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Elizabeth Skene
Elizabeth Skene

24 Awesome Librarian Tattoos

Elizabeth Skene
Elizabeth Skene

1. Card Catalog Sleeve

Elizabeth Skene has what might be the most awesomely complete librarian sleeve around, featuring a skull sitting on top of a book, with a graduation cap next to a card catalog with a banner reading “Peace and Knowledge.” There is also an open book with pages coming out and turning into birds. Let there be no doubt here: Elizabeth loves libraries. Tattoo by Frank William of the Chicago Tattoo Company.

2. Shhh

The folks behind 8 Bit Library, a librarian blog, wanted to encourage librarians to show their pride in their work, and thus they started Project Brand Yourself A Librarian. A lot of people joined in, including Lauren Comito, who got this lovely silhouette of a woman shushing noisy patrons.

While it seems like the icon merely represents the stereotypical librarian, it actually has far more meaning to Ms. Comito. After discovering that big budget cuts in her library system would mean she would be laid off, she created the image as a protest that library supporters won’t be silenced in the fight to keep their local branches open. She made hundreds of tees and organized a protest that resulted in most of the branch’s funding being restored. After that, it seemed only fitting to get the icon tattooed on her body. If you like the image, you can buy one of the shirts bearing the icon, which will also help support the fight to keep NYC public libraries open for years to come.

3. Super Librarian

Tattooed Librarians and Archivists reader Michelle is a high school librarian who wanted to get something to represent her career. She chose a superhero librarian and based the design on the old-school DC character Mary Marvel and had it inked by Chris Cockrill of Avalon II Tattoo. I think the world could use a few more super librarians, don’t you?

4. Library Icon

Flickr user infowidget also participated in Project Brand Yourself a Librarian by getting the classic library symbol tattooed on her inner wrist.

5. The Book Tree

Here’s another “Brand Yourself” participant, this time tattooed by Anne Marsh of Nemesis Tattoo. Flickr user bookishJulia got the library icon underneath the roots of a tree that has sprung from the pages of a book.

6. Dewey Decimal Number

Flickr user Cardamom is so proud of her role as a children’s librarian that she got the Dewey Decimal number for books on operating libraries for children. Of course, only those well-versed in the decimal system numbers will actually get that reference without having to look it up.

7. Harry Potter Dewey Decimal Number

Great White Snark reader Becca is a full-time librarian who loves Harry Potter. How much does she love the series? Enough to get its Dewey Decimal number tattooed across her back in the iconic font, colored Slytherin green.

8. Egyptian Goddess

Just looking at this piece you’ll recognize it as a librarian tattoo, but what makes LiveJournal user Oh Chris’ tattoo by Kristen at Artisanal Tattoo really great are how many details he has hidden inside the design. For example, the hieroglyphics are phonetic transliterations for the names of his family members and the two open books have images symbolizing his favorite childhood books – The BFG and Jabberwock.

9. Librarian Skull

Prefer your ink a little more hardcore than most of these librarian tattoos? Then, you’ll probably approve of Jason Puckett’s tattoo by Ron Hendon of Midnight Iguana Tattooing that features a bespectacled skull with “crossbooks” and a “librarian” banner.

10. Voodoo Reader

Jim McClusky is a librarian in Washington, so obviously he thinks reading is pretty darn important, even if you’re only a poor little voodoo doll. Artwork by Mary J. Hoffman, tattoo by Curtis James of Anchor Tattoo.

11. Tarot Card

Flickr user whatnot’s friend Diane got this great librarian tarot card featuring a bee-keeping skeleton. I don’t know what makes this skeleton a librarian, but I definitely love the artwork.

12. Where the Wild Children Are

Heather Warren of the Philadelphia Free Library has this amazing children’s literary sleeve featuring characters from famous titles such as Where the Wild Things Are, The Little Prince, Matilda, The Giving Tree, and more. Cory Doctorow of BoingBoing spotted her work, done by Bird of the Black Vulture Gallery, and was kind enough to share it with the net in general.

13 and 14. Beautiful Book Goodness

Reader Melissa Deemer shared her ink with other fans of our At the Libraries column.

As you can see, both her library shield and her open book pieces are absolutely stunning. She also has a delightful “Dewey Ale” design featuring a stein bearing the Dewey digits for “beverage technology.”

15. There’s Not Much More to Life Than Books

Anyone who reads profusely has had someone, at some point, tell them “there’s more to life than books”—but, as any fan of The Smiths can tell you, “not much more.” This wonderful Smiths-inspired design was sent to Tattooed Librarians and Archivists by a library technician and MLIS student who works at a Bay Area high school and got the piece as a 31st birthday present. The artwork was done by Dan Gilsdorf at Tattoo 13 in Oakland.

16. Shhhhhh

If there’s one thing everyone has heard from a librarian at one point or another in their childhoods, it’s “shhh.” And while some librarians try to discredit this stereotype, others embrace it—including this youth services supervisor who works in a New Jersey public library. This cute piece, submitted to Tattooed Librarians and Archivists, was done at Tattooville in Neptune, New Jersey.

17. The Dewey Cutter

Reader Kati Donaghy shared this great Dewey tattoo with us in the comments of our first librarian tattoos article, calling it her “spine label.” She pointed out that her choice of numbers even includes a Cutter number—a code that allows librarians to arrange books alphabetically by the author’s last name. That’s important because it means she was not only able to include a Dewey number for “Biography in the library's role in culture,” but she was also able to include her own Cutter number that means “DonK.”

18. A Naughty Librarian

A Tattooed Librarians and Archivists reader submitted this great pinup tattoo that she got to celebrate earning her Masters of Library and Information Science. It seems particularly fitting that the pinup librarian also has tattoos.

19. Public Library Pride

Tattooed Librarians and Archivists reader Amy is a librarian at a small library in the Florida Panhandle. As you can tell, she’s a big fan of public libraries—especially the one where she works.

20. Where the Reading Begins

One librarian submitted this great Shel Silverstein tattoo to the Tattoo Lit Tumblr, which is dedicated exclusively to literary tattoos (though most of the contributors are not librarians). The site is operated by the group who put together the book The Word Made Flesh, which I highly suggest checking out if you just can’t get enough great pics of literary tattoos.

21. Read or Die

Another submitter to the Tattoo Lit Tumblr shared this old school style tattoo depicting a skull atop a pile of books. The tattoo was a celebration of that person’s educational choice as he or she is a library science student specializing in rare books and manuscripts.

22. Much Ado About Books

A Master of Library Science with a concentration in Archives Management sent this Much Ado About Nothing quote tattoo into Tattooed Librarians and Archivists. She got the tattoo from Moose Tattoo and Piercings of Vermont and chose the line because she wrote her undergraduate thesis on the play.

23. Alphabetical Awesome

Reader Elizabeth Wisker writes, “I have a degree in library and information science. Here's my alphabet tattoo... pretty sure I’ll love it when I’m 95, and here's hoping I live that long.”

24. It’s So Hard to Say Goodbye

How do you say goodbye when you leave your old job? Even if you have only positive memories of the position, chances are you probably still won’t get the logo of your old company tattooed on you, but for librarian Dan Lee, permanently inking the Broome Public Library’s logo into his skin was the perfect way to end that chapter of his life.

Special thanks to Tattooed Librarians and Archivists, which features all sorts of fantastic ink from librarians, archivists, curators and similarly employed individuals. While we try to focus on librarian tattoos based on the careers of a librarian, the site provides a great look into all types of tattoos people in the industry choose to get.

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11 Single Facts About Bridget Jones’s Diary
Miramax
Miramax

While it's not officially a holiday movie, so much of the action in Bridget Jones's Diary happens around the most wonderful time of the year that the rom-com has become essential wintertime viewing for many movie fans. Based on Helen Fielding’s novel of the same name, it tells the story of a very single, and hopelessly romantic, working professional named Bridget (Renée Zellweger) who is determined to improve her love life. Enter two strapping gentlemen (Colin Firth and Hugh Grant) to vie for her heart. Get to know more about the timeless dramedy that’s been delighting audiences since 2001. Just as it is.

1. THE SOURCE NOVEL CAME ABOUT FROM AN ANONYMOUS COLUMN ABOUT SINGLE LIFE.

In the foreword of Bridget Jones’s Diary, author Helen Fielding wrote about how she came to conjure up the story: “The Independent asked me to write a column, as myself, about single life in London. Much as I needed the money, the idea of writing about myself in that way seemed hopelessly embarrassing and revealing. I offered to write an anonymous column instead, using an exaggerated, comic, fictional character. I assumed no one would read it, and it would be dropped after six weeks for being too silly.”

2. SEVERAL CHARACTERS ARE BASED ON PEOPLE IN HELEN FIELDING’S LIFE.


Miramax

These include Jude (Tracey MacLeod) and Shazzer (Sharon Maguire, also the film’s director). In a column for the Evening Standard, MacLeod described how she didn’t even realize she inspired part of her best friend’s story until Fielding’s book launch party. “At the launch party for the first Bridget book, I was cornered by a smug married friend, ‘So ... what's it like being Jude?’ she asked,” MacLeod writes. “I was outraged. Of course I wasn't Jude, with her self-help books and horrible boyfriend. My boyfriend wasn't anything like Vile Richard ... But as more people began to believe that Jude and Shazzer were thinly-veiled portraits of myself and Sharon, I secretly got to like the idea.”

3. TONI COLLETTE DECLINED THE LEAD, AND KATE WINSLET WAS CONSIDERED FOR IT.

Before Zellweger stole the show, Aussie Toni Collette and Brit Kate Winslet were up for the part. According to AMC, “Toni Collette declined the role because she was on Broadway starring in The Wild Party at the time, and Kate Winslet was considered but the producers decided she was too young.”

4. HUGH GRANT ONLY SIGNED ON WHEN RICHARD CURTIS WAS ANNOUNCED AS THE WRITER. 


Miramax

“The only reason [I was a hard sell] was because I didn't feel they had the script quite right for a long time,” Firth told Cinema.com. “And I kept saying, ‘It's not working. Just get Richard Curtis to come in and help rewrite it.’ Eventually they did, and as soon as Richard came on board, I signed on the dotted line. So that's all it was.”

5. RENÉE ZELLWEGER GAINED 17 POUNDS FOR THE PART.

Zellweger’s weight gain for the role had the media abuzz for a while. According to The Guardian, “In order to play the eponymous heroine in the film adaptation of Fielding's bestseller, the actress gained 17 pounds, consulting a dietitian and endocrinologist who devised a regime of three full meals a day, multiple snacks, and no exercise.”

6. ZELLWEGER WORKED AT PICADOR FOR THREE WEEKS.

Zellweger went full Method for her iconic role, and became a temporary employee of the Picador publishing house. “We came up with a plan: she would be Bridget Cavendish, Bridget for obvious reasons and Cavendish as she was to be passed off as the sister of Jonathan Cavendish, a friend of one of our company chairmen,” Picador publicist Camilla Elworthy told The Guardian. “That last bit at least is true, and no one was to know that Jonathan Cavendish was one of the film's producers.”

7. ZELLWEGER KEPT A PHOTO OF JIM CARREY ON HER DESK.


Miramax

While working at Picador, Zellweger kept a picture of Jim Carrey on her desk—which made her alter ego Bridget Cavendish seem like some sort of obsessed fan. “Under the name Bridget Cavendish, she answered phones, served coffee, and made photocopies—without being recognized by any of her co-workers, who offered career advice and wondered privately why she kept a photo of Jim Carrey (her then-boyfriend) on her desk,” noted Hollywood.com.

8. ZELLWEGER INVITED HER BOSS AT PICADOR TO BE AN EXTRA ON SET.

In Camilla Elworthy’s write-up for The Guardian, she noted how she became a part of the production. “Renée sent me a thank you letter and gift after she'd gone and I have seen her a few times since then," Elworthy wrote. "She invited me on to the film set one day. She informed me that I had to stick around and be an extra and made sure that I was put somewhere that I would be seen ... As a result, half my head can be seen for half a nano-second in the launch party scene.”

9. THE EPIC FIGHT SCENE BETWEEN GRANT AND COLIN FIRTH WASN’T CHOREOGRAPHED.

You can thank the two actors for the hilarity of the iconic scene. In a Vulture article about the greatest fight scenes in movie history, writer Denise Martin recalled the improvised spar, writing, “No stunt coordinators. No elaborate choreography. Just a perfectly realized wimp brawl between two upper-middle-class Englishmen coming to awkward fisticuffs in front of a Greek restaurant.”

10. FIELDING ASKED FRIEND SALMAN RUSHDIE TO CAMEO IN THE FILM.

Recalling how he came to be part of the film, famed novelist Salman Rushdie told Texas Monthly, “Helen Fielding, the author of the book, is an old pal of mine, and she asked if I’d come along and make a fool of myself, and I said, ‘Why not?’”

11. GRANT DIDN’T HEAR ZELLWEGER SPEAK IN HER AMERICAN ACCENT UNTIL THE FILM’S WRAP PARTY.

Zellweger was so engrossed with Bridget Jones that one of her leading love interests didn’t meet the real actress until the end of the shoot. “Not once did she stop speaking with that accent, until the wrap party,” Grant told Cinema.com, “when suddenly this weird ... Texan appeared. I wanted to call security, I didn't know who the f*ck she was!”

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15 Surprising Facts About Scarface
Universal Home Video
Universal Home Video

Say hello to our little list. Here are a few facts to break out at your next screening of Scarface, Brian De Palma’s gangsters-and-cocaine classic, which arrived in theaters on this day in 1983.

1. IT WASN'T THE FIRST SCARFACE.

Brian De Palma's Scarface is a loose remake of the 1932 movie of the same name, which is also about the rise and fall of an American immigrant gangster. The producer of the 1983 version, Martin Bregman, saw the original on late night TV and thought the idea could be modernized—though it still pays respect to the original film. De Palma's flick is dedicated to the original film’s director, Howard Hawks, and screenwriter, Ben Hecht.

2. IT COULD HAVE BEEN A SIDNEY LUMET FILM.

At one point in the film's production, Sidney Lumet—the socially conscious director of such classics as Dog Day Afternoon and 12 Angry Men—was brought on as its director. "Sidney Lumet came up with the idea of what's happening today in Miami, and it inspired Bregman," Pacino told Empire Magazine. "He and Oliver Stone got together and produced a script that had a lot of energy and was very well written. Oliver Stone was writing about stuff that was touching on things that were going on in the world, he was in touch with that energy and that rage and that underbelly."

3. OLIVER STONE WASN'T INTERESTED IN WRITING THE SCRIPT, UNTIL LUMET GOT INVOLVED.


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Producer Bregman offered relative newcomer Oliver Stone a chance to overhaul the screenplay, but Stone—who was still reeling from the box office disappointment of his film, The Hand—wasn't interested. "I didn’t like the original movie that much," Stone told Creative Screenwriting. "It didn’t really hit me at all and I had no desire to make another Italian gangster picture because so many had been done so well, there would be no point to it. The origin of it, according to Marty Bregman, [was that] Al had seen the '30s version on television, he loved it and expressed to Marty as his long time mentor/partner that he’d like to do a role like that. So Marty presented it to me and I had no interest in doing a period piece."

But when Bregman contacted Stone again about the project later, his opinion changed. "Sidney Lumet had stepped into the deal," Stone said. "Sidney had a great idea to take the 1930s American prohibition gangster movie and make it into a modern immigrant gangster movie dealing with the same problems that we had then, that we’re prohibiting drugs instead of alcohol. There’s a prohibition against drugs that’s created the same criminal class as (prohibition of alcohol) created the Mafia. It was a remarkable idea."

4. UNFORTUNATELY, ACCORDING TO STONE, LUMET HATED HIS SCRIPT.

While the chance to work with Lumet was part of what lured Stone to the project, it was his script that ultimately led to the director's departure from the film. According to Stone: "Sidney Lumet hated my script. I don’t know if he’d say that in public himself, I sound like a petulant screenwriter saying that, I’d rather not say that word. Let me say that Sidney did not understand my script, whereas Bregman wanted to continue in that direction with Al."

5. STONE HAD FIRSTHAND EXPERIENCE WITH THE SUBJECT MATTER.

In order to create the most accurate picture possible, Stone spent time in Florida and the Caribbean interviewing people on both sides of the law for research. "It got hairy," Stone admitted of the research process. "It gave me all this color. I wanted to do a sun-drenched, tropical Third World gangster, cigar, sexy Miami movie."

Unfortunately, while penning the screenplay, Stone was also dealing with his own cocaine habit, which gave him an insight into what the drug can do to users. Stone actually tried to kick his habit by leaving the country to complete the script so he could be far away from his access to the drug.

"I moved to Paris and got out of the cocaine world too because that was another problem for me," he said. "I was doing coke at the time, and I really regretted it. I got into a habit of it and I was an addictive personality. I did it, not to an extreme or to a place where I was as destructive as some people, but certainly to where I was going stale mentally. I moved out of L.A. with my wife at the time and moved back to France to try and get into another world and see the world differently. And I wrote the script totally f***ing cold sober."

6. BRIAN DE PALMA DIDN'T WANT TO AUDITION MICHELLE PFEIFFER.


Universal Home Video

De Palma was hesitant to audition the relatively untested Pfeiffer because at the time she was best known for the box office bomb Grease 2. Glenn Close, Geena Davis, Carrie Fisher, Kelly McGillis, Sharon Stone and Sigourney Weaver were all considered for the role of Elvira, but Bregman pushed for Pfeiffer to audition and she got the part.

7. YES, THERE IS A LOT OF SWEARING.

According to the Family Media Guide, which monitors profanity, sexual content, and violence in movies, Scarface features 207 uses of the “F” word, which works out to about 1.21 F-bombs per minute. In 2014, Martin Scorsese more than doubled that with a record-setting 506 F-bombs thrown in The Wolf of Wall Street.

8. TONY MONTANA WAS NAMED FOR A FOOTBALL STAR.

Stone, who was a San Francisco 49ers fan, named the character of Tony Montana after Joe Montana, his favorite football player.

9. TONY IS ONLY REFERRED TO AS "SCARFACE" ONCE, AND IT'S IN SPANISH.

Hector, the Colombian gangster who threatens Tony with the chainsaw, refers to Tony as “cara cicatriz,” meaning “scar face” in Spanish.

That chainsaw scene, by the way, was based on a real incident. To research the movie, Stone embedded himself with Miami law enforcement and based the infamous chainsaw sequence on a gangland story he heard from the Miami-Dade County police.

10. VERY LITTLE OF THE FILM WAS ACTUALLY SHOT IN MIAMI.

The film was originally going to be shot entirely on location in Miami, but protests by the local Cuban-American community forced the movie to leave Miami two weeks into production. Besides footage from those two weeks, the rest of the movie was shot in Los Angeles, New York, and Santa Barbara.

11. ALL THAT "COCAINE" LED TO PROBLEMS WITH PACINO'S NASAL PASSAGES.

Though there has long been a myth that Pacino snorted real cocaine on camera for Scarface, the "cocaine" used in the movie was supposedly powdered milk (even if De Palma has never officially stated what the crew used as a drug stand-in). But just because it wasn't real doesn't mean that it didn't create problems for Pacino's nasal passages. "For years after, I have had things up in there," Pacino said in 2015. "I don't know what happened to my nose, but it's changed."

12. PACINO'S NOSE WASN'T HIS ONLY BODY PART TO SUFFER DAMAGE.

Still of Al Pacino as Tony Montana in 'Scarface' (1983)
Universal Home Video

In the film's very bloody conclusion, Montana famously asks the assailants who've invaded his home to "say hello to my little friend," which happens to be a very large gun. That gun took a beating from all the blanks it had to fire, so much so that Pacino ended up burning his hand on its barrel. "My hand stuck to that sucker," he said. Ultimately, the actor—and his bandaged hands—had to sit out some of the action in the last few weeks of production.

13. STEVEN SPIELBERG DIRECTED A SINGLE SHOT.

De Palma and Spielberg had been friends since the two began making studio movies in the mid-1970s, and they made a habit of visiting each other’s sets. Spielberg was on hand for one of the days of shooting the Colombians’ initial attack on Tony Montana’s house at the end of the movie, so De Palma let Spielberg direct the low-angle shot where the attackers first enter the house.

14. SOME COOL TECHNOLOGY WENT INTO THE GUN MUZZLE FLASHES.

In order to heighten the severity of the gunfire, De Palma and the special effects coordinators created a mechanism to synchronize the gunfire with the open shutter on the movie camera to show the huge muzzle flash coming from the guns in the final shootout.

15. SADDAM HUSSEIN WAS A FAN OF THE FILM.

The trust fund the former Iraqi dictator set up to launder money was called “Montana Management,” a nod to the company Tony uses to launder money in the movie.

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