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20 Colorful Facts About Blue Velvet

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Following the critical and commercial failure of Dune, his adaptation of Frank Herbert's novel, David Lynch was determined to make his next film a much more personal endeavor. The result was Blue Velvet, a critically acclaimed neo-noir that begins with the random discovery of a severed human ear, and only gets stranger from there. Lynch earned his third Oscar nomination for the film, which starred Isabella Rossellini, Kyle MacLachlan, Laura Dern, and Dennis Hopper in a bizarrely enigmatic role. To celebrate the movie's 30th anniversary, here are 20 colorful facts about Blue Velvet.

1. THE FILM WAS INSPIRED BY BOBBY VINTON’S COVER OF “BLUE VELVET.”

"Blue Velvet" the song was originally released by Tony Bennett in 1951, but Vinton covered it in 1963, which was the version that inspired director David Lynch. According to Lynch, “It wasn’t the kind of music that I really liked. But there was something mysterious about it. It made me think about things. And the first things I thought about were lawns—lawns and the neighborhood.”

2. MOLLY RINGWALD WAS CONSIDERED FOR THE PART OF SANDY.

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At the height of Molly Ringwald’s '80s superstar fame, she was reportedly Lynch’s first choice for Sandy. But her mom read the screenplay for Blue Velvet and found it so offensive that she didn’t even pass it on to her daughter to read. The role eventually went to Laura Dern.

3. THE ROLE OF DOROTHY VALLENS ALMOST WENT TO HELEN MIRREN.

Helen Mirren was who Lynch pictured as songstress Dorothy Vallens. Although it didn’t end up working out, she got pretty far along in the process. Lynch has even said, “Helen Mirren really helped me on that script.” Eventually, she turned down the part that would eventually go to Isabella Rossellini.

4. LYNCH DISCOVERED ISABELLA ROSSELLINI IN A RESTAURANT.

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Rossellini and Lynch were introduced by mutual friends when they all happened to be dining at the same restaurant in New York City. Lynch learned that Rossellini was both a model and actress. But, during their encounter, they mostly talked about Helen Mirren, as Lynch was still trying to get her to accept the part. Apparently, during a lull in the conversation, Lynch told Rossellini, “Hey, you could be the daughter of Ingrid Bergman.” Of course, she is the daughter of Ingrid Bergman and Roberto Rossellini. Two days later, Lynch sent Rossellini a note asking if she would like to read the script.

5. ANOTHER IMPORTANT RESTAURANT MEETING HAPPENED WITH LYNCH, MACLACHLAN, AND DERN—AT BOB’S BIG BOY.

Laura Dern was surprised to learn that she didn’t have to read for the part—Lynch felt she was right for the role upon meeting her. But to make sure that she had chemistry with Kyle MacLachlan, who would play her love interest, Lynch conducted a crucial meeting at the fast food chain.

6. LYNCH INTENDED FOR ROSSELLINI’S BEAUTY TO BE OVER-THE-TOP.

Rossellini once explained, “I was fascinated by the way David Lynch found something comic about my beauty.” As Lynch scholar Martha P. Nochimson has observed, “Lynch covers the extremely beautiful Rossellini with absurdly exaggerated ‘glamour.’” The dramatic blue eye shadow and curly wig aren’t necessarily enhancing Rossellini’s beauty. They are adding something uncanny to the equation.

7. FRANK BOOTH WAS ORIGINALLY SUPPOSED TO INHALE HELIUM.

They had helium on set while filming the rape scene, but the gas didn’t have the eerie effect that was intended. Dennis Hopper later told David Letterman, “I tried it and I sounded a little like Donald Duck.” So, he talked to Lynch and they decided to choose a substance that wouldn’t be voice-altering. The gas isn’t mentioned by name in the film, but Hopper told Lynch that when he read the script, he imagined the substance as amyl nitrate because that is a disorienting drug, unlike helium.

8. JEFFREY SAYS “I’M IN THE MIDDLE OF A MYSTERY” AT THE FILM’S MIDPOINT.

An hour into the film, Jeffrey says the line. The film is exactly two hours long.

9. LYNCH TOOK A LOWER SALARY IN ORDER TO HAVE FINAL CUT OF THE FILM.

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Despite Lynch’s previous film, Dune, being a flop, its producer Dino De Laurentiis showed an interest in Blue Velvet. Lynch was also disappointed with Dune, so he knew he wanted final cut when it came to Blue Velvet. The film’s budget was originally $10 million, but Lynch agreed to cut the budget as well as his salary for complete artistic control. The only condition: De Laurentiis insisted that the film be no more than two hours long. The budget was lowered to $6 million and the film clocks in at 120 minutes.

10. THERE ARE SUBTLE REFERENCES TO ABRAHAM LINCOLN’S ASSASSINATION IN THE FILM.

Lynch fans have found references to Lincoln’s assassination in many of his films, and Blue Velvet is no exception. For example, Frank Booth shares a surname with John Wilkes Booth. At the end of the film, when Don Vallens is shot, there are obvious parallels to Lincoln’s assassination. Then, of course, there’s the blatant fact that Jeffrey must cross Lincoln Street to get to the bad part of town.

11. LUMBERTON IS A REAL PLACE.

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The film was shot in Wilmington, North Carolina, which was also the production location for two popular teen series: Dawson’s Creek and One Tree Hill. Though Lynch didn’t base the town in Blue Velvet on any town in particular, Lumberton, North Carolina exists 70 miles away from Wilmington. The mayor’s office of Lumberton was contacted and the rights to their town’s name were acquired. 

Lynch thought that Wilmington was the perfect shooting location for Blue Velvet because he pictured his story taking place in a more northern town (and it also happened to be where the De Laurentiis Entertainment Group's new studios had just been built). Wilmington had the older neighborhoods that he desired.

12. ALL OF ROSSELLINI’S NUDITY WAS INTENTIONALLY NOT TITILLATING.

This was particularly important to Rossellini, as she was portraying a woman who had been abused. According to her, “What I had in mind, you know the butcher shop where you see these carcasses of cows cut in the middle and open. It’s the sort of images you have in Francis Bacon ... you have these images of cows and flesh ... And that’s what I wanted to portray.”

13. ONE NUDE SCENE WAS BASED ON A CHILDHOOD MEMORY OF LYNCH’S.

The scene in which Vallens walks outside naked has roots in Lynch’s past. Rossellini explained, “David Lynch has told me that when he was a little boy, and he was going home with his brother, they saw a naked lady walking in the street. And it didn’t feel titillating. They didn’t say, ‘Ooh, a naked lady.’ They started to cry. They understood that something violent or frightening was happening. And he wanted to convey that idea.”

14. TO LYNCH, THE SCENE AT BEN’S APARTMENT IS THE MOST IMPORTANT SCENE.

The scene in which Ben lip syncs “In Dreams” for Frank is what Lynch considers the eye-of-the-duck scene, meaning the pivotal scene in the film. He has said, “The key to the whole duck is the eye and where it is placed. It's like a little jewel … When you're working on a film, a lot of times you can get the bill and the legs and the body and everything, but this eye of the duck is a certain scene, this jewel, that if it's there, it's absolutely beautiful. It's just fantastic."

By the way, in case viewers don’t immediately recognize this as the eye-of-the-duck scene, Lynch gave the bar outside of Ben’s apartment a fairly obvious name: “This Is It.”

15. BUT, THE SCENE WAS ORIGINALLY SUPPOSED TO CONTAIN ANOTHER ROY ORBISON SONG.

During production, Lynch and MacLachlan traveled together from New York City to Wilmington. On their way to the airport, Roy Orbison’s “Crying” came on the radio. Lynch was inspired and said, “I’ve got to get that for Blue Velvet.” When the two arrived in Wilmington, he got ahold of Orbison’s greatest hits. But, when he heard “In Dreams,” he immediately preferred it to “Crying.”

16. DURING PRODUCTION, LYNCH MET ANGELO BADALAMENTI, WHO WOULD LATER SCORE THE FILM AS WELL AS TWIN PEAKS AND MULHOLLAND DRIVE.

Rossellini was not a singer and had been working with a teacher in Wilmington, but there was still something missing. So, producer Fred Caruso called his friend Angelo Badalamenti. Badalamenti flew to Wilmington and worked with Rossellini for three hours. During that session, they developed an interpretation of the song that Lynch loved. Lynch had been hesitant of this outside help, but really hit it off with Badalamenti and a long-term professional relationship was formed.

They ended up recording the final version the day after Rossellini filmed the scene in which she walks outside naked. She had been up until four in the morning and had a cold, but Badalamenti convinced her to do the recording. 

17. LYNCH PLAYED MUSIC ON SET TO INSPIRE THE ACTORS.

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While filming the scene in which Sandy is walking with Jeffrey, Lynch played Shostakovich music over loud speakers on a residential street. According to Dern, “He felt that we needed to walk to the music and the mood should feel like that piece of music.” The Russian composer was actually very important to the creation of Blue Velvet. Lynch wrote the screenplay while listening to Shostakovich: No. 15 in A major. He has claimed, “I just kept playing the same part of it, over and over again.”

18. THE PREMIERE WAS PICKETED IN LONDON.

The subject matter of the film is obviously troubling and Lynch is notoriously quiet about the meaning of his films. Audiences didn’t know what to make of Blue Velvet, and they definitely weren’t getting any assistance from its auteur. So the film’s release was met with some pushback. This applied to film critics as well. For example, on Siskel & Ebert, Roger Ebert called the film “cruelly unfair to its actors.” 

“Well, I can understand that for sure,” Lynch has since responded about the offensive nature of Frank’s sadism and Dorothy’s masochism. “But without that relationship, there wouldn’t have been a film.”

19. ROSSELLINI’S TALENT AGENCY DROPPED HER WHEN THEY SAW THE FILM.

Rossellini had been working as a model for a while and just before she started working on the film, she signed with ICM Partners. It didn’t last long. According to Rossellini, “When they saw Blue Velvet on a private screen, they asked me to leave.”

And that wasn’t the only group in Rossellini’s life that disapproved of the film. She has also said that the nuns who taught her in high school saw the film and called her up to tell her that they were praying for her every day. 

20. ROSSELLINI AND LYNCH DATED FOR FOUR YEARS.

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Interestingly, Rossellini had been married to Martin Scorsese for four years until they divorced in 1983. Three years later, after production on Blue Velvet ended, Lynch and Rossellini dated publicly. They split up in 1991, soon after she played Perdita Durango in another Lynch film, Wild At Heart. In Rossellini’s memoir, she claimed that Lynch left her. 

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15 Festive Facts About Jingle All the Way
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20th Century Fox Home Entertainment

In all of Arnold Schwarzenegger's film oeuvre, Jingle All the Way might just be the one that most exhibits the ugliness of humanity. Set on a fevered Christmas Eve brimming with desperate last-minute shoppers, Schwarzenegger's Howard Langston and Sinbad's postal worker character Myron Larabee find themselves battling one another to make themselves look good to their sons by getting their hands on the elusive Turbo Man action figure. The comedic genius Phil Hartman; Rita Wilson; future young Anakin Skywalker, Jake Lloyd; Laraine Newman; Harvey Korman; Martin Mull; Curtis Armstrong; and Chris Parnell were the other willing participants in this cult comedy, directed by Brian Levant. Here are some things you might not have known about the contemporary holiday classic.

1. ARNOLD SCHWARZENEGGER WAS ABLE TO PLAY THE LEAD BECAUSE OF A DELAY ON A PLANET OF THE APES REMAKE.

Arnold Schwarzenegger signed up to star in the Apes remake in March of 1994, but 20th Century Fox rejected multiple scripts for the movie, including one co-written by Chris Columbus (Gremlins, The Goonies). Columbus left the project in late 1995, and Schwarzenegger followed him soon after, freeing him to sign up for Jingle All the Way, produced by Columbus, in February 1996. Fox's Planet of the Apes reboot found its way into theaters in 2001, starring Mark Wahlberg and directed by Tim Burton.

2. SINBAD THOUGHT HE SCREWED UP THE AUDITION.

Sinbad in 'Jingle All the Way' (1996)
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Filming was delayed so that Sinbad could follow through on his commitment to travel to Bosnia with Hillary Clinton. Even though Columbus agreed to wait for him, the comedian still thought he "messed up" his audition and told his manager-brother he was going to quit show business.

3. OFFICER HUMMELL WAS INITIALLY WRITTEN AS A WOMAN.

Though the role of Officer Hummell was written for a woman, the part went to Robert Conrad. Conrad's explanation was that the producers "wanted someone who could pull up next to Arnold and tell him to pull over and he pulls over."

4. IT WAS CHRIS PARNELL'S FIRST MOVIE.

The future SNL star played the toy store clerk. "Well, it was my first movie role, and I didn't know how they typically shot scenes," Parnell admitted in a Reddit AMA. "So I had to laugh a lot, and I sort of spent all of my laughing energy in the wider takes, so by the time we got to the close-up shots, it was a real struggle to keep that going."

5. MARTIN MULL STAYED ON SET FOR OVER TWO WEEKS LONGER THAN HE WAS SUPPOSED TO.

Mull (KQRS D.J. a.k.a. Mr. Ponytail Man) was told it would just be a one- to two-day shoot for him. Unfortunately, his part had to be shot on a rainy day, and it didn't rain in Minneapolis for two and a half weeks.

6. PHIL HARTMAN MADE UP A BACKSTORY FOR HIS CHARACTER.


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Hartman (Ted Maltin) was probably joking for the film's official production notes, but you never know. "Ted is a guy who sued his employer for headaches caused by toner fumes and now hangs around the neighborhood and helps all the housewives," Hartman said. He also offered a take on how he was kind of being pigeonholed in Hollywood when he added, "Ted's another weasel to add my list of weasels."

7. HARTMAN ENTERTAINED HIS BORED YOUNG CO-STARS.

To keep young E.J. De la Pena (Johnny Maltin) and Jake Lloyd (Jamie Langston) from getting bored shooting a car scene all day, Hartman improvised songs designed to bring kids to hysterics. One tune contained the lyrics “You make my butt shine, the more you kiss it, the more it shines! The clock is ticking, so keep on licking, oh how you make my buttocks shine!”

"When you’re an 8 year old hearing that kind of potty humor, it was hilarious!" De la Pena remembered. "And we had a lot of fun."

8. JAMES BELUSHI HAD EXPERIENCE PLAYING SANTA BEFORE.

Belushi sort of trained to portray the Mall of America Santa in the movie by playing Kris Kringle for four years in "about 20" different homes, according to his estimation.

9. SHOOTING BEGAN IN MID-APRIL.

The Minneapolis/St.Paul areas were chosen because the producers figured they had the longest winter. But they also filmed in Los Angeles' Universal Studios for the big parade over a three week span, where it was typical hot California weather on the verge of summer. Sinbad remembered it was 100 degrees on the days when he wore the Dementor costume, and the water in his helmet had started to boil.

10. THE REAL TURBO MAN DIDN'T SWEAT.

Daniel Riordan's Turbo Man suit ensured he wouldn't have trouble with the scorching heat. He was wearing a vest underneath used by race car drivers. "They're very thin membrane vests that are filled with small, plastic tubing that's tightly coiled, back and forth, and they run cold water through it," Riordan explained. "So when they run it, it's like this cold water right up against your body and it was amazing. The sensation was fantastic."

11. TURBO MAN FIGURES WERE SOLD AT WAL-MART.

200,000 were originally produced and sold at 2,300 Wal-Mart shops for $25. They would have made more but, as Fox’s president of licensing and merchandising explained to Entertainment Weekly, there were only six and a half months to produce and promote Turbo Man toys, and it usually takes "well over a year."

12. THEY ALMOST SOLD DEMENTOR DOLLS TOO.

Sinbad recalled that the studio didn't sell Dementor action figures even though they tested high during research. "I had a prototype of the doll but they said 'give it back, we'll get you the real one when it comes out,'" Sinbad said." ...And dude, it NEVER came out!" Sinbad told Redditers his theory: "I think that they didn't want the competition between Turbo Man and my doll."

13. SOME PARENTS HAD ALCOHOL-RELATED COMPLAINTS AFTER TEST SCREENINGS.


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Schwarzenegger and Sinbad talking at a bar over some alcohol, and the fact that reindeer also imbibed in beer, were among some of the problems mothers and other early viewers took issue with.

14. THE FILMMAKERS WERE SUED FOR PLAGIARISM, AND LOST.

Randy Kornfield penned the official script, but high school teacher Brian Alan Webster alleged his Could This Be Christmas? script was very similar. The publishing firm that had the rights to Webster's script won a $19 million lawsuit from 20th Century Fox, but the ruling was overturned in 2004. Webster's screenplay was about “the quest of a Caucasian mother attempting to obtain a hard-to-get action figure toy as a Christmas gift for her son. In the course of this pursuit, she competes with an African-American woman, similarly seeking to give the action figure doll as a Christmas gift.”

15. THERE WAS A SEQUEL STARRING LARRY THE CABLE GUY.

None of the original cast members nor characters returned in the straight-to-DVD Jingle All the Way 2 (2014). It was produced by 20th Century Fox and WWE Studios and featured wrestler Santino Marella. Sinbad expressed incredulity when a Redditer inquired if he was asked to return for it. "What they are doing a new version without me! Ain't gonna work!"

Additional Sources:

Schaefer, Stephen: "Sinbad leaps at the chance to go postal in Jingle All the Way," December 6, 1996; Des Moines Register

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10 Rich Facts About Wall Street
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Twentieth Century Fox

It’s often said that the love of money is the root of all evil. Wall Street could have easily turned this sentiment into a tagline. A gripping financial thriller, the Oliver Stone classic is a cautionary tale whose message is every bit as relevant today as it was when it was released 30 years ago today.

1. OLIVER STONE WOULD DELIBERATELY TICK OFF MICHAEL DOUGLAS BETWEEN TAKES.

“As a director, he really tests you,” Douglas said of Stone. Around two weeks after shooting had started, Stone showed up at the actor’s trailer and asked “Are you on drugs? Because you look like you’ve never acted before in your life.” Mortified, Douglas took a look at some footage they’d already shot. Yet, after diligently reviewing it, he could find nothing wrong with his performance. “I came back to Oliver and said … ‘I think it’s okay,” Douglas remembers. “Yeah, it is, isn’t it?” Stone replied.

Eventually, Douglas wised up to his boss’s overly critical act. “Basically, what he wanted was to ratchet up that much more nastiness in Gordon Gekko,” Douglas explained. “And he was willing … for me to hate him for the rest of that movie just to bring it up a little more.” 

2. WALL STREET WON BOTH AN OSCAR AND A RAZZIE.


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Douglas’s cold portrayal of the unscrupulous Gekko netted him an Academy Award for Best Actor in 1988. On the other hand, critics were thoroughly unimpressed by leading lady Daryl Hannah, who took home a Worst Supporting Actress Razzie.

3. GORDON GEKKO’S FAMOUS PHONE WEIGHED TWO POUNDS.

In one pivotal scene, Gekko rings Bud with a state-of-the-art mobile communication device. Specifically, it’s a Motorola DynaTac 8000X. Released in 1983, this brick-shaped cell phone was 13 inches long, weighed two pounds, and cost the equivalent of $8,806 in modern dollars. During the 2010 sequel Wall Street: Money Never Sleeps, the anachronistic gadget returned for a quick sight gag.

4. CHARLIE SHEEN CHOSE TO HAVE HIS REAL FATHER PORTRAY HIS FICTIONAL ONE.

“It was interesting having my dad play my dad,” Sheen said on the DVD's “making of” documentary. Wall Street’s most dramatic arc revolves around Bud and Carl Fox, who were played by Charlie and Martin Sheen, respectively. Stone had built a strong working relationship with the former on the set of 1986’s Platoon. So when the time came to cast Carl, he had the younger Sheen make the call, asking “Do you want Jack Lemmon or do you want your father?” “Oh, Jack Lemmon’s a genius,” the actor said, “but my dad’s my dad and he’s kind of a genius, too.”

5. SCREENWRITER STANLEY WEISER COULDN'T FIND INSPIRATION IN EITHER CRIME AND PUNISHMENT OR THE GREAT GATSBY.

Before the writer could get started, Stone gave him a little homework. Originally, the film was conceived as “Crime and Punishment on Wall Street.” When Weiser was brought aboard one fateful Friday, Stone told him to read Dostoyevsky’s novel over the weekend. “Not having taken an Evelyn Wood Speed Reading class, I went to UCLA and purchased the Cliffs Notes,” Weiser wrote in 2008.

But the literary exercise proved futile. “On Monday, I explained to Oliver that the paradigm for that masterwork would not mesh well with the story we wanted to tell.” In a flash, Stone hit him with another assignment. “Okay,” he ordered, “read The Great Gatsby tonight, and see if we can mine something out of it.” This time, Weiser simply rented the 1974 movie adaptation. Once again, though, inspiration eluded him.

Wall Street as we know it didn’t really start to take shape until after a change in tactic: When Gatsby led him nowhere, Weiser read everything about finance that he could track down and, along with Stone, “spent three weeks visiting brokerage houses, interviewing investors and getting a feel for the Weltanschauung of Wall Street.”

6. PARTS OF THE MOVIE WERE SHOT AT THE NEW YORK STOCK EXCHANGE DURING WORKING HOURS.


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Permission was secured with the help of Kenneth Lipper, a longtime Wall Street insider who also served as New York City's deputy mayor from 1982 to 1985. For the film, Stone brought him on board as the chief technical advisor.

7. TWO MONTHS BEFORE THE FILM’S RELEASE, THERE WAS A MAJOR WALL STREET CRASH IN REAL LIFE.

Historians now call it “Black Monday.” On October 19, 1987, the Dow Jones Industrial Average dropped by a staggering 22.6 percent. It was the largest single-day stock market decline of all time, with $500 billion suddenly going up in smoke. Wall Street would hit theaters on December 11, leading conspiracy theorists to wonder if Stone had seen the crisis coming and made his movie to exploit it. 

“I did not foresee the crash, as some people say, because if I had, I would have made a lot of money,” Stone quipped.

8. GEKKO WAS BASED ON THREE BIG-NAME FINANCIERS. 


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“If you need a friend, get a dog,” Gekko advises his young protégé. This quote was adapted from a remark that corporate raider Carl Icahn once made (which he had cribbed from Harry Truman). In 1985, Icahn became a notorious figure by taking over TWA airlines under the pretense of making it more profitable only to sell off its assets for his own gain. Gekko, no doubt, would’ve approved.

Wall Street’s charismatic antagonist also took cues from Asher Edelman, a financier and major league art enthusiast. Another source of inspiration was arbiter Ivan Boesky, who confessed to illegal insider trading in 1986 and ended up in jail in 1988 (more about him later).

9. STONE’S FATHER WAS A STOCKBROKER.

A survivor of the Great Depression, Louis Stone had a huge influence on his cinematically-inclined son. “The main motivation to make Wall Street was my father,” the director admitted. “He always said there were no good business movies, because the businessman was always the villain.” In the end, Wall Street was dedicated to the elder Stone, who passed away two years before its release. 

10. GEKKO’S BIG LINE IS NUMBER 57 ON THE AMERICAN FILM INSTITUTE’S TOP 100 MOVIE QUOTES LIST.

“Greed, for lack of a better word, is good” finished just ahead of “Keep your friends close, but your enemies closer” from The Godfather: Part II. Gekko might as well have been quoting Boesky: At a 1985 commencement address given at UC Berkeley, the trader said “Greed is all right, by the way. I want you to know that. I think greed is healthy. You can be greedy and still feel good about yourself.”

Newsweek later reported on the speech—and made a telling observation. “The strangest thing, when we come to look back,” the magazine argued, “will not just be that Ivan Boesky could say that at a business school graduation, but that it was greeted with laughter and applause.”

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