Aquarium Points Out Anatomical Error in Apple's Squid Emoji

iStock.com
iStock.com

When an inaccurate image makes it into Apple's emoji keyboard, the backlash is usually swift. But the squid emoji had been around for more than two years before the Monterey Bay Aquarium pointed out a major anatomical error on Twitter. As The Verge reports, the emoji depicts a squid with a siphon on its face—not on the back of its head, where it should be.

The Monterey Bay Aquarium dragged Apple for the misstep on Wednesday, December 5. "Not even squidding the siphon should be behind the head," the aquarium tweeted, "rn it just looks like a weirdo nose."

A squid's siphon serves some vital purposes. It pumps water over the gills, allowing it to breathe, and it blasts water away when the squid needs to propel through the sea. It's also the orifice out of which waste is expelled, making its placement right between the eyes in the emoji version especially unfortunate.

Emojis have incited outrage from marine biology experts in the past. When the Unicode Consortium released an early design of its lobster emoji earlier this year, people were quick to point out that it was missing a set of legs. Luckily the situation was rectified in time for the emoji's official release.

Apple has been known to revise designs to appease the public, but getting the squid's siphon moved to the other side of its head may be a long shot: Until the most recent backlash, the emoji had existed controversy-free since 2016.

[h/t The Verge]

Attention Aspiring Astronauts: Arlo Skye Now Has Space-Themed Luggage

Arlo Skye
Arlo Skye

While some travelers are preoccupied with getting their luggage through airport security, the designers at Arlo Skye are thinking bigger. As Condé Nast Traveler reports, the brand's new line of suitcases is inspired by space travel, with high tech features and a sleek, futuristic look.

Arlo Skye was founded in 2016 by alumni from Louis Vuitton and Tumi Inc. They set out to create luggage that emphasized design, with luxury polycarbonate suitcases available in trendy colors like rose gold and custom monogramming.

The company's Space Collection may be its most stylized line yet. It comes with a removable, 10,050-milliamp-hour charger with USB C and A ports for charging phones and other devices. The chrome-colored case is 22 inches tall, 9 inches deep, and 14 inches wide and weighs 8.5 pounds empty.

Space Collection suitcase from Arlo Skye
Arlo Skye

Depending on what type of space traveler you are, you can get one of three designs laser-etched on the bottom of your luggage. There's Moon Shot, Team Human, and Occupy Mars; each engraving comes with a short ode to space and a small picture of its respective celestial body. Like other suitcases made by Arlo Skye, these bags are zipper-free and made from polycarbonate with an aluminum frame.

Whether you're a globetrotter or an aspiring astronaut, the Space Collection from Arlo Skye makes a great travel companion.

Buy it from Arlo Skye for $450.

[h/t Condé Nast Traveler]

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The Helvetica Font Has Been Revamped for the First Time in Decades

Monotype
Monotype

The Helvetica font family is everywhere. It’s used on everything from subway signage to federal tax forms to advertisements for a diverse group of companies, including Harley-Davidson, Oral-B, and Target. Job seekers are also likely familiar with its clean, sans-serif characters, which make it one of the best fonts for a resume.

“If it's me, [I’m using] Helvetica,” Matt Luckhurst, a graphic designer, told Bloomberg in 2015. “Helvetica is beautiful. There is only one Helvetica.”

Until now. As Wired reports, the typeface has just been revamped for the first time in decades by Monotype, which boasts the world’s largest type library and owns the rights to Helvetica. The new and improved version, called Helvetica Now, aims to better serve modern users while also working out the kinks associated with the old design.

The new Helvetica font
Monotype

While Helvetica is still ubiquitous, several major companies—including Google, Apple, IBM, and Netflix—have dropped the typeface for branding purposes in recent years. Issues related to kerning, punctuation sizes, and scrunched characters are all common gripes with the old version.

By contrast, Helvetica Now comes in three versions to suit different needs. There’s a Micro version for small screens, a Display version for larger type sizes, and a Text version that makes use of white space to offset visually “demanding” designs. Companies will need to buy the license to the new Helvetica, but the font’s creators are hopeful that everyone will be making the switch in due time.

“Helvetica Now is the tummy-tuck, facelift, and lip filler we’ve been wanting, but were too afraid to ask for,” graphic designer Abbott Miller, a partner at design consultancy Pentagram, said in a statement. “It offers beautifully drawn alternates to some of Helvetica’s most awkward moments, giving it a surprisingly, thrillingly contemporary character.”

The original Helvetica was invented in 1957 by two Swiss designers who dubbed their typeface Neue Haas Grotesk. It wasn’t until 1961 that the typeface was renamed Helvetica, and the font’s last major facelift came in 1982 with the release of the desktop-friendly Neue Helvetica.

Of course, that was pre-internet, and Monotype’s director, Charles Nix, says everyone's font needs have changed a great deal in the intervening decades. “Neue Helvetica was the first digitization of Helvetica,” Nix said. “That was a long time ago, and so much has happened in our world since then.”

[h/t Wired]

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