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20 Fun Facts About Mean Girls

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Paramount Pictures

Netflix just announced that Mean Girls will be available for streaming on January 1, 2015. Here are 20 things you might not have contemplated about this already cult-status classic.

1. MEAN GIRLS WAS INSPIRED BY A SELF-HELP BOOK FOR PARENTS.

Tina Fey was inspired to write Mean Girls, her very first screenplay, after reading Rosalind Wiseman’s bestselling book Queen Bees & Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boyfriends & Other Realities of Adolescence. As the book’s title suggests, Wiseman offers advice and strategies to parents on how to help their daughters navigate the choppy waters of adolescence. Much of the book contains anecdotes culled from Wiseman’s time spent leading workshops in schools nationwide through Empower, a non-profit anti-violence program she cofounded.

“You may feel that it’s not worth making a federal case of not getting invited to a birthday party or letting your daughter blow off one friend for another,” Wiseman writes. “But these aren’t trivial issues; they lay the groundwork for girls faking their feelings, pretending to be someone they’re not, pleasing others at their own expense, or otherwise sacrificing self-esteem and authenticity.”

2. LINDSAY LOHAN’S CHARACTER IS NAMED AFTER TINA FEY’S COLLEGE ROOMMATE...

While studying drama at the University of Virginia in the early ’90s, Tina Fey and her college buddy Cady Garey shared what sounds like a rather squalid apartment in Charlottesville: “We really didn’t have any furniture,” Garey told U.Va’s alumni magazine. “ [We had] just mattresses on the floor and a bean bag in the living room.”

Still, It must have been a pretty great bonding experience; according to the magazine, Cady Garey is the namesake for Mean Girls’ main heroine, Cady Heron.

3. … AND (POSSIBLY) ELIZABETH CADY STANTON.

Wikimedia Commons

IMDb’s Mean Girls trivia page points out that “Cady” also keeps with the spelling of suffragist Elizabeth Cady Stanton’s maiden name, in a possible shout-out to female empowerment.

4. TINA FEY HAD TROUBLE WITH MS. NORBURY’S MATH-RELATED LINES.

Fey chose to play a math teacher in an attempt to counteract the stereotype that girls can’t do math, she told the New York Times back in 2004. However, she admitted that she did not understand any of the lines she was reciting. So how did she get the dialog? “My friend’s boyfriend is a calculus teacher in the Bronx,” Fey said. “I took his lesson plans.”

5. THERE’S A LITTLE BIT OF COURTNEY LOVE AND ALEC BALDWIN IN REGINA GEORGE.

“At the heart of Regina George was a really angry kid who had no boundaries or guidance,” Rachel McAdams says in the New York Times’ recent oral history of the film. To channel Regina’s fury, director Mark Waters encouraged McAdams “to listen to Courtney Love at a high volume” (we’re assuming McAdams means she listened to Love’s band Hole) as well as to watch Alec Baldwin’s notoriously menacing, expletive-laden scene in Glengarry Glen Ross.

6. “DAMIAN” INSTILLED SERIOUS COURAGE IN ACTOR DANIEL FRANZESE.

“When I was cast in the role of ‘Damian’ in Mean Girls, I was TERRIFIED to play this part,” Franzese wrote last month on the queer-culture blog Bent. However, in the next sentence, Franzese captures what was so refreshing about Damian: “This was a natural and true representation of a gay teenager—a character we laughed with instead of at.” Franzese says that years after Mean Girls, grown men—some of them in tears—approached him on the street to thank him for being a role model.

Though Franzese says his friends and family have known that he is gay, he decided a decade later to come out publicly. “Perhaps this will help someone else,” he writes at the letter’s conclusion. “I had to remind myself that my parents named me Daniel because it means ‘God is my judge.’ So, I’m not afraid anymore. Of Hollywood, the closet or mean girls. Thank you for that, Damian.”

7. THE DOWNSIDE OF DAMIAN: FRANZESE IS CONSTANTLY BOMBARDED WITH HIS MOST FAMOUS LINE.

Ever since Mean Girls, Franzese is often recognized. “It doesn’t matter where I am; you know it’s me. I don’t really blend,” he told Cosmopolitan. “And sometimes it’s nerve-wracking. I can be talking to someone in a bar and it’s chill, and then they’re like, ‘YOU GO GLEN COCO!’”

Glen Coco was, of course, a minor, if not virtually nonexistent, Mean Girls character. In fact, the back of Glen Coco’s head seems to appear in only the one scene (above) in which he does nothing more than receive four candy canes from an encouraging Damian. Glen Coco, however, has, awesomely and inexplicably, become a meme.

8. THE STRANGELY NOTORIOUS GLEN COCO WAS PLAYED BY A CANADIAN ACTOR NAMED DAVID REALE.

Last year, BuzzFeed’s Jessica Misener conducted an important investigation into Glen Coco and discovered that, though his role was uncredited in the film, his face is actually fully visible in the scene in which Gretchen reads her impassioned essay on Julius Caesar (he’s sitting directly in front of Lindsay Lohan). Misener did some further digging and discovered that Glen Coco was played by David Reale, a Canadian actor who has also appeared on Suits, the U.S. version of Skins, and on a couple episodes of Queer as Folk.

9. GLEN COCO SPEAKS (!!!).

via

After the Mean Girls anniversary hullabaloo simmered down, Dazed magazine found David Reale and interviewed him about his experience on set 10 years ago. Reale said he had auditioned for another part in the film, but didn’t get it. Still, the next day he wandered over to the set, which was right across the street from his apartment in Toronto, to see if he could score some free food. The director saw him, recognized him from his failed audition the day before, took pity on him, and gave him the tiny non-speaking part of Glen Coco.

“Tina Fey wrote the line, Daniel Franzese spoke the line … I just sat in a chair and tried not to stare at Lindsay Lohan,” Reale recalls. “But I guess it was the first time somebody pointed to me on the street and shouted, ‘YOU GO, GLEN COCO!’ that I knew I was involved in something with a beauty and power that surpassed the mere proliferation of four candy canes to an accidental movie extra.”

10. AMANDA SEYFRIED ALMOST PLAYED AN ETHEREAL YET FRIGHTENING REGINA GEORGE.

Getty Images

Last year, right after playing challenging roles in Les Miserables and Lovelace, Amanda Seyfried told IndieWire that she still looked back at her role as Mean Girls’ rather, um, simple Karen Smith as her best work. “I was so innocent. I was so green,“ she says. “I look back and I’m like, ‘Really, I thought I was doing a terrible job.’ But it was written so well and so wonderfully directed. Mark Waters (the director) made me look good; he made me funny. And Tina Fey wrote the coolest script of all time.”

Seyfried almost played the role of Regina George, director Waters told Vulture. "She tested for Regina and was kind of brilliant, and very different than Rachel's approach,” Waters says. “She played it in a much more ethereal but still kind of scary way. She was more frightening, but oddly, less intimidating."

11. THERE'S A REAL JANIS IAN.

She was the first musical guest on SNL. Ian won a Grammy for her song “At Seventeen,” which is all about Mean Girls’ main theme: the insecurities that go along with being a teenager.

In 2008, she told TIME that she bonded with her friend Janis Joplin over similar feelings. “I loved her. I think we fell in together because we had things in common. We both felt fat. We both had bad skin. We both felt like nothing we wore looked right. We were both outsiders, and she was very protective of me in a really nice way.”

12. LACEY CHABERT HEARS "FETCH" AT LEAST A HUNDRED TIMES A DAY

Perhaps even more iconic than “You Go, Glen Coco!” in the world of Mean Girls is, of course, anything related to “fetch,” as in “That’s so fetch!” (Gretchen Wieners) and “Stop trying to make fetch happen” (Regina George). The whole “fetch” thing is so enduring that even the White House made a fetch-inspired joke involving Bo the First Dog on Twitter this past summer.

The Prez and Co. are not the only ones still cracking fetch jokes. “People tweet at me every day hundreds of times, if not thousands of times [with] lines from the movie: ‘That’s so fetch!’,” Lacey Chabert, who played Toaster Strudel heiress Gretchen Wieners, told Entertainment Weekly. In fact, “fetch” has even followed Chabert offline, to the unlikeliest of places. “I was at the pharmacy and I was sick and trying to get medicine, and the pharmacist just looked at me and goes, ‘You don’t look like you feel very fetch today.’”

13. IT’S APPARENTLY FUN TO TWEET “YOU GO, GLEN COCO!”

Twitter crunched some numbers and “You Go, Glen Coco!” is in the lead for the most-referenced Mean Girls lines since 2010. Glen Coco is followed by “So fetch,” “It’s October 3rd,” and “On Wednesdays we wear pink.”

14. AARON SAMUELS (A.K.A. JONATHAN BENNETT) STILL LOOKS SEXY WITH HIS HAIR PUSHED BACK...

MovieClips, YouTube

While teaching spinning classes at FlyWheel Sports in Los Angeles.

15. ...THOUGH HE MIGHT BE TIRED OF HEARING IT.

Bennett’s Twitter tagline reads, “I get it … my hair looks sexy pushed back.”

16. AMY POEHLER SCHOOLED KEVIN G. ON HOW TO RAP.

Though Tina Fey wrote the Mean Girls script, she left the penning of mathlete Kevin Gnapoor’s talent-show rap to her pal Amy Poehler. “Amy definitely coached him on how to do the rap, and she actually gave him some of the moves and choreography for it,” Waters told Vulture. In fact, an amazing YouTube video (above) exists of Poehler performing the rap circa 2004, with Fey and Lohan as her hype women.

17. KEVIN G. (A.K.A RAJIV SURENDRA) IS NOW A PROFESSIONAL CALLIGRAPHER

He creates beautiful chalk walls, logos and invitations. His Twitter profile reads, “Don’t let the haters stop you from doin’ your thang.”

18. ROSALIND WISEMAN THINKS TINA FEY MOSTLY GOT HER BOOK RIGHT.

Wikimedia Commons

Except in her workshops, Wiseman doesn’t do trust falls. “I do not do trust falls, I have never done trust falls, I will never do trust falls,” Wiseman tells The Wire.

Still, she wouldn’t change anything. “Both Tina and I seem to be trying to carve out space of how to give women [a] voice in public,” Wiseman says. “So it’s pretty cool to have a collaboration between two people who say, 'Yeah, let’s work together to do this, because you’re smart, you’re funny, I think you’re going to do a good job, let’s try.'"

19. SADLY, THERE WILL BE NO MEAN GIRLS SEQUEL.

Though Lohan hinted to Jimmy Fallon on the Tonight Show that there might be a Mean Girls part deux, Fey told Access Hollywood that it’s not happening. “At most, it would be a panel discussion with a plate of hot wings,” Fey said of any future plans for the Mean Girls film franchise. [Editor's Note: We completely forgot about this, which aired on ABC Family in 2011.]

20. BUT THERE WILL BE A BROADWAY MUSICAL.

Fey, her husband Jeff Richmond, and Tony award-nominated lyricist Nell Benjamin are currently working on a Broadway version of Mean Girls, according to an article in Playbill last summer. (The play will take at least a couple of years to write, according to Richmond in an earlier interview with Vulture.)

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10 Regional Twists on Trick-or-Treating
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Walk around any given American neighborhood on the night of October 31, and you’ll likely hear choruses of "trick-or-treat" chiming through the area. The sing-songy phrase is synonymous with Halloween in some parts of the world, but it's not the only way kids get sweets from their neighbors this time of year. From the Philippines to the American Midwest, here are some regional door-to-door traditions you may not have heard of.

1. PANGANGALULUWA // THE PHILIPPINES

Rice cakes wrapped in leaves.
Suman

The earliest form of trick-or-treating on Halloween can be traced back to Europe in the Middle Ages. Kids would don costumes and go door-to-door offering prayers for dead relatives in exchange for snacks called "soul cakes." When the cake was eaten, tradition held that a soul was ferried from purgatory into heaven. Souling has disappeared from Ireland and the UK, but a version of it lives on halfway across the world in the Philippines. During All Saints Day on November 1, Filipino children taking part in Pangangaluluwa will visit local houses and sing hymns for alms. The songs often relate to souls in purgatory, and carolers will play the part of the souls by asking for prayers. Kids are sometimes given rice cakes called suman, a callback to the soul cakes from centuries past.

2. PÃO-POR-DEUS // PORTUGAL

Raw dough.
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Instead of trick-or-treating, kids in Portugal go door-to-door saying pão-por-deus ("bread for god") in exchange for goodies on All Saints Day. Some homeowners give out money or candy, while others offer actual baked goods.

3. HALLOWEEN APPLES // WESTERN CANADA

Kids trick-or-treating.
iStock

If they're not calling out "trick-or-treat" on their neighbors’ doorsteps on Halloween night, you may hear children in western Canada saying "Halloween apples!" The phrase is left over from a time when apples were a common Halloween treat and giving out loose items on the holiday wasn't considered taboo.

4. ST. MARTIN'S DAY // THE NETHERLANDS

The Dutch wait several days after Halloween to do their own take on trick-or-treating. On the night of November 11, St. Martin's Day, children in the Netherlands take to the streets with their homemade lanterns in hand. These lanterns were traditionally carved from beets or turnips, but today they’re most commonly made from paper. And the kids who partake don’t get away with shouting a few words at each home they visit—they’re expected to sing songs to receive their sugary rewards.

5. A PENNY FOR THE GUY // THE UK

Guy Fawkes Night celebration.

Peter Trimming, Wikimedia Commons // CC BY-SA 2.0

Guy Fawkes Night is seen by some as the English Protestants’ answer to the Catholic holidays associated with Halloween, so it makes sense that it has its own spin on trick-or-treating. November 5 marks the day of Guy Fawkes’s failed assassination attempt on King James as part of the Gunpowder Plot. To celebrate the occasion, children will tour the neighborhood asking for "a penny for the guy." Sometimes they’ll carry pictures of the would-be-assassin which are burned in the bonfires lit later at night.

6. TRICKS FOR TREATS // ST. LOUIS, MISSOURI

Kids knocking on a door in costume.
iStock

If kids in the St. Louis area hope to go home with a full bag of candy on Halloween, they must be willing to tickle some funny bones. Saying "tricks-for-treats" followed by a joke replaces the classic trick-or-treat mantra in this Midwestern city. There’s no criteria for the quality or the subject of the joke, but spooky material (What’s a skeleton’s favorite instrument? The trombone!) earns brownie points.

7. ME DA PARA MI CALAVERITA // MEXICO

Sugar skulls with decoration.
iStock

While Dia de los Muertos, or Day of the Dead, is completely separate from Halloween, the two holidays share a few things in common. Mexicans celebrate the day by dressing up, eating sweet treats, and in some parts of the country, going house-to-house. Children knocking on doors will say "me da para mi calaverita" or "give me money for my little skull," a reference to the decorated sugar skulls sold in markets at this time of year.

8. HALLOWEEN! // QUEBEC, CANADA

Kids dressed up for Halloween.
iStock

Trick-or-treaters like to keep things simple in the Canadian province of Quebec. In place of the alliterative exclamation, they shout “Halloween!” at each home they visit. Adults local to the area might remember saying "la charité s’il-vous-plaît "(French for “charity, please”) when going door-to-door on Halloween, but this saying has largely fallen out of fashion.

9. SWEET OR SOUR // GERMANY

Little girl trick-or-treating.
iStock

Halloween is only just beginning to gain popularity in Germany. Where it is celebrated, the holiday looks a lot like it does in America, but Germans have managed to inject some local character into their version of trick-or-treat. In exchange for candy, kids sometimes sing out "süß oder saures"—or "sweet and sour" in English.

10. TRIQUI, TRIQUI HALLOWEEN // COLOMBIA

Kids dressed up for Halloween.
Rubí Flórez, Flickr // CC BY-NC-ND 2.0

Kids in Colombia anticipate dressing up and prowling the streets on Halloween just as much as kids do in the States. There are a few significant variations on the annual tradition: Instead of visiting private residencies, they're more likely to ask for candy from store owners and the security guards of apartment buildings. And instead of saying trick-or-treat, they recite this Spanish rhyme:

Triqui triqui Halloween
Quiero dulces para mí
Si no hay dulces para mí
Se le crece la naríz

In short, it means that if the grownups don't give the kids the candy they're asking for, their noses will grow. Tricky, tricky indeed

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11 Thrilling Facts About Dial M for Murder
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In 1953 Alfred Hitchcock was looking for a new project after a film he’d been developing fell through. Sensing a need to go back to his safe space of murderous thrillers, he opted to adapt a stage play that had already proved to be a hit on British television. Though he had no particular attachment to the project, Dial M for Murder would ultimately become one of Hitchcock’s best-known—and best-loved—classics.

From the film’s use of 3D to the debut of Grace Kelly in Hitchcock’s filmography to a pivotal murder sequence that made the director lose weight from stress, here are 11 facts about Dial M for Murder.

1. IT’S BASED ON A STAGE PLAY.

Dial M for Murder is, in terms of locations and number of characters, a relatively sparse film that barely leaves its primary set. This is because it was based on a stage play by Frederick Knott, which premiered as a BBC TV special in 1952 and later opened at London’s Westminster Theater and, eventually, Broadway. After seeing the BBC production, producer Sir Alexander Korda purchased the rights to make the film version, and later sold them to Warner Bros. for $75,000.

2. ALFRED HITCHCOCK THOUGHT HE WAS “COASTING” WHEN HE MADE THE FILM.

By 1953, when Dial M for Murder arrived at Warner Bros., Hitchcock was developing a project called The Bramble Bush, the story of a man who steals another man’s passport, only to find out that the original owner is wanted for murder. Hitchcock wrestled with the story for a while, but was never satisfied with it. When Dial M for Murder landed at the studio, Hitchcock knew the play had been a hit, and opted to direct it. As he later told fellow director François Truffaut, he found the film to be “coasting, playing it safe,” as he was already known as a thriller filmmaker.

3. IT’S HITCHCOCK’S ONLY 3D FILM.

In the early 1950s, the 3D movie craze was raging, and Warner Bros. was eager to pair it with the fame of Hitchcock. So, the director was ordered to use the process on Dial M for Murder. This meant Hitchcock had to work with the giant cameras necessary for the process, but there was also a trade-off that makes the film fascinating—even in 2D. In order to make the film look appropriately interesting in 3D, Hitchcock added a pit into the floor of the set, so the camera could move at lower angles and captures objects like lamps in the foreground. As a result, the film looks like no other Hitchcock ever shot, particularly for the infamous scissors murder that’s the film's thrilling centerpiece. Unfortunately, by the time Dial M for Murder was released in 1954, the 3D fad was dying out, so the film was shown in 2D at most screenings.

4. IT WAS HITCHCOCK’S FIRST FILM WITH GRACE KELLY.

Of all of the iconic blonde stars Hitchcock cast in his films, the most famous is almost undoubtedly Grace Kelly, the actress-turned-princess who first joined him for this film. Hitchcock once described Kelly as a "rare thing in movies ... fit for any leading-lady part,” and it was said he had the easiest working relationship with her of any star. They worked so well together that they went on to make two more films, Rear Window in 1954 and To Catch a Thief in 1955.

5. IT TAKES PLACE ALMOST ENTIRELY INDOORS.

Because Dial M for Murder is based on a stage play, the original script had very little in the way of outdoor set pieces. Hitchcock wanted to keep it that way, as he later explained to Truffaut:

“I’ve got a theory on the way they make pictures based on stage plays; they did it with silent pictures, too. Many filmmakers would take a stage play and say, ‘I’m going to make this into a film.’ Then they would begin to ‘open it up.’ In other words, on the stage it was all confined to one set, and the idea was to do something that would take it away from the confined stage setting.”

Hitchcock wanted to keep the confinement intact, so almost all of the action in the film takes place indoors, largely in the Wendices' apartment. This adds to the intimacy and tension.

6. HITCHCOCK PERSONALLY CHOSE EVERY PROP.

Hitchcock was always known as a meticulous director obsessed with detail, but on Dial M for Murder he was particularly detail-oriented, in part because the 3D cameras were going to capture objects in a way his other films hadn’t. As a result, he selected all of the objects in the Wendice apartment himself, and even had a giant false telephone dial made for the famous “M” close-up in the title sequence.

7. KELLY’S WARDROBE GROWS DARKER ON PURPOSE.

Grace Kelly in 'Dial M for Murder' (1954)
Warner Home Video

Hitchcock’s exacting eye also led to an elaborate “color experiment” to portray the psychological condition of Kelly’s character. As the film begins, the colors she wears are all very bright, suggesting a happy life in which she doesn’t suspect anything is wrong. As the film grows darker for her, to the point that she’s framed for murder, the wardrobe grows darker and “more somber,” as Hitchcock put it.

8. KELLY WON A PARTICULAR WARDROBE ARGUMENT.

For the scene in which Swann (Anthony Dawson) attempts to murder Margot (Kelly) by strangling her (until she manages to stab him with a pair of scissors), Hitchcock had another exacting wardrobe request. He had an elegant velvet robe made for Kelly, hoping to create interesting textural effects as the lights and shadows played off the fabric while she fought for her life. Kelly reasoned that, since Margot was alone in the apartment (as far as she knew) and was only getting out of bed to answer the phone, she wouldn’t bother to put on a robe.

“I said I wouldn't put on anything at all, that I'd just get up and go to the phone in my nightgown. And [Hitchcock] admitted that was better, and that's the way it was done,” Kelly later recalled.

9. HITCHCOCK WAS SO NERVOUS ABOUT THE PIVOTAL SCENE THAT HE LOST WEIGHT.

Dial M for Murder was shot in just 36 days, but the director took special care with one scene in particular: the murder sequence in which Margot stabs Swann with the scissors. Not only was it a key scene in the film, but it was also a moment that required particular care to make the 3D effects work. Hitchcock agonized over the scene to such a degree that he apparently lost 20 pounds during filming.

"This is nicely done but there wasn't enough gleam to the scissors, and a murder without gleaming scissors is like asparagus without the hollandaise sauce—tasteless,” he reportedly said after one take.

10. HITCHCOCK MAKES HIS CAMEO IN A PHOTOGRAPH.

Hitchcock became known throughout his career for making cameos in his films, ranging from the very subtle (you can see his silhouette in neon outside the window in Rope) to the more elaborate (missing the bus in the opening sequence of North by Northwest). In Dial M for Murder, his cameo falls somewhere in between. He appears in a class reunion photo in the Wendice apartment, seated at a banquet table among other men.

11. IT’S BEEN REMADE FOUR TIMES.

Michael Douglas and Gwyneth Paltrow in 'A Perfect Murder' (1998)
Warner Bros.

Dial M for Murder was a film adaptation of a stage play that had also already been adapted for television in Britain, and it proved popular enough that four more adaptations followed. In 1958, NBC broadcast a Hallmark Hall of Fame production, in which both Anthony Dawson and John Williams returned to play Swann and Chief Inspector Hubbard, respectively. A 1967 ABC television production of the play co-starred Laurence Harvey and Diane Cilento. A television movie starring Angie Dickinson and Christopher Plummer was produced in 1981, and in 1998 the play served as the inspiration for the film A Perfect Murder, starring Michael Douglas and Gwyneth Paltrow.

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