Hannah Keyser
Hannah Keyser

11 Awesome Things You Can See At The Explorers Club

Hannah Keyser
Hannah Keyser

The Explorers Club headquarters on East 70th Street might be New York's best kept secret. In spirit and purpose, it is the meeting place and physical center for an international association of scientists and explorers. In aesthetics, it resembles a Jacobean manor house crossed with a natural history museum, complete with wood paneled walls, elaborate molding, and a terrace marked by a colonnade from a monastery in France that matches the one in the Cloisters.

The Club first met in 1904 as an unofficial gathering of like-minded men (women weren't allowed until 1981). By the following year, the Explorers Club was incorporated, though it bounced around several locations—first on the Lower East Side and then up by Columbia University—before ending up at its current location in 1965. The house was originally built in 1910 for Stephen Clark, heir of the Singer Sewing machine fortune, with the intention of mimicking a historical style. Clark lived there with his family until he passed away in 1960. Five years later, the entire multistory townhouse was purchased for the Club with the help of member Lowell Thomas.

These days, the Club serves as a fellowship that awards grants and provides a social and professional network for continuing generations of explorers. Entry into that network, which includes dozens of chapters around the world, requires a background of extensive travel and a number of recommendations from current members. The house retains certain functions of its own: Members give lectures on their research and travel; relevant films are shown; and independent organizations from charities to documentary filmmakers make use of the stunning setting. The Club invites passersby, perhaps intrigued by the heavy iron doors or the personalized flag, to pop in and get a feel for the place. But those interested in getting a closer look, either at any of the objects mentioned here or the vast research collection of exploration documents, should make an appointment with the Club's curator, Lacey Flint.

1. USS Explorer Table

One of the first remarkable artifacts in the Club is hidden in plain sight. A sumptuous sitting room centers around a heavy wooden coffee table with a rich history. It's built from a hatch cover for the USS Explorer, an unarmed research vessel that was one of only seven ships in the area to survive the 1941 attack on Pearl Harbor. At the time of the bombing, the Explorer was out to sea—in fact, it was the nearest American ship to the Japanese fleet responsible—which was how it was spared a violent end.

2. Dowager Empress Chair

In the same room as the table above is a chair with royal origins. Not much is known about the intricately-carved wooden seat, but it is rumored to have belonged to Empress Wanrong, the wife of Puyi, last Emperor of China.

3. Matthew Henson's Mittens

Matthew Henson, who became the first African American admitted to the Club in 1937, was Robert Peary's first mate on a number of arctic explorations, including the one recognized as the first to reach the geographic North Pole. The Club displays sealskin mittens with polar bear cuffs made for Henson by an Inuit woman who accompanied them on their voyage. On the gloves is inscribed: Matthew A Henson, May 5, 1934… To -- Explorers Club … worn by me from Cape Sheridan to it -- North Pole, April 6, 1909.

4. Thor Heyerdahl's Kon-Tiki Globe

In 1947, Club member Thor Heyerdahl wanted to prove that early South Americans could have originally settled the islands of the South Pacific as far back as 500 AD. Heyerdahl set sail with a 5-man crew from Peru aboard a raft, called the Kon-Tiki, made of balsa logs and other indigenous materials and techniques consistent with what would have been available at that time. One hundred and one days and 4300 miles later, the team landed in Polynesia. The expedition was first proposed and partially planned using this globe, which was at the time located in the Explorers Club headquarters on West 72nd Street.

5. Albert Operti's Rescue at Camp Clay

In 1881, Adolphus W. Greely—a decorated Civil War veteran who would become the Explorers Club's first president in 1905—set off with a crew of 24 men to explore the arctic reaches of Canada. The so-called Lady Franklin Bay Expedition made numerous scientific contributions and observations, reaching farther north than anyone before them. However, during the expedition, heavy ice stranded the explorers and prevented relief vessels from reaching them for several years. By the time a rescue ship found the crew on June 22, 1884 at Cape Sabine on Ellesmere Island, two-thirds had succumbed to starvation, exposure, scurvy, drowning, suicide, and even execution. And, in the aftermath, the survivors were plagued by rumors of cannibalism.

The painting, commissioned by the U.S. government to hang in the Capitol Building, depicts a scene of the rescue. Artist Albert Operti did extensive research, interviewing the survivors as well as those who were part of the rescue team for details about the tents and other materials. He even studied pre-expedition portraits of the deceased crew members. The Club purchased the painting in 1946 for $105.00.

6. Bell from the Bear

The Bear was a U.S. Coast Guard Cutter that was part of a three-ship mini fleet responsible for finding and rescuing Greely's surviving crew. The bell was presented to the Club in 1933 and since then has traditionally been rung to mark the start of Club functions.

7. Mariana Trench/Mount Everest Flag

The Club's flag is an iconic part of its tradition. Each flag produced is assigned a number, and members must apply for the honor of carrying one on their expeditions, submitting a thesis-style report to be included in the flag's file upon return. A database tracks all of the flags' voyages; often, explorers who have been granted the privilege seek one that has been to similar locations or was carried by an idol. On the occasion of some particularly admirable voyage, or because of damage sustained, flags are retired to be part of the rotating collection on display in the Club. The Flag Room provides a sense of the Club's wide-ranging purview in the world of exploration and notable historical events—the Apollo 13 Flag was returned unopened in the non-flammable plastic casing in which it was packed, with a note explaining that since "plans were disrupted" it was never planted on the moon's surface.

Not all explorers opt for flags that have been to similar locations—in fact, an instance of just the opposite created a unique artifact. Flag 161 accompanied 19 voyages during its active tenure from 1955 to 2012. Among those was a trip to the top of Mount Everest, and the last one was a descent with James Cameron to the bottom of the Mariana Trench in the Deepsea Challenger. Along with a host of other accomplishments, this means that Flag 161 is the only object in the world to have traveled to both the highest and lowest points on the planet.

8. Yeti Scalp

Or, more accurately put, "yeti scalp." Tales of an abominable snowman called the Yeti inspired Explorers Club members Sir Edmund Hillary and Marlin Perkins to travel to Nepal in 1960. Among the evidence for this mythical monster cited by locals was a supposed scalp, which had been housed at a temple in Khumjung for over 200 years. Unfortunately for Yeti enthusiasts everywhere, Perkins, a zoologist, concluded that the "scalp" was made from the hide of a Himalayan serow—a goat antelope. To substantiate this claim, he had a local villager help to create an exact replica using goat hide, which is what you see here.

9. Description de l'Égypte


Despite suffering an ignominious military defeat in Egypt, Napoleon Bonaparte's campaign up the Nile in 1798-99 provided the world with one of the most important documents in Egyptology. Along with his army, Napoleon brought nearly 200 scholars and scientists known as savants to compile ethnographic information about ancient and modern Egypt. The result was 22 volumes called Description de l'Égypte, ou Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française. Or in English: Description of Egypt, or the collection of observations and research which were made in Egypt during the expedition of the French Army. The texts are, of course, written in French, but the oversized volumes that include hand-colored pictures are stunning and worth a few more pictures. Definitely call or email ahead if you're hoping for a peek—these first editions require white gloves and supervision for handling.

10. Double Elephant Tusk

These four tusks all belonged to the same elephant, a fearsome looking rare genetic mutation. The tusks were collected by Club member Armand Denis, an adventurer and filmmaker who led a famous expedition across Africa in 1934, but they were donated by the estate of Sally H. Clark, wife of James L. Clark, who served as Director for Preparations at the American Museum of Natural History.

11. Stuffed Whale Penis

Not much is know about this stuffed whale penis, which was given to the Club in 1977 by Mr. and Mrs. Frederick S. Schauffler, but it is a favorite among visitors. Worth checking out, if only for a better sense of scale.

All photos courtesy of Hannah Keyser

nextArticle.image_alt|e
Michael Bowles, Getty Images for Sotheby's
arrow
History
Marie Antoinette's Jewelry Is Up for Sale
Michael Bowles, Getty Images for Sotheby's
Michael Bowles, Getty Images for Sotheby's

Rare jewelry that once belonged to Marie Antoinette and hasn't been seen in public for 200 years will be heading to the auction block this fall, according to The Adventurine.

A diamond parure (jewelry set), three-strand pearl necklace, and other gems that once adorned the last queen of France will be sold on November 12 in Geneva, Switzerland, as part of Sotheby's "Royal Jewels from the Bourbon-Parma Family" auction. The family in question is related by blood to some of Europe's most important rulers, including former kings of France and Spain and emperors of Austria.

A diamond jewelry set
Courtesy of Sotheby's

Although Marie Antoinette was known for her opulent fashion choices, her jewels have scarcely been seen since the French Revolution, The Adventurine reports. The Smithsonian owns a pair of earrings that are believed to contain diamonds from the queen's collection, and a diamond necklace that appeared at a Christie's auction in 1971 "hasn't been seen since." The jewelry magazine notes that many of Marie Antoinette's jewels were dismantled, but a few—like the ones featured in this latest collection—managed to survive.

A pearl necklace
Courtesy of Sotheby's

According to Sotheby's, Marie Antoinette placed all her jewels in a wooden chest in March 1791 and shipped them off to her nephew, the Austrian Emperor, for safekeeping [PDF]. That following year, the royal family was imprisoned, and in 1793 Marie Antoinette and King Louis XVII were executed by guillotine. Their only surviving child, Marie Thérèse de France, retrieved the jewels and later passed them along to her niece, since she had no children of her own. They ultimately ended up with Robert I, the last ruling Duke of Parma in Italy.

The most valuable piece, a pearl pendant featuring a bow made of diamonds, is expected to fetch between $1 million and $2 million, according to the auction house's estimates. In the late 18th century, pearls were just as coveted as diamonds because of their rarity. Marie Antoinette, of course, wore them often.

A diamond and pearl pendant
Courtesy of Sotheby's

"It is one of the most important royal jewelry collections ever to appear on the market and each and every jewel is absolutely imbued with history," Daniela Mascetti, of Sotheby's European jewelry division, said in a statement.

[h/t The Adventurine]

nextArticle.image_alt|e
Hulton Archive/Getty Images
arrow
Lists
12 Facts About James Joyce
Hulton Archive/Getty Images
Hulton Archive/Getty Images

June 16, 1904 is the day that James Joyce, the Irish author of Modernist masterpieces like Dubliners and A Portrait of the Artist as a Young Man, and who was described as “a curious mixture of sinister genius and uncertain talent,” set his seminal work, Ulysses. It also thought to be the day that he had his first date with his future wife, Nora Barnacle.

He was as mythical as the myths he used as the foundations for his own work. So in honor of that June day in 1904—known to fans worldwide as “Bloomsday,” after one of the book’s protagonists, Leopold Bloom—here are 12 facts about James Joyce.

1. HE WAS ONLY 9 WHEN HIS FIRST PIECE OF WRITING WAS PUBLISHED.

In 1891, shortly after he had to leave Clongowes Wood College when his father lost his job, 9-year-old Joyce wrote a poem called “Et Tu Healy?” It was published by his father John and distributed to friends; the elder Joyce thought so highly of it, he allegedly sent copies to the Pope.

No known complete copies of the poem exist, but the precocious student’s verse allegedly denounced a politician named Tim Healy for abandoning 19th century Irish nationalist politician Charles Stewart Parnell after a sex scandal. Fragments of the ending of the poem, later remembered by James’s brother Stanislaus, showed Parnell looking down on Irish politicians:

His quaint-perched aerie on the crags of Time
Where the rude din of this century
Can trouble him no more

While the poem was seemingly quaint, young Joyce equating Healy as Brutus and Parnell as Caesar marked the first time he’d use old archetypes in a modern context, much in the same way Ulysses is a unique retelling of The Odyssey.

As an adult, Joyce would publish his first book, a collection of poems called Chamber Music, in 1907. It was followed by Dubliners, a collection of short stories, in 1914, and the semi-autobiographical A Portrait of the Artist as a Young Man (in which Clongowes Wood College is prominently featured) in 1916.

2. HE CAUSED A CONTROVERSY AT HIS COLLEGE’S PAPER.

While attending University College Dublin, Joyce attempted to publish a negative review—titled “The Day of the Rabblement”—of a new local playhouse called the Irish Literary Theatre in the school’s paper, St. Stephen’s. Joyce’s condemnation of the theater’s “parochialism” was allegedly so scathing that the paper’s editors, after seeking consultation from one of the school’s priests, refused to print it.

Incensed about possible censorship, Joyce appealed to the school’s president, who sided with the editors—which prompted Joyce to put up his own money to publish 85 copies to be distributed across campus.

The pamphlet, published alongside a friend’s essay to beef up the page-count, came with the preface: “These two essays were commissioned by the editor of St. Stephen’s for that paper, but were subsequently refused insertion by the censor.” It wouldn’t be the last time Joyce would fight censorship.

3. NORA BARNACLE GHOSTED HIM FOR THEIR PLANNED FIRST DATE.

By the time Nora Barnacle and Joyce finally married in 1931, they had lived together for 27 years, traveled the continent and had two children. The couple first met in Dublin in 1904 when Joyce struck up a conversation with her near the hotel where Nora worked as a chambermaid. She initially mistook him for a Swedish sailor because of his blue eyes and the yachting cap he wore that day, and he charmed her so much that they set a date for June 14—but she didn’t show.

He then wrote her a letter, saying, “I looked for a long time at a head of reddish-brown hair and decided it was not yours. I went home quite dejected. I would like to make an appointment but it might not suit you. I hope you will be kind enough to make one with me—if you have not forgotten me!” This led to their first date, which supposedly took place on June 16, 1904.

She would continue to be his muse throughout their life together in both his published work (the character Molly Bloom in Ulysses is based on her) and their fruitful personal correspondence. Their notably dirty love letters to each other—featuring him saying their love-making reminded him of “a hog riding a sow” and signing off one by saying “Goodnight, my little farting Nora, my dirty littlef**kbird!"—have highlighted the NSFW nature of their relationship. In fact, one of Joyce’s signed erotic letters to Nora fetched a record £240,800 ($446,422) at a London auction in 2004.

4. HE HAD REALLY BAD EYES.

While Joyce’s persistent money problems caused him to lead a life of what could be categorized as creative discomfort, he had to deal with a near lifetime of medical discomfort as well. Joyce suffered from anterior uveitis, which led to a series of around 12 eye surgeries over his lifetime. (Due to the relatively unsophisticated state of ophthalmology at the time, and his decision not to listen to contemporary medical advice, scholars speculate that his iritis, glaucoma, and cataracts could have been caused by sarcoidosis, syphilis, tuberculosis, or any number of congenital problems.) His vision issues caused Joyce to wear an eye patch for years and forced him to do his writing on large white sheets of paper using only red crayon. The persistent eye struggles even inspired him to name his daughter Lucia, after St. Lucia, patron saint of the blind.

5. HE TAUGHT ENGLISH AT A BERLITZ LANGUAGE SCHOOL.

In 1904, Joyce—eager to get out of Ireland—responded to an ad for a teaching position in Europe. Evelyn Gilford, a job agent based in the British town of Market Rasen, Lincolnshire, notified Joyce that a job was reserved for him and, for two guineas, he would be told exactly where the position was. Joyce sent the money, and by the end of 1904, he and his future wife, Nora, had left Dublin for the job at a Berlitz language school in Zurich, Switzerland—but when they got there, the pair learned there was no open position. But they did hear a position was open at a Berlitz school in Trieste, Italy. The pair packed up and moved on to Italy only to find out they’d been swindled again.

Joyce eventually found a Berlitz teaching job in Pola in Austria-Hungary (now Pula, Croatia). English was one of 17 languages Joyce could speak; others included Arabic, Sanskrit, Greek, and Italian (which eventually became his preferred language, and one that he exclusively spoke at home with his family). He also loved playwright Henrik Ibsen so much that he learned Norwegian so that he could read Ibsen's works in their original form—and send the writer a fan letter in his native tongue.

6. HE INVESTED IN A MOVIE THEATER.

There are about 400 movie theaters in Ireland today, but they trace their history back to 1909, when Joyce helped open the Volta Cinematograph, which is considered “the first full-time, continuous, dedicated cinema” in Ireland.

More a money-making scheme than a product of a love of cinema, Joyce first got the idea when he was having trouble getting Dubliners published and noticed the abundance of cinemas while living in Trieste. When his sister, Eva, told him Ireland didn’t have any movie theaters, Joyce joined up with four Italian investors (he’d get 10 percent of the profits) to open up the Volta on Dublin’s Mary Street.

The venture fizzled as quickly as Joyce’s involvement. After not attracting audiences due to mostly showing only Italian and European movies unpopular with everyday Dubliners, Joyce cut his losses and pulled out of the venture after only seven months.

The cinema itself didn’t close until 1919, during the time Joyce was hard at work on Ulysses. (It reopened with a different name in 1921 and didn’t fully close until 1948.)

7. HE TURNED TO A COMPLETELY INEXPERIENCED PUBLISHER TO RELEASE HIS MOST WELL-KNOWN BOOK.

The publishing history of Ulysses is itself its own odyssey. Joyce began writing the work in 1914, and by 1918 he had begun serializing the novel in the American magazine Little Review with the help of poet Ezra Pound.

But by 1921, Little Review was in financial trouble. The published version of Episode 13 of Ulysses, “Nausicaa,” resulted in a costly obscenity lawsuit against its publishers, Margaret Anderson and Jane Heap, and the book was banned in the United States. Joyce appealed to different publishers for help—including Leonard and Virginia Woolf’s Hogarth Press—but none agreed to take on a project with such legal implications (and in Virginia Woolf’s case, length), no matter how supposedly groundbreaking it was.

Joyce, then based in Paris, made friends with Sylvia Beach, whose bookstore, Shakespeare and Company, was a gathering hub for the post-war expatriate creative community. In her autobiography, Beach wrote:

All hope of publication in the English-speaking countries, at least for a long time to come, was gone. And here in my little bookshop sat James Joyce, sighing deeply.

It occurred to me that something might be done, and I asked : “Would you let Shakespeare and Company have the honour of bringing out your Ulysses?”

He accepted my offer immediately and joyfully. I thought it rash of him to entrust his great Ulysses to such a funny little publisher. But he seemed delighted, and so was I. ... Undeterred by lack of capital, experience, and all the other requisites of a publisher, I went right ahead with Ulysses.

Beach planned a first edition of 1000 copies (with 100 signed by the author), while the book would continue to be banned in a number of countries throughout the 1920s and 1930s. Eventually it was allowed to be published in the United States in 1933 after the case United States v. One Book Called Ulysses deemed the book not obscene and allowed it in the United States.

8. ERNEST HEMINGWAY WAS HIS DRINKING BUDDY—AND SOMETIMES HIS BODYGUARD.

Ernest Hemingway—who was major champion of Ulysses—met Joyce at Shakespeare and Company, and was later a frequent companion among the bars of Paris with writers like Wyndham Lewis and Valery Larbaud.

Hemingway recalled the Irish writer would start to get into drunken fights and leave Hemingway to deal with the consequences. "Once, in one of those casual conversations you have when you're drinking," Hemingway said, "Joyce said to me he was afraid his writing was too suburban and that maybe he should get around a bit and see the world. He was afraid of some things, lightning and things, but a wonderful man. He was under great discipline—his wife, his work and his bad eyes. His wife was there and she said, yes, his work was too suburban--'Jim could do with a spot of that lion hunting.' We would go out to drink and Joyce would fall into a fight. He couldn't even see the man so he'd say, 'Deal with him, Hemingway! Deal with him!'"

9. HE MET ANOTHER MODERNIST TITAN—AND HAD A TERRIBLE TIME.

Marcel Proust’s gargantuan, seven-volume masterpiece, À la recherche du temps perdu, is perhaps the other most important Modernist work of the early 20th century besides Ulysses. In May 1922, the authors met at a party for composer Igor Stravinsky and ballet impresario Sergei Diaghilev in Paris. The Dubliners author arrived late, was drunk, and wasn’t wearing formal clothes because he was too poor to afford them. Proust arrived even later than Joyce, and though there are varying accounts of what was actually said between the two, every known version points to a very anticlimactic meeting of the minds.

According to author William Carlos Williams, Joyce said, “I’ve headaches every day. My eyes are terrible,” to which the ailing Proust replied, “My poor stomach. What am I going to do? It’s killing me. In fact, I must leave at once.”

Publisher Margaret Anderson claimed that Proust admitted, “I regret that I don’t know Mr. Joyce’s work,” while Joyce replied, “I have never read Mr. Proust.”

Art reviewer Arthur Power said both writers simply talked about liking truffles. Joyce later told painter Frank Budgen, “Our talk consisted solely of the word ‘No.’”

10. HE CREATED A 100-LETTER WORD TO DESCRIBE HIS FEAR OF THUNDER AND LIGHTNING.

Joyce had a childhood fear of thunder and lightning, which sprang from his Catholic governess’s pious warnings that such meteorological occurrences were actually God manifesting his anger at him. The fear haunted the writer all his life, though Joyce recognized the beginnings of his phobia. When asked by a friend why he was so afraid of rough weather, Joyce responded, “You were not brought up in Catholic Ireland.”

The fear also manifested itself in Joyce’s writing. In Portrait of the Artist as a Young Man, the autobiographical protagonist Stephen Dedalus says he fears “dogs, horses, firearms, the sea, thunderstorms, [and] machinery.”

But the most fascinating manifestation of his astraphobia is in his stream of consciousness swan song, Finnegans Wake, where he created the 100-letter word Bababadalgharaghtaka-mminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk to represent a symbolic biblical thunderclap. The mouthful is actually made up of different words for “thunder” in French (tonnerre), Italian (tuono), Greek (bronte), and Japanese (kaminari).

11. HE’S THOUGHT OF AS A LITERARY GENIUS, BUT NOT EVERYONE WAS A FAN.

Fellow Modernist Virginia Woolf didn't much care for Joyce or his work. She compared his writing to "a queasy undergraduate scratching his pimples," and said that "one hopes he’ll grow out of it; but as Joyce is 40 this scarcely seems likely."

She wasn't the only one. In a letter, D.H. Lawrence—who wrote such classics as Women in Love and Lady Chatterley’s Loversaid of Joyce: “My God, what a clumsy olla putrida James Joyce is! Nothing but old fags and cabbage stumps of quotations from the Bible and the rest stewed in the juice of deliberate, journalistic dirty-mindedness.”

“Do I get much pleasure from this work? No," author H.G. Wells wrote in his review of Finnegans Wake. “ ... Who the hell is this Joyce who demands so many waking hours of the few thousand I have still to live for a proper appreciation of his quirks and fancies and flashes of rendering?”

Even his partner Nora had a difficult time with his work, saying after the publication of Ulysses, “Why don’t you write sensible books that people can understand?”

12. HIS SUPPOSED FINAL WORDS WERE AS ABSTRACT AS HIS WRITING.

Joyce was admitted to a Zurich hospital in January 1941 for a perforated duodenal ulcer, but slipped into a coma after surgery and died on January 13. His last words were befitting his notoriously difficult works—they're said to have been, "Does nobody understand?"

Additional Source: James Joyce

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios