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20 Wise and Witty J. K. Rowling Quotes

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Jo Rowling has imparted comfort, strength, and inspiration to her global readership of children and adults through the voices of Albus Dumbledore, Remus Lupin, Molly Weasley, and various beloved Harry Potter characters, but the best-selling novelist has shared plenty of her own insights from outside the wizarding world as well. Gathered from various interviews and public appearances Rowling has made since The Boy Who Lived took the world by storm, these are some words of wisdom and experience that wizards and Muggles alike can take to heart.

1. On Taking Chances

“Some failure in life is inevitable. It is impossible to live without failing at something, unless you live so cautiously that you might as well not have lived at all—in which case, you fail by default.”

From her 2008 Harvard Commencement Address, entitled “The Fringe Benefits of Failure, and the Importance of Imagination.”

2. On Going from Rags to Riches

“I think the single biggest thing that money gave me—and obviously I came from a place where I was a single mother and it really was hand to mouth at one point. It was literally as poor as you can get in Britain without being homeless at one point. If you’ve ever been there you will never, ever take for granted that you don’t need to worry. Never.”

From a 2010 interview with Oprah Winfrey.

3. On Body Positivity

“Is 'fat' really the worst thing a human being can be? Is 'fat' worse than 'vindictive', 'jealous', 'shallow', 'vain', 'boring' or 'cruel'? Not to me.

"I've got two daughters who will have to make their way in this skinny-obsessed world, and it worries me, because I don't want them to be empty-headed, self-obsessed, emaciated clones; I'd rather they were independent, interesting, idealistic, kind, opinionated, original, funny—a thousand things, before 'thin.' And frankly, I'd rather they didn't give a gust of stinking chihuahua flatulence whether the woman standing next to them has fleshier knees than they do.”

From a 2006 post on Rowling’s website entitled “For Girls Only, Probably,” archived here.

4. On the Pressure to Be Presentable

“I would be a liar if I said I don’t care [about my appearance]; yes, I care. I found it very difficult, when I first became well known, to read criticism about how I look, how messy my hair was, and how generally unkempt I look. The nastiest thing ever written was written by a man, and I do remember that. I wasn’t looking for it either, it was just simply in the newspaper I was reading.

“You can choose, you can go one of two ways. You can be the person I probably admire more and say 'well I don’t care and I’ll continue not to bother to brush my hair.' Or you can be a weak-willed person like me and think 'oh I’d better get my act together. And maybe my mother was right and I do need to put my hair back and tidy myself up a bit.’ So I did tidy myself up a bit. But I do often resent the amount of time that it takes to pull yourself together to go on TV, I really do. If I sound bitter, then that accurately reflects how I feel about the subject.”

From a 2014 episode of Woman’s Hour on BBC Radio 4.

5. On Worth

“Whatever money you might have, self-worth really lies in finding out what you do best.”

From a July 2005 interview on Mugglenet.com.

6. On Morality

"It is perfectly possible to live a very moral life without a belief in God, and I think it's perfectly possible to live a life peppered with ill-doing and believe in God."

From a 2007 feature in Time magazine.

7. On the Importance of Motherhood

“Years ago someone wrote [about me]: ‘She characterizes Molly Weasley as a mother who is only at home looking after the children.’ I was deeply offended, because I until a year before that had also been such a mother who was at home all the time taking care of her child […] What has lesser status and is more difficult than raising a child? And what is more important?”

From a 2007 interview for Dutch newspaper .

8. On Destiny (or Lack Thereof)

“I believe in free will. Of those that, like us, are in a privileged situation at least. For you, for me: people who are living in western society, people who are not repressed, who are free. We can choose. The things go largely like you want them to go. You control your own life. Your own will is extremely powerful.”

9. On Inspiration

“I've no idea where ideas come from and I hope I never find out; it would spoil the excitement for me if it turned out I just have a funny little wrinkle on the surface of my brain which makes me think about invisible train platforms.”

From a 1999 online interview for Amazon.co.uk, entitled “Magic, Mystery, and Mayhem.”

10. On Learning to Write

"You have to resign yourself to wasting lots of trees before you write anything really good. That's just how it is. It's like learning an instrument. You've got to be prepared for hitting wrong notes occasionally, or quite a lot. That's just part of the learning process. And read a lot. Reading a lot really helps. Read anything you can get your hands on."

From remarks at the 2000 Vancouver International Writers’ Festival.

11. On the Ever-Changing English Language

“Part of what makes a language ‘alive’ is its constant evolution. I would hate to think Britain would ever emulate France, where they actually have a learned faculty whose job it is to attempt to prevent the incursion of foreign words into the language. I love editing Harry with Arthur Levine, my American editor—the differences between ‘British English’ (of which there must be at least 200 versions) and ‘American English’ (ditto!) are a source of constant interest and amusement to me.”

From a 1999 Salon interview.

12. On Fantasizing

“I don't think there's any harm at all in allowing a kid to fantasize. In fact, I think to stop people from fantasizing is a very destructive thing indeed.”

From a 2000 Canadian Broadcasting Company interview.

13. On Writing for Children

“Those who write for children, or at least those who write best for children, are not child-like or immature, but they do remember with sometimes painful intensity both what it was to be small and confused and how wonderful was that fierce joy in the moment that can become so elusive in later life. Any book that is written down to children or with one nervous sideways eye on the author’s fellow adults or in the belief that this is the kind of thing that ‘they like’ cannot work and will not last. Children are not 'they.' They are us. And this is why writing that succeeds with children often succeeds just as well with adults—not because the latter are infantile or regressive, but because the true dilemmas of childhood are the dilemmas of the whole of life: those of belonging and betrayal, the power of the group and the courage it takes to be an individual, of love and loss, and learning what it is to be a human being, let alone a good, brave, or honest one.”

From her 2011 speech accepting the first ever Hans Christian Andersen Literature Award.

14. On Books for All Ages

“If it's a good book, anyone will read it. I'm totally unashamed about still reading things I loved in my childhood.”

From a 1999 Time article entitled “The Wizard of Hogwarts.”

15. On the Similarities Between Making Books and Babies

"Yes, there are parallels. The difference is that I just look at [my son] David and think that he's absolutely perfect, whereas you look at the finished book and you think, 'Oh, damn it, I should have changed that.' You're never happy. Whereas with a baby, you're happy. If you've got a perfect baby, you're just grateful."

From a 2003 Newsweek article.

16. On Poverty

“I cannot criticize my parents for hoping that I would never experience poverty. They had been poor themselves, and I have since been poor, and I quite agree with them that it is not an ennobling experience. Poverty entails fear, and stress, and sometimes depression; it means a thousand petty humiliations and hardships. Climbing out of poverty by your own efforts, that is indeed something on which to pride yourself, but poverty itself is romanticized only by fools.”

From her 2008 Harvard Commencement Address, entitled “The Fringe Benefits of Failure, and the Importance of Imagination.”

17. On Scotland

“It is one of the most hauntingly beautiful places in the world, the history is fascinating, the men are handsome and the whisky is delicious. But don't eat the macaroni pies.”

From a 2006 interview for Girlguiding Scotland.

18. On Last Words

“I definitely know that—that love is the most powerful thing of all and I remember thinking that—God, I’m about to make myself cry but, I remember thinking that when 9/11 happened because those last phone calls were about—the last thing knowingly, that I’m going to say on this earth is 'I love you.' What’s more powerful than that? What’s more proof than that? Beyond fear, beyond death.”

From a 2010 interview with Oprah Winfrey.

19. On the Power of Imagination

“Imagination is not only the uniquely human capacity to envision that which is not, and therefore the fount of all invention and innovation. In its arguably most transformative and revelatory capacity, it is the power that enables us to empathize with humans whose experiences we have never shared.

Unlike any other creature on this planet, humans can learn and understand, without having experienced. They can think themselves into other people’s places.

We do not need magic to change the world, we carry all the power we need inside ourselves already: we have the power to imagine better.”

From her 2008 Harvard Commencement Address, entitled “The Fringe Benefits of Failure, and the Importance of Imagination.”

20. On the Influence of Stories

“The stories we love best do live in us forever.”

From the 2011 London premiere of Harry Potter and the Deathly Hallows Part 2.


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13 Fascinating Facts About Nina Simone
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Nina Simone, who would’ve celebrated her 85th birthday today, was known for using her musical platform to speak out. “I think women play a major part in opening the doors for better understanding around the world,” the “Strange Fruit” songstress once said. Though she chose to keep her personal life shrouded in secrecy, these facts grant VIP access into a life well-lived and the music that still lives on.

1. NINA SIMONE WAS HER STAGE NAME.

The singer was born as Eunice Waymon on February 21, 1933. But by age 21, the North Carolina native was going by a different name at her nightly Atlantic City gig: Nina Simone. She hoped that adopting a different name would keep her mother from finding out about her performances. “Nina” was her boyfriend’s nickname for her at the time. “Simone” was inspired by Simone Signoret, an actress that the singer admired.

2. SHE HAD HUMBLE BEGINNINGS.


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There's a reason that much of the singer's music had gospel-like sounds. Simone—the daughter of a Methodist minister and a handyman—was raised in the church and started playing the piano by ear at age 3. She got her start in her hometown of Tryon, North Carolina, where she played gospel hymns and classical music at Old St. Luke’s CME, the church where her mother ministered. After Simone died on April 21, 2003, she was memorialized at the same sanctuary.

3. SHE WAS BOOK SMART...

Simone, who graduated valedictorian of her high school class, studied at the prestigious Julliard School of Music for a brief period of time before applying to Philadelphia’s Curtis Institute of Music. Unfortunately, Simone was denied admission. For years, she maintained that her race was the reason behind the rejection. But a Curtis faculty member, Vladimir Sokoloff, has gone on record to say that her skin color wasn’t a factor. “It had nothing to do with her…background,” he said in 1992. But Simone ended up getting the last laugh: Two days before her death, the school awarded her an honorary degree.

4. ... WITH DEGREES TO PROVE IT.

Simone—who preferred to be called “doctor Nina Simone”—was also awarded two other honorary degrees, from the University of Massachusetts Amherst and Malcolm X College.

5. HER CAREER WAS ROOTED IN ACTIVISM.

A photo of Nina Simone circa 1969

Gerrit de Bruin

At the age of 12, Simone refused to play at a church revival because her parents had to sit at the back of the hall. From then on, Simone used her art to take a stand. Many of her songs in the '60s, including “Mississippi Goddamn,” “Why (The King of Love Is Dead),” and “Young, Gifted and Black,” addressed the rampant racial injustices of that era.

Unfortunately, her activism wasn't always welcome. Her popularity diminished; venues didn’t invite her to perform, and radio stations didn’t play her songs. But she pressed on—even after the Civil Rights Movement. In 1997, Simone told Interview Magazine that she addressed her songs to the third world. In her own words: “I’m a real rebel with a cause.”

6. ONE OF HER MOST FAMOUS SONGS WAS BANNED.

Mississippi Goddam,” her 1964 anthem, only took her 20 minutes to an hour to write, according to legend—but it made an impact that still stands the test of time. When she wrote it, Simone had been fed up with the country’s racial unrest. Medger Evers, a Mississippi-born civil rights activist, was assassinated in his home state in 1963. That same year, the Ku Klux Klan bombed a Birmingham Baptist church and as a result, four young black girls were killed. Simone took to her notebook and piano to express her sentiments.

“Alabama's gotten me so upset/Tennessee made me lose my rest/And everybody knows about Mississippi Goddam,” she sang.

Some say that the song was banned in Southern radio stations because “goddam” was in the title. But others argue that the subject matter is what caused the stations to return the records cracked in half.

7. SHE NEVER HAD A NUMBER ONE HIT.

Nina Simone released over 40 albums during her decades-spanning career including studio albums, live versions, and compilations, and scored 15 Grammy nominations. But her highest-charting (and her first) hit, “I Loves You, Porgy,” peaked at #2 on the U.S. R&B charts in 1959. Still, her music would go on to influence legendary singers like Roberta Flack and Aretha Franklin.

8. SHE USED HER STYLE TO MAKE A STATEMENT.

Head wraps, bold jewelry, and floor-skimming sheaths were all part of Simone’s stylish rotation. In 1967, she wore the same black crochet fishnet jumpsuit with flesh-colored lining for the entire year. Not only did it give off the illusion of her being naked, but “I wanted people to remember me looking a certain way,” she said. “It made it easier for me.”

9. SHE HAD MANY HOMES.

New York City, Liberia, Barbados, England, Belgium, France, Switzerland, and the Netherlands were all places that Simone called home. She died at her home in Southern France, and her ashes were scattered in several African countries.

10. SHE HAD A FAMOUS INNER CIRCLE.

During the late '60s, Simone and her second husband Andrew Stroud lived next to Malcolm X and his family in Mount Vernon, New York. He wasn't her only famous pal. Simone was very close with playwright Lorraine Hansberry. After Hansberry’s death, Simone penned “To Be Young, Gifted and Black” in her honor, a tribute to Hansberry's play of the same title. Simone even struck up a brief friendship with David Bowie in the mid-1970s, who called her every night for a month to offer his advice and support.

11. YOU CAN STILL VISIT SIMONE IN HER HOMETOWN.

Photo of Nina Simone
Amazing Nina Documentary Film, LLC, CC BY-SA 4.0, Wikimedia Commons

In 2010, an 8-foot sculpture of Eunice Waymon was erected in her hometown of Tryon, North Carolina. Her likeness stands tall in Nina Simone Plaza, where she’s seated and playing an eternal song on a keyboard that floats in midair. Her daughter, Lisa Simone Kelly, gave sculptor Zenos Frudakis some of Simone’s ashes to weld into the sculpture’s bronze heart. "It's not something very often done, but I thought it was part of the idea of bringing her home," Frudakis said.

12. YOU'VE PROBABLY HEARD HER MUSIC IN RECENT HITS.

Rihanna sang a few verses of Simone’s “Do What You Gotta Do” on Kanye West’s The Life of Pablo. He’s clearly a superfan: “Blood on the Leaves” and his duet with Jay Z, “New Day,” feature Simone samples as well, along with Lil’ Wayne’s “Dontgetit,” Common’s “Misunderstood” and a host of other tracks.

13. HER MUSIC IS STILL BEING PERFORMED.

Nina Revisited… A Tribute to Nina Simone was released along with the Netflix documentary in 2015. On the album, Lauryn Hill, Jazmine Sullivan, Usher, Alice Smith, and more paid tribute to the legend by performing covers of 16 of her most famous tracks.

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15 Heartwarming Facts About Mister Rogers
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Though Mister Rogers' Neighborhood premiered 50 years ago, Fred Rogers remains an icon of kindness for the ages. An innovator of children’s television, his salt-of-the-earth demeanor and genuinely gentle nature taught a generation of kids the value of kindness. In celebration of the groundbreaking children's series' 50th anniversary, here are 15 things you might not have known about everyone’s favorite “neighbor.”

1. HE WAS BULLIED AS A CHILD.

According to Benjamin Wagner, who directed the 2010 documentary Mister Rogers & Me—and was, in fact, Rogers’s neighbor on Nantucket—Rogers was overweight and shy as a child, and often taunted by his classmates when he walked home from school. “I used to cry to myself when I was alone,” Rogers said. “And I would cry through my fingers and make up songs on the piano.” It was this experience that led Rogers to want to look below the surface of everyone he met to what he called the “essential invisible” within them.

2. HE WAS AN ORDAINED MINISTER.

Rogers was an ordained minister and, as such, a man of tremendous faith who preached tolerance wherever he went. When Amy Melder, a six-year-old Christian viewer, sent Rogers a drawing she made for him with a letter that promised “he was going to heaven,” Rogers wrote back to his young fan:

“You told me that you have accepted Jesus as your Savior. It means a lot to me to know that. And, I appreciated the scripture verse that you sent. I am an ordained Presbyterian minister, and I want you to know that Jesus is important to me, too. I hope that God’s love and peace come through my work on Mister Rogers’ Neighborhood.”

3. HE RESPONDED TO ALL HIS FAN MAIL.

Responding to fan mail was part of Rogers’s very regimented daily routine, which began at 5 a.m. with a prayer and included time for studying, writing, making phone calls, swimming, weighing himself, and responding to every fan who had taken the time to reach out to him.

“He respected the kids who wrote [those letters],” Heather Arnet, an assistant on Mister Rogers’ Neighborhood, told the Pittsburgh Post-Gazette in 2005. “He never thought about throwing out a drawing or letter. They were sacred."

According to Arnet, the fan mail he received wasn’t just a bunch of young kids gushing to their idol. Kids would tell Rogers about a pet or family member who died, or other issues with which they were grappling. “No child ever received a form letter from Mister Rogers," Arnet said, noting that he received between 50 and 100 letters per day.

4. ANIMALS LOVED HIM AS MUCH AS PEOPLE DID.

It wasn’t just kids and their parents who loved Mister Rogers. Koko, the Stanford-educated gorilla who understands 2000 English words and can also converse in American Sign Language, was an avid Mister Rogers’ Neighborhood watcher, too. When Rogers visited her, she immediately gave him a hug—and took his shoes off.

5. HE WAS AN ACCOMPLISHED MUSICIAN.

Though Rogers began his education in the Ivy League, at Dartmouth, he transferred to Rollins College following his freshman year in order to pursue a degree in music (he graduated Magna cum laude). In addition to being a talented piano player, he was also a wonderful songwriter and wrote all the songs for Mister Rogers' Neighborhood—plus hundreds more.

6. HIS INTEREST IN TELEVISION WAS BORN OUT OF A DISDAIN FOR THE MEDIUM.

Rogers’s decision to enter into the television world wasn’t out of a passion for the medium—far from it. "When I first saw children's television, I thought it was perfectly horrible," Rogers told Pittsburgh Magazine. "And I thought there was some way of using this fabulous medium to be of nurture to those who would watch and listen."

7. KIDS WHO WATCHED MISTER ROGERS’ NEIGHBORHOOD RETAINED MORE THAN THOSE WHO WATCHED SESAME STREET.

A Yale study pitted fans of Sesame Street against Mister Rogers’ Neighborhood watchers and found that kids who watched Mister Rogers tended to remember more of the story lines, and had a much higher “tolerance of delay,” meaning they were more patient.

8. ROGERS’S MOM KNIT ALL OF HIS SWEATERS.

If watching an episode of Mister Rogers’ Neighborhood gives you sweater envy, we’ve got bad news: You’d never be able to find his sweaters in a store. All of those comfy-looking cardigans were knitted by Fred’s mom, Nancy. In an interview with the Archive of American Television, Rogers explained how his mother would knit sweaters for all of her loved ones every year as Christmas gifts. “And so until she died, those zippered sweaters I wear on the Neighborhood were all made by my mother,” he explained.

9. HE WAS COLORBLIND.

Those brightly colored sweaters were a trademark of Mister Rogers’ Neighborhood, but the colorblind host might not have always noticed. In a 2003 article, just a few days after his passing, the Pittsburgh Post-Gazette wrote that:

Among the forgotten details about Fred Rogers is that he was so colorblind he could not distinguish between tomato soup and pea soup.

He liked both, but at lunch one day 50 years ago, he asked his television partner Josie Carey to taste it for him and tell him which it was.

Why did he need her to do this, Carey asked him. Rogers liked both, so why not just dip in?

"If it's tomato soup, I'll put sugar in it," he told her.

10. HE WORE SNEAKERS AS A PRODUCTION CONSIDERATION.

According to Wagner, Rogers’s decision to change into sneakers for each episode of Mister Rogers’ Neighborhood was about production, not comfort. “His trademark sneakers were born when he found them to be quieter than his dress shoes as he moved about the set,” wrote Wagner.

11. MICHAEL KEATON GOT HIS START ON THE SHOW.

Oscar-nominated actor Michael Keaton's first job was as a stagehand on Mister Rogers' Neighborhood, manning Picture, Picture, and appearing as Purple Panda.

12. ROGERS GAVE GEORGE ROMERO HIS FIRST PAYING GIG, TOO.

It's hard to imagine a gentle, soft-spoken, children's education advocate like Rogers sitting down to enjoy a gory, violent zombie movie like Dawn of the Dead, but it actually aligns perfectly with Rogers's brand of thoughtfulness. He checked out the horror flick to show his support for then-up-and-coming filmmaker George Romero, whose first paying job was with everyone's favorite neighbor.

“Fred was the first guy who trusted me enough to hire me to actually shoot film,” Romero said. As a young man just out of college, Romero honed his filmmaking skills making a series of short segments for Mister Rogers’ Neighborhood, creating a dozen or so titles such as “How Lightbulbs Are Made” and “Mr. Rogers Gets a Tonsillectomy.” The zombie king, who passed away in 2017, considered the latter his first big production, shot in a working hospital: “I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made. What I really mean is that I was scared sh*tless while I was trying to pull it off.”

13. ROGERS HELPED SAVE PUBLIC TELEVISION.

In 1969, Rogers—who was relatively unknown at the time—went before the Senate to plead for a $20 million grant for public broadcasting, which had been proposed by President Johnson but was in danger of being sliced in half by Richard Nixon. His passionate plea about how television had the potential to turn kids into productive citizens worked; instead of cutting the budget, funding for public TV increased from $9 million to $22 million.

14. HE ALSO SAVED THE VCR.

Years later, Rogers also managed to convince the Supreme Court that using VCRs to record TV shows at home shouldn’t be considered a form of copyright infringement (which was the argument of some in this contentious debate). Rogers argued that recording a program like his allowed working parents to sit down with their children and watch shows as a family. Again, he was convincing.

15. ONE OF HIS SWEATERS WAS DONATED TO THE SMITHSONIAN.

In 1984, Rogers donated one of his iconic sweaters to the Smithsonian’s National Museum of American History.

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