The Mongolian Princess Who Challenged Her Suitors to a Wrestling Match—and Always Won

iStock.com / SarahWouters1960
iStock.com / SarahWouters1960

In a lot of fairy tales, a disapproving father or a witch's curse stops the princess from finding Prince Charming. But things were a little different in 13th-century Mongolia. Any single lad, regardless of status or wealth, could marry the khan's daughter, Khutulun. There was just one caveat, which the princess herself decreed—you couldn't take her hand in marriage until you took her down in a wrestling match. If you lost, you had to give her a handful of prize horses.

Sounds easy, right? Nope. After all, this is the great-great-granddaughter of Genghis Khan we're talking about!

Born around 1260, Khutulun was an intimidating presence. According to The Travels of Marco Polo, the princess was "so well-made in all her limbs, and so tall and strongly built, that she might almost be taken for a giantess." She was also the picture of confidence. She had mastered archery and horsemanship in childhood and grew up to become a fearless warrior. Whenever her father, Kaidu—the leader of the Chagatai Khanate—went to battle, he usually turned to Khutulun (and not his 14 sons) for help.

Nothing scared her. Not only did Khutulun ride by her father's side into battle, she'd regularly charge headfirst into enemy lines to make "a dash at the host of the enemy, and seize some man thereout, as deftly as a hawk pounces on a bird, and carry him to her father," Marco Polo wrote. The 13th- and 14th-century historian Rashid al-Din was more direct, writing that she "often went on military campaigns, where she performed valiant deeds."

It's no surprise that Khutulun had suitors lining up and down the street asking for her hand in marriage. The princess, however, refused to marry any of them unless they managed to beat her in a wrestling match, stipulating that any loser would have to gift her anywhere between 10 to 100 horses.

Let's just put it this way: Khutulun came home with a lot of prize horses. (Some accounts say 10,000—enough to make even the emperor a little jealous.) As author Hannah Jewell writes in her book She Caused a Riot, "The Mongolian steppes were littered with the debris of shattered male egos."

On one occasion, a particularly confident suitor bet 1000 horses on a match. Khutulun's parents liked the fellow—they were itching to see their daughter get married—so they pulled the princess aside and asked her to throw the match. After carefully listening to her parents' advice, Khutulun entered the ring and, in Polo's words, "threw him right valiantly on the palace pavement." The 1000 horses became hers.

Khutulun would remain undefeated for life. According to legend, she eventually picked a husband on her own terms, settling for a man she never even wrestled. And centuries later, her story inspired François Pétis de La Croi to write the tale of Turandot, which eventually became a famed opera by the composer Giacomo Puccini. (Though the opera fudges the facts: The intrepid princess defeats her suitors with riddles, not powerslams.)

5 Fast Facts About Muhammad Ali

Kent Gavin/Getty Images
Kent Gavin/Getty Images

Muhammad Ali is one of the most important athletes and cultural figures in American history. Though he passed away in 2016, the heavyweight boxing champ was larger than life in and outside of the ring. The man who coined the phrase "float like a butterfly, sting like a bee” won 37 knockout victories. Here are five more fast facts about Muhammad Ali, a.k.a. The Greatest.

1. Cassius Clay was named for a white abolitionist.

Muhammad Ali was born Cassius Marcellus Clay, Jr. and named after his father, who had in turn been named for a white abolitionist. The original Cassius Clay was a wealthy 19th-century planter and politician who not only published an anti-slavery newspaper, but also emancipated every slave he inherited from his father. Cassius Clay also served as a minister to Russia under President Abraham Lincoln.

2. Muhammad Ali's draft evasion case went to the Supreme Court.

In the early 1960s, Clay converted to Islam, joined the Nation of Islam, and took the name Muhammad Ali. According to his religious beliefs, Ali refused to serve in the Vietnam War when he was drafted in April 1967. He was arrested and stripped of his boxing license and heavyweight title. On June 20, 1967, he was convicted of draft evasion and banned from fighting while he remained free on appeal. His case went all the way to the U.S. Supreme Court, which unanimously overturned his conviction in 1971.

3. He received a replacement gold medal.

At the 1960 Summer Olympics in Rome, Ali won the gold medal for boxing in the light heavyweight division. But, as he wrote in his 1975 autobiography, The Greatest: My Own Story (edited by Toni Morrison!), he supposedly threw his medal into the Ohio River in frustration over the racism he still experienced in his hometown of Louisville, Kentucky. Some historians dispute this story and suggest that Ali just lost the medal. Either way, he was given a replacement when he lit the Olympic cauldron at the opening ceremonies of the 1996 Olympic Games in Atlanta.

4. Muhammad Ali was an actual superhero.

In 1978, DC Comics published Superman vs. Muhammad Ali—an oversize comic in which Muhammad Ali defeats Superman and saves the world. In real life, Ali did save a man from suicide. In 1981, a man threatened to jump from the ninth story of a building in L.A.’s Miracle Mile neighborhood. Ali’s friend Howard Bingham witnessed the unfolding drama and called the boxer, who lived nearby. Ali rushed into the building and successfully talked the man down from the ledge.

5. Muhammad Ali starred in a Broadway show.

In Oscar Brown, Jr.'s 1969 musical adaptation of Joseph Dolan Tuotti's play Big Time Buck White, Ali played a militant black intellectual who speaks at a political meeting. The play ran for only five nights at the George Abbot Theatre in New York. His Playbill bio reported that Ali "is now appealing his five-year prison conviction and $10,000 fine for refusing to enter the armed services on religious grounds. The Big Time Buck White role that he has accepted is much like the life he lives off stage in reality.”

Why Do Brides Traditionally Wear White? You Can Thank Queen Victoria

The royal family has been setting fashion standards since long before Kate Middleton and Meghan Markle became household names. More than 175 years ago, the wedding dress Queen Victoria wore when she married Prince Albert in 1840 made a major statement. Victoria's off-the-shoulder satin gown was covered in delicate lace, but most impressively of all, it was the color of snow.

Wedding dress styles have changed a great deal since the Victorian era, but the light color palette has more or less remained a constant, according to Vanity Fair. White wasn’t always the obvious choice, though.

Prior to Queen Victoria’s royal wedding, red and other bright hues were the go-to colors for would-be brides. While Queen Victoria is largely credited with being the person who popularized the white wedding dress tradition as we know it today, she wasn’t the first woman to wear white on her wedding day—or even the first royal bride to don the the color (Mary, Queen of Scots opted for white when she married the Dauphin of France in 1558).

While some accounts have suggested that Queen Victoria wore white as a symbol of her sexual purity, historians have pointed out that wearing white was more of a status symbol. Wealthy brides wore the color to flaunt the fact that they could afford to have the dress cleaned—a task that was notoriously difficult in those days.

"Before bleaching techniques were mastered, white was a rare and expensive color, more a symbol of wealth than purity,” biographer Julia Baird wrote in Victoria: The Queen. “Victoria was not the first to wear it, but she made it popular by example. Lace makers across England were thrilled by the sudden surge in the popularity of their handiwork."

Eventually, white weddings became the standard—particularly once synthetic fibers became widely available (and cheaper than satin). With that, the “definitive democratization of the white wedding gown” was complete, Carol Wallace wrote in All Dressed in White: The Irresistible Rise of the American Wedding.

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