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12 Charming Tidbits About Beverly Cleary

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BeverlyCleary.com

Moving, relatable, and frequently hilarious, Beverly Cleary’s stories have been captivating readers of all ages for over 60 years. From Ramona Quimby to Socks the Cat, her characters and the tales they inhabit are still going strong all these decades later. Here’s what you might not know about one of the world’s favorite children’s authors.

1. SHE'S A FORMER LIBRARIAN.

After graduating in 1939 from the University of Washington with a Library Science degree, Cleary worked as a children’s librarian in Yakima

2. SHE HELPED IMPROVE THE LEAVE IT TO BEAVER FRANCHISE.

By her own admission, the series was “boring work”: Cleary once wrote a pair of original tie-in stories starring Wally and ‘The Beav’ which—according to several letters she received—many fans found much more enjoyable than the series’ film adaptation. (Her explanation? “I cut out dear old Dad’s philosophizing.”)

3. YOU CAN VISIT THE BEVERLY CLEARY SCULPTURE GARDEN IN PORTLAND, OREGON.

Many of Cleary’s best-known stories were partially set in Portland’s Grant Park (she grew up nearby) and, as a loving nod, the city unveiled statues of Ramona Quimby, Henry Huggins, and Ribsy the dog at the park in 1995.

4. SHE'S ALWAYS SYMPATHIZED WITH STRUGGLING READERS.

Getting put into the lowest reading circle in first grade almost made young Cleary resent books. Phonic lists were a drag and being force-fed Dick & Jane-style narratives was flat-out excruciating. “[We] wanted action. We wanted a story,” she lamented in her autobiography. It was an experience Cleary never forgot. Since then, she claims to have always kept children who might be undergoing similar trials in mind while writing.

5. SHE'D WRITE AND BAKE SIMULTANEOUSLY.

Many authors crank up their favorite tunes during scribing sessions, but Cleary had a different approach: “I used to bake bread while I wrote. I’d mix the dough up and sit down and start to write. After a while, the dough would rise and I’d punch it down and write some more. When the dough rose the second time, I’d put it in the oven and have the yeasty smell of bread as I typed.”

6. THERE'S AN ELEMENTARY SCHOOL NAMED IN HER HONOR.

Beverly Cleary Elementary is an Oregon K-8 school that “provides academic excellence in a caring community.” Disappointingly, its athletic teams are known as “The Cougars” rather than "The Motorcycle Mice."

7. DESPITE HER PARENTS' OBJECTIONS, CLEARY ELOPED WITH THE MAN SHE LOVED.

“Gerhart” is the pseudonym her memoirs give to the fellow Beverly’s folks actually tried setting her up with, though the pair shared virtually no chemistryHer future husband—one Clarence Cleary—was a kind-hearted economics and history student she met in college. He was also Roman Catholic, which didn’t sit well with her Presbyterian parents. Undaunted, Beverly Atlee Bunn eloped and became Beverly Cleary in 1940. The couple would remain together until Clarence’s death in 2004.

8. HARPER COLLINS PUBLISHING CREATED A HOLIDAY FOR HER BIRTHDAY.

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It's called D.E.A.R. (Drop Everything And Read), and though they encourage you to celebrate all the time, April 12 is the official date in honor of Cleary's birthday.

9. THE LIBRARY OF CONGRESS DECLARED HER A "LIVING LEGEND."

This award is exclusively granted to “artists, writers, activists, filmmakers, physicians, entertainers, sports figures and public servants who have made significant contributions to America’s diverse cultural, scientific, and social heritage.” Cleary received her title in 2000, joining the ranks of Judy Blume, Muhammad Ali, and Madeleine Albright.

10. SHE HAS A VERY WISE WRITING MANTRA.

When she was still a little girl, Cleary’s mother, an ex-teacher, gave her this advice: “The best writing is simple writing. And try to write something funny. People enjoy reading anything that makes them laugh.” Another tip that stuck with her came from a college professor, who often said, “The proper subject of the novel is the universal human experience.”

11. SHE'S A CAT LOVER.

Cleary’s owned several pet cats over the years, one of whom used to resent having to compete with her typewriter for attention and would sit on the keys in protest.

12. WHEN ASKED "WHY DO YOU THINK THAT CHILDREN LOVE RAMONA QUIMBY SO MUCH?" SHE GAVE THIS WONDERFUL ANSWER:

“Because [Ramona] does not learn to be a better girl. I was so annoyed with the books in my childhood, because children always learned to be ‘better’ children and, in my experience, they didn’t. They just grew, and so I started Ramona … and she has never reformed. [She’s] really not a naughty child, in spite of the title Ramona the Pest. Her intentions are good, but she has a lot of imagination, and things sometimes don’t turn out the way she expected.”

This story originally ran in 2014.

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15 Powerful Quotes From Margaret Atwood
MICHAL CIZEK/AFP/Getty Images
MICHAL CIZEK/AFP/Getty Images

It turns out the woman behind such eerily prescient novels as The Handmaid’s Tale and Oryx and Crake is just as wise as her tales are haunting. Here are 15 of the most profound quips from author, activist, and Twitter enthusiast Margaret Atwood, who was born on this day in 1939.

1. On her personal philosophy

 “Optimism means better than reality; pessimism means worse than reality. I’m a realist.”

— From a 2004 interview with The Guardian

2. On the reality of being female

“Men often ask me, Why are your female characters so paranoid? It’s not paranoia. It’s recognition of their situation.”

— From a 1990 interview with The Paris Review

3. On limiting how her politics influence her characters

“You know the myth: Everybody had to fit into Procrustes’ bed and if they didn’t, he either stretched them or cut off their feet. I’m not interested in cutting the feet off my characters or stretching them to make them fit my certain point of view.”

— From a 1997 interview with Mother Jones

4. On so-called “pretty” works of literature

“I don’t know whether there are any really pretty novels … All of the motives a human being may have, which are mixed, that’s the novelists’ material. … We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.”

— From a 2010 interview with The Progressive

5. On the artist’s relationship with her fans

“The artist doesn’t necessarily communicate. The artist evokes … [It] actually doesn’t matter what I feel. What matters is how the art makes you feel.”

— From a 2004 interview with The Guardian

6. On the challenges of writing non-fiction

“When I was young I believed that ‘nonfiction’ meant ‘true.’ But you read a history written in, say, 1920 and a history of the same events written in 1995 and they’re very different. There may not be one Truth—there may be several truths—but saying that is not to say that reality doesn’t exist.”

— From a 1997 interview with Mother Jones

7. On poetry

“The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation.”

— From a 1990 interview with The Paris Review

8. On being labeled an icon

“All these things set a standard of behavior that you don’t necessarily wish to live up to. If you’re put on a pedestal you’re supposed to behave like a pedestal type of person. Pedestals actually have a limited circumference. Not much room to move around.”

— From a 2013 interview with The Telegraph

9. On how we’re all born writers

“[Everyone] ‘writes’ in a way; that is, each person has a ‘story’—a personal narrative—which is constantly being replayed, revised, taken apart and put together again. The significant points in this narrative change as a person ages—what may have been tragedy at 20 is seen as comedy or nostalgia at 40.”

— From a 1990 interview with The Paris Review

10. On the oppression at the center of The Handmaid's Tale

“Nothing makes me more nervous than people who say, ‘It can’t happen here. Anything can happen anywhere, given the right circumstances.” 

— From a 2015 lecture to West Point cadets

11. On the discord between men and women

“‘Why do men feel threatened by women?’ I asked a male friend of mine. … ‘They’re afraid women will laugh at them,’ he said. ‘Undercut their world view.’ … Then I asked some women students in a poetry seminar I was giving, ‘Why do women feel threatened by men?’ ‘They’re afraid of being killed,’ they said.”

— From Atwood’s Second Words: Selected Critical Prose, 1960-1982

12. On the challenges of expressing oneself

“All writers feel struck by the limitations of language. All serious writers.”

— From a 1990 interview with The Paris Review

13. On selfies

“I say they should enjoy it while they can. You’ll be happy later to have taken pictures of yourself when you looked good. It’s human nature. And it does no good to puritanically say, ‘Oh, you shouldn’t be doing that,’ because people do.”

— From a 2013 interview with The Telegraph

14. On the value of popular kids' series (à la Harry Potter and Percy Jackson)

"It put a lot of kids onto reading; it made reading cool. I’m sure a lot of later adult book clubs came out of that experience. Let people begin where they are rather than pretending that they’re something else, or feeling that they should be something else."

— From a 2014 interview with The Huffington Post

15. On why even the bleakest post-apocalyptic novels are, deep down, full of hope

“Any novel is hopeful in that it presupposes a reader. It is, actually, a hopeful act just to write anything, really, because you’re assuming that someone will be around to [read] it.”

— From a 2011 interview with The Atlantic 

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China's New Tianjin Binhai Library is Breathtaking—and Full of Fake Books
FRED DUFOUR/AFP/Getty Images
FRED DUFOUR/AFP/Getty Images

A massive new library in Tianjin, China, is gaining international fame among bibliophiles and design buffs alike. As Arch Daily reports, the five-story Tianjin Binhai Library has capacity for more than 1 million books, which visitors can read in a spiraling, modernist auditorium with floor-to-ceiling bookshelves.

Several years ago, municipal officials in Tianjin commissioned a team of Dutch and Japanese architects to design five new buildings, including the library, for a cultural center in the city’s Binhai district. A glass-covered public corridor connects these structures, but the Tianjin Binhai Library is still striking enough to stand out on its own.

The library’s main atrium could be compared to that of the Frank Lloyd Wright-designed Guggenheim Museum in New York City. But there's a catch: Its swirling bookshelves don’t actually hold thousands of books. Look closer, and you’ll notice that the shelves are printed with digital book images. About 200,000 real books are available in other rooms of the library, but the jaw-dropping main room is primarily intended for socialization and reading, according to Mashable.

The “shelves”—some of which can also serve as steps or seating—ascend upward, curving around a giant mirrored sphere. Together, these elements resemble a giant eye, prompting visitors to nickname the attraction “The Eye of Binhai,” reports Newsweek. In addition to its dramatic main auditorium, the 36,000-square-foot library also contains reading rooms, lounge areas, offices, and meeting spaces, and has two rooftop patios.

Following a three-year construction period, the Tianjin Binhai Library opened on October 1, 2017. Want to visit, but can’t afford a trip to China? Take a virtual tour by checking out the photos below.

A general view of the Tianjin Binhai Library
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People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman taking pictures at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A man visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman looking at books at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

[h/t Newsweek]

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