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20 Colorful Facts About Blue Velvet

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Following the critical and commercial failure of Dune, his adaptation of Frank Herbert's novel, David Lynch was determined to make his next film a much more personal endeavor. The result was Blue Velvet, a critically acclaimed neo-noir that begins with the random discovery of a severed human ear, and only gets stranger from there. Lynch earned his third Oscar nomination for the film, which starred Isabella Rossellini, Kyle MacLachlan, Laura Dern, and Dennis Hopper in a bizarrely enigmatic role. To celebrate the movie's 30th anniversary, here are 20 colorful facts about Blue Velvet.

1. THE FILM WAS INSPIRED BY BOBBY VINTON’S COVER OF “BLUE VELVET.”

"Blue Velvet" the song was originally released by Tony Bennett in 1951, but Vinton covered it in 1963, which was the version that inspired director David Lynch. According to Lynch, “It wasn’t the kind of music that I really liked. But there was something mysterious about it. It made me think about things. And the first things I thought about were lawns—lawns and the neighborhood.”

2. MOLLY RINGWALD WAS CONSIDERED FOR THE PART OF SANDY.

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At the height of Molly Ringwald’s '80s superstar fame, she was reportedly Lynch’s first choice for Sandy. But her mom read the screenplay for Blue Velvet and found it so offensive that she didn’t even pass it on to her daughter to read. The role eventually went to Laura Dern.

3. THE ROLE OF DOROTHY VALLENS ALMOST WENT TO HELEN MIRREN.

Helen Mirren was who Lynch pictured as songstress Dorothy Vallens. Although it didn’t end up working out, she got pretty far along in the process. Lynch has even said, “Helen Mirren really helped me on that script.” Eventually, she turned down the part that would eventually go to Isabella Rossellini.

4. LYNCH DISCOVERED ISABELLA ROSSELLINI IN A RESTAURANT.

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Rossellini and Lynch were introduced by mutual friends when they all happened to be dining at the same restaurant in New York City. Lynch learned that Rossellini was both a model and actress. But, during their encounter, they mostly talked about Helen Mirren, as Lynch was still trying to get her to accept the part. Apparently, during a lull in the conversation, Lynch told Rossellini, “Hey, you could be the daughter of Ingrid Bergman.” Of course, she is the daughter of Ingrid Bergman and Roberto Rossellini. Two days later, Lynch sent Rossellini a note asking if she would like to read the script.

5. ANOTHER IMPORTANT RESTAURANT MEETING HAPPENED WITH LYNCH, MACLACHLAN, AND DERN—AT BOB’S BIG BOY.

Laura Dern was surprised to learn that she didn’t have to read for the part—Lynch felt she was right for the role upon meeting her. But to make sure that she had chemistry with Kyle MacLachlan, who would play her love interest, Lynch conducted a crucial meeting at the fast food chain.

6. LYNCH INTENDED FOR ROSSELLINI’S BEAUTY TO BE OVER-THE-TOP.

Rossellini once explained, “I was fascinated by the way David Lynch found something comic about my beauty.” As Lynch scholar Martha P. Nochimson has observed, “Lynch covers the extremely beautiful Rossellini with absurdly exaggerated ‘glamour.’” The dramatic blue eye shadow and curly wig aren’t necessarily enhancing Rossellini’s beauty. They are adding something uncanny to the equation.

7. FRANK BOOTH WAS ORIGINALLY SUPPOSED TO INHALE HELIUM.

They had helium on set while filming the rape scene, but the gas didn’t have the eerie effect that was intended. Dennis Hopper later told David Letterman, “I tried it and I sounded a little like Donald Duck.” So, he talked to Lynch and they decided to choose a substance that wouldn’t be voice-altering. The gas isn’t mentioned by name in the film, but Hopper told Lynch that when he read the script, he imagined the substance as amyl nitrate because that is a disorienting drug, unlike helium.

8. JEFFREY SAYS “I’M IN THE MIDDLE OF A MYSTERY” AT THE FILM’S MIDPOINT.

An hour into the film, Jeffrey says the line. The film is exactly two hours long.

9. LYNCH TOOK A LOWER SALARY IN ORDER TO HAVE FINAL CUT OF THE FILM.

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Despite Lynch’s previous film, Dune, being a flop, its producer Dino De Laurentiis showed an interest in Blue Velvet. Lynch was also disappointed with Dune, so he knew he wanted final cut when it came to Blue Velvet. The film’s budget was originally $10 million, but Lynch agreed to cut the budget as well as his salary for complete artistic control. The only condition: De Laurentiis insisted that the film be no more than two hours long. The budget was lowered to $6 million and the film clocks in at 120 minutes.

10. THERE ARE SUBTLE REFERENCES TO ABRAHAM LINCOLN’S ASSASSINATION IN THE FILM.

Lynch fans have found references to Lincoln’s assassination in many of his films, and Blue Velvet is no exception. For example, Frank Booth shares a surname with John Wilkes Booth. At the end of the film, when Don Vallens is shot, there are obvious parallels to Lincoln’s assassination. Then, of course, there’s the blatant fact that Jeffrey must cross Lincoln Street to get to the bad part of town.

11. LUMBERTON IS A REAL PLACE.

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The film was shot in Wilmington, North Carolina, which was also the production location for two popular teen series: Dawson’s Creek and One Tree Hill. Though Lynch didn’t base the town in Blue Velvet on any town in particular, Lumberton, North Carolina exists 70 miles away from Wilmington. The mayor’s office of Lumberton was contacted and the rights to their town’s name were acquired. 

Lynch thought that Wilmington was the perfect shooting location for Blue Velvet because he pictured his story taking place in a more northern town (and it also happened to be where the De Laurentiis Entertainment Group's new studios had just been built). Wilmington had the older neighborhoods that he desired.

12. ALL OF ROSSELLINI’S NUDITY WAS INTENTIONALLY NOT TITILLATING.

This was particularly important to Rossellini, as she was portraying a woman who had been abused. According to her, “What I had in mind, you know the butcher shop where you see these carcasses of cows cut in the middle and open. It’s the sort of images you have in Francis Bacon ... you have these images of cows and flesh ... And that’s what I wanted to portray.”

13. ONE NUDE SCENE WAS BASED ON A CHILDHOOD MEMORY OF LYNCH’S.

The scene in which Vallens walks outside naked has roots in Lynch’s past. Rossellini explained, “David Lynch has told me that when he was a little boy, and he was going home with his brother, they saw a naked lady walking in the street. And it didn’t feel titillating. They didn’t say, ‘Ooh, a naked lady.’ They started to cry. They understood that something violent or frightening was happening. And he wanted to convey that idea.”

14. TO LYNCH, THE SCENE AT BEN’S APARTMENT IS THE MOST IMPORTANT SCENE.

The scene in which Ben lip syncs “In Dreams” for Frank is what Lynch considers the eye-of-the-duck scene, meaning the pivotal scene in the film. He has said, “The key to the whole duck is the eye and where it is placed. It's like a little jewel … When you're working on a film, a lot of times you can get the bill and the legs and the body and everything, but this eye of the duck is a certain scene, this jewel, that if it's there, it's absolutely beautiful. It's just fantastic."

By the way, in case viewers don’t immediately recognize this as the eye-of-the-duck scene, Lynch gave the bar outside of Ben’s apartment a fairly obvious name: “This Is It.”

15. BUT, THE SCENE WAS ORIGINALLY SUPPOSED TO CONTAIN ANOTHER ROY ORBISON SONG.

During production, Lynch and MacLachlan traveled together from New York City to Wilmington. On their way to the airport, Roy Orbison’s “Crying” came on the radio. Lynch was inspired and said, “I’ve got to get that for Blue Velvet.” When the two arrived in Wilmington, he got ahold of Orbison’s greatest hits. But, when he heard “In Dreams,” he immediately preferred it to “Crying.”

16. DURING PRODUCTION, LYNCH MET ANGELO BADALAMENTI, WHO WOULD LATER SCORE THE FILM AS WELL AS TWIN PEAKS AND MULHOLLAND DRIVE.

Rossellini was not a singer and had been working with a teacher in Wilmington, but there was still something missing. So, producer Fred Caruso called his friend Angelo Badalamenti. Badalamenti flew to Wilmington and worked with Rossellini for three hours. During that session, they developed an interpretation of the song that Lynch loved. Lynch had been hesitant of this outside help, but really hit it off with Badalamenti and a long-term professional relationship was formed.

They ended up recording the final version the day after Rossellini filmed the scene in which she walks outside naked. She had been up until four in the morning and had a cold, but Badalamenti convinced her to do the recording. 

17. LYNCH PLAYED MUSIC ON SET TO INSPIRE THE ACTORS.

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While filming the scene in which Sandy is walking with Jeffrey, Lynch played Shostakovich music over loud speakers on a residential street. According to Dern, “He felt that we needed to walk to the music and the mood should feel like that piece of music.” The Russian composer was actually very important to the creation of Blue Velvet. Lynch wrote the screenplay while listening to Shostakovich: No. 15 in A major. He has claimed, “I just kept playing the same part of it, over and over again.”

18. THE PREMIERE WAS PICKETED IN LONDON.

The subject matter of the film is obviously troubling and Lynch is notoriously quiet about the meaning of his films. Audiences didn’t know what to make of Blue Velvet, and they definitely weren’t getting any assistance from its auteur. So the film’s release was met with some pushback. This applied to film critics as well. For example, on Siskel & Ebert, Roger Ebert called the film “cruelly unfair to its actors.” 

“Well, I can understand that for sure,” Lynch has since responded about the offensive nature of Frank’s sadism and Dorothy’s masochism. “But without that relationship, there wouldn’t have been a film.”

19. ROSSELLINI’S TALENT AGENCY DROPPED HER WHEN THEY SAW THE FILM.

Rossellini had been working as a model for a while and just before she started working on the film, she signed with ICM Partners. It didn’t last long. According to Rossellini, “When they saw Blue Velvet on a private screen, they asked me to leave.”

And that wasn’t the only group in Rossellini’s life that disapproved of the film. She has also said that the nuns who taught her in high school saw the film and called her up to tell her that they were praying for her every day. 

20. ROSSELLINI AND LYNCH DATED FOR FOUR YEARS.

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Interestingly, Rossellini had been married to Martin Scorsese for four years until they divorced in 1983. Three years later, after production on Blue Velvet ended, Lynch and Rossellini dated publicly. They split up in 1991, soon after she played Perdita Durango in another Lynch film, Wild At Heart. In Rossellini’s memoir, she claimed that Lynch left her. 

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10 Surprising Facts About The Babadook
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In 2014, The Babadook came out of nowhere and scared audiences across the globe. Written and directed by Aussie Jennifer Kent, and based on her short film Monster, The Babadook is about a widow named Amelia (played by Kent’s drama schoolmate Essie Davis) who has trouble controlling her young son Samuel (Noah Wiseman), who thinks there’s a monster living in their house. Amelia reads Samuel a pop-up book, Mister Babadook, and Samuel manifests the creature into a real-life monster. The Babadook may be the villain, but the film explores the pitfalls of parenting and grief in an emotional way. 

“I never approached this as a straight horror film,” Kent told Complex. “I always was drawn to the idea of grief, and the suppression of that grief, and the question of, how would that affect a person? ... But at the core of it, it’s about the mother and child, and their relationship.”

Shot on a $2 million budget, the film grossed more than $10.3 million worldwide and gained an even wider audience via streaming networks. Instead of creating Babadook out of CGI, a team generated the images in-camera, inspired by the silent films of Georges Méliès and Lon Chaney. Here are 10 things you might not have known about The Babadook (dook, dook).

1. THE NAME “BABADOOK” WAS EASY FOR A CHILD TO INVENT.

Jennifer Kent told Complex that some people thought the creature’s name sounded “silly,” which she agreed with. “I wanted it to be like something a child could make up, like ‘jabberwocky’ or some other nonsensical name,” she explained. “I wanted to create a new myth that was just solely of this film and didn’t exist anywhere else.”

2. JENNIFER KENT WAS WORRIED PEOPLE WOULD JUDGE THE MOTHER.

Amelia isn’t the best mother in the world—but that’s the point. “I’m not a parent,” Kent told Rolling Stone, “but I’m surrounded by friends and family who are, and I see it from the outside … how parenting seems hard and never-ending.” She thought Amelia would receive “a lot of flak” for her flawed parenting, but the opposite happened. “I think it’s given a lot of women a sense of reassurance to see a real human being up there,” Kent said. “We don’t get to see characters like her that often.”

3. KENT AND ESSIE DAVIS TONED DOWN THE CONTENT FOR THE KID.

Noah Wiseman was six years old when he played Samuel. Kent and Davis made sure he wasn’t present for the more horrific scenes, like when Amelia tells Samuel she wishes he was the one who died, not her husband. “During the reverse shots, where Amelia was abusing Sam verbally, we had Essie yell at an adult stand-in on his knees,” Kent told Film Journal. “I didn’t want to destroy a childhood to make this film—that wouldn’t be fair.”

Kent explained a “kiddie version” of the plot to Wiseman. “I said, ‘Basically, Sam is trying to save his mother and it’s a film about the power of love.’”

4. THE FILM IS ALSO ABOUT “FACING OUR SHADOW SIDE.”

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Kent told Film Journal that “The Babadook is a film about a woman waking up from a long, metaphorical sleep and finding that she has the power to protect herself and her son.” She noted that everybody has darkness to face. “Beyond genre and beyond being scary, that’s the most important thing in the film—facing our shadow side.”

5. THE FILM SCARED THE HELL OUT OF THE DIRECTOR OF THE EXORCIST.

In an interview with Uproxx, William Friedkin—director of The Exorcist—said The Babadook was one of the best and scariest horror films he’d ever seen. He especially liked the emotional aspect of the film. “It’s not only the simplicity of the filmmaking and the excellence of the acting not only by the two leads, but it’s the way the film works slowly but inevitably on your emotions,” he said.

6. AN ART DEPARTMENT ASSISTANT SCORED THE ROLE AS THE BABADOOK.

Tim Purcell worked in the film’s art department but then got talked into playing the titular character after he acted as the creature for some camera tests. “They realized they could save some money, and have me just be the Babadook, and hence I became the Babadook,” Purcell told New York Magazine. “In terms of direction, it was ‘be still a lot,’” he said.

7. THE MOVIE BOMBED IN ITS NATIVE AUSTRALIA.

Even though Kent shot the film in Adelaide, Australians didn’t flock to the theaters; it grossed just $258,000 in its native country. “Australians have this [built-in] aversion to seeing Australian films,” Kent told The Cut. “They hardly ever get excited about their own stuff. We only tend to love things once everyone else confirms they’re good … Australian creatives have always had to go overseas to get recognition. I hope one day we can make a film or work of art and Australians can think it’s good regardless of what the rest of the world thinks.”

8. YOU CAN OWN A MISTER BABADOOK BOOK (BUT IT WILL COST YOU). 

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In 2015, Insight Editions published 6200 pop-up books of Mister Babadook. Kent worked with the film’s illustrator, Alexander Juhasz, who created the book for the movie. He and paper engineer Simon Arizpe brought the pages to life for the published version. All copies sold out but you can find some Kent-signed ones on eBay, going for as much as $500.

9. THE BABADOOK IS A GAY ICON.

It started at the end of 2016, when a Tumblr user started a jokey thread about how he thought the Babadook was gay. “It started picking up steam within a few weeks,” Ian, the Tumblr user, told New York Magazine, “because individuals who I presume are heterosexual kind of freaked out over the assertion that a horror movie villain would identify as queer—which I think was the actual humor of the post, as opposed to just the outright statement that the Babadook is gay.” In June, the Babadook became a symbol for Gay Pride month. Images of the character appeared everywhere at this year's Gay Pride Parade in Los Angeles.

10. DON'T HOLD YOUR BREATH FOR A SEQUEL.

Kent, who owns the rights to The Babadook, told IGN that, despite the original film's popularity, she's not planning on making any sequels. “The reason for that is I will never allow any sequel to be made, because it’s not that kind of film,” she said. “I don’t care how much I’m offered, it’s just not going to happen.”

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15 Fascinating Facts About Amelia Earhart
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Amelia Earhart was a pioneer, a legend, and a mystery. To celebrate what would be her 120th birthday, we've uncovered 15 things you might not know about the groundbreaking aviator.

1. THE FIRST TIME SHE SAW AN AIRPLANE, SHE WASN'T IMPRESSED.

In Last Flight, a collection of diary entries published posthumously, Earhart recalled feeling unmoved by "a thing of rusty wire and wood" at the Iowa State Fair in 1908. It wasn't until years later that she discovered her passion for aviation, when she worked as a nurse's aide at Toronto's Spadina Military Hospital. She and some friends would spend time at hangars and flying fields, talking to pilots and watching aerial shows. Earhart didn't actually get on a plane herself until 1920, and even then she was just a passenger.

2. SHE WAS A GOOD STUDENT WITH NO PATIENCE FOR SCHOOL.

After working with the Voluntary Aid Detachment in Toronto, Earhart took pre-med classes at Columbia University in 1919. She made good grades, but dropped out after just a year. Earhart re-enrolled at Columbia in 1925 and left school again. She took summer classes at Harvard, but gave up on higher education for good after she didn't get a scholarship to MIT.

3. ANOTHER PIONEERING FEMALE AVIATOR TAUGHT EARHART HOW TO FLY.

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Neta Snook was the first woman to run her own aviation business and commercial airfield. She gave Earhart flying lessons at Kinner Field near Long Beach, California in 1921, reportedly charging $1 in Liberty Bonds for every minute they spent in the air.

4. EARHART BOUGHT HER FIRST PLANE WITHIN SIX MONTHS OF HER FIRST FLYING LESSON.

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She named it The Canary. The used yellow Kinner Airster biplane was the second one ever built. Earhart paid $2000 for it, despite Snook's opinion that it was underpowered, overpriced, and too difficult for a beginner to land.

5. AMY EARHART ENCOURAGED HER DAUGHTER'S PASSION. HER FATHER, ON THE OTHER HAND, WAS AFRAID OF FLYING.

Earhart's mom used some of her inheritance to pay for The Canary. She was a bit of an adventurer herself: the first woman to ever climb Pikes Peak in Colorado.

6. EARHART HAD A LOT OF ODD JOBS.

In addition to volunteering as a nurse's aide, Earhart also worked early jobs as a telephone operator and tutor. Earhart was a social worker at Denison House in Boston when she was invited to fly across the Atlantic for the first time (as a passenger) in 1928. At the height of her career, Earhart spent time making speeches, writing articles, and providing career counseling at Purdue University's Department of Aeronautics. Oh, and flying around the world.

7. SHE WASN'T SURE ABOUT MARRIAGE, BUT SHE DEFINITELY BELIEVED IN PRE-NUPS.

When promoter George Putnam contacted Earhart about flying across the Atlantic Ocean in 1928, it was her first big break ... and the beginning of their love story. The two began a working relationship, which soon turned into attraction. When Putnam's marriage to Dorothy Binney fell apart, he eventually proposed to Earhart. She said yes, albeit reluctantly.

Earhart wasn't worried about safeguarding financial assets so much as she wanted the two of them to maintain separate identities. Earhart asked Putnam to agree to a trial marriage. If they weren't happy after a year, they'd be free to go their separate ways, no hard feelings. He agreed. They lived happily until her disappearance.

8. SHE WROTE ABOUT FLYING FOR COSMOPOLITAN.

In 1928, Earhart was appointed Cosmopolitan's Aviation Editor. Her 16 published articles—among them "Shall You Let Your Daughter Fly?" and "Why Are Women Afraid to Fly?"—recounted her adventures and encouraged other women to fly, even if they just did so commercially. (Commercial flights date back to 1914, but they wouldn't really take off until after World War II.)

9. FIRST LADY ELEANOR ROOSEVELT WAS SO INSPIRED BY EARHART THAT SHE SIGNED UP FOR FLYING LESSONS.

The two became friends in 1932. Roosevelt got a student permit and a physical examination, but never followed through with her plan.

10. EARHART WAS THE FIRST WOMAN TO GET A PILOT'S LICENSE FROM THE NATIONAL AERONAUTIC ASSOCIATION (NAA).

That was in 1923, when pilots and aircrafts weren't legally required to be licensed. Earhart was the sixteenth woman to get licensed by the Fédération Aéronautique Internationale (FAI), which was required to set flight records. Still, the FAI didn't maintain women's records until 1928.

11. SHE ACCOMPLISHED A LOT OF "FIRSTS."

Earhart eventually became the first woman to fly across the Atlantic as a passenger (1928) and then solo (1932) and nonstop from coast to coast (1932) as a pilot. She also set records, period: Earhart was the first person to ever fly solo from Honolulu to Oakland, Los Angeles to Mexico City, and Mexico City to Newark, all in 1935.

What do John Glenn, George H.W. Bush, and Amelia Earhart have in common? They all earned an Air Force Distinguished Flying Cross. But only Earhart was the first woman—and one of few civilians—to do so.

12. SHE WAS ONE OF THE FIRST CELEBRITIES TO LAUNCH A CLOTHING LINE.

Amelia Earhart Fashions were affordable separates sold exclusively at Macy's and Marshall Field's. The line's dresses, blouses, pants, suits, and hats were made of cotton and parachute silk and featured aviation-inspired details, like propeller-shaped buttons. Earhart studied sewing as a girl and actually made her own samples.

13. THE U.S. GOVERNMENT SPENT $4 MILLION SEARCH FOR EARHART.

At the time, it was the most expensive air and sea search in history. Earhart's plane disappeared July 2, 1937. The official search ended a little over two weeks later on July 19. Putnam then financed a private search, chartering boats to the Phoenix Islands, Christmas Island, Fanning Island, the Gilbert Islands, and the Marshall Islands.

14. THE SEARCH ISN'T OVER.

There are several theories about what happened to Earhart's plane during her last flight. Most people believe she ran out of fuel and crashed into the Pacific Ocean. Others believe she landed on an island and died of thirst, starvation, injury, or at the hands of Japanese soldiers in Saipan. In 1970, one man even claimed that Earhart was alive and well and living a secret life in New Jersey.

The International Group for Historic Aircraft Recovery (TIGHAR) has explored the theory that Earhart and her navigator Fred Noonan lived as castaways before dying on Gardner Island, now called Nikumaroro, in the western Pacific. Over the years, they've found a few potential artifacts, including evidence of campfire sites, pieces of Plexiglas, and an empty jar of the brand of freckle cream that Earhart used.

In early July 2017, a photo surfaced that seemed to confirm the theory that Earhart and Noonan crashed and were captured by Japanese soldiers, but that photo was quickly debunked.

15. TODAY, ANOTHER AMELIA EARHART IS MAKING HISTORY.

In 2014, another pilot named Amelia Earhart took to the skies to set a world record. The then-31-year-old California native became the youngest woman to fly 24,300 miles around the world in a single-engine plane. Her namesake never completed the journey, but the younger Earhart landed safely in Oakland on July 11, 2014. We think "Lady Lindy" would be proud.

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