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10 TV and Movie Clichés You Never See in Real Life

1. The Chloroform Nap

A common scene in many mystery movies is the old “knock out an unsuspecting victim by holding a rag full of chloroform over their face” trick. Would this tactic work in real life? Probably not. First of all, chloroform begins to lose its effectiveness as soon as it mixes with oxygen (and some of those villains spend a long time lurking in the shadows with their rags poised). Secondly, chloroform doesn’t instantly knock a person unconscious; depending upon the victim’s size and weight, the chemical could take up to 10 minutes to subdue a person.

2. Falling Through Glass

No action film is complete without at least one person falling through a plate glass window and then walking away without a scratch. Injury-free defenestration is some definite Hollywood trickery that requires a “don’t try this at home!” warning. Broken glass has razor-sharp edges that can cut right through clothing and human flesh like a hot knife through refrigerated margarine. Even if a person survived the fall, he’d typically sustain so many cuts that it would look like he’d just taken a ketchup bath.

3. Exploding Cars

Whether it’s on TV or the big screen, it seems like every high-speed car chase ends with at least one auto crashing and exploding into flames. Sometimes the vehicle drives over a cliff and spontaneously combusts into flames without any provocation. Gasoline actually has a very narrow flammable range, and the mixture of gas vapor to outside air must be very specific (between 1.4 and 7.6 percent) before anything close to an explosion will occur. Gas may cause a car to burn after a bad wreck, but it very rarely detonates.

4. Amnesia Cures

Older sitcoms and cartoons often featured a character suffering from amnesia, and, according to the plot, the only “cure” to restore their memory was to conk them on the head one more time. According to doctors, though, this is just about the worst thing you can do to an amnesia patient. The brain is already injured, which is what is causing their memory loss, and another bash to the skull will likely only cause further damage.

5. When the Bullet Hits the Bone

How many cinematic scenes have portrayed a person being knocked off his feet and killed by one shot from a gun? In real life, death by gunshot depends upon the type of weapon and the ammunition. For the sake of simplicity, we’ll use a handgun as an example: even if a person is shot at point-blank range by a handgun, he will not be lifted off the ground and sail through the air. If a handgun packed that much velocity, the shooter would be propelled backward in a similar fashion. The only wounds that are immediately incapacitating—that is, where the victim slumps to the ground and cannot move—are those to the brain or upper spinal cord. Even if the victim receives a direct wound to the heart, it will take several minutes for complete circulatory collapse, and in the meantime, the brain is still sending out “fight or flight” messages.

6. The Silencer

James Bond makes it look like you can shoot someone in a room full of people and then make a clean getaway as long as your handgun is fitted with a silencer. But a silencer only dampens that portion of the sound that is created by the exploding gases in a gun; the bullet is still traveling at supersonic speed, and its miniature sonic boom will still be quite audible. When a gun is fired, gunpowder in the bullet shell casing is ignited which produces gas at a high rate. The high pressure build-up of this gas propels the bullet forward, and as it exits the gun barrel, the release of kinetic energy makes a loud noise. It’s similar to the pop of a champagne cork, but much faster and louder. A silencer attached to the end of a gun barrel is basically a series of baffles along with an expansion chamber, which gives the gas more time to cool off and dissipate before the bullet finally exits. A silenced gun sounds about as loud as a car door being slammed. It’s much quieter than the usual “bang!” but it’s certainly not the subtle little “whoosh” heard in those espionage films.

7. Crime Scene Aftermath

The climactic scene of many TV cop shows is a big shoot-out, followed by the detectives standing over the dead perp, telling the uniformed cops to “take him to the morgue, and clean this up.” Moments later, the detectives are shown unwinding at the local tavern. Of course, it doesn’t happen that way in real life. Any officer who fires his weapon has to remain on-scene until someone from Internal Affairs comes to investigate. He also has to stand by until the evidence technicians have finished collecting everything they need. And the uniformed guys would laugh at the suggestion that they “clean up” anything. Whether it’s a homicide or suicide, once the cops have all their information and evidence it’s up to the owner of the property to mop up. Luckily, there are many companies that specialize in the very exacting work that is necessary when it comes to grisly biohazard cleaning.

8. Computer Hacking

Have you ever noticed that on TV, it takes detectives three minutes or more to trace a phone call, but in a pinch someone can write a code to hack into a computer in half that time when it comes to tracking down a criminal? Programming requires many complex steps, including making changes to the existing code, compiling it, testing it, and debugging it. Just waiting for a compiler to finish its job can take hours. Even the best hacker cannot click a few keys and access a perp’s password-protected files within a matter of minutes.

9. Drowning Dramatically

Drowning victims have plenty of time for a dramatic rescue on the big screen, since they flail and splash loudly while reaching their arms up and desperately calling for help. In reality, most drowning victims don’t get rescued in time simply because no one nearby realizes that the person is in trouble. A drowning person typically dies quietly, since he is unable to keep his mouth above the water long enough or draw enough breath to cry for assistance. They don't usually thrash about, either; instinctively they straighten their body as if they are climbing a ladder and spread their arms to the sides as if they are trying to push down on the surface of the water to lift themselves up. Because of this automatic response, a drowning person will rarely reach for a thrown life preserver or extended stick. Small children slip below the surface even quicker than adults, so it’s very important to take every precaution possible (life jackets, floaties, etc.) when youngsters are playing in the water.

10. Headstones in One Hour or Less

Showing a completed, personalized headstone at the gravesite during the burial certainly adds poignancy to any funeral scene (and often acts as shorthand to indicate “character didn’t survive”), but in real life it usually takes a minimum of four weeks after the order has been placed to have a grave marker put in place. And that’s for one from inventory stock; if you prefer custom artwork or other special touches, it could take 90 days or more.

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11 Things You Might Not Know About Neil Armstrong
NASA/Hulton Archive/Getty Images
NASA/Hulton Archive/Getty Images

No matter where private or government space travel may take us in the future, NASA astronaut Neil Armstrong (1930-2012) will forever have a place as the first human to ever set foot on solid ground outside of our atmosphere. Taking “one small step” onto the moon on July 20, 1969, he inspired generations of ambitious people to reach for the stars in their own lives. Take a look at some facts about that famous quote, how a door hinge changed his life, and why he once went after Hallmark over a Christmas ornament.

1. HE KNEW HOW TO FLY BEFORE HE GOT A DRIVER’S LICENSE.

Neil Armstrong poses for a portrait 10 years before the 1969 Apollo mission
NASA/Hulton Archive/Getty Images

Born August 5, 1930 in Wapakoneta, Ohio, Armstrong became preoccupied with aviation early on. At around age 6, his father took him on a ride in a Ford Trimotor airplane, one of the most popular airplanes in the world. By age 15, he had accumulated enough flying lessons to command a cockpit, reportedly before he ever earned his driver’s license. During the Korean War, Armstrong flew 78 combat missions before moving on to the National Advisory Committee for Aeronautics (NACA), the precursor to NASA.

2. HIS FAMOUS QUOTE GETS MISINTERPRETED.

When Armstrong and Buzz Aldrin touched down on the moon, hundreds of millions of television viewers were riveted. Armstrong could be heard saying, “That’s one small step for man, one giant leap for mankind.” But that’s not exactly what he said. According to the astronaut, he was fairly sure he stated, “That’s one small step for a man, one giant leap for mankind.” The “a” may have broken up on transmission or it may have been obscured as a result of his speaking patterns. (According to First Man: The Life of Neil A. Armstrong, Armstrong said, “I’m not particularly articulate. Perhaps it was a suppressed sound that didn’t get picked up by the voice mike. As I have listened to it, it doesn’t sound like there was time for the word to be there. On the other hand, I think that reasonable people will realize that I didn’t intentionally make an inane statement, and certainly the ‘a’ was intended, because that’s the only way the statement makes any sense. So I would hope that history would grant me leeway for dropping the syllable and understand that it was certainly intended, even if it wasn’t said—although it actually might have been.”) Armstrong claimed the statement was spontaneous, but his brother and others have claimed he had written it down prior to the mission.

3. WE DON’T HAVE A REALLY GOOD PICTURE OF HIM ON THE MOON.

Buzz Aldrin is seen walking on the moon
NASA/Hulton Archive/Getty Images

One of the most celebrated human achievements of the 20th century came at a time when video and still cameras were readily available—yet there are precious few images of Armstrong actually walking on the surface of the moon. (One of the most iconic shots, above, is Aldrin; Armstrong only appears as a reflection in his helmet.) The reason, according to Armstrong, is that he really didn’t care and didn’t think to ask Aldrin to snap some photos. “I don't think Buzz had any reason to take my picture, and it never occurred to me that he should,” Armstrong told his biographer, James R. Hansen. “I have always said that Buzz was the far more photogenic of the crew."

4. A DOOR HINGE MAY HAVE MADE ALL THE DIFFERENCE.

Theories abound as to why it was Armstrong and not Buzz Aldrin who first set foot on the moon. (On the Gemini missions, the co-pilot did the spacewalks, while the commander stayed in the craft. For Apollo 11, Armstrong was the commander.) The answer may have been the simple logistics of getting out of their lunar module. The exit had a right hinge that opened inwardly, with the man sitting on the left (Armstrong) having the most unobstructed path to the outside. Aldrin would have essentially had to climb over Armstrong to get out first.

5. HE WAS MORE CONCERNED ABOUT LANDING ON THE MOON THAN HE WAS WALKING ON IT.

The lunar module that took NASA astronauts to the moon
NASA/Hulton Archive/Getty Images

The romantic notion of a human stepping foot on space soil captured imaginations, but for Armstrong, it was getting there in one piece that was the real accomplishment. The lunar module Armstrong controlled had to be brought down on the moon’s surface from 50,000 feet up, avoiding rocks, craters, and other obstacles as it jockeyed into a position for landing. Because there is no air resistance, nothing could slow their descent, and they used thrusters to guide the craft down. That meant there was only enough fuel to attempt it once. The “business” of getting down the ladder was, in Armstrong’s view, less significant.

6. HE WAS CARRYING A BAG WORTH $1.8 MILLION.

When Armstrong surveyed the surface of the moon, he collected a bag of dust for NASA scientists to examine. Apollo moon samples are illegal to buy or sell, but that apparently wasn't the case with the “lunar collection bag” Armstrong used to hold the samples. In 2015, the bag was purchased by Chicago resident Nancy Lee Carlson from a government auction site for $995. But its sale was, apparently, an accident: When Carlson sent the bag to NASA to confirm its authenticity, NASA said it was their property and refused to send it back—so Carlson took the agency to court. A judge ruled it belonged to Carlson, and in 2017, she sold the bag for a whopping $1.8 million at a Sotheby’s auction.

7. HE HAD TO SPEND THREE WEEKS IN QUARANTINE.

Richard Nixon greets the returning Apollo 11 astronauts
NASA/Hulton Archive/Getty Images

When Armstrong, Aldrin, and Michael Collins (who remained behind in the command module while the other two touched down on the moon) returned to Earth and were fetched by the USS Hornet, they got a king’s welcome. The only asterisk: They had to bask in their newfound fame from inside a sealed chamber. All three men were quarantined for three weeks in the event they had picked up any strange space virus. When President Richard Nixon visited, he greeted them through the chamber’s glass window.

8. HIS APOLLO SPACE SUIT WAS MADE BY PLAYTEX.

Yes, the undergarment people. In the early 1960s, NASA doled out contract work for their space suits to government suppliers, but it was Playtex (or more properly the International Latex Corporation) and their understanding of fabrics and seams that led to NASA awarding them responsibility for the Apollo mission suits. Their A7L suit was what Armstrong wore to insulate himself against the harsh void of space when he made his famous touchdown. The astronaut called it “reliable” and even “cuddly.”

9. HE BECAME A UNIVERSITY PROFESSOR.

Newil Armstrong sits behind a desk in 1970
AFP/Getty Images

Following his retirement from NASA in 1971, Armstrong was reticent to remain in the public eye. Demands for his time were everywhere, and he had little ambition to become a walking oral history of his singular achievement. Instead, he accepted a job as a professor of engineering at the University of Cincinnati and remained on the faculty for eight years.

10. HE ONCE SUED HALLMARK.

Hallmark was forced to defend itself when Armstrong took issue with the company using his name and likeness without permission for a 1994 Christmas ornament. The bulb depicted Armstrong and came with a sound chip that said phrases like, “The Eagle has landed.” The two parties came to an undisclosed but “substantial” settlement in 1995, which was, according to First Man, donated to Purdue University (minus legal fees).

11. HE ENDORSED CHRYSLERS.

Armstrong’s preference to lead a private life continued over the decades, but he did make one notable exception. For a 1979 Super Bowl commercial spot, Armstrong agreed to appear on camera endorsing Chrysler automobiles. Armstrong said he did it because he wanted the struggling U.S. car maker to improve their sales and continue contributing to the domestic economy. The ads never mentioned Armstrong was an astronaut.

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10 Surprising Facts About One Day at a Time
Sony Pictures Home Entertainment
Sony Pictures Home Entertainment

Netflix is now producing its own version of the 1970s sitcom One Day a Time, featuring three generations of a Cuban-American family living together. While this updated go-round tackles some current issues facing such families, such as diversity and equity, it seems like the perfect time to take a look back at the original series, which was groundbreaking for featuring such then-controversial topics as suicide, premarital sex, and teen pregnancy. Here are 10 surprising facts about the show that started it all.

1. IT WAS PARTLY AUTOBIOGRAPHICAL.

Whitney Blake was an actress probably best known for her role as Dorothy Baxter on the 1960s sitcom Hazel. Blake was also the mother of three children—one of whom is actress Meredith Baxter—who left her husband after 10 years of marriage and worked several day jobs at age 26 while taking drama classes at night in an effort to achieve her long-time dream of becoming a professional actress. In her 2011 memoir, Meredith Baxter described her upbringing as unconventional—she and her siblings, for example, were forbidden to refer to their mother as “Mom” and were instructed to always address her as “Whitney”— but Blake decided that her devotion to her career while being a single mom was the perfect premise for a TV series.

2. IT WAS ONLY THE SECOND SITCOM TO FEATURE A DIVORCED MOM.

Bonnie Franklin and Valerie Bertinelli in 'One Day at a Time'
Sony Pictures Home Entertainment

Whitney Blake married TV producer Allan Manings in 1968. Manings had previously worked on the TV sitcom Good Times, so he had a direct pipeline to Norman Lear when he pitched Blake’s divorced single mom idea. Lear, who was known for pushing the TV envelope on such series as All in the Family and Maude, agreed that a divorcée with children might attract viewers who were in a similar situation but also press enough controversy buttons in Middle America to make another hit. Yes, it sounds ever-so-benign today, but in 1975 (when the series debuted), Bonnie Franklin’s Ann Romano was only the second-ever divorced mother to feature on a TV sitcom. Though Vivian Vance’s character on The Lucy Show was the first divorced mom character, many considered Romano to be the “first realistic portrayal of a divorced mother struggling to raise her teenage daughters.”

3. THERE WAS ONLY ONE DAUGHTER IN THE ORIGINAL PILOT.

The original pilot Lear filmed starred Franklin as a divorced nurse raising a teenaged daughter (played by Mackenzie Phillips). The proposed series was called Three to Get Ready and also featured Pat Harrington Jr. as Schneider, the apartment building superintendent, and Marcia Rodd as Romano’s neighbor and friend. That particular pilot didn’t sell, but Lear retooled it to ditch the hospital setting and added a second daughter. He also decided that Marcia Rodd wasn’t the right fit for the neighbor and hired Mary Louise Wilson instead. Now called One Day at a Time, the series got a green light from CBS and debuted in December 1975.

4. A COUPLE OF KEY CHARACTERS WENT MISSING.

Richard Masur played attorney David Kane, a love interest for the newly-divorced Ann Romano in the first season. However, the actor realized after half a dozen episodes that his character was being “painted into a corner.” In a 2016 interview with The A.V. Club, the noted character actor explained that David seemed to be constantly proposing marriage to Ann and she refused him every time. He was becoming a one-note character, and the actor became even further frustrated when Lear insisted that David and Ann’s romance be chaste; it was made very clear via the scripts that they had done nothing more than hold hands and occasionally kiss. “I said, ‘Write me off the show,’” Masur recalled of his conversation with Lear. “He said, ‘Well, I don’t really want …’ I said, ‘Yes, you do, Norman. That’s why you’re here. Write me off the show.’ He says, ‘Okay.’”

Another character who seemingly disappeared without explanation was neighbor Ginny Wroblicki, a brassy cocktail waitress played by Mary Louise Wilson. Wilson had been appearing on and off Broadway since 1962, and it was while she was appearing in a revival of Gypsy that Lear offered her the role of Ginny. Wilson accepted the job based on Lear’s track record, but she quickly decided that One Day at a Time was no All in the Family. She and Bonnie Franklin never saw eye-to-eye (pun intended: in her 2015 autobiography, Wilson described Franklin as constantly giving her a glassy, semi-cross-eyed gaze as she critiqued Wilson’s performance), and she never got comfortable with the four-camera filming process. Like Masur, she pleaded her case to Lear and was released from her contract at the end of season two.

5. THE ACTOR WHO PLAYED SCHNEIDER ADDED HIS EVER-PRESENT TOOL BELT.

Pat Harrington Jr. had an impressive television pedigree (including a stint working with Steve Allen’s comedy troupe) when he was hired to play the role of apartment building superintendent Dwayne Schneider. Harrington took his new gig very seriously and grew a Clark Gable-style mustache, since Schneider was supposed to be a notorious Lothario. He also decided—just half an hour before taping the first episode—that something was missing from his character’s wardrobe. He paid a studio electrician for his well-worn tool belt, complete with hammer, which he then slung around his hips, John Wayne-style.

6. THE STUDIO HAD TROUBLE KEEPING UP WITH VALERIE BERTINELLI’S FAN MAIL.

Valerie Bertinelli, who was cast as Ann Romano’s youngest daughter Barbara, became the breakout star of the series after just one season. With her girl-next-door face, button nose, and lush main of hair, she was suddenly America’s Sweetheart, and—as Harrington mentioned in TV Guide’s Behind the Sitcom—the studio could barely cope with the sacks of fan mail addressed to Bertinelli. Interestingly enough, even though she was featured in almost every teen fan magazine of the era—not to mention some People magazine covers—Valerie confessed in her autobiography that for many years she felt unattractive when compared to co-star Mackenzie Phillips. Meanwhile, Phillips was secretly envious of not only Bertinelli’s media popularity, but also her wholesome upbringing and family life. Bertinelli was brought up in a closely-knit Italian Catholic family, while Phillips’s childhood (as detailed in her own book) was unconventional, to say the least. Ultimately, it was announced that her departure from the show was by “mutual decision.” (Though she did pop up in a few more episodes over the next few years.)

7. MACKENZIE PHILLIPS LEFT AT THE HEIGHT OF THE SHOW’S POPULARITY.

Throughout the first five seasons of One Day at a Time, Phillips’s struggles with addiction were hardly an onset secret. Though the show was a ratings juggernaut, and viewers loved her Julie Cooper character, the young actress’ erratic behavior eventually became cause for concern. In late 1979, People Magazine reported that “the show’s producers, agreeing that Mackenzie was suffering from fatigue, ordered her to take six weeks off to ‘rest and put on some weight’—in brief, shape up or else.” Just a few weeks after returning to the set early 1980, she was reportedly given the choice to either say she was leaving the show “for personal reasons” or be fired.

8. BERTINELLI AND ELTON JOHN WERE MUTUAL ADMIRERS.

Barbara Cooper was an Elton John fan on the show, just as Bertinelli was in real life. In fact, after she and Phillips sang “Don’t Go Breaking My Heart” in costume as John and Kiki Dee on an episode, someone sent a tape of their performance to the rock star. He mailed Bertinelli an autographed photo that read “You look more like me than I do!”

9. BONNIE FRANKLIN GOT DUMPED FOR ANN JILLIAN.

As happens on all TV shows that use teen actors, the kids grow up. As Bertinelli and Phillips got older and more independent, their characters did the same and eventually Ann Romano needed someone else to guide and nurture. Glenn Scarpelli joined the cast in season six as Alex, the son of Nick Handris, Ann’s new boyfriend. Nick was played by Ron Rifkin, who left after one season (once again, the producers decided it was better if Ann didn’t have a steady love interest). Nick was killed by a drunk driver and Alex came to live with Ann for three seasons. His was written out at the end of the eighth season because Scarpelli had accepted a role on the Ann Jillian sitcom Jennifer Slept Here, which ended up lasting just one season (as opposed to One Day at a Time’s nine). He also tried his hand at a singing career:

10. SCHNEIDER ALMOST GOT A SPINOFF.

After nine seasons, Franklin and Bertinelli decided not to renew their contracts. But the ratings for One Day at a Time were still strong enough that the network wanted to keep the show going somehow. Their solution was to spin off the Schneider character into his own show. The episode entitled “Another Man’s Shoes” was a backdoor pilot for a proposed series in which Schneider moves to Florida to care for his orphaned niece and nephew. That show was never picked up, leaving Harrington to hang up his tool belt for good.

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