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13 Great Jack Nicholson Quotes for His 80th Birthday

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Kevin Winter/Getty Images for AFI

Jack Nicholson turns 80 today. Let's celebrate with some of the actor's wit and wisdom.

1. ON ADVICE

"I hate advice unless I'm giving it. I hate giving advice, because people won't take it."

From Esquire's "What I Learned"

2. ON REGRETS

"Not that I can think of. I’m sure there are some, but my mind doesn’t go there. When you look at life retrospectively you rarely regret anything that you did, but you might regret things that you didn’t do."

From an interview with The Talks

3. ON DEATH

"I'm Irish. I think about death all the time. Back in the days when I thought of myself as a serious academic writer, I used to think that the only real theme was a fear of death, and that all the other themes were just that same fear, translated into fear of closeness, fear of loneliness, fear of dissolving values. Then I heard old John Huston talking about death. Somebody was quizzing him about the subject, you know, and here he is with the open-heart surgery a few years ago, and the emphysema, but he's bounced back fit as a fiddle, and he's talking about theories of death, and the other fella says, 'Well, great, John, that's great ... but how am I supposed to feel about it when you pass on?' And John says, 'Just treat it as your own.' As for me, I like that line I wrote that, we used in The Border, where I said, 'I just want to do something good before I die.' Isn't that what we all want?"

From an interview with Roger Ebert

4. ON NERVES

''There's a period of time just before you start a movie when you start thinking, I don't know what in the world I'm going to do. It's free-floating anxiety. In my case, though, this is over by lunch the first day of shooting.''

From an interview with The New York Times

5. ON ACTING

"Almost anyone can give a good representative performance when you're unknown. It's just easier. The real pro game of acting is after you're known—to 'un-Jack' that character, in my case, and get the audience to reinvest in a new and specific, fictional person."

From an interview with The Age

6. ON MARRIAGE

"I never had a policy about marriage. I got married very young in life and I always think in all relationships, I've always thought that it's counterproductive to have a theory on that. It's hard enough to get to know yourself and as most of you have probably found, once you get to know two people in tandem it's even more difficult. If it's going to be successful, it's going to have to be very specific and real and immediate so the more ideas you have about it before you start, it seems to me the less likely you are to be successful."

From an interview with About.com

7. ON LYING

“You only lie to two people in your life: your girlfriend and the police. Everybody else you tell the truth to.”

From a 1994 interview with Vanity Fair

8. ON HIS SUNGLASSES

"They're prescription. That's why I wear them. A long time ago, the Middle American in me may have thought it was a bit affected maybe. But the light is very strong in southern California. And once you've experienced negative territory in public life, you begin to accept the notion of shields. I am a person who is trained to look other people in the eye. But I can't look into the eyes of everyone who wants to look into mine; I can't emotionally cope with that kind of volume. Sunglasses are part of my armor."

From Esquire's "What I Learned"

9. ON MISCONCEPTIONS

"I think people think I'm more physical than I am, I suppose. I'm not really confrontational. Of course, I have a temper, but that's sort of blown out of proportion."

From an interview with ESPN

10. ON DIRECTING

"I'm a different person when suddenly it's my responsibility. I'm not very inhibited in that way. I would show up [on the set of The Two Jakes] one day, and we'd scouted an orange grove and it had been cut down. You're out in the middle of nowhere and they forget to cast an actor. These are the sort of things I kind of like about directing. Of course, at the time you blow your stack a little bit. ... I'm a Roger Corman baby. Just keep rolling, baby. You've got to get something on there. Maybe it's right. Maybe it's wrong. Maybe you can fix it later. Maybe you can't. You can't imagine the things that come up when you're making a movie where you've got to adjust on the spot."

From an interview with MTV

11. ON ROGER CORMAN

"There's nobody in there, that he didn't, in the most important way support. He was my life blood to whatever I thought I was going to be as a person. And I hope he knows that this is not all hot air. I'm going to cry now."

From the documentary Corman's World

12. ON PLAYING THE JOKER

"This would be the character, whose core—while totally determinate of the part—was the least limiting of any I would ever encounter. This is a more literary way of approaching than I might have had as a kid reading the comics, but you have to get specific. ... He's not wired up the same way. This guy has survived nuclear waste immersion here. Even in my own life, people have said, 'There's nothing sacred to you in the area of humor, Jack. Sometimes, Jack, relax with the humor.' This does not apply to the Joker, in fact, just the opposite. Things even the wildest comics might be afraid to find funny: burning somebody's face into oblivion, destroying a masterpiece in a museum—a subject as an art person even made me a little scared. Not this character. And I love that."

From The Making of Batman

13. ON BASKETBALL

"I've always thought basketball was the best sport, although it wasn't the sport I was best at. It was just the most fun to watch. ... Even as a kid it appealed to me. The basketball players were out at night. They had great overcoats. There was this certain nighttime juvenile-delinquent thing about it that got your blood going."

From Esquire's "What I Learned"

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8 Gonzo Facts About Hunter S. Thompson
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Hunter S. Thompson in Gonzo: The Life and Work of Hunter S. Thompson (2008)
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Like any real-life legend, there are many myths surrounding the life and work of Hunter S. Thompson. But in Thompson’s case, most of those stories—particularly the more outlandish ones—are absolutely true. The founder of the “Gonzo journalism” movement is one of the most fascinating figures of the 20th century. In celebration of what would have been his 80th birthday, here are some things you might not have known about the eccentric writer.

1. HE WAS NAMED AFTER A FAMOUS SCOTTISH SURGEON.

Hunter S. Thompson was reportedly named after one of his mother’s ancestors, a Scottish surgeon named Nigel John Hunter. But Hunter wasn't just your run-of-the-mill surgeon. In a 2004 interview with the Independent, Thompson brought along a copy of The Reluctant Surgeon, a Biography of Nigel John Hunter, a biography of his namesake, which read: "A gruff Scotsman, Hunter has been described as the most important naturalist between Aristotle and Darwin, the Shakespeare of medicine and the greatest man the British ever produced. He was the first to trace the lymphatic system. He performed the first human artificial insemination. He was the greatest collector of anatomical specimens in history. He prescribed the orthopaedic shoe that allowed Lord Byron to walk."

When pressed about what that description had to do with him, Thompson responded: "Well, I guess that might be the secret of my survival. Good genes."

2. HE MISSED HIS HIGH SCHOOL GRADUATION … BECAUSE HE WAS IN JAIL.

Just a few weeks before he was set to graduate from high school, at the age of 17, Thompson was charged as an accessory to robbery and sentenced to 60 days in jail. 

“One night Ralston Steenrod, who was in the Athenaeum with Hunter, was driving, and Hunter and another guy he knew were in the car,” Thompson’s childhood friend Neville Blakemore recalled of the incident. “As they were driv­ing through Cherokee Park, the other guy said, ‘Stop. I want to bum a ciga­rette from that car.’ People used to go park and neck at this spot. And the guy got out and apparently went back and mugged them. The guy who was mugged got their license number and traced the car, and within a very short time they were all three arrested.

“Just before this Hunter had been blamed for a nighttime gas-station rob­bery,” Blakemore added, “and before that he and some friends got arrested for buying booze under­age at Abe's Liquor Store on Frankfort Avenue by the tracks. So Hunter had a record, and he was already on probation. He was given an ultimatum: jail or the military. And Hunter took the Air Force. He didn't graduate with his class.”

3. IT WAS A FELLOW JOURNALIST WHO COINED THE TERM “GONZO.”

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While covering the 1968 New Hampshire primary, Thompson met fellow writer and editor Bill Carodoso, editor of The Boston Globe Sunday Magazine, which is where Thompson first heard him use the word “Gonzo.” “It meant sort of ‘crazy’ or ‘off-the-wall,’” Thompson said in Anita Thompson’s Ancient Gonzo Wisdom: Interviews with Hunter S. Thompson. Two years later, in June 1970, Thompson wrote an article for Scanlan’s Monthly entitled “The Kentucky Derby Is Decadent and Depraved,” which became a game-changing moment in journalism because of its offbeat, slightly manic style that was written with first-person subjectivity.

Among the many fellow journalists who praised Thompson for the piece was Cardoso, who sent a letter to Thompson that “said something like, ‘Forget all the sh*t you’ve been writing, this is it; this is pure Gonzo.’ Gonzo. Yeah, of course. That’s what I was doing all the time. Of course, I might be crazy.” Thompson ran with the word, and would use it himself for the first time a year later, in Fear and Loathing in Las Vegas.

4. HE TYPED OUT FAMOUS NOVELS TO LEARN THE ART OF WRITING.

In order to get the “feel” of being a writer, Thompson used to retype his favorite novels in full. “[H]is true model and hero was F. Scott Fitzgerald,” Louis Menand wrote in The New Yorker. “He used to type out pages from The Great Gatsby, just to get the feeling, he said, of what it was like to write that way, and Fitzgerald’s novel was continually on his mind while he was working on Fear and Loathing in Las Vegas, which was published, after a prolonged and agonizing compositional nightmare, in 1972.”

"If you type out somebody's work, you learn a lot about it,” Thompson told Charlie Rose in 1997. “Amazingly it's like music. And from typing out parts of Faulkner, Hemingway, Fitzgerald—these were writers that were very big in my life and the lives of the people around me—so yeah, I wanted to learn from the best I guess."

5. HE RAN FOR SHERIFF IN COLORADO.

In 1970, Thompson ran for sheriff of Pitkin County, Colorado on what he called the Freak Power ticket. Among his political tactics: shaving his head so that he could refer to his opponent as his “long-haired opponent,” promising to eat mescaline while on duty, and campaigning to rename Aspen “Fat City” to deter "greed heads, land-rapers, and other human jackals from capitalizing on the name 'Aspen.'" Unfortunately, he lost.

6. HE STOLE A MEMENTO FROM ERNEST HEMINGWAY.

In 1964, three years after Ernest Hemingway committed suicide at his cabin in Ketchum, Idaho, Thompson traveled to the late author’s home in order to write “What Lured Hemingway to Ketchum?” While there, according to his widow, Hunter “got caught up in the moment” and took “a big pair of elk horns over the front door.” Last year, more than a decade after Thompson’s death, Anita returned the antlers to the Hemingway family—which is something she and Hunter had always planned to do. “They were warm and kind of tickled … they were so open and grateful, there was no weirdness,” Anita said.

7. HE ONCE USED THE INSIDE OF MUSICIAN JOHN OATES’ COLORADO CABIN AS HIS PERSONAL PARKING SPACE.

Magnolia Pictures

Earlier this month, musician John Oates—the latter half of Hall & Oates—shared a story about his ranch in Woody Creek, Colorado, just outside of Aspen, which is currently on the market for $6 million. In an interview with Colorado Public Radio, Oates recalled how when he first purchased the cabin, there was a red convertible parked inside. “I happened to ask the real estate agent who owned the convertible, and he said ‘your neighbor Hunter Thompson,’” Oates said. “Why is he keeping his car in a piece of property he doesn’t own? The real estate agent looked at me and said ‘It’s Woody Creek, you’ll figure this out. It’s a different kind of place.’” After sending several letters to his neighbor to retrieve his vehicle, Oates took matters into his own hands and deposited the car on Thompson’s lawn. Oates said that the two became friends, but never mentioned the incident.

8. AT HIS FUNERAL, HIS ASHES WERE SHOT OUT OF A CANNON.

On February 20, 2005—at the age of 67—Thompson committed suicide. But Thompson wasn’t about to leave this world quietly. In August of that year, in accordance with his wishes, Thompson's ashes were shot into the air from a cannon while fireworks filled the sky.

“He loved explosions," his widow, Anita, told ESPN, which wrote that, “The private celebration included actors Bill Murray and Johnny Depp, rock bands, blowup dolls and plenty of liquor to honor Thompson, who killed himself six months ago at the age of 67.”

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15 Memorable Quotes from George A. Romero
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Hollywood has lost one of its most iconic horror innovators with the death of George A. Romero, who passed away on Sunday at the age of 77. “He died peacefully in his sleep, following a brief but aggressive battle with lung cancer, and leaves behind a loving family, many friends, and a filmmaking legacy that has endured, and will continue to endure, the test of time,” his manager, Chris Roe, said in a statement.

Though he rose to prominence as the master of zombie flicks, beginning with Night of the Living Dead, Romero honed his filmmaking skills on a far less frightening set: shooting bits for Mister Rogers’ Neighborhood.

“I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made,” Romero once said. “What I really mean is that I was scared sh*tless while I was trying to pull it off.” (Rogers returned the favor by being a longtime champion of Romero’s work—and even called Dawn of the Dead “a lot of fun.”)

It’s that high-spirited sense of fun that made Romero’s work so iconic—and kept the New York City native busy for nearly 50 years. To celebrate his life and career, here are 15 of his most memorable quotes on everything from the humanity of zombies to the horror of Hollywood producers.

ON THE IMPORTANCE OF HAVING A SENSE OF HUMOR

“For a Catholic kid in parochial school, the only way to survive the beatings—by classmates, not the nuns—was to be the funny guy.”

ON THE HOLLYWOOD WAY

“If I fail, the film industry writes me off as another statistic. If I succeed, they pay me a million bucks to fly out to Hollywood and fart.”

ON BEING PIGEONHOLED

“As a filmmaker you get typecast just as much as an actor does, so I'm trapped in a genre that I love, but I'm trapped in it!”

ON ZOMBIES AS A METAPHOR

“I also have always liked the monster within idea. I like the zombies being us. Zombies are the blue-collar monsters.”

ON FINDING OBJECTIVITY AS A FILMMAKER

“There are so many factors when you think of your own films. You think of the people you worked on it with, and somehow forget the movie. You can't forgive the movie for a long time. It takes a few years to look at it with any objectivity and forgive its flaws.”

ON THE REAL VALUE OF THE INTERNET

“What the Internet's value is that you have access to information but you also have access to every lunatic that's out there that wants to throw up a blog.”

ON THE HORROR OF DEALING WITH PRODUCERS

“I'll never get sick of zombies. I just get sick of producers.”

ON THE IMPORTANCE OF COLLABORATION

“Collaborate, don’t dictate.”

ON THE BEAUTY OF LOW-BUDGET MOVIEMAKING

“I don't think you need to spend $40 million to be creepy. The best horror films are the ones that are much less endowed.”

ON HUMANS BEING THE REAL VILLAINS

“My zombies will never take over the world because I need the humans. The humans are the ones I dislike the most, and they're where the trouble really lies.”

ON BEING IMMUNE TO TRENDS

“Somehow I've been able to keep standing and stay in my little corner and do my little stuff and I'm not particularly affected by trends or I'm not dying to make a 3-D movie or anything like that. I'm just sort of happy to still be around.”

ON THE HUMANITY OF HORROR

“My stories are about humans and how they react, or fail to react, or react stupidly. I'm pointing the finger at us, not at the zombies. I try to respect and sympathize with the zombies as much as possible.”

ON THE ENDURING APPEAL OF HORROR

“If one horror film hits, everyone says, 'Let's go make a horror film.' It's the genre that never dies.”

ON THE IMPORTANCE OF SURROUNDING ZOMBIES WITH STUPID PEOPLE

“A zombie film is not fun without a bunch of stupid people running around and observing how they fail to handle the situation.”

ON LIFE AFTER DEATH

“I'm like my zombies. I won't stay dead!”

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