CLOSE
YouTube
YouTube

20 Colorful Facts About Blue Velvet

YouTube
YouTube

Following the critical and commercial failure of Dune, his adaptation of Frank Herbert's novel, David Lynch was determined to make his next film a much more personal endeavor. The result was Blue Velvet, a critically acclaimed neo-noir that begins with the random discovery of a severed human ear, and only gets stranger from there. Lynch earned his third Oscar nomination for the film, which starred Isabella Rossellini, Kyle MacLachlan, Laura Dern, and Dennis Hopper in a bizarrely enigmatic role. To celebrate the movie's 30th anniversary, here are 20 colorful facts about Blue Velvet.

1. THE FILM WAS INSPIRED BY BOBBY VINTON’S COVER OF “BLUE VELVET.”

"Blue Velvet" the song was originally released by Tony Bennett in 1951, but Vinton covered it in 1963, which was the version that inspired director David Lynch. According to Lynch, “It wasn’t the kind of music that I really liked. But there was something mysterious about it. It made me think about things. And the first things I thought about were lawns—lawns and the neighborhood.”

2. MOLLY RINGWALD WAS CONSIDERED FOR THE PART OF SANDY.

Getty Images

At the height of Molly Ringwald’s '80s superstar fame, she was reportedly Lynch’s first choice for Sandy. But her mom read the screenplay for Blue Velvet and found it so offensive that she didn’t even pass it on to her daughter to read. The role eventually went to Laura Dern.

3. THE ROLE OF DOROTHY VALLENS ALMOST WENT TO HELEN MIRREN.

Helen Mirren was who Lynch pictured as songstress Dorothy Vallens. Although it didn’t end up working out, she got pretty far along in the process. Lynch has even said, “Helen Mirren really helped me on that script.” Eventually, she turned down the part that would eventually go to Isabella Rossellini.

4. LYNCH DISCOVERED ISABELLA ROSSELLINI IN A RESTAURANT.

Getty Images

Rossellini and Lynch were introduced by mutual friends when they all happened to be dining at the same restaurant in New York City. Lynch learned that Rossellini was both a model and actress. But, during their encounter, they mostly talked about Helen Mirren, as Lynch was still trying to get her to accept the part. Apparently, during a lull in the conversation, Lynch told Rossellini, “Hey, you could be the daughter of Ingrid Bergman.” Of course, she is the daughter of Ingrid Bergman and Roberto Rossellini. Two days later, Lynch sent Rossellini a note asking if she would like to read the script.

5. ANOTHER IMPORTANT RESTAURANT MEETING HAPPENED WITH LYNCH, MACLACHLAN, AND DERN—AT BOB’S BIG BOY.

Laura Dern was surprised to learn that she didn’t have to read for the part—Lynch felt she was right for the role upon meeting her. But to make sure that she had chemistry with Kyle MacLachlan, who would play her love interest, Lynch conducted a crucial meeting at the fast food chain.

6. LYNCH INTENDED FOR ROSSELLINI’S BEAUTY TO BE OVER-THE-TOP.

Rossellini once explained, “I was fascinated by the way David Lynch found something comic about my beauty.” As Lynch scholar Martha P. Nochimson has observed, “Lynch covers the extremely beautiful Rossellini with absurdly exaggerated ‘glamour.’” The dramatic blue eye shadow and curly wig aren’t necessarily enhancing Rossellini’s beauty. They are adding something uncanny to the equation.

7. FRANK BOOTH WAS ORIGINALLY SUPPOSED TO INHALE HELIUM.

They had helium on set while filming the rape scene, but the gas didn’t have the eerie effect that was intended. Dennis Hopper later told David Letterman, “I tried it and I sounded a little like Donald Duck.” So, he talked to Lynch and they decided to choose a substance that wouldn’t be voice-altering. The gas isn’t mentioned by name in the film, but Hopper told Lynch that when he read the script, he imagined the substance as amyl nitrate because that is a disorienting drug, unlike helium.

8. JEFFREY SAYS “I’M IN THE MIDDLE OF A MYSTERY” AT THE FILM’S MIDPOINT.

An hour into the film, Jeffrey says the line. The film is exactly two hours long.

9. LYNCH TOOK A LOWER SALARY IN ORDER TO HAVE FINAL CUT OF THE FILM.

Getty Images

Despite Lynch’s previous film, Dune, being a flop, its producer Dino De Laurentiis showed an interest in Blue Velvet. Lynch was also disappointed with Dune, so he knew he wanted final cut when it came to Blue Velvet. The film’s budget was originally $10 million, but Lynch agreed to cut the budget as well as his salary for complete artistic control. The only condition: De Laurentiis insisted that the film be no more than two hours long. The budget was lowered to $6 million and the film clocks in at 120 minutes.

10. THERE ARE SUBTLE REFERENCES TO ABRAHAM LINCOLN’S ASSASSINATION IN THE FILM.

Lynch fans have found references to Lincoln’s assassination in many of his films, and Blue Velvet is no exception. For example, Frank Booth shares a surname with John Wilkes Booth. At the end of the film, when Don Vallens is shot, there are obvious parallels to Lincoln’s assassination. Then, of course, there’s the blatant fact that Jeffrey must cross Lincoln Street to get to the bad part of town.

11. LUMBERTON IS A REAL PLACE.

Wikimedia Commons

The film was shot in Wilmington, North Carolina, which was also the production location for two popular teen series: Dawson’s Creek and One Tree Hill. Though Lynch didn’t base the town in Blue Velvet on any town in particular, Lumberton, North Carolina exists 70 miles away from Wilmington. The mayor’s office of Lumberton was contacted and the rights to their town’s name were acquired. 

Lynch thought that Wilmington was the perfect shooting location for Blue Velvet because he pictured his story taking place in a more northern town (and it also happened to be where the De Laurentiis Entertainment Group's new studios had just been built). Wilmington had the older neighborhoods that he desired.

12. ALL OF ROSSELLINI’S NUDITY WAS INTENTIONALLY NOT TITILLATING.

This was particularly important to Rossellini, as she was portraying a woman who had been abused. According to her, “What I had in mind, you know the butcher shop where you see these carcasses of cows cut in the middle and open. It’s the sort of images you have in Francis Bacon ... you have these images of cows and flesh ... And that’s what I wanted to portray.”

13. ONE NUDE SCENE WAS BASED ON A CHILDHOOD MEMORY OF LYNCH’S.

The scene in which Vallens walks outside naked has roots in Lynch’s past. Rossellini explained, “David Lynch has told me that when he was a little boy, and he was going home with his brother, they saw a naked lady walking in the street. And it didn’t feel titillating. They didn’t say, ‘Ooh, a naked lady.’ They started to cry. They understood that something violent or frightening was happening. And he wanted to convey that idea.”

14. TO LYNCH, THE SCENE AT BEN’S APARTMENT IS THE MOST IMPORTANT SCENE.

The scene in which Ben lip syncs “In Dreams” for Frank is what Lynch considers the eye-of-the-duck scene, meaning the pivotal scene in the film. He has said, “The key to the whole duck is the eye and where it is placed. It's like a little jewel … When you're working on a film, a lot of times you can get the bill and the legs and the body and everything, but this eye of the duck is a certain scene, this jewel, that if it's there, it's absolutely beautiful. It's just fantastic."

By the way, in case viewers don’t immediately recognize this as the eye-of-the-duck scene, Lynch gave the bar outside of Ben’s apartment a fairly obvious name: “This Is It.”

15. BUT, THE SCENE WAS ORIGINALLY SUPPOSED TO CONTAIN ANOTHER ROY ORBISON SONG.

During production, Lynch and MacLachlan traveled together from New York City to Wilmington. On their way to the airport, Roy Orbison’s “Crying” came on the radio. Lynch was inspired and said, “I’ve got to get that for Blue Velvet.” When the two arrived in Wilmington, he got ahold of Orbison’s greatest hits. But, when he heard “In Dreams,” he immediately preferred it to “Crying.”

16. DURING PRODUCTION, LYNCH MET ANGELO BADALAMENTI, WHO WOULD LATER SCORE THE FILM AS WELL AS TWIN PEAKS AND MULHOLLAND DRIVE.

Rossellini was not a singer and had been working with a teacher in Wilmington, but there was still something missing. So, producer Fred Caruso called his friend Angelo Badalamenti. Badalamenti flew to Wilmington and worked with Rossellini for three hours. During that session, they developed an interpretation of the song that Lynch loved. Lynch had been hesitant of this outside help, but really hit it off with Badalamenti and a long-term professional relationship was formed.

They ended up recording the final version the day after Rossellini filmed the scene in which she walks outside naked. She had been up until four in the morning and had a cold, but Badalamenti convinced her to do the recording. 

17. LYNCH PLAYED MUSIC ON SET TO INSPIRE THE ACTORS.

Getty Images

While filming the scene in which Sandy is walking with Jeffrey, Lynch played Shostakovich music over loud speakers on a residential street. According to Dern, “He felt that we needed to walk to the music and the mood should feel like that piece of music.” The Russian composer was actually very important to the creation of Blue Velvet. Lynch wrote the screenplay while listening to Shostakovich: No. 15 in A major. He has claimed, “I just kept playing the same part of it, over and over again.”

18. THE PREMIERE WAS PICKETED IN LONDON.

The subject matter of the film is obviously troubling and Lynch is notoriously quiet about the meaning of his films. Audiences didn’t know what to make of Blue Velvet, and they definitely weren’t getting any assistance from its auteur. So the film’s release was met with some pushback. This applied to film critics as well. For example, on Siskel & Ebert, Roger Ebert called the film “cruelly unfair to its actors.” 

“Well, I can understand that for sure,” Lynch has since responded about the offensive nature of Frank’s sadism and Dorothy’s masochism. “But without that relationship, there wouldn’t have been a film.”

19. ROSSELLINI’S TALENT AGENCY DROPPED HER WHEN THEY SAW THE FILM.

Rossellini had been working as a model for a while and just before she started working on the film, she signed with ICM Partners. It didn’t last long. According to Rossellini, “When they saw Blue Velvet on a private screen, they asked me to leave.”

And that wasn’t the only group in Rossellini’s life that disapproved of the film. She has also said that the nuns who taught her in high school saw the film and called her up to tell her that they were praying for her every day. 

20. ROSSELLINI AND LYNCH DATED FOR FOUR YEARS.

Getty Images

Interestingly, Rossellini had been married to Martin Scorsese for four years until they divorced in 1983. Three years later, after production on Blue Velvet ended, Lynch and Rossellini dated publicly. They split up in 1991, soon after she played Perdita Durango in another Lynch film, Wild At Heart. In Rossellini’s memoir, she claimed that Lynch left her. 

nextArticle.image_alt|e
Tullio M. Puglia, Getty Images
arrow
job secrets
11 Secrets of Bodyguards
Tullio M. Puglia, Getty Images
Tullio M. Puglia, Getty Images

When CEOs, celebrities, and the extremely wealthy need personal protection, they call in men and women with a particular set of skills. Bodyguards provide a physical barrier against anyone wishing their clients harm, but there’s a lot more to the job—and a lot that people misunderstand about the profession. To get a better idea of what it takes to protect others, Mental Floss spoke with several veteran security experts. Here’s what they told us about being in the business of guaranteeing safety.

1. BIGGER ISN’T ALWAYS BETTER.

When working crowd control or trying to corral legions of screaming teenagers, having a massive physical presence comes in handy. But not all "close protection specialists" need to be the size of a professional wrestler. “It really depends on the client,” says Anton Kalaydjian, the founder of Guardian Professional Security in Florida and former head of security for 50 Cent. “It’s kind of like shopping for a car. Sometimes they want a big SUV and sometimes they want something that doesn’t stick out at all. There’s a need for a regular-looking guy in clothes without an earpiece, not a monster.”

2. GUNS (AND FISTS) ARE PRETTY MUCH USELESS.

An armed bodyguard pulls a gun out of a holster
iStock

Depending on the environment—protecting a musician at a concert is different from transporting the reviled CEO of a pharmaceutical company—bodyguards may or may not come armed. According to Kent Moyer, president and CEO of World Protection Group and a former bodyguard for Playboy founder Hugh Hefner, resorting to gunplay means the security expert has pretty much already failed. “People don’t understand this is not a business where we fight or draw guns,” Moyer says. “We’re trained to cover and evacuate and get out of harm’s way. The goal is no use of force.” If a guard needs to draw a gun to respond to a gun, Moyer says he’s already behind. “If I fight, I failed. If I draw a gun, I failed.”

3. SOMETIMES THEY’RE HIRED TO PROTECT EMPLOYERS FROM EMPLOYEES.

A security guard stands by a door
iStock

Workplace violence has raised red flags for companies who fear retribution during layoffs. Alan Schissel, a former New York City police sergeant and founder of Integrated Security, says he dispatches guards for what he calls “hostile work termination” appointments. “We get a lot of requests to provide armed security in a discreet manner while somebody is being fired,” he says. “They want to be sure the individual doesn’t come back and retaliate.”

4. SOME OF THEM LOVE TMZ.

For protection specialists who take on celebrity clients, news and gossip site TMZ.com can prove to be a valuable resource. “I love TMZ,” Moyer says. “It’s a treasure trove for me to see who has problems with bodyguards or who got arrested.” Such news is great for client leads. Moyer also thinks the site’s highly organized squad of photographers can be a good training scenario for protection drills. “You can look at paparazzi as a threat, even though they’re not, and think about how you’d navigate it.” Plus, having cameras at a location before a celebrity shows up can sometimes highlight information leaks in their operation: If photographers have advance notice, Moyer says, then security needs to be tightened up.

5. THEY DON’T LIVE THE LIFE YOU THINK THEY DO.

A bodyguard stands next to a client
iStock

Because guards are often seen within arm’s reach of a celebrity, some think they must be having the same experiences. Not so. “A big misconception is that we’re living the same life as celebrities do,” Kalaydjian says. “Yes, we’re on a private jet sometimes, but we’re not enjoying the amenities. We might live in their house, but we’re not enjoying their pool. You stay to yourself, make your rounds.” Guards that get wrapped up in a fast-paced lifestyle don’t tend to last long, he says.

6. SOMETIMES THEY’RE JUST THERE FOR SHOW.

For some, being surrounded by a squad of serious-looking people isn’t a matter of necessity. It’s a measure of status on the level of an expensive watch or a fast car. Firms will sometimes get calls from people looking for a way to get noticed by hiring a fleet of guards when there's no threat involved. “It’s a luxury amenity,” Schissel says. “It’s more of a ‘Look at me, look at them’ thing,” agrees Moyer. “There’s no actual threat. It’s about the show. I turn those down. We do real protection.”

7. THEY CAN MAKE THEIR CLIENT'S DAY MORE EFFICIENT.

A bodyguard escorts a client through a group of photographers
iStock

Because guards will scope out destinations in advance, they often know exactly how to enter and exit locations without fumbling for directions or dealing with site security. That’s why, according to Moyer, CEOs and celebrities can actually get more done during a work day. “If I’m taking you to Warner Bros., I know which gate to go in, I’ve got credentials ahead of time, and I know where the bathrooms are.” Doing more in a day means more money—which means a return on the security investment.

8. “BUDDYGUARDS” ARE A PROBLEM.

When evaluating whether or not to take on a new employee, Kalaydjian weeds out anyone looking to share in a client’s fame. “I’ve seen guys doing things they shouldn’t,” he says. “They’re doing it to be seen.” Bodyguards posting pictures of themselves with clients on social media is a career-killer: No one in the industry will take a “buddyguard” seriously. Kalaydjian recalls the one time he smirked during a 12-year-stint guarding the same client, something so rare his employer commented on it. “It’s just not the side you portray on duty.”

9. SOCIAL MEDIA MAKES THEIR JOB HARDER.

A bodyguard stands next to a client
iStock

High-profile celebrities maintain their visibility by engaging their social media users, which often means posting about their travels and events. For fans, it can provide an interesting perspective into their routine. For someone wishing them harm, it’s a road map. “Sometimes they won’t even tell me, and I’ll see on Snapchat they’ll be at a mall at 2 p.m.,” Kalaydjian says. “I wouldn’t have known otherwise.”

10. NOT EVERY CELEBRITY IS PAYING FOR THEIR OWN PROTECTION.

The next time you see a performer surrounded by looming personal protection staff, don’t assume he or she is footing the bill. “A lot of celebrities can’t afford full-time protection,” Moyer says, referring to the around-the-clock supervision his agency and others provide. “Sometimes, it’s the movie or TV show they’re doing that’s paying for it. Once the show is over, they no longer have it, or start getting the minimum.”

11. THEY DON’T LIKE BEING CALLED “BODYGUARDS.”

A bodyguard puts his hand up to the camera
iStock

Few bodyguards will actually refer to themselves as bodyguards. Moyer prefers executive protection agents, because, he says, bodyguard tends to carry a negative connotation of big, unskilled men. “There is a big group of dysfunctional people with no formal training who should not be in the industry,” he says. Sometimes, a former childhood friend can become “security,” a role they’re not likely to be qualified for. Moyer and other firms have specialized training courses, with Moyer's taking cues from Secret Service protocols. But Moyer also cautions that agencies enlisting hyper-driven combat specialists like Navy SEALs or SWAT team members aren't the answer, either. “SEALs like to engage and fight, destroying the bad guy. Our goal is, we don’t want to be in the same room as the bad guy.”

nextArticle.image_alt|e
Allsport/Getty Images
arrow
olympics
9 Wild Moments from Winter Olympics History
Allsport/Getty Images
Allsport/Getty Images

With the Pyeongchang Olympics nearing their final weekend in South Korea, we thought we'd take a look back at some of the wildest and most unpredictable moments of Winter Games past.

1. AUSTRALIA WINS ITS FIRST WINTER GOLD MEDAL WHEN SPEED SKATER WAITS FOR HIS COMPETITORS TO FALL DOWN

Knowing he was overmatched by his fellow athletes during the 1000 Meter Short Track Speed Skating competition at the 2002 Salt Lake City Olympics, Australian Steven Bradbury devised a strategy of waiting in the back of the pack on the off chance that his competitors might trip up. Amazingly, the strategy worked when a disqualification in the quarterfinals got him through to the semis and a crash sent him to the finals.

In the final, favorite Apollo Anton Ohno and the three other competing skaters collided in an epic crash; the trailing Bradbury was close enough to the pack to cross the finish line before any of the fallen skaters, becoming Australia's first gold medalist in the Winter Olympics.

2. ALPINE SKIER HERMANN MAIER FLIES OFF THE COURSE AT 70 MPH, GETS UP AND WALKS AWAY

In downhill alpine skiing, skiers travel at extremely high velocities (typically 60 to 85 miles per hour) down courses that closely follow the mountain's fall line.

In 1998, Nagano Olympics race officials were worried about the downhill course—specifically, a steep angle between the 6th and 7th gates. They altered this portion but the section still posed a danger.

Austrian Hermann Maier finished first in the World Cup standings before the Olympics but had a reputation for recklessness within the skiing circuit—in fact, according to Olympic historian David Wallechinsky, “caution was not a word in Maier's vocabulary." Maier didn't slow down before the aforementioned dangerous turn in Nagano and went flying off the course at 70 miles per hour, tumbling to a halt some 50 meters away. In a sport where injuries—and even deaths—aren't unheard of, Maier shocked TV audiences by getting up and walking away with nothing more than a bruised shoulder.

Benefiting from a 24-hour weather delay on his next event, the Super-G, Maier used the extra rest to get back in full form and took home the gold. He also came in first in the Giant Slalom three days later.

3. WOMEN CHEAT BY HEATING UP THEIR SLEDS


Wikimedia Commons

There have been a limited number of cases of cheating in the Winter Olympics (far fewer than in the Summer Olympics), but that doesn't mean it’s an impossibility. Just ask Ortrun Enderlein.

Enderlein, the defending luge champion, and her two East German teammates aroused suspicion by showing up just before their runs and leaving the scene hastily after. Enderlein won gold and her teammates placed 3rd and 4th, but upon closer inspection, it was discovered that their sleds had been heated immediately before the races, which reduced friction with the ice and resulted in faster times. The three were disqualified and the East German Olympic Committee blamed the affair on a "capitalist revanchist plot.”

4. SKI JUMPER RALLIES NATIONAL PRIDE BY FINISHING LAST

English plasterer Michael Edwards traveled to Lake Placid, New York two years before the 1988 Calgary Olympics to fulfill his dream of making the event as a downhill skier. When money ran short, he decided to switch to ski jumping because it was significantly cheaper and there would be no competition at the national trials. Edwards became the first Olympic ski jumper in British history, but was far below the standards of the rest of the field.

Edwards crashed at the World Championships the year before the '88 Games and was ridiculed by the international press, who dubbed him “Mr. Magoo” due to his thick-rimmed glasses and heavy frame.

To the British, however, Edwards became a great source of fascination, which turned into a full-fledged national craze as he became the first Olympic ski jumper in the country's history and successfully landed his attempt at the Calgary Games. Although he didn't even score half the total points of any other competitor, he earned admiration worldwide and was given the nickname "Eddie the Eagle" by the President of the International Olympic Committee during the closing ceremony.

Sadly, many others in the Olympic community did not take him seriously, and they raised the qualifying standards to prevent Edwards from participating in the future. This didn't stop him from trying, but he failed to qualify on three successive occasions. Today, Edwards still plasters for a living and estimates that 70 percent of his income comes from speaking engagements.

In 2016, Eddie the Eagle, a biopic about Edwards’s life featuring Hugh Jackman (not playing Edwards), was released in theaters.

5. GOLD MEDALIST IN OLYMPICS' INAUGURAL SNOWBOARDING COMPETITION GETS BUSTED FOR MARIJUANA

At the 1998 Nagano Games, snowboarding was introduced in an effort to make the Olympics more appealing to a younger audience. Still, there was some trepidation about the perceived rambunctious lifestyle of the snowboarding community and how it would fit in with the formality of the Olympics.

Nothing better illustrated this clash of values than when Canadian Ross Rebagliati became the inaugural winner in the Parallel Giant Slalom and was promptly stripped of his medal three days after the event for testing positive for marijuana.

Rebagliati claimed to have ingested it second-hand at a party and the Canadian Olympic delegation successfully appealed the IOC's decision on the basis that marijuana isn't a performance-enhancing drug. He got his medal back before the Games ended.

Today, 20 years after the controversy, Rebagliati has moved on from his snowboarding past and is trying his hand at entrepreneurism: he’s the founder of Ross’ Gold, a cannabis business.

6. NANCY KERRIGAN VS. TONYA HARDING


Getty Images

Tonya Harding was an ice skating prodigy from a broken home who ascended to the world stage in the early '90s. As her financial security and world ranking started to decline in the months leading up to the Olympics, Harding became frustrated and directed her anger at fellow American Nancy Kerrigan, who was ascending in the world standings and landing lucrative commercial endorsements.

Harding's on-again-off-again husband Jeff Gillooly conspired with two other men to attack and injure Kerrigan before the 1994 Olympics. They carried out the hit after Kerrigan's practice skate before the U.S. Figure Skating Championships in Detroit. Shane Stant, Gillooly's hired man, hit Kerrigan on the knee with a police baton as she was talking to a reporter in a stadium hallway. He escaped by diving through a plexiglass door before running to a getaway car.

The attack resulted in a bruise, but because there was no bone or ligament damage, Kerrigan was able to perform and was selected (along with Harding, who was under investigation for the attack) for the U.S. Olympic team. At the Lillehammer Games, Kerrigan famously skated to a silver medal after terrific back-to-back performances while Harding, disgraced, finished in eighth place. Harding's life, and the scandal surrounding her competition with Kerrigan, has been turned into the Oscar-nominated film, I, Tonya.

According to Olympic Historian David Wallechinsky, when CBS executives thanked their staff in Norway for the great ratings (the figure skating finals were the one of the most watched events in television history at the time), a CBS employee wrote back: "Don't thank us. Thank Tonya."

7. TWO AMERICAN HOCKEY TEAMS ARE SENT TO THE OLYMPICS, BOTH ARE DISQUALIFIED


Getty Images

Controversy erupted before the 1948 Olympic Games in St. Moritz over whether the American Hockey Association or the Amateur Athletic Union was the chief governing authority for hockey in the United States. American Olympic Committee President Avery Brundage refused to sanction the AHA because of their commercial sponsorships, but the International Ice Hockey Federation officially ruled that the AAU was to be replaced by the AHA.

Amid the confusion, both teams made their way to St. Moritz to compete. Before they were set to march in the Opening Ceremony, the Swiss Olympic Organizing Committee banned the AAU. Because they were favored by Brundage, though, the AAU team got the honor of representing the U.S. in the opening ceremony, while the AHA team—which was actually allowed to compete by the organizing committee—had to sit in the stands.

8. LUGE TRACK WITH A HISTORY OF FATAL ACCIDENTS SELECTED AS SITE OF INAUGURAL LUGE COMPETITION


Getty Images

Luge racers regularly hit speeds of over 95 miles per hour, meaning that even the smallest shift in body position can easily result in catastrophe. This was evident before the 2010 Vancouver Games, when Georgian luger Nodar Kumaritashvili careened off the track during a training run and died of his injuries.

It was an eerie replay of the luge's first-ever appearance at the Olympic Games. Two weeks before the Innsbruck Games in 1964, Kazimierz Kay-Skrzypecki, a British RAF pilot who was inexperienced in the sport, flew off the track and died during a training run. Additionally, a German doubles luge team was injured on the track in a separate accident. The track had had several fatal accidents when it opened decades before, and although it was modified thereafter, Olympic participants had to lobby for further safety precautions to reduce some of the danger.

9. FRENCH JUDGE CONFESSES TO THROWING THE COMPETITION


Getty Images

The pairs figure skating competition at the 2002 Salt Lake City Olympics resulted in a massive scandal that gave wind to the long-standing notion that figure skating judges can be swayed. Russian competitors Yelena Berezhnaya and Anton Sikharulidze made noticeable errors in their long program, while Canadians Jamie Salé and David Pelletier performed a flawless routine that had the crowd chanting "Six! Six! Six!"

When the judges ruled 5-4 in favor of the Russians and loud boos rang from the arena, the Canadian Olympic officials filed a protest. Protests filed by the losing party have become relatively common in the Olympics and the exercise is often a symbolic and ultimately fruitless gesture. But in this case, some dirt actually turned up.

In the subsequent investigation, it was revealed that the swing vote, French judge Marie-Rene Le Gougne, was up for a seat on the International Skating Union's powerful technical committee, and reports surfaced that she confided to a British referee a few days earlier that she had been pressured by her own national committee to throw her vote for the Russian pairs.

Le Gougne changed her story a few days later in an effort to save face, but her contradictory statements only exacerbated the coverage into a full-blown media frenzy dubbed “skate-gate.” In the end, Le Gougne was suspended for three years, the Canadians were awarded a second pair of gold medals, and the sport underwent reform with judges' scores being kept secret and chosen at random.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios