MANY OF CLIFF’S FUN FACTS.

Many of the random (and untrue) facts that Cliff Clavin offers up were ad libbed by Ratzenberger. “After a couple of years on the show they realized they could trust me not to mess it up,” Ratzenberger told Deseret News in 1993. “So little by little they've let me just sort of run off. Because I know when to stop … It's easy to improvise comedy. It really is. But the art is knowing when to shut up and let other people talk. That's a hard thing to learn.”

9. SOME OF THE DIALOGUE CAME FROM REAL BAR CONVERSATIONS.

In order to nail the bar talk aspect of the series, the creators regularly visited bars in the Los Angeles area to eavesdrop on patrons’ conversations. In the series premiere, there’s an argument about the sweatiest movie ever made, which was lifted from one of these overheard conversations.

10. CHEERS WASN’T AFRAID TO TACKLE SOCIAL ISSUES.

Cheers’ writers never shied away from taboo topics such as alcoholism or homosexuality, through they always had a sense of humor about them. The season one episode “The Boys in the Bar,” in which one of Sam’s former teammates announces that he is gay, earned writers Ken Levine and David Isaacs a GLAAD Media Award.

11. PLANS FOR AN HIV SCARE FOR SAM HAD TO BE ABANDONED.

In 1988, the Writers Guild of America went on strike, which meant that several planned episodes of the series were never filmed. Among them was a season six cliffhanger in which Sam learns that a former girlfriend is HIV positive.

12. RHEA WASN’T THE ONLY PERLMAN ON THE SET.

Rhea Perlman wasn’t the only member of her family to grace the set of Cheers. Her younger sister, Heide, produced more than two dozen episodes between 1985 and 1986 and wrote several episodes throughout the show’s run. Perlman’s father, Phil, played one of the bar regulars (named Phil).

13. JAY THOMAS MURDERED EDDIE LEBEC.


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When character actor Jay Thomas wasn’t portraying Carla’s Bruin-turned-ice-show-performer husband Eddie LeBec, he was the host of a popular morning radio show in Los Angeles. Which is exactly what led to his character being killed off rather prematurely by way of Zamboni. “A few episodes of recurring bliss and then one day on Jay’s radio show, a caller asked him what it was like to be on Cheers,” recounted writer Ken Levine. “He said something to the effect of, ‘It’s brutal. I have to kiss Rhea Perlman.’ Well, guess who happened to be listening ... Jay Thomas was never seen on Cheers again.”

14. A CHEERS MINI-EPISODE WAS PRODUCED FOR THE U.S. TREASURY.

Early in Cheers’ run, its creators were contracted by the U.S. Treasury to create a special mini-episode to promote the purchase of U.S. savings bonds. Titled “Uncle Sam Malone,” the episode never aired on television nor is it included on any of the DVDs; it was intended to be screened for promotional purposes at savings bond drives only.

15. A “LOST” SCENE ALSO AIRED AS PART OF THE 1983 SUPER BOWL XVII PREGAME SHOW.

Back in early 1983, writers Ken Levine and David Isaacs wrote a special one-off scene to air before Super Bowl XVII in which Sam, Diane, Carla, Norm, Cliff, and NBC announcer Pete Axthelm bet on who will win the big game. “They ran it just before game time and it was seen by 80,000,000 people,” Levine recalled of the spot on his blog. “Nothing we've ever written before or since has been seen by that many eyeballs at one time. But the scene was never repeated. It never appeared on any DVDs. It just disappeared.” (Until now: You can watch it at the link above.)

16. TED DANSON WORE A HAIRPIECE TO PLAY HAIR-OBSESSED SAM


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A fact that became apparent when he accepted the Emmy—sans hairpiece—in 1990. In the 1993 episode “It’s Lonely on the Top,” Sam shares his follicular challenge with Carla.

17. VIEWERS FREQUENTLY COMPLAINED ABOUT THE VOLUME OF THE LAUGH TRACK, EVEN THOUGH THERE WAS NO LAUGH TRACK.

In 1983, a quick disclaimer—spoken by one of the regular cast members—was added to the beginning of each episode: “Cheers was filmed before a live studio audience.” This was a direct response to viewer complaints that the “laugh track” was too loud.

18. THE PART OF FRASIER WAS WRITTEN FOR JOHN LITHGOW.


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After recent roles in All That Jazz, Blow Out, and The World According to Garp (for which he received his first of two consecutive Oscar nominations), Lithgow was not interested in working on the small screen. “I just said, 'No,’” Lithgow recalled to The Hollywood Reporter. “I barely even remembered that … It was like swatting away a fly … I just wasn’t going to do a series.”

19. KELSEY GRAMMER PLAYED FRASIER CRANE FOR 20 YEARS.

Grammer made his Cheers debut in the third season premiere in 1984. Though he was intended to be a short-lived character, Crane’s popularity with audiences led to him becoming a series regular. Four months after Cheers ended in May of 1993, Frasier made its debut (on the redesigned Cheers stage, no less) and ran for its own 11 seasons. Grammer’s two-decade run as the pretentious psychiatrist is a record-breaking one for an American comedy actor.

20. TONY SOPRANO'S MOM PLAYED FRASIER'S MOM, TOO.


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Nancy Marchand's character threatened to kill Diane. The role of Frasier's mom was played by Tom Hanks' wife Rita Wilson in a 2001 Frasier flashback.

21. KIRSTIE ALLEY IS THE ONLY MAIN CHARACTER WHO DIDN’T MAKE A GUEST APPEARANCE ON FRASIER.

Throughout Frasier’s 11-season run, Kirstie Alley was the only one of Cheers’ main actors to not make an appearance on the popular spinoff, possibly because the psychiatric profession conflicts with her beliefs as a Scientologist. “Kirstie once said ... she'd never do a show about a psychiatrist,” Kelsey Grammer told Entertainment Weekly in 2002.

22. FRASIER’S DAD WAS MAGICALLY RESURRECTED FOR THE SPINOFF.

When Frasier talked about his family on Cheers, he noted that his father—also a well-respected psychiatrist—had passed away. Yet his ex-cop dad, played by John Mahoney, is a main character in Frasier. Incidentally, Mahoney made a one-off appearance in Cheers’ eleventh season, as a fast-talking jingle writer named Sy Flembeck:

23. NORM’S FIRST NAME IS HILLARY.

His full name is Hillary Norman Peterson.

24. THAT WOODY PLAYED WOODY WAS A TOTAL COINCIDENCE.

Though many of the non-regular bar patrons’ real names were used in filming, that Woody Harrelson ended up playing Woody Boyd is by sheer coincidence. The character’s name was written into the script long before any actors had auditioned for the role.

25. NORM DRANK “NEAR BEER.”

The bar on the set may have been fully functional, but that doesn’t mean the cast got to spend the day throwing back cold ones. Norm may have had it the worst. As the bar’s resident lush, he’s rarely seen without a sudsy glass of beer in his hand. But what’s really in that glass is “near beer,” a weakened strain of ale mixed with a bit of salt to keep a perfect head on the glass at all times. Which Wendt unfortunately had to consume on more than one occasion.

26. THE SHOW HELPED PROMOTE THE IDEA OF A DESIGNATED DRIVER.

It was important to the producers of Cheers that no tipsy bar patron ever drove him or herself home, so there are frequent references to calling cabs and designated drivers. The Harvard Alcohol Project had a hand in spreading this message.

27. SAM AND DIANE DID GET MARRIED AT THE END OF SEASON FIVE.

Because Cheers was filmed in front of a live studio audience, the producers had to occasionally trick the audience so that show developments weren’t leaked. In order to keep Shelley Long’s departure from the series a secret, the live audience saw Sam and Diane get married at the end of season five. The real ending—which sees Diane leaving for six months to finish her book, only to return for a guest appearance in the final season—was filmed on a closed set.

28. CHEERS HABLA ESPAÑOL.

In September 2011, a Spanish version of the series—also called Cheers—made its debut. It starred Alberto San Juan as a former soccer player turned Irish pub owner and ran for just one season.

29. THE END OF THE SHOW IS ALL TED DANSON’S FAULT.

Though understandably so. When Danson announced that he’d be leaving the series at the end of the 1992-1993 season, producers decided that Woody could take over the bar. But Woody Harrelson wasn’t interested in continuing the show without Danson, and so its series finale was set.

30. THE CAST AND CREW GOT REALLY, REALLY DRUNK FOR THEIR SENDOFF.

NBC made a major event of the series finale, with cast and crew celebrating at Boston’s Bull & Finch Pub, where thousands of fans gathered outside to watch the show on two Jumbotrons. Then the drinks started flowing … and flowing … and flowing. “The show ended at eleven,” Ken Levine wrote in a 2013 remembrance of the evening for Vulture. “The next half-hour was an emotional tsunami. Everyone was hugging and crying and doing a lot of drinking. We were all completely wrecked.”

Then it was time for the cast to make an appearance on The Tonight Show. “The cast, in no condition to face anybody, much less 40 million people, dutifully trooped downstairs to do the live show,” Levine continued. “Us non-celeb types stayed back and watched on TV … in horror. They were so drunk they needed designated walkers. They giggled like schoolgirls over nothing, fired spitballs into each other’s mouths, squirted water guns, Woody Harrelson implied he gave oral sex to both Ted Danson and Oliver Stone, and Kirstie Alley sang a song where the only lyric was ‘dick, dick, dick.’”

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